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Smash Hits Volume 34
\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5. -
What to Watch
WEDNESDAY, MARCH 17, 2021 had. Kevin (Casey Cott) and Fangs (Drew Ray ‘True Tanner) make a big decision about their future Conviction’ What together. MOVIES The Masked Singer YOU’LL LOVE to watch FOX, 7 p.m. Group B performers take to the stage for the first time, and one will be unmasked at the WEDNESDAY end of the new episode “Group B Premiere — March 17, 2021 Shamrock and Roll.” All times Mountain. Start times can vary based Chicago Med on cable/satellite provider. Confirm times on NBC, 7 p.m. your on-screen guide. In “For the Want of a Nail,” as Maggie ‘Alice in Wonderland’ (Marlyne Barrett) deals with her own trauma, DISNEY ENTERPRISES INC. My Feet Are Killing Me: she steps in to help a mother in need. The Peanuts Movie (2015, DISCOVERY COMMUNICATIONS Meanwhile, Dean (Steven Weber) continues Children) Noah Schnapp, Hadley Footnotes to stir the pot with more than one doctor, and Belle Miller FXM, 3:40 p.m. discovery+ (Season 5), “Chain of Command” (Season 6), a patient comes to Med needing immediate This program features never-before-seen “Tapestry” (Season 6) and the series finale, treatment but doesn’t want it from them. Scary Movie 2 (2001, Comedy) cases with your favorite foot doctors as well “All Good Things...” (Season 7). Shawn Wayans, Marlon Wayans as follow-ups with memorable patients to see Chicago Fire VH1, 6 p.m. how they are doing today. NHL Hockey NBC, 8 p.m. Alice in Wonderland (2010, NBCSN, beginning at 5:30 p.m. Live In “Double Red,” Mouch (Christian Stolte), Children) Johnny Depp, Mia True Conviction A pair of Wednesday Night Hockey matchups Gallo (Alberto Rosende), Ritter (Daniel Kyri) Wasikowska Freeform, 6:30 p.m. -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
Criminal Minds
February 2020 #82 __________________________________________________________________________________________ _____ Broadcast Has Some Great TV Series Too By Steve Sternberg In December, I released my analysis of the 27 best TV series of 2019. In alphabetical order – Barry, Big Little Lies, Bosch, The Boys, Dead to Me, Fleabag, GLOW, Goliath, The Good Fight, The Good Place, Harlots, Jessica Jones, Killing Eve, The Kominsky Method, Mindhunter, The Morning Show, Mr Inbetween, Pose, Queen of the South, Rick & Morty, Russian Doll, Sneaky Pete, Star Trek: Discovery, Succession, This is Us, Vida, and Watchmen. As was the case with the Emmys, The Golden Globes, and virtually every TV critic, I demonstrated a clear bias against broadcast network series. Of my 27 best TV series, 15 are on streaming services, 5 are on premium cable, 5 are on ad-supported cable, and only 2 were on broadcast TV. There are, of course, some logical reasons for this. • Broadcast series have to answer to advertisers (and the FCC), so have limitations regarding language and sexual content that do not hinder cable or streaming services. A Sternberg Report Sponsored Message Reach thousands of highly engaged media and advertising decision makers. Contact [email protected] for details about advertising here. The Sternberg Report ©2020 __________________________________________________________________________________________ _____ • While cable and streaming series generally have between 6 and 13 episodes per season, broadcast series typically have between 17 and 24 episodes (although a few this season have 13). It’s difficult to write that many good episodes in a season, so it requires a lot more “filler.” • More broadcast dramas have self-contained episodes, as opposed to season-long story arcs, which are more prevalent on cable and streaming series. -
September / October
CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 5 Number 5 September-October 2005 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE TILT OF THE KILT Wicked Tinkers Photo by Chris Keeney BY RON YOUNG inside this issue: he wail of the bagpipes…the twirl of the dancers…the tilt of the kilts—the surge of the FADO: The Soul waves? Then it must be the Seaside Highland Games, which are held right along the coast at of Portugal T Seaside Park in Ventura. Highly regarded for its emphasis on traditional music and dance, this festival is only in its third year but is already one Interview: of the largest Scottish events in the state. Games chief John Lowry and his wife Nellie are the force Liz Carroll behind the rapid success of the Seaside games. Lowry says that the festival was created partly because there was an absence of Scottish events in the region and partly to fill the void that was created when another long-standing festival PLUS: was forced to move from the fall to the spring. With its spacious grounds and variety of activities, the LookAround Seaside festival provides a great opportunity for first-time Highland games visitors who want to experience it all. This How Can I Keep From Talking year’s games will be held on October 7, 8 and 9, with most of the activity taking place on the Saturday and Sunday. -
They Say in Harlan County
They Say in Harlan County They Say in Harlan County An Oral History ALESSANDRO PORTELLI 1 2011 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2011 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, NY 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data They say in Harlan County : an oral history / Alessandro Portelli. p. cm. Includes bibliographical references and index. ISBN 978–0–19–973568–6 1. Harlan County (Ky.)—History. 2. Harlan County (Ky.)—Social conditions. 3. Harlan County (Ky.)—Economic conditions. 4. Harlan County (Ky.)—Social life and customs. 5. Harlan County (Ky.)—Biography. 6. United Mine Workers of America—History. 7. Labor unions—Organizing—Kentucky—Harlan County—History. 8. Working class— Kentucky—Harlan County. 9. Oral history—Kentucky—Harlan County. 10. Interviews—Kentucky—Harlan County. I. Portelli, Alessandro. F457.H3T447 2010 976.9'154—dc22 2010010364 987654321 Printed in the United States of America on acid-free paper Frontispiece: Employees’ homes in the west end of Benham, Harlan County. -
Tv Advertised Lp's
AUSTRALIAN RECORD LABELS TV ADVERTISED LABELS 1970 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, SEPTEMBER 2018 1 ACKNOWLEDGEMENTS MANY THANKS TO PAUL ELLWOOD FOR HELP WITH J & B. ANDREW RENAUT’S WEBSITE LISTS MANY OF THE MAJESTIC / K-TEL COMPILATIONS: https://majesticcompilations.com/ CONCEPT RECORDS CONCEPT RECORD PTY LTD, 139 MURRAY ST, PYRMONT, 2009 // 37 WHITING ST, ARTARMON, 2064. BEGUN BY THEO TAMBAKIS AS A J & B SPECIAL PRODUCTS LABEL. ACTIVE FROM 1984. CC 0001 BREAKIN’ IT UP VARIOUS 1984 CC 0002 HOWLIN’ FOR HITS 2LP VARIOUS 1984 CC 0003 LOVE THEMES INSPIRED BY TORVILL & DEAN VARIOUS CC 0004 THAT’S WHAT I CALL ROCK ‘N’ ROLL VARIOUS CC 0005 THE BOP WON’T STOP VARIOUS 1985 CC 0006 THE HITS HITS HITS MACHINE 2LP VARIOUS 1985 CC 0007 MASTERWORKS COLLECTION VARIOUS 1985 CC 0008 CC 0009 LOVE ME GENTLY VARIOUS CC 0010 4 STAR COUNTRY 2LP DUSTY, REEVES, WHITMAN, WILLIAMS CC 0011 CC 0012 THE DANCE TAPES VARIOUS 1985 CC 0013 KISS-THE SINGLES KISS 1985 CC 0014 THE VERY BEST OF BRENDA LEE 2LP BRENDA LEE 1985 CC 0015 SOLID R.O.C.K. VARIOUS 1985 CC 0016 CC 0017 CC 0018 HIT AFTER HIT VARIOUS 1985 CC 0019 BANDS OF GOLD 2LP VARIOUS CC 0020 THE EXTENDED HIT SUMMER 2LP VARIOUS 1985 CC 0021 METAL MADNESS 2LP VARIOUS 1985 CC 0022 FROM THE HEART VARIOUS 1986 CC 0023 STEPPIN’ TO THE BEAT VARIOUS 1986 CC 0024 STARDUST MELODIES NAT KING COLE CC 0025 THE VERY BEST OF OZ ROCK 2LP VARIOUS 1986 CC 0026 SHE BOP VARIOUS 1986 CC 0027 TI AMO VARIOUS 1986 CC 0028 JUMP ‘N’ JIVE VARIOUS 1986 CC 0029 TRUE LOVE WAYS VARIOUS 1986 CC 0030 PUTTIN’ ON -
Jews and Hollywood
From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A. -
TOO MANY CARS Town Clerk’S of Ce During Regular Town Hall Hours; Monday, 8:30 A.M
WEDNESDAY, JANUARY 22, 2020 Saugus clerk: Lynn PD gets $535K to combat gangs Early voting By Gayla Cawley “(They’re) separate grants, but it’s kind safe haven for kids to go to on Friday or ITEM STAFF of the same goal of intervention strate- Saturday nights. gies and violence prevention for at-risk The drop-in center, a community polic- LYNN — The Lynn Police Depart- youth,” said Kenny. ing effort that the department says has won’t topple ment has received more than $535,000 Lynn has been receiving support from led to a reduction in gang violence in the in grant funding to support its efforts to curb youth violence. the Shannon Grant since its inception city, provides alternative evening activi- 2016 record The funding is through the state’s more than a dozen years ago, but Kenny ties for youth. Shannon Community Safety Initiative noted that this year’s total of $295,083 “It’s just a great opportunity to provide By Thor Jourgensen and Safe and Successful Youth Initiative was particularly exciting because it interaction between youth and police ITEM STAFF (SSYI) grant programs. marks an increase from what the depart- and keep them away from that risky be- Both programs aim to steer at-risk ment has been awarded in the past. havior,” said Kenny. “It’s keeping them SAUGUS — Town Clerk Ellen Sche- Some of the funding will go toward the off the street and gives them a positive na said the rst chance to weigh in on youth away from street violence and city’s Teen Drop-In Center, which is held place to hang out.” 2020 presidential candidates won’t be gang activity and toward positive activ- at Lynn Vocational Technical Institute in The grant also funds case management enough to motivate town residents to ity and opportunity, according to Lynn Police Lt. -
Keep It Down
COVER STORY..............................................................2 The Sentinel FEATURE STORY...........................................................3 SPORTS.....................................................................4 MOVIES............................................................8 - 22 WORD SEARCH/ CABLE GUIDE.......................................10 COOKING HIGHLIGHTS..................................................12 SUDOKU..................................................................13 tvweek STARS ON SCREEN/Q&A..............................................23 December 25 - 31, 2016 Keep it down Noah Wyle as seen in “The Librarians” Ewing Brothers 2 x 3 ad www.Since1853.com While the rest of the team sets out to recover the Eye of Ra and solve the mystery of the Bermuda Triangle, Flynn (Noah Wyle, “ER”) learns a great deal about himself in a new episode of “The Librarians,” airing Sunday, 630 South Hanover Street Dec. 25, on TNT. The series follows a group of Librarians tasked with retrieving powerful artifacts, solving Carlisle•7 17-2 4 3-2421 mysteries and battling supernatural threats to mankind. Rebecca Romijn (“X-Men,” 2000) and Christian Kane Steven A. Ewing, FD, Supervisor, Owner (“Leverage”) also star. 2 DECEMBER 24 CARLISLE SENTINEL cover story the other Librarians on their The other members of the many harrowing adventures. team each possess unique skills Stacks of thrills However, now that she and that help them on their many Carsen are romantically in- quests. Kane is Oklahoma-born Season 3 of ‘The Librarians’ in full swing on TNT volved, she struggles to keep cowboy Jacob Stone, the per- her feelings for him from get- fect combination of brains and By Kyla Brewer The big news this season is ting in the way of her duty to brawn, thanks to his knowledge TV Media the return of Noah Wyle, who protect the others. of art, architecture and history. -
2016 Leo Award Nominees & Winners
2016 LEO AWARD NOMINEES & WINNERS BEST MOTION PICTURE WINNER The Devout Amanda Verhagen, Daniel Hogg, Connor Gaston - Producers NOMINEES Meadowland Aaron L. Gilbert - Producer Numb Dylan Jenkinson, Robyn Wiener, Jason R. Goode, Rosie Perera, Nicholas Tabarrok, Dene Anderberg, Edward Noeltner - Producers She Who Must Burn Peri Creticos, Andrew Dunbar - Producers The Birdwatcher Alexandra Raffe, Carol Whiteman, Siobhan Devine, Ines Eisses, Roslyn Muir - Producers The Confirmation Shawn Williamson, Jamie Goehring, Robert Friedman, Todd Hoffman, Kevin Leeson, Jim Reeve, Robert Halmi Jr., Bob Nelson - Producers Tumbledown Aaron L. Gilbert, Margot Hand, Kristin Hahn - Producers White Raven Andrew Moxham, Andrew Dunbar, Shane Twerdun - Producers Page 1 of 100 2016 LEO AWARD NOMINEES & WINNERS BEST DIRECTION MOTION PICTURE WINNER Siobhan Devine The Birdwatcher NOMINEES Melanie Jones FSM Mark Sawers No Men Beyond This Point Jason R. Goode Numb Larry Kent She Who Must Burn Connor Gaston The Devout Page 2 of 100 2016 LEO AWARD NOMINEES & WINNERS BEST SCREENWRITING MOTION PICTURE WINNER Connor Gaston The Devout NOMINEES Mark Sawers No Men Beyond This Point Larry Kent, Shane Twerdun She Who Must Burn Roslyn Muir The Birdwatcher Andrew Moxham White Raven Page 3 of 100 2016 LEO AWARD NOMINEES & WINNERS BEST CINEMATOGRAPHY MOTION PICTURE WINNER Naim Sutherland Charlotte's Song NOMINEES Jan Kiesser Numb Stirling Bancroft She Who Must Burn Peter Woeste The Birdwatcher Daniel Carruthers The Devout Page 4 of 100 2016 LEO AWARD NOMINEES & WINNERS BEST PICTURE EDITING MOTION PICTURE WINNER Detritus Kozme The Devout NOMINEES Paolo Kalalo FSM Kyle Cassie, Simon Wheeldon Land of Smiles Elad Tzadok She Who Must Burn Daria Ellerman The Birdwatcher Page 5 of 100 2016 LEO AWARD NOMINEES & WINNERS BEST VISUAL EFFECTS MOTION PICTURE WINNER Chris Van Dyck, Calvin Romeyn, Erik Jensen, Jodie Camilleri, Camil Adell Numb NOMINEES Kevin Little, Ryan Jensen, Karen Watson, Dong Hyun Kim, Rafael Santos Jr. -
Li Thesis Word
Li 1 Emma Li Prof. Ruti Talmor Senior Seminar in Media Studies 5 December 2020 The Good Place as Meta-Television: The Production Process and the Narrative “Oh, it looks like paradise, but it’s actually a filthy dumpster full of our worst anxieties. .. We’ve been torturing each other since the moment we arrived, and everything Michael has done has made at least one of us miserable.” “Oh dip! Eleanor, I told you that first night that we were in a prank show.” (Schur) Welcome to The Good Place Introduction The Good Place is worth critically examining as a piece of meta-television not only for its metareferences to the television medium and conventions, but also as a case study for demonstrating the functional potentials and limitations of meta-television. Through analyzing The Good Place, this paper seeks to broaden the definition of meta-television to one that is inclusive of its intertextual, self-reflexive, critical, and functional characteristics. Not all of these characteristics need to be present for a show to be considered meta-television. Since much of the past scholarly focus has been on the former two characteristics, this paper also aims to encourage further exploration of the critical and functional potential of meta-television, especially as it relates to the television medium. This paper seeks to first gain a solid understanding of existing discourse on meta- television, the sitcom genre, and the television medium. Given this foundational knowledge, the primary questions this paper seeks to answer are the following. How does The Good Place operate as a work of meta-television and comment on its own medium? How does this case study challenge or expand upon current understandings of meta-television, especially in terms of its critical and functional potentials? Li 2 About the Show The Good Place, created by Michael Schur, is a genre-bending television series produced by NBC and internationally distributed by Netflix.