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Q Casino Announces Four Shows from This Summer's Back Waters
Contact: Abby Ferguson | Marketing Manager 563-585-3002 | [email protected] February 28, 2018 - For Immediate Release Q Casino Announces Four Shows From This Summer’s Back Waters Stage Concert Lineup! Dubuque, IA - The Back Waters Stage, Presented by American Trust, returns this summer on Schmitt Island! Q Casino is proud to announce the return of our outdoor summer experience, Back Waters Stage. This summer, both national acts and local favorites will take the stage through community events and Q Casino hosted concerts. All ages are welcome to experience the excitement at this outdoor venue. Community members can expect to enjoy a wide range of concerts from all genres from modern country to rock. The Back Waters Stage will be sponsoring two great community festivals this summer. Kickoff to Summer will be kicking off the summer series with a free show on Friday, May 25. Summer’s Last Blast 19 which is celebrating 19 years of raising money for area charities including FFA, the Boy Scouts, Dubuque County Fairgrounds and Sertoma. Summer’s Last Blast features the area’s best entertainment with free admission on Friday, August 24 and Saturday, August 25. The Back Waters Stage Summer Concert Series starts off with country rappers Colt Ford and Moonshine Bandits on Saturday, June 16. Colt Ford made an appearance in the Q Showroom last March to a sold out crowd. Ford has charted six times on the Hot Country Songs charts and co-wrote “Dirt Road Anthem,” a song later covered by Jason Aldean. On Thursday, August 9, the Back Waters Stage switches gears to modern rock with platinum recording artist, Seether. -
Bluegrass Songs with Chords
The Freebird Fell Intro: C Am C Am I was just a teenage boy on my way to school Mama mad at me for me 'cause I turned on the news Details still uncertain as I put on my shoes Wasn't sure what happened but I knew I had the blues. F GC Cause that's the day the freebird fell Oh, I remember it well F GC So many cried when Ronnie died He never said farewell F G What he'd say in a southern song C Am Stories told still here long F GC The day the freebird fell. CAm Pulled myself together and I went on my way Missed the bus on purpose so I could walk that day Tuesday's Gone and Simple Man Play on in my mind Sweet Home Alabama, Curtis Loew and One More Time 'Cause that's the day the freebird fell Oh, I remember it well So many cried when Ronnie died He never said farewell What he'd say in a southern song Stories told still here long The day the freebird fell. Freebird fell Freebird fell, mmmm. Many years have come and gone, a lot of things have changed Father time has passed me by one thing stayed the same When I'm feeling lonely, when I'm feeling blue I crank up some of that good ol' honkey, Lord I think of you. Back to the day the freebird fell Oh, I remember it well So many cried when Ronnie died Visit www.traditionalmusic.co.uk for more songs. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Since the Idea of Doing a Lynyrd Skynyrd Tribute Was Conceived By
For over three decades, Whiskey River’s musicians have thrilled audiences all over the West Coast as America's number one tribute to the legendary southern-rock band Lynyrd Skynyrd. Re-creating the image and the music of the southern rock band that took the world by storm in the "70's. Whiskey River not only plays Lynyrd Skynyrd, they personify the group onstage bringing the audience back in time thirty years as they blaze through classics like Sweet Home Alabama, Gimme Three Steps, The Breeze and their phenomenal note-for-note version of Lynyrd Skynyrd’s "Live" guitar opus Freebird. One of the most amazing aspects of Whiskey River’s tribute to Lynyrd Skynyrd is that their fan base literally runs from seven to seventy years old! Whiskey River has performed countless fairs, festivals, casinos and clubs throughout the region including Spokane Interstate Fair, Chehalis Music in the Parks, Darrington Classic Rock Festival, the White River Amphitheater, Key Arena @ Seattle Center, Bite of Seattle, the Emerald Queen, Tulalip, 7 Cedars, Red Wind and Skagit Casinos, the Jackson Prairie Speedway, the Sturgis Black Hills Rally in Sturgis, SD, and many many more. The band has also shared billing with numerous National Artists including Molly Hatchet, Delbert McClinton, Little Feat, Pat Travers, Foghat, Mountain, Grand Funk Railroad, Black Oak Arkansas, Quiet Riot, Dr. John, Savoy Brown, Seattle's own Randy Hansen, Elvin Bishop, Commander Cody, Paul Rodgers, Head East, Janis Joplin's band Big Brother and the Holding Company, Blue Oyster Cult, The Southern Rock All Stars, Iron Butterfly, Steppin Wolf and many others. -
The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3. -
Gimme Three Steps
GIMME THREE STEPS As recorded by Lynyrd Skynyrd (From the 1973 Album PRONOUNCED LEH-NERD SKIN-NERD) Transcribed by prusche Words and Music by Allen Collins and Ronnie Van Zant E5 A A5 F 5 D5 5 fr. D5/A 5 fr. C 5/G D/A 5 fr. xxx x x x xx bxxx x xx xx bxxxbx x A Intro Moderate Rock = 132 D P A 1 g V V c I g 4 V k V V V V k V V V V V k V V V V k V V V V V V V V V V V V V V V fV gV V V V V V Gtur I V V V V V V T 7 2 2 2 7 7 7 7 7 7 7 2 2 2 2 2 2 A 7 7 7 7 7 7 7 7 2 2 2 2 2 2 0 B 9 9 7 9 7 9 0 0 0 4 0 0 4 0 3 4 2 4 g I g 4 j Gtr II V V T A 0 B 4 D A5 F 5D5/A D/A b 5 c c g V V c c V g V k V V V V k V V V k V k V V V V k V V k V I V V V V V V V V V V V V V V V V u V V V V V V V V V V V V T 7 7 7 7 7 7 7 7 7 (7) 7 7 7 7 A 7 7 7 7 7 7 7 7 7 7 (7) 7 7 7 7 B 9 9 7 9 7 9 0 7 7 7 4 5 (5) 5 5 5 5 0 5 5 5 0 2 5 (5) 5 5 5 5 c c g V V c c V g V k V V V V k V V V V k V k V V V V k V V k V I V V V V V V V V V V V V V V V V u V V V V V V V V V V V V T 7 7 7 7 7 7 7 7 7 (7) 7 7 7 7 A 7 7 7 7 7 7 9 7 7 7 7 (7) 7 7 7 7 B 9 9 7 9 7 9 7 7 7 4 5 (5) 5 5 5 5 0 5 5 5 0 2 5 (5) 5 5 5 5 Generated using the Power Tab Editor by Brad Larsen. -
Rebel Rock Lynyrd Skynyrd, Normaal, and Regional Identity by Maarten Zwiers
University of Groningen Rebel Rock Zwiers, Maarten Published in: Southern Cultures DOI: 10.1353/scu.2015.0026 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2015 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Zwiers, M. (2015). Rebel Rock: Lynyrd Skynyrd, Normaal, and Regional Identity. Southern Cultures, 21(3), 85-102. https://doi.org/10.1353/scu.2015.0026 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. -
Rejuvenating Blues Roots: Hard and Southern Rock MUSC-21600: the Art of Rock Music Prof
Rejuvenating Blues Roots: Hard and Southern Rock MUSC-21600: The Art of Rock Music Prof. Freeze 28 October 2016 Hard Rock • British blues-based rock in the 1970s • Rolling Stones, Eric Clapton, Deep Purple, Black Sabbath • Hard Rock = blues-based + psychedelic styles • Simplified musical gestures and limited textural clutter • Primacy of riffs, especially guitar, especially distorted, especially loud • Loud, rock-steady drum grooves • Fat, menacing bass • High-pitched, gritty vocals • Heavy amplification • Initially synonymous with “heavy metal”. Later, • Hard rock = stronger ties to the blues • Heavy metal = stronger affiliation with acid rock, dark imagery Led Zeppelin • Deeply devoted to AOR format, their own artistic vision • Pave way to stadium rock • Make tours primary revenue stream • Set expectation for concert length • “Whole Lotta Love” (Led Zeppelin, 1969) • See listening guide • “Stairway to Heaven” (Led Zeppelin, 1972) • Enormous popularity • Complex overall form • Three sections defined by instrumentation, texture • Strophic within sections • Acoustic folk sensibility combined with hard rock • Gradual intensification, end-weighted • Helped free rock songs from radio’s 3-minute frame Southern Rock • Diverse styles, all indebted to blues traditions • Often 2 or 3 lead guitars; long improvisations; lyrics focusing on outlaw images • The Allman Brothers Band • Capricorn Recording Studios (Macon, GA) • “Statesboro Blues” (The Allman Brothers Band, 1971) • Blues musical (12-bar) and lyrical (aab) structure • Bottleneck guitar, -
Lynyrd Skynyrd Gold & Platinum Mp3, Flac
Lynyrd Skynyrd Gold & Platinum mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Gold & Platinum Country: Canada Style: Southern Rock, Classic Rock MP3 version RAR size: 1296 mb FLAC version RAR size: 1172 mb WMA version RAR size: 1730 mb Rating: 4.9 Votes: 937 Other Formats: MP3 MP3 WMA WAV VOC AC3 DMF Tracklist Hide Credits Down South Jukin' Backing Vocals – Cassie Gaines, Jo Billingsley, Leslie HawkinsBass – Leon 1-1 WilkesonDrums – Bob Burns Guitar – Allen Collins, Ed King , Gary Rossington, Jimmy 2:12 Johnson , Wayne PerkinsProducer – Jimmy R. Johnson*, Tim Smith Saxophone – Ronnie Eades*Vocals – Ronnie Van ZantWritten-By – Gary Rossington, Ronnie Van Zant Saturday Night Special Bass, Backing Vocals – Leon WilkesonDrums – Artimus Pyle Guitar – Allen Collins, Ed 1-2 5:08 King , Gary RossingtonKeyboards – Billy PowellProducer – Al KooperSynthesizer [Moog] – Al KooperVocals – Ronnie Van ZantWritten-By – Edward King*, Ronnie Van Zant Gimme Three Steps (Live) Bass – Leon WilkesonDrums – Artimus Pyle Guitar – Allen Collins, Gary Rossington, Steve 1-3 5:00 GainesKeyboards – Billy PowellProducer – Tom DowdVocals – Ronnie Van ZantWritten-By – Allen Collins, Ronnie Van Zant What's Your Name Bass – Leon WilkesonDrums – Artimus Pyle Guitar – Allen Collins, Gary Rossington, Steve 1-4 3:31 GainesKeyboards – Billy PowellVocals – Ronnie Van ZantWritten-By – Gary Rossington, Ronnie Van Zant You Got That Right Bass – Leon WilkesonDrums – Artimus Pyle Guitar – Allen Collins, Gary Rossington, Steve 1-5 3:46 GainesKeyboards – Billy PowellVocals -
WDAM Radio Presents the Rest of the Story
WDAM Radio Presents The Rest Of The Story # Artist Title Chart Comments Position/Year 0000 Mr. Announcer & The “Introduction/Station WDAM Radio Singers Identification” 0001 Big Mama Thornton “Hound Dog” #1-R&B/1953 0001A Rufus Thomas "Bear Cat" #3-R&B/1953 0001A_ Charlie Gore & Louis “You Ain't Nothin' But A –/1953 Innes Female Hound Dog” 0001AA Romancers “House Cat” –/1955 0001B Elvis Presley “Hound Dog” #1/1956 0001BA Frank (Dual Trumpet) “New Hound Dog” –/1956 Motley & His Crew 0001C Homer & Jethro “Houn’ Dog (Take 2)” –/1956 0001D Pati Palin “Alley Cat” –/1956 0001E Cliff Johnson “Go ‘Way Hound Dog” –/1958 0002 Gary Lewis & The "Count Me In" #2/1965 Playboys 0002A Little Jonna Jaye "I'll Count You In" –/1965 0003 Joanie Sommers "One Boy" #54/1960 0003A Ritchie Dean "One Girl" –/1960 0004 Angels "My Boyfriend's Back" #1/1963 0004A Bobby Comstock & "Your Boyfriend's Back" #98/1963 The Counts 0004AA Denny Rendell “I’m Back Baby” –/1963 0004B Angels "The Guy With The Black Eye" –/1963 0004C Alice Donut "My Boyfriend's Back" –/1990 adult content 0005 Beatles [with Tony "My Bonnie" #26/1964 Sheridan] 0005A Bonnie Brooks "Bring Back My Beatles (To –/1964 Me)" 0006 Beach Boys "California Girls" #3/1965 0006A Cagle & Klender "Ocean City Girls" –/1985 0006B Thomas & Turpin "Marietta Girls" –/1985 0007 Mike Douglas "The Men In My Little Girl's #8/1965 Life" 0007A Fran Allison "The Girls In My Little Boy's –/1965 Life" 0007B Cousin Fescue "The Hoods In My Little Girl's –/1965 Life" 0008 Dawn "Tie A Yellow Ribbon Round #1/1973 the Ole Oak Tree" -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
AXS TV Canada Schedule for Mon. December 30, 2013 to Sun
AXS TV Canada Schedule for Mon. December 30, 2013 to Sun. January 5, 2014 Monday December 30, 2013 Premiere 6:00 AM ET / 3:00 AM PT 6:00 PM ET / 3:00 PM PT Baltic Coasts Gene Simmons Family Jewels Of Forests and Lakes - The episode starts with a hovercraft patrol at the Gulf of Bothnia, Tracy The Wedding Planner - As a gift to Shannon and Gene, Tracy offers to plan the entire leading to the world’s biggest archipelago around Turku, to the vast lakes of Vaaksy and wedding and a reluctant Shannon agrees. Kotka. Premiere 8:00 AM ET / 5:00 AM PT 7:00 PM ET / 4:00 PM PT Dan Rather Reports Gene Simmons Family Jewels American Soles - The US shoe industry has moved almost all manufacturing and jobs to Asia Wedding Boot Camp - With the wedding fast approaching Gene and Shannon enroll in a boot but one major American company is bucking the trend. Also, are apprenticeships the key to camp. an American manufacturing rebirth? 8:00 PM ET / 5:00 PM PT 9:00 AM ET / 6:00 AM PT Dan Rather Reports Baltic Coasts The Best Of Dan Rather Reports 2013 - From Afghanistan to the International Space Station, The Reborn Gems - From the impressive Dome Hill of Tallinn via thousands of Estonian a look back at our favorite stories from 2013. islands adorning the bay of Riga to the Latvian capital, where Rem Koolhaas forms a new city skyline. Premiere 9:00 PM ET / 6:00 PM PT Premiere Guitar® Center Sessions 10:00 AM ET / 7:00 AM PT Cake - An intimate concert and interview with alternative rock band Cake.