The Sounds of Communities Alissa Firth-Eagland
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Winter 2011 – 12 December 2011 – March 2012 OVERVIEW Winter at the Power Plant
exhibitions / programs / events Winter 2011 – 12 December 2011 – March 2012 OVERVIEW Winter at The Power Plant Our Winter season presents two major The evening before the opening of the Winter exhi- exhibitions that delve into a wellspring bitions, Stan Douglas will speak in our International Lecture Series (8 December), while the influential of cultural history and the archive of artist Martha Rosler will give an ILS presentation a the social. week later, on 15 December. In the new year, in addition to a lecture by participating artist Stan Douglas: Entertainment features selections Christian Holstad, Coming After extends into a from the Vancouver artist’s outstanding new series of live events and film programs co-present- photographic project Midcentury Studio, in which ed with the Feminist Art Gallery and the Art Gallery Douglas assumes the lens of a postwar photogra- of York University, in tandem with their retrospec- pher as he takes on various jobs from photojour- tive of the late Toronto artist Will Munro. nalism to advertising. The exhibition includes In addition, we are pleased to collaborate with images of novelties and divertissements, as well as World Stage, Harbourfront Centre’s international his Malabar People suite of portraits of the performing arts series for the theatrical run of denizens of a fictional nightclub. The bars, clubs Everything Under the Moon by Toronto artist Shary and bathhouses that appear in the work in the Boyle (who had a solo exhibition at The Power Plant group exhibition Coming After, however, are in 2006) and Winnipeg musician Christine Fellows, absent of revelers — as if the party is over. -
Sinbad in the Rented World
Sinbad in the Rented World Sinbad in the Rented World JOEL GIBB ANDREW HARWOOD JEREMY LAING AND WILL MUNRO IAN PHILLIPS THE ENSEMBLE OF TOPS ‘N’ BOTTOMS SCOTT TRELEAVEN Ian Phillips Untitled Found Object, 2003 [detail] Sinbad in the Rented World WITH AN ESSAY BY R.M. VAUGHAN AND A STORY BY DEREK MCCORMACK ART GALLERY OF YORK UNIVERSITY TORONTO Jeremy Laing and Will Munro Pavilion of Virginia Puff-Paint, 2004 [detail] ON THE OTHER HAND Sinbad in the Rented World With the title, Sinbad in the Rented World, I pay homage to the legacy of the legendary underground filmmaker and performer Jack Smith, referring to one of his unfinished film projects. Not that I suspect Smith’s legacy to be fulfilled by the artists in the exhibition—or even his amazing achievements in film, experimental theatre, and installation necessarily to be known. What I want to explore is a queer aesthetic in Toronto art but as applied to social function. Is this a new phenomenon? Perhaps, if we are willing to stretch our understanding of the parameters of visual culture—or queer art. One might not think that glamour or the superficial excess of glitter could have a social function, but Smith adamantly believed so saying: “Could art ever be useful? Ever since the desert glitter drifted over the burnt-out ruins of Plaster Lagoon thousands of artists have pondered and dreamed of such a thing, yet, art must not be used anymore as another elaborate means of fleeing from thinking because of the multiplying amount of information each person needs to process in order to come to any kind of decision about what kind of planet one wants to live on before business, religion, and government succeed in blowing it out of the solar system.”* The environmental costuming of the gallery (to extend a phrase of Charles Ludlam’s) that takes place here can be considered co-extensive with social practices in the world, even if the works herein contained seem too playful. -
Arboretum August 18 - 23, 2014 | Ottawa Music Festival Ottawa’S Festival of New Music + Best Kept Secrets
ARBORETUM AUGUST 18 - 23, 2014 | OTTAWA MUSIC FESTIVAL OTTAWA’S FESTIVAL OF NEW MUSIC + BEST KEPT SECRETS MONDAY WEDNESDAY FRIDAY SATURDAY AUG 18 AUG 20 AUG 22 AUG 23 ST. ALBANS CHURCH $20/AA/ OTTAWA ART GALLERY $0/AA OTTAWA ART GALLERY $0/AA ARTS COURT OUTDOOR MAIN STAGE $30 ADV/AA/ 18:30 FESTIVAL LAUNCH & KEYNOTE 19:30 BOSVELD 08:30 CREATIVE MORNINGS 18:45 PANEL DISCUSSION: WHY I LEFT OTTAWA? 20:00 EVENING HYMNS “Where’s the Cultural Press?” 14:00 PONY GIRL Panelists: Kathleen Edwards, Olivier Fairfield 21:00 JULIE DOIRON & THE WOODEN STARS Panelists: Marie-Claire LeBlanc, Allan Wigney, Peter Emmanuel Sayer, Rémi Thériault. Simpson, Lesley Marshall. Presented by Arboretum Festival + Megaphono 15:00 WEAVES OTTAWA SHOWBOX Secret Shows Presented by Downtown Rideau BIA & Ottawa Art Gallery Presented by Downtown Rideau BIA Happening at undisclosed locations MAVERICKS $15/19+/ 16:15 LOWELL on the main stage grounds. MANX PUB $0/AA ARTS COURT $25 ADV/AA/ OUTDOOR MAIN STAGE 17:15 Secret Show #1 21:30 ADAM SAIKALEY TRIO 21:00 TROPICAL DRIPPS MURRAY STREET x TOWN Performing Beastie Boys “Ill Communication” 19:00 THE YIPS 17:30 STEVE ADAMYK 22:00 PS I LOVE YOU BAND Video projections: MELODY MCKIVOR 20:00 HILOTRONS BBQ 18:15 23:00 FROG EYES Backlot Secret Show #2 Presented by Asinabka Film and Media Arts Festival & National Indigenous Media Arts Coalition 21:30 KEVIN DREW Video projections: 18:30 CHAD Presented by SpectraSonic + Bruised Tongue of Broken Social Scene HARD SCIENCE VANGAALEN Presented by Manx Music 19:45 Secret Show #3 BABYLON NIGHTCLUB -
Investigating Race, Space and Meaning in Toronto's Queer Party
AND YA DON’T STOP: INVESTIGATING RACE, SPACE AND MEANING IN TORONTO’S QUEER PARTY ‘YES YES Y’ALL’ by Trudie Jane Gilbert, BSW, University of British Columbia, 2015 A Major Research Paper presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the program of Immigration and Settlement Studies Toronto, Ontario, Canada © Trudie Jane Gilbert 2017 AUTHOR’S DECLARATION I hereby declare that I am the sole author of this Major Research Paper. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. Trudie Jane Gilbert ii AND YA DON’T STOP: INVESTIGATING RACE, SPACE AND MEANING IN TORONTO’S QUEER PARTY ‘YES YES Y’ALL’ Trudie Jane Gilbert Master of Arts 2017 Immigration and Settlement Studies Ryerson University ABSTRACT This Major Research Paper (MRP) is a case study of the queer hip hop and dancehall party Yes Yes Y’all (YYY). This MRP seeks to challenge white, cismale metanarratives in Toronto’s queer community. This paper employs Critical Race Theory (CRT) and queer theory as theoretical frameworks. Racialization, racism, homophobia, homonormativities and homonational rhetoric within queer discourses are interrogated throughout the analysis. -
The Sneak Preview Official Biography
The Sneak Preview Official Biography The Sneak Preview was a melodic punk rock band from Maple, Ontario. They formed in the summer of 2000, after Joel Bath (drums) and Mike Mucci (guitar) broke up their band “Then Who Is the Liar?”. The duo started writing new songs alone in Joel’s parent’s basement in Thornhill, Ontario, with influences from Dinosaur Jr., Elliot, Sunny Day Real Estate and a few more local Ontario bands. They then invited Mark “Augie” Petja, to join as bassist as he had previously played in Five Finger Discount with them. The final addition would be Marco Fardella on vocals. Now a complete band, they moved their rehearsal space to Mike’s parent’s house in Maple, Ontario, where they continued to practice until the end. With their first few songs composed, The Sneak Preview were invited to play at a field party somewhere north of Toronto. The details of this have faded with time. But their second should would be well documented. Mike and his girlfriend (now wife) Vicki Bonanno had been booking a few shows for local bands at The Masonic Lodge in Maple, Ontario. It was there that they had booked one of Then Who Is the Liar?’s show in May of 2000 with The China White. The Sneak Preview at their first real show, September 30th 2000 at The Masonic Lodge in Maple, Ontario. Photo courtesy of Vicki Bonanno Eager to play with Chris Gray again, the couple contacted him to book his new band, Zyon, with The Sneak Preview at The Masonic Lodge on September 30th. -
The Weather Station the Weather Station
Paradise of Bachelors P.O. Box 1402, Carrboro, NC 27510 www.paradiseofbachelors.com / [email protected] US PR: Jessica Linker, [email protected] UK PR: Will Lawrence, [email protected] Everywhere else: [email protected] On her fourth (and tellingly self-titled) album as The Weather Station, Tamara Lindeman reinvents, and more deeply roots, her extraordinary, acclaimed songcraft, framing her precisely detailed, exquisitely wrought prose-poem narratives in bolder and more cinematic musical settings. The result is her most sonically direct and emotionally candid statement to date, a work of profound urgency and artistic generosity. The Weather Station is the fourth—and most forthright—album by The Weather Station. The most fully realized statement to date from Toronto songwriter Tamara Lindeman, it is a work of profound urgency, artistic generosity, and joy. Self-titled and self-produced, the album unearths a vital new energy from Lindeman’s acclaimed songwriting practice, marrying it to a bold new sense of confidence. “I wanted to make a rock and roll record,” Lindeman explains, “but one that sounded how I wanted it to sound, which of course is nothing like rock and roll.” The result is a spirited, frequently topical tour de force that declares its understated feminist politics, and its ambitious new sonic directions, from its first moments. Opener Free“ ,” with its jagged distorted guitar, is wryly anti-freedom—how very un-rock-and-roll!—in response to mansplaining chatter: “Was I free as I should be, or free as you were? Is it me that you’re talking to? I never could stand those simple words.” The song ends as strings conjure an unsettling “devil’s triad” chord, shifting between dissonance and order. -
Annual Report 2009 | 2010 Ontario Media Development Corporation Culture Is Our Business
omdcontario media development corporation ANNUAL REPORT 2009 | 2010 Ontario Media Development Corporation culture is our business Table of Contents Who We Are 1 Message from the Chair 2 Message from the President and Chief Executive Officer 3 Ontario’s Cultural Media Industries 4 Our Information and Electronic Future 6 Creative Collaboration and Cross Sectoral Synergies 8 Ontario’s Cultural Media in the Global Marketplace 10 Celebrating Ontario’s Achievements 12 Innovative Financial Support 14 Research 17 Doing Business Better 18 Looking Ahead 20 22nd Annual Trillium Book Award Finalists/Winners 21 OMDC Program Recipients 2009-10 22 Board of Directors 31 Management’s Responsibility for Financial Statements 32 Auditor’s Report 33 Statement of Financial Position 34 Statement of Operations 35 Statement of Changes in Net Assets 36 Statement of Cash Flows 37 Notes to Financial Statements 38 OUR MISSION: The Ontario Media Development Corporation, an agency of the Ontario Ministry of Tourism and Culture, is the central catalyst for Ontario’s cultural media cluster. It promotes, enhances and leverages investment, jobs and original content creation in the province’s book and magazine publishing, film and television, music and interactive digital media industries. Ontario Media Development Corporation (OMDC) 175 Bloor Street East, South Tower, Suite 501, Toronto, Ontario M4W 3R8 www omdc on ca Published by the Ministry of Tourism and Culture, Government of Ontario | © Queens Printer 2010 | ISSN 0836-1363 | Printed on recycled paper Ontario Media Development Corporation culture is our business The Ontario Media Development Corporation stimulates investment and employment in six cultural media industries in Ontario: book and magazine publishing, film and television, music and interactive digital media. -
UAAC Conference.Pdf
Friday Session 1 : Room uaac-aauc1 : KC 103 2017 Conference of the Universities Art Association of Canada Congrès 2017 de l’Association d’art des universités du Canada October 12–15 octobre, 2017 Banff Centre for Arts and Creativity uaac-aauc.com UAAC - AAUC Conference 2017 October 12-15, 2017 Banff Centre for Arts and Creativity 1 Welcome to the conference The experience of conference-going is one of being in the moment: for a few days, we forget the quotidian pressures that crowd our lives, giving ourselves over to the thrill of being with people who share our passions and vocations. And having Banff as the setting just heightens the delight: in the most astonishingly picturesque way possible, it makes the separation from everyday life both figurative and literal. Incredibly, the members of the Universities Art Association of Canada have been getting together like this for five decades—2017 is the fifteenth anniversary of the first UAAC conference, held at Queen’s University and organized around the theme of “The Arts and the University.” So it’s fitting that we should reflect on what’s happened in that time: to the arts, to universities, to our geographical, political and cultural contexts. Certainly David Garneau’s keynote presentation, “Indian Agents: Indigenous Artists as Non-State Actors,” will provide a crucial opportunity for that, but there will be other occasions as well and I hope you will find the experience productive and invigorating. I want to thank the organizers for their hard work in bringing this conference together. Thanks also to the programming committee for their great work with the difficult task of reviewing session proposals. -
Wavelength Music 2017 Event of Municipal Significance Letter
November 7, 2016 To whom it may concern, Please kindly consider this request for an Event of Municipal Significance. The name of this Event is: Wavelength Music Festival 17 The Event will be taking place at the following locations, on the following dates and times: The Garrison, 1197 Dundas St. W. February 16-19, 2017 – 7PM-4AM The purpose of this event is to celebrate the 17th anniversary of Wavelength Music, the non-profit, community-oriented concert series that helped launch the careers of some of Toronto’s best-known musical exports: Broken Social Scene, Feist, the Constantines, Peaches, Caribou, METZ, The Hidden Cameras, Great Lake Swimmers, and many more. For more information on Wavelength Music, please see page 2. Please contact me with any questions or concerns: Jonathan Bunce Artistic Director, Wavelength Music 226 Crawford Street, Toronto ON, M6J 2V6 416-546-2745 (office), 647-287-4516 (mobile) [email protected] Wavelength Music • 226 Crawford St. ste #1 • Toronto ON • M6J 2V6 [email protected] • 416-546-2745 About WAVELENGTH MUSIC Mission Statement: Wavelength Music is a professional not-for-profit arts organization, dedicated to championing original, emerging musical artists and local music culture, creating opportunities and building community through inclusive, diversely curated live experiences. Vision: Our vision is to transform communities through music. Brief history: Wavelength Music is a curated concert series designed to champion creativity, co-operation and collaboration in the independent music and arts scenes. Established in 2000, we are a non-profit arts organization that puts artists and the community first. A cornerstone of the Toronto music scene, Wavelength Music has championed literally thousands of emerging artists during its decade-plus run. -
The Vazaleen Posters Mark Clintberg
Sticky: The Vazaleen Posters Mark Clintberg Abstract Vazaleen was a monthly serial queer party in Toronto founded by artist and promoter Will Munro (1975–2010) in 2000. Munro commissioned Toronto-based artist Michael Comeau (1975–) to create many silkscreen poster advertisements for these parties. His designs include an array of typographic treatments, references to popular culture and queer icons, and vibrant colour schemes. This article discusses these posters in relationship to Michel Foucault’s theory of the heterotopia, Roland Barthes’s semiotic analysis of advertising, and Eve Kosofsky Sedgwick’s writing on camp. Résumé Vazaleen était une fête périodique queer à Toronto, fondée en 2000 par artiste et promoteur Will Munro (1975–2010). Munro a commandé à l’artiste torontois Michael Comeau (1975–) la création de nombreuses affiches publicitaires sérigraphiées pour ces fêtes. Les designs de Comeau comportent une gamme de traitements typographiques, des références à la culture populaire et aux idoles queer, et des modèles de couleurs vibrants. Cet article expose les affiches de Comeau en relation avec le concept de l’hétérotopie élaboré par Michel Foucault, l’analyse sémiotique de la publicité de Roland Barthes, et les écrits sur la culture camp d’Eve Kosofsky Sedgwick. Vaseline is: a sticky petroleum product used for moisturizing; a potential lubricant for sexual encounter; and a Toronto-based serial queer dance party founded by Canadian artist Will Munro (1975– 2010) and contributed to by the city’s queer, gay, lesbian, bisexual, and -
Shoulder Official Biography
Shoulder Official Biography This was originally the very first post. It has since been edited, ameliorated and reposted, with much more material in the download link (thanks to Ryan Moon and Doug MacGregor for all the help). So I am proud to present one of my absolute favorite bands, and all time favorite emo band, Shoulder. This band was from London, Ontario from 1994 to 1997. Bryan Webb (guitar, vocals), Chris Irwin (bass) and Doug MacGregor (drums) started jamming together in the fall of 1994, highly influenced by bands such as Fugazi, Hoover and Jawbox. During late 1994, Bry joined As We Speak to replace their original guitarist that had left the band. Shoulder’s sound then changed to a more mid-western emo sound, influenced by such bands as Split Lip, Endpoint, Falling Forward and Shotmaker. In March of 1995 they recorded their first demo at Studio 107 in London. These four songs were released on cassette tape. When rehearsing, the band often recorded various songs in their jam space (Bry’s basement) on a four-track recorder. Shoulder “Touch” CD/12″, Winter Records/Conquer the World Records, December 1995 Not very long after the demo’s release, Paul Bright, from As We Speak (which had recently broken up) joined Shoulder as guitarist. The band played some more shows in their local area and the rest of Ontario. In October of 1995, they recorded their first and only full-length, “Touch”, once again at Studio 107. The acoustic instrumentals between the songs were recorded by Chris Greenwood, and featured Vanessa Thatcher on violin. -
A Curator of People
Fri. Aug. 6, 2004. | Updated at 12:23 PM Home GTA Business Waymoresports A&E Life Careers Classifieds New In Homes Photos Shopping Travel Wheels Rain Feature Sections Today's Features H 24 / L 15 > Food 4 Day Forecast More search options Ticker Name Print Story E-mail Story > ADVERTISEMENT < Members Register | Login Jul. 11, 2004. 09:02 AM Notice to our readers News Ontario A curator of people Canada Tyler Clark Burke has World established herself as the Opinion/Editorials bellwether of Toronto's indie Editorial Board Letters cultural scene National Report World Report Obituaries Tyler Clark Burke stabs delicately Editorial Cartoon at the dainty salad in front of her, STEVE RUSSELL/TORONTO STAR Corrections half-interested, distracted. Tyler Clark Burke, an orchestrator of social Today's Paper "Really, I'm just so exhausted spaces and situations, is a kind of cultural cruise director for the city. She has also Star Columnists right now," she says, an just begun a six-week stint as the artist in apologetic smile pinching the residence at the Drake Hotel. edge of her mouth. "I'd feel the most successful if I could sleep well at night, always, wake up in the morning and had time to go for a run, do some drawing, and have some Special Reports › Cecilia Zhang calm. But when I start working on projects, I can't stop thinking about it. I › Conflict in Iraq can't sleep." › Matter of Interest › Athens 2004 Burke, 30, whose constantly full hands always welcome more, is in fact in › [More Specials] her natural state: Fully engaged, mind whirring, and far, far too busy.