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The Cyclical Influence of Society and Music
Conspectus Borealis Volume 6 Issue 1 Article 15 3-13-2020 The Cyclical Influence of Society and Music Bailey Gomes Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/conspectus_borealis Part of the Music Commons, Politics and Social Change Commons, Social Influence and oliticalP Communication Commons, Social Justice Commons, and the Social Media Commons Recommended Citation Gomes, Bailey (2020) "The Cyclical Influence of Society and Music," Conspectus Borealis: Vol. 6 : Iss. 1 , Article 15. Available at: https://commons.nmu.edu/conspectus_borealis/vol6/iss1/15 This Scholarly Article is brought to you for free and open access by the Journals and Peer-Reviewed Series at NMU Commons. It has been accepted for inclusion in Conspectus Borealis by an authorized administrator of NMU Commons. For more information, please contact Kevin McDonough. The Cyclical Influence of Society and Music Throughout time, there have been discussions over the age-old question: ‘which came first, the chicken or the egg?’ This type of question applies to many other areas of life and it is the basis for this paper. The question that this paper explores is ‘does society change music, or does music change society?’ This paper will show that neither came first, but rather they exist simultaneously in a never-ending cycle. By discussing the influences of two musical icons, Pearl Jam and Lady Gaga, this paper will show the perpetual cycle of how society and music influence each other. Society is constantly changing and there are always movements that gain public attention. Whether that attention is positive or negative does not matter; it is attention nonetheless. -
Black Circle Song Catalogue
Black Circle Song Catalogue Ten Vitalogy Yield Riot Act Pearl Jam L. Bolt Singles / G. Hits Other Bands Hunger Strike Once Last Exit Brain of J. Can't Keep Gone Mind Your Manners Breath Rockin’In The Free World Even Spin the Black Faithful Save You Come Back Sirens I Got ID Love Reign Oér Me Flow Circle Given to Fly Love Boat Captain Inside Job Sleeping By Myself Can't Deny Me Baba O'Riley Alive Not For You Wishlist Ghost Future Days State of Love and Breed Why Go Tremor Christ Do THe Evolution I Am Mine Infallible Trust Heart-Shaped Box Black Nothingman Low Light Thumbing My Way Them Bones Jeremy Whipping In Hiding ½ Full Would? Oceans Corduroy All Those Yesterdays All or None Black Hole SUn Porch Satan's Bed Comfortably Numb Deep Better Man Little Wing Garden Immortality I Believe in Miracles Release You've got to Hide Your Love away Go Sometimes Light Years Sad The Fixer Comes Then Goes Sleepless Nights Low Light Ceiling Animal Hail, Hail Thin Air Leaving Here Just Breathe Superblood Setting Forth Of The Light Daughter Smile Insignificance Yellow Ledbetter Amongst the Wolfmoon Rise Pages Glorified G Off He Goes Hard to Imagine Waves Dance of The Hard Sun DIsarray Dissident Red Mosquito Wash Unthought Clairvoyants Society Penguins and Butterflies W.M.A Present Tense Known Quick Escape Guaranteed Autumn Theory Blood The End Divide Rearviewmirror Never Thought I Would Rats Drive Home in the Rain Small Town Leash Indifference Crazy Mary Vs. No Code Binaural Lost Dogs Backspacer Gigaton Vedder Black Circle. -
1 TABLE of CONTENTS Welcome
TABLE OF CONTENTS Welcome ...............................................................................................2 About the Director ................................................................................3 About the Assistant Director ................................................................4 About the Hurricanette Instructor .........................................................5 About the Color Guard Instructor .........................................................6 Brief History of the Band of the Hour ..................................................7 Goals and Responsibilities of the Band of the Hour ............................8 Hierarchy of the Band of the Hour .......................................................9 Criteria for Success.............................................................................11 Attendance and Grading Policies .......................................................14 Class/Lab Conflicts ............................................................................16 Office Hours .......................................................................................16 Hurricane Plan ....................................................................................16 Stipend ................................................................................................17 Fees .....................................................................................................17 Music, Flip Folders, Lyres, and Drill Notebooks ...............................18 Instrument -
The Caravan Playlist 086 Friday, September 26, 2014 Hour 1 Artist
The Caravan Playlist 086 Friday, September 26, 2014 Hour 1 Artist Track CD/Source Label Allison Crowe Whether I'm Wrong Live at Wood Hall Rubenesque Records - c 2005 The Head And The Heart Heaven Go Easy On Me The Head and the Heart Sub Pop - c 2011 Pat Metheny & Lyle Mays September Fifteenth As Falls Wichita, So Falls Wichita Falls ECM - c 2000 Andrea England Drive Hope and Other Sins Interscope - 2012 Blake Mills Cry To Laugh Heigh Ho Verve - c 2014 Harry Dean Stanton Promised Land Partly Fiction Omnivore - c 2014 Zella Day Seven Nation Army Zella Day Pinetop - c 2014 Eric Bibb Nanibali Jericho Road Stony Plain - c 2013 Twang Darkly On The Canals Martian Archaeology Twang Darkly - c 2014 Laurie McClain The Beginning of Love The Child Behind My Eyes CD Baby - c 2002 Super Water Symphony When You're Not Around Hydrogen Child In Music We Trust - c 2013 Hour 2 Artist Track Concert Source Jack Williams Natural Man Live at the House of Crummer Wind River Artist - c 2005 Jack Williams Thirsty Town Live at the House of Crummer Wind River Artist - c 2005 Jack Williams Intro story to Old Sal Live at the House of Crummer Wind River Artist - c 2005 Jack Williams Old Sal Live at the House of Crummer Wind River Artist - c 2005 Jack Williams En La Noche Live at the House of Crummer Wind River Artist - c 2005 Jack Williams Waterbug Live at the House of Crummer Wind River Artist - c 2005 Jack Williams This Moment is Mine Live at the House of Crummer Wind River Artist - c 2005 Jack Williams This is My Body Live at the House of Crummer Wind River Artist -
PHILADELPHIA AREA E STREET BAND APPEARANCES (120+2) Within Nine-County (Pa./N.J./Del.) Area
[PDN: DN-PAGES-2--ADVANCE-3--SPORTS <FSN> ... 09/02/16] Author:VETRONB Date:09/02/16 Time:02:27 PHILADELPHIA AREA E STREET BAND APPEARANCES (120+2) Within Nine-County (Pa./N.J./Del.) Area GREETINGS FROM ASBURY PARK TOUR (26) 1976-77 TOUR (2) Saturday..................Oct. 28, 1972 ........................West Chester College ...................West Chester, Pa. Monday ...................Oct. 25, 1976 ........................Spectrum .......................................Philadelphia Wednesday .............Jan. 3, 1973 (Early)..............The Main Point ...............................Bryn Mawr, Pa. Wednesday .............Oct. 27, 1976 ........................Spectrum .......................................Philadelphia Wednesday .............Jan. 3, 1973 (Late) ..............The Main Point ...............................Bryn Mawr, Pa. Thursday .................Jan. 4, 1973 (Early)..............The Main Point ...............................Bryn Mawr, Pa. DARKNESS ON THE EDGE OF TOWN TOUR (4) Thursday .................Jan. 4, 1973 (Late) ..............The Main Point ...............................Bryn Mawr, Pa. Friday .......................May 26, 1978 .......................Spectrum .......................................Philadelphia Friday .......................Jan. 5, 1973 (Early)..............The Main Point ...............................Bryn Mawr, Pa. Saturday .................May 27, 1978 .......................Spectrum .......................................Philadelphia Friday .......................Jan. 5, 1973 (Late) ..............The -
CHICAGO, ILLINOIS SUNDAY, JULY 21, 1991 LOCATION CHICAGO, IL Cabaret Metro SET 1 1
CHICAGO, ILLINOIS SUNDAY, JULY 21, 1991 LOCATION CHICAGO, IL Cabaret Metro SET 1 1. Wash 2. Once 3. Even Flow 4. State Of Love And Trust 5. Alive 6. Why Go CHICAGO, ILLINOIS FRIDAY, NOVEMBER 29, 1991 LOCATION CHICAGO, IL Aragon Ballroom SET 1 1. Release 2. Even Flow 3. Smells Like Teen Spirit 4. Once 5. Alive 6. Jeremy 7. Why Go 8. Porch CHICAGO, ILLINOIS SATURDAY, MARCH 28, 1992 LOCATION CHICAGO, IL Cabaret Metro SET 1 1. Release 2. Even Flow 3. Improv (You Tell Me) 4. Rockin' In The Free World 5. Once 6. State Of Love And Trust 7. Alive 8. Black 9. Deep 10. Jeremy 11. Why Go 12. Porch TINLEY PARK, ILLINOIS SUNDAY, AUGUST 02, 1992 LOCATION TINLEY PARK, IL World Music Amphitheater SET 1 1. Summertime Rolls 2. Why Go 3. Deep 4. Jeremy 5. Even Flow 6. Alive 7. Black 8. Once 9. Porch CHICAGO, ILLINOIS THURSDAY, MARCH 10, 1994 LOCATION CHICAGO, IL Chicago Stadium SET 1 1. Release 2. Animal 3. Go 4. Even Flow 5. Dissident 6. Empire Carpet song 7. State Of Love And Trust 8. Why Go 9. Jeremy 10. Glorified G 11. Daughter 12. The Real Me 13. Not For You 14. Rearviewmirror 15. Blood 16. Alive 17. Porch 18. Garden 19. Happy Birthday (Jeff) 20. Spin The Black Circle 21. Black 22. Tremor Christ 23. Footsteps 24. Rockin' In The Free World 25. I Won't Back Down 26. Leash 27. Sonic Reducer Indifference CHICAGO, ILLINOIS SUNDAY, MARCH 13, 1994 LOCATION CHICAGO, IL New Regal Theater SET 1 1. -
MAN of the HOUR As Recorded by Pearl Jam (From the 2003 Album "Big Fish (Soundtrack)")
MAN OF THE HOUR As recorded by Pearl Jam (from the 2003 Album "Big Fish (soundtrack)") Transcribed by S-GUO Words by Pearl Jam Music by Pearl Jam Arranged by Pearl Jam A Intro All Guitars in Standard Tuning P = 111 C G C G c c V c c 1 V Vj V V V V V j V V V 4 V V V V V V V V V V V V V V V I 4 V V V V V V V V V V V V V V V V Gtr I 3 0 T 1 1 3 1 3 1 3 3 1 1 3 3 1 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 A 0 B 3 3 3 3 3 3 3 3 3 3 0 3 3 3 3 C G Am Em7 c c c c V V c c 5 V Vj V V V V c V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V 3 3 0 0 0 0 T 1 1 3 1 3 1 3 3 3 1 1 0 1 3 3 3 3 3 A 0 0 0 0 0 0 0 2 2 2 2 0 B 3 3 3 0 0 0 (0) 2 2 2 2 3 3 3 3 P Am G c c c 9 V V V V V I V V V V V V V V V V V V V V V T 1 1 1 3 (1) 2 2 2 2 0 0 0 A 2 2 B 0 0 0 (0) 3 3 3 3 © 2003 Sony Classical Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ MAN OF THE HOUR - Pearl Jam Page 2 of 12 B Verse 1 C G C G c c V c c 11 V V V V V V V V V V V V Vj V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V 3 0 T 1 1 3 1 (0) 3 3 1 1 3 3 1 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 A 0 0 B 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 C G Am Em7 c c c c V V c c 15 V V V c V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V V 3 3 0 0 0 0 T 1 1 3 1 0 3 1 1 0 1 3 3 3 3 3 3 A 0 0 0 0 0 2 2 2 2 0 0 B 3 3 3 3 0 0 0 (0) 2 2 2 2 3 3 3 3 Am G c c c c V V c 19 V V V V V V V I V V V V V V V V V V V V V V V V V V V V let ringlet ring 3 3 T 1 1 1 3 3 3 0 2 2 2 2 0 0 0 0 A 2 2 B 0 0 0 (0) 3 3 3 3 3 3 3 3 C Chorus 1 Dm Em7 Am D7sus4 c c c c c 22 V V V V V V V V V V V V V V V V V V V V V V V V V V V I V V V V V V V V V V V V gV V V V 1 3 1 1 1 0 1 3 0 0 0 T 3 3 3 3 3 3 0 1 1 1 1 1 1 0 1 (1) 2 A 0 0 0 0 0 0 B 2 2 0 0 0 0 2 2 2 2 © 2003 Sony Classical Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ MAN OF THE HOUR - Pearl Jam Page 3 of 12 rit. -
A Vote for Change and US Strategy for North
A Vote for Change and U.S. Strategy for North American Integration Christopher Sands, Hudson Institute, USA PNA North American Policy Brief no. 1 1 October 2008 The 2008 presidential election in the United States has become paradoxical. On the one hand, the dominant theme of virtually every candidate in the party primaries was “change.” And since there is no incumbent candidate (neither a sitting president nor a sitting vice president is running this year) for the first time since 1928, there will be a break with the current administration regardless of who wins the presidency. And on the other hand, turbulent financial markets, an unsettling conflict with global terrorist groups, and the dislocating effects of globalization have led many voters to express a desire for a change – away from the changes that they have experienced since the end of the Cold War. Americans want a change in the White House to bring them stability in an uncertain world. It is worth remembering that compared to Europe, North America has been a conservative continent. Noted political scientist and sociologist Seymour Martin Lipset once said that Canada was, “a country of evolution, not revolution,” in contrast with the United States. In Mexico, the legacy of bloodshed and violence that accompanied the Mexican Revolution (1910-1920) left its mark, and helped produce the most durable one party state of the 20 th century; when the country embraced democratic politics in the 1990s in the midst of economic and other changes, the conservative side of the Mexican political culture remained strong. The United States is perhaps the only one of the three North American countries where a major party candidate could give himself the label of “maverick” and benefit politically from the association with a strong-willed and untamed colt. -
Channing Pollock
The Library of America • Story of the Week From The American Stage: Writing on Theater from Washington Irving to Tony Kushner , edited by Laurence Senelick (The Library of America, 2010 ), pages 212 –225 . Reprinted from The Footlights: Fore and Aft (1911 ). CHANNING POLLOCK Channing Pollock ( 1880 –1946 ) was the all-purpose Broadway facto - tum. He served his apprenticeship as dramatic critic of The Washing - ton Post in 1898 , before becoming a press agent for the managers William A. Brady and the Shuberts. Without any sense of conflict of interest, he regularly reviewed plays for several publications, including The Smart Set and The Green Book , often biting the hands that had fed him. He also promoted his own works for the stage, including a dramatization of Frank Norris’s The Pit . Pollock contributed sketches to three versions of the Ziegfeld Follies (1911 , 1915 , and 1921 ), compos - ing the English lyrics for “My Man,” Fanny Brice’s rendition of the French torch song “Mon Homme.” His sanctimonious anti-war play The Fool was a popular if not a critical success in 1924 , but his dramatic career was dealt a lethal blow in 1931 when Dorothy Parker wrote of his latest effort: “ The House Beautiful is the play lousy.” Pollock’s am - ple store of stage lore is illustrated in his essay “Stage Struck,” from his collection The Footlights Fore and Aft (1911 ), which indicates just how popular the theatre as a profession and how widespread the con - cept of “stardom” had become since the days of Anna Cora Mowatt. Stage Struck Being a diagnosis of the disease, and a description of its symptoms, which has the rare medical merit of attempting a cure at the same time. -
1 When They Said Sit Down, I Stood Up
1 When They Said Sit Down, I Stood Up: Springsteen’s Social Conscience, Activism, and Fan Response Susan Hamburger, Ph.D. The Pennsylvania State University “Glory Days: A Bruce Springsteen Symposium” Monmouth University, West Long Branch, New Jersey September 9, 2005 Bruce Springsteen’s increasing politicization from supporting other musicians’ causes (No Nukes and Amnesty International) to social issues he personally embraces (food banks) inspires audiences to follow his lead with charitable causes. Whether donating food, money, or labor to community food banks, raising money for the Kristen Ann Carr Fund for cancer research, or saving the Tillie façade on Palace Amusements, Springsteen’s fans draw inspiration from his example. Yet dissention among fans arose when Bruce joined Vote for Change to actively campaign for John Kerry. This paper explores the interplay between Bruce’s activism and fan reaction. From singing at the No Nukes concerts to food bank exhortations from the stage to actively campaigning for John Kerry, Bruce Springsteen has consciously and thoughtfully selected the causes he supports and speaks out on behalf of. Although Bruce played at a benefit for presidential candidate, George McGovern in 1972, he did not involve himself in politics or causes, keeping a low profile. Beginning with the Musicians United for Safe Energy (M.U.S.E.) anti-nuclear benefit concerts, September 22-23, 1979, 2 filmed and released as No Nukes, Bruce’s association with grassroots activism and benefit concerts set the stage for his first phase of charitable work—showing up and playing music. By lending his musicianship to the benefit, Bruce implied that he supported the anti-nuclear movement yet he did not speak out on M.U.S.E.’s behalf either in the concert program or from the stage. -
An Interview with Bruce Springsteen
Occasional Paper Series Volume 2018 Number 40 Am I Patriotic? Learning and Teaching the Complexities of Patriotism Here Article 3 and Now September 2018 “That's quite a tune”: An Interview with Bruce Springsteen Mark T. Kissling Penn State University Follow this and additional works at: https://educate.bankstreet.edu/occasional-paper-series Part of the Curriculum and Instruction Commons, Curriculum and Social Inquiry Commons, Educational Assessment, Evaluation, and Research Commons, and the Educational Methods Commons Recommended Citation Kissling, M. T. (2018). “That's quite a tune”: An Interview with Bruce Springsteen. Occasional Paper Series, 2018 (40). Retrieved from https://educate.bankstreet.edu/occasional-paper-series/vol2018/iss40/3 This Article is brought to you for free and open access by Educate. It has been accepted for inclusion in Occasional Paper Series by an authorized editor of Educate. For more information, please contact [email protected]. 1 “What is there to lose? All of this beauty”: An Interview with Bruce Springsteen Mark Kissling: Greetings from State College, Pennsylvania. My name is Mark Kissling. I am an assistant professor of education at Penn State University. I’m also the guest editor of the Bank Street Occasional Papers Series issue #40 titled, “Am I Patriotic?” The purpose of the issue is to complicate how we think about and enact patriotism, with a particular focus on how teachers teach and students learn about patriotism. So how does this relate to Bruce Springsteen and the interview that you’re about to hear (or read)? In mid-December of 2008, I spent two days at the Woody Guthrie Archives—then in New York City, now in Tulsa, Oklahoma. -
Los Más Argentinos De Seattle
La banda se presentó el sábado durante más de tres horas, en el Estadio Único de La Plata. FOTO: DYN EL LITORAL www.ellitoral.com LUNES, 9 DE NOVIEMBRE DE 2015 PRODUCCIÓN EL LITORAL ARGENTINO ® PEARL JAM Los más argentinos de Seattle IGNACIO ANDRÉS AMARILLO piso como en sus años mozos; des”. Así agradeció Vedder en POR LA HISTORIA do MTV y otros medios pasa- [email protected] y magnético Eddie Vedder, su mal castellano de machete, Allá por las 21.16 (después ban rock (con su video de Todd todavía saltarín cuando deja en una de tantas manifestacio- del show de Cápsula, los sopor- McFarlane, fue como el último ierático y preciso Matt la guitarra y ciñe el micrófono nes de gratitud que hubo duran- tes locales), Eddie salió con sus hit masivo del grupo). Pasado y Cameron (ex Sound- con las dos manos. Así, acom- te la noche. El mismo cantante machetes y el tinto tres cuartos presente, de “Ten” a “lightning Hgarden) tras la batería pañados por el viejo lobo Boom que se convirtió en una de las que lo acompañó durante bue- Bolt”, se unieron en diferentes Yamaha; ágil Mike McCready, Gaspar en los teclados (bien voces más emblemáticas de una na parte de la noche. Delan- climas, con “All Night”, “Once”, con su slide de bronce sobre los vintage con su piano eléctrico época y (junto con Mike Patton te de un telón que replica la “dissident”, “lightning Bolt”, trastes y su zapatilla Nike en el y sus teclados con Leslie), vol- de Faith No More) de las más gráfica de “lightning Bolt”, “Given to Fly” y “Swallowed wah-wah; circunspecto Stone vieron los Pearl Jam a la Argen- influyentes en nuestro país (y el último disco de la banda, la Whole”.