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The Common Agricultural Policy and the Next EU Budget
The Common Agricultural Policy and the Next EU Budget Reflection Paper No.1: Preparing for the Multiannual Financial Framework after 2020 The Common Agricultural Policy and the Next EU Budget Reflection Paper No. 1: The Case for Co-Financing the CAP. Prof. Dr. Friedrich Heinemann ZEW Centre for European Economic Research, Mannheim, and University Heidelberg Paper prepared for Expert Workshop “CAP and the next MFF” Berlin, Federal Foreign Office, 30 March 2017 Contact Stefani Weiss Director Brussels Office Bertelsmann Stiftung Phone +32 2 233-3891 Mobile +49 160 913 298 78 [email protected] www.bertelsmann-stiftung.de Cover photo: BUND Bundesverband/Bedrohung: Ausgeräumte Agrarlandschaft/BUND Projekt "Wild- katzensprung"/Thomas Stephan/ Flickr, cropped by Sabine Feige. This photo is licensed under the Creative Commons Attribution-NonCommercial 2.0 Generic Licence. To view a copy of this licence, visit https://creativecommons.org/licenses/by-nc/2.0/ The text of this work is licenced under the Creative Commons Attribution 4.0 International Licence. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/. The Common Agricultural Policy and the Next EU Budget | Page 3 Contents 1 CAP objectives ................................................................................................. 4 1.1 Overview ...................................................................................................................................... 4 1.2 Inflation of objectives as immunization strategy ......................................................................... -
Literary, Subsidiary, and Foreign Rights Agents
Literary, Subsidiary, and Foreign Rights Agents A Mini-Guide by John Kremer Copyright © 2011 by John Kremer All rights reserved. Open Horizons P. O. Box 2887 Taos NM 87571 575-751-3398 Fax: 575-751-3100 Email: [email protected] Web: http://www.bookmarket.com Introduction Below are the names and contact information for more than 1,450+ literary agents who sell rights for books. For additional lists, see the end of this report. The agents highlighted with a bigger indent are known to work with self-publishers or publishers in helping them to sell subsidiary, film, foreign, and reprint rights for books. All 325+ foreign literary agents (highlighted in bold green) listed here are known to work with one or more independent publishers or authors in selling foreign rights. Some of the major literary agencies are highlighted in bold red. To locate the 260 agents that deal with first-time novelists, look for the agents highlighted with bigger type. You can also locate them by searching for: “first novel” by using the search function in your web browser or word processing program. Unknown author Jennifer Weiner was turned down by 23 agents before finding one who thought a novel about a plus-size heroine would sell. Her book, Good in Bed, became a bestseller. The lesson? Don't take 23 agents word for it. Find the 24th that believes in you and your book. When querying agents, be selective. Don't send to everyone. Send to those that really look like they might be interested in what you have to offer. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Annual Report 2009
Annual Report 2009 Digitization INNOVATION CultureFREEDOM CommitmentChange Bertelsmann Annual Report 2009 CreativityEntertainment High-quality journalism Performance Services Independence ResponsibilityFlexibility BESTSELLERS ENTREPRENEURSHIP InternationalityValues Inspiration Sales expertise Continuity Media PartnershipQUALITY PublishingCitizenship companies Tradition Future Strong roots are essential for a company to prosper and grow. Bertelsmann’s roots go back to 1835, when Carl Bertelsmann, a printer and bookbinder, founded C. Bertelsmann Verlag. Over the past 175 years, what began as a small Protestant Christian publishing house has grown into a leading global media and services group. As media and communication channels, technology and customer needs have changed over the years, Bertelsmann has modifi ed its products, brands and services, without losing its corporate identity. In 2010, Bertelsmann is celebrating its 175-year history of entrepreneurship, creativity, corporate responsibility and partnership, values that shape our identity and equip us well to meet the challenges of the future. This anniver- sary, accordingly, is being celebrated under the heading “175 Years of Bertelsmann – The Legacy for Our Future.” Bertelsmann at a Glance Key Figures (IFRS) in € millions 2009 2008 2007 2006 2005 Business Development Consolidated revenues 15,364 16,249 16,191 19,297 17,890 Operating EBIT 1,424 1,575 1,717 1,867 1,610 Operating EBITDA 2,003 2,138 2,292 2,548 2,274 Return on sales in percent1) 9.3 9.7 10.6 9.7 9.0 Bertelsmann Value -
Bertelsmann 2018 Summary Plan Descriptions
2 018 Summary Plan Descriptions TABLE OF CONTENTS ....................................................................................... CHAPTER General and Administrative Information .......................................................................... Introduction Medical Plans ........................................................................................................................................................ 1 Medical Coverage During Retirement ................................................................................. 1A Dental Plans ............................................................................................................................................................ 2 Vision Plan................................................................................................................................................................. 3 Disability Plan ....................................................................................................................................................... 4 Life and Accident Insurance Plans.......................................................................................... 5 Health Care Flexible Spending Account Plan .......................................................... 6 Dependent Care Flexible Spending Account Plan ............................................ 7 Long Term Care................................................................................................................................................. -
Jewish Fiction 2016-2017 Title Author Publisher Year 4 3 2 1 Paul Auster
Jewish Fiction 2016-2017 Title Author Publisher Year 4 3 2 1 Paul Auster Macmillan/Henry Holt 2017 About the Night Anat Talshir Amazon Crossing 2016 Address in Amsterdam, An Mary Dingee Fillmore She Writes Press 2016 After Anatevka Alexandra Silber WW Norton/Pegasus 2017 Afterlife of Stars, The Joseph Kertes Little Brown 2017 Albina and the Dog-Men Alejandro Jodorowsky Restless Books 2016 All the Rivers Dorit Rabinyan Random House 2017 Among the Living Jonathan Rabb Other Press 2016 Among the Survivors Ann Leventhal She Writes Press 8/22/2017 And After the Fire Lauren Belfer Harper 2016 And So Is the Bus: Jerusalem Stories Yossel Birstein Dryad Press 2016 As Close to Us As Breathing Elizabeth Poliner Lee Boudreaux Books 2016 Awkward Age, The Francesca Segal Penguin Random House/Riverhead Books 2017 Beautiful Possible, The Amy Gottlieb Harper Perennial 2016 Beauty Queen of Jerusalem, The Sarit Yishai-Levi Random House 2016 Bed Moved, The Rebecca Schiff Knopf 2016 Bed-Stuy Is Burning Brian Platzer Atria 7/11/2017 Béla’s Letters Jeff Ingber Self-Published 2016 Beneath a Scarlet Sky Mark T. Sullivan Lake Union 2017 Best Place on Earth, The: Stories Ayelet Tsabari Random House 2016 Betrand Place Michelle Brafman Prospect Park Books 2016 Between Life and Death Yoram Kaniuk Restless Books 2016 Black Widow Daniel Silva HarperCollins 2016 Bone Box Faye Kellerman HarperCollins/William Morrow 2017 Book of Blam, The Aleksandar Tisma Random House 2016 Book of Esther, The Emily Barton Random House 2016 Boy in Winter, A Rachel Seiffert Knopf Doubleday/Pantheon -
Indiebestsellers
Indie Bestsellers Week of 02.23.12 HardcoverFICTION NONFICTION 1. Death Comes to Pemberley 1. Behind the Beautiful Forevers P.D. James, Knopf, $25.95 Katherine Boo, Random House, $27 2. The Sense of an Ending 2. Quiet Julian Barnes, Knopf, $23.95 Susan Cain, Crown, $26 3. The Art of Fielding 3. Steve Jobs Chad Harbach, Little Brown, $25.99 Walter Isaacson, S&S, $35 4. Kill Shot 4. Unbroken Vince Flynn, Atria, $27.99 Laura Hillenbrand, Random House, $27 5. The Paris Wife Paula McLain, Ballantine, $25 5. All There Is Dave Isay, Penguin Press, $24.95 ★ 6. What We Talk About When We Talk About Anne Frank: Stories 6. Bringing Up Bébé Nathan Englander, Knopf, $24.95 Pamela Druckerman, Penguin Press, $25.95 7. The Marriage Plot 7. In the Garden of Beasts Jeffrey Eugenides, FSG, $28 Erik Larson, Crown, $26 ★ 8. The Wolf Gift 8. The End of Illness Anne Rice, Knopf, $25.95 David B. Agus, M.D., Free Press 9. State of Wonder 9. American Sniper Ann Patchett, Harper, $26.99 Chris Kyle, et al., Morrow, $26.99 10. 11/22/63 Stephen King, Scribner, $35 10. Killing Lincoln Bill O’Reilly, Martin Dugard, Holt, $28 11. Raylan Elmore Leonard, Morrow, $26.99 11. The Science of Yoga William J. Broad, S&S, $26 12. The Orphan Master’s Son Adam Johnson, Random House, $26 12. Thinking, Fast and Slow Daniel Kahneman, FSG, $30 13. Believing the Lie Elizabeth George, Dutton, $28.95 13. Once Upon a Secret 14. The Night Circus Mimi Alford, Random House, $25 Erin Morgenstern, Doubleday, $26.95 14. -
Graham Greene's Books for Children
Gallix: Graham Greene’s Books for Children 39 Graham Greene’s Books for Children his first children’s book, The Little Train. Graham Greene’s When it was published in 1946 by Eyre and Spottiswoode, it carried only the name of Books for Children the illustrator, Dorothy Craigie.2 For many generations, English-writing François Gallix authors have aimed at a double reader- ship, like Charles Dickens, Robert-Louis The 2011 Graham Greene Stevenson (who was one of Greene’s remote International Festival cousins), Jonathan Swift, Daniel Defoe, in children-adapted illustrated editions. “No one can recover from their childhood.” More recently, J.K. Rowling’s Harry Potter “Nul ne guérit de son enfance.” books were published in most countries —French singer, Jean Ferrat : in two editions, one for children, one for adults. Bloomsbury produced editions with The British actress, Emma Thomson, a different cover picture in Britain and in once declared: “There is in Britain a great the United States of America; in France respect for children’s literature: We take it “Gallimard” and “Folio Junior” carried the very seriously.” same text, but with different illustrations Undoubtedly, the relationship between and at a cheaper price. The most prominent what adults read and books for children has case was Philip Pullman, who surprised always been quite different in France and critics when he won the Whitbread prize in English-speaking countries. Thus, when for adults in 2001 for The Amber Spyglass,3 T.H. White’s agents decided to translate into the third volume of his trilogy intended for French The Sword in the Stone (1938),1 the children, His Dark Materials. -
Bottom-Line Pressures in Publishing: a Panel Discussion
BOTTOM-LINE PRESSURES IN PUBLISHING: A PANEL DISCUSSION http://www.najp.org This is an edited and abbreviated transcript of a National Arts Journalism Program panel on the effect of bottom-line pressures on the publishing industry held at Columbia University on April 17, 1998. Panelists: Susan Bergholz, literary agent based in New York City. Formerly a bookseller, Ms. Bergholz has also worked as a buyer for Endicott. Lee Buttala, Associate Editor at Alfred A. Knopf, where he has worked since 1995. Previous to that, he was an editor at Interview and Metropolitan Home magazines. Jeff Seroy, Vice President and Publicity Director, Farrar, Straus & Giroux. A graduate of Columbia University, Mr. Seroy was awarded a Kellett Fellowship for continuing studies at Cambridge University for the 1976-77 academic year, after which he entered the publishing industry. Elisabeth Sifton, Senior Vice President, Farrar, Straus & Giroux, and Publisher, Hill & Wang. Ms. Sifton has held editorial and executive positions at The Viking Press, Viking Penguin, Alfred A. Knopf, Inc., and Elisabeth Sifton Books, which won the Carey-Thomas Award for Creative Publishing in 1986. William B. Strachan, President and Director, Columbia University Press. Formerly editor in chief at Henry Holt, Mr. Strachan has worked at a number of other trade publishers throughout his career including Viking Press and Anchor Press. Moderators: Ruth Lopez, 1997-98 NAJP Fellow, Book Review editor at The Santa Fe New Mexican. Carlin Romano, 1997-98 NAJP Senior Fellow, literary critic, The Philadelphia -
A"" ---NY, Amo, 1975
Atkins, Thomas R., ed. SEXUALITY IN THE MOVIES. Bloomington, Indiana University Press, 1975. B Strange and the Damned, pbo, Pyramid, 1964. A" gh h CASSANDRA AT THE WEDDING. Boston, Hou ton- Atkinson, Ti-Crace. AMAZON ODYSSEY. qpbo, N.Y., Links Books, Baker I Dorot y. 6 A C*** 1974. B" Mifflin 1962' pbr Signet, 196 . , R~MA~CE. s.s. in It's a Woman's World, NY., McGraw· Atlanta Lesbian Feminist Alliance, eds. REWARDING AMAZONS. ---- Atlanta, Atlanta Lesbian Feminist Alliance, 1976. (p) A Hill, 1944. B NY Sun Dial TRIO Boston Houghton.Mifflin, 1943; ..,, Auchincloss, Louis. THE DARK LADY. Boston, Houghton-Mifflin, 1977. A" -----:----:-.1945; pbr, Penguin,. 1946;'Apbr, von,1962' ,pbr , Greenwood,1977. -----. THE HOUSE OF FIVE TALENTS. Boston, Houghton A YOUNG MAN WITH A HORN. Boston, Houghton Mifflin, 1960; pbr, Dell, 1961, 1965. B" Mifflin, 1'938, 1961; pbr, Signet, 1945, 1953; Larchmont, NY., Auerbach, Nina. COMMUNITIES OF WOMEN: An Idea in Fiction. Cam. bridge, Mass., Harvard University Press, 1978. B Queen's House, 1977. B U E'S A JIM-DANDY. Washington, D.C., Some of s Austen, Roger. PLAYING THE GAME: The Homosexual Novel in America. Baker, Susan. SH N.Y., Bobbs-Merrill, 1977. B Press, n.d. (p) B h H Holland Bald, Wambly. DREARY. s.s. in ~mericans Abroad, Teague, , Austin, Barbara Leslie. SOULCATCHER: A Novel. N.Y., Holt, 1975. B"" Servire Press, 1932. ABC 74 Austin, Margaret. MURDER AT MERRYOAK. s.s. in Ellery Queen's ULD TALK NY., Dial, 19 ; Mystery Magazine, vol. 40, no. 4, October 1962. A" Baldwin, James. -
Congratulations to All of the Winners & Finalists of the 2013 USA Best
Congratulations to all of the Winners & Finalists of The 2013 USA Best Book Awards! Categories are listed alphabetically. All finalists are of equal merit. Animals/Pets: General Winner Chasing Doctor Dolittle: Learning the Language of Animals by Con Slobodchikoff, PhD St. Martin's Press 978-0-312-61179-8 Finalist How to Change the World in 30 Seconds: A Web Warrior's Guide to Animal Advocacy Online by C.A. Wulff Barking Planet Productions 978-0978692889 Finalist Pee Where You Want: Man's Best Friend Talks Back! by Karen H. Thompson The Dottin Publishing Group 978-0-9847853-0-8 Animals/Pets: Narrative Non-Fiction Winner M.E. And My Shadow: Wisdom From A Fourlegged Master by Mary Ellen Weiland Shadow Press 978-0-9837443-1-3 Finalist Lessons from Rocky & His Friends: Pawprints on the Heart by Bradford P. Miller LFR Publishing 978-1-4793-5231-9 Anthologies: Non-Fiction Winner No Lumps, Thank You. A Bra Anthologie. Special Edition: Uplifting Stories of Breast Cancer Survival by Meg Spielman Peldo and Kim Wagner Schiffer Publishing 978-0-7643-4288-2 Finalist Essays for my Father: A Legacy of Passion, Politics, and Patriotism in Small-Town America by Richard Muti Richard Muti 978-0-9891482-0-7 Art: General Winner Flight of the Mind, Marcus C. Thomas, A Painter's Journey Through Paralysis by Leslee N. Johnson Lydia Inglett Publishing/Starbooks.biz 978-1-938417-04-7 Art: Instructional/How-To Winner Out There: Design, Art, Travel, Shopping by Maria Gabriela Brito Pointed Leaf Press 978-1938461033 Autobiography/Memoirs Winner IMPOSSIBLE ODDS: The -
London Book Fair 2019
London Book Fair 2019 Rights Catalogue: Frontlist Fiction FOR RIGHTS QUERIES CONTACT Nerrilee Weir, Senior Rights Manager TEL +61 2 8923 9892 FAX +61 2 9956 6487 EMAIL [email protected] penguin.com.au/rights Awards and Nominations 2019 & 2018 The Second Cure by Margaret Morgan Finalist: Aurealis Awards 2018 The Cage by Lloyd Jones Longlisted: Ockham New Zealand Book Awards 2019 The Man Who Would Not See by Rajorshi Chakraborti Longlisted: Ockham New Zealand Book Awards 2019 This Mortal Boy by FIona Kidman Longlisted: Ockham New Zealand Book Awards 2019 The Tea Gardens by Fiona McIntosh Longlisted: Australian Book Industry Awards 2018 The Girl in Kellers Way by Megan Goldin Shortlisted: Ned Kelly Awards 2018 Shortlisted: Davitt Awards 2018 Shortlisted: Australian Book Designers Awards 2018 All Day at the Movies by Fiona Kidman Longlisted: IMPAC International Dublin Literary Award 2018 Billy Bird by Emma Neale Longlisted: IMPAC International Dublin Literary Award 2018 2 LONDON 2019 FRONTLIST RIGHTS CATALOGUE RIGHTS SOLD 2018 & 2019 The Pearl Thief The Escape Room Fiona McIntosh Megan Goldin United Kingdom (Penguin North America (St Martin’s) Random House – Ebury) United Kingdom (Hachette) Italy (DeA Planeta) The Netherlands (Ambo Anthos) Audio (Penguin Random Germany (Piper Verlag) House Australia) Spain (Penguin Random House Groupo Editorial) Poland (Wydawnictwo Bukowy Las) Greenlight Benjamin Stevenson North America (Sourcebooks) This Mortal Boy United Kingdom (Hachette) Fiona Kidman United Kingdom (Gallic Books) Audio (Audible) Film Option (South Pacific Pictures) Audio (Bolinda) Potiki The Mannequin Makers Patrica Grace Craig Cliff United Kingdom (Penguin United Kingdom (Melville Random House – Penguin House) Press) Also licenced to: North America (Milkweed Editions) Romania (Editura Univers) The Yellow Villa Sixty Summers Amanda Hampson Amanda Hampson Italy (Newton Compton Editori) Audio (W.