DOCSLIB.ORG

Katie Robinson Edwards, Visiting Assistant Professor, Allbritton Art Institute Publications “Karl Umlauf's Cross Reference S

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Katie Robinson Edwards, Visiting Assistant Professor, Allbritton Art Institute Publications “Karl Umlauf's Cross Reference S Katie Robinson Edwards, Visiting Assistant Professor, Allbritton Art Institute Publications “Karl Umlauf’s Cross Reference Series: There and Back Again,” essay for Karl Umlauf Retrospective, Wichita Falls Museum of Art, Wichita Falls, Texas (written December 2007; exhibition January 19-March 15, 2008).. “Jack Boynton and Richard Stout: Early Works in Houston,” William Reaves Fine Arts, Houston, September-October 2007. “Matisse: Painter as Sculptor,” Exhibition Review for College Art Association, CAAreviews.org, August 2007. “Lone Star Modernism.” Introduction to Texas Modern: The Rediscovery of Early Texas Abstraction (1935-1965), Austin, Texas: Texas Art Books, 2006. Jessica Stockholder: Kissing the Boundaries (Annotated Chronology),” in Jessica Stockholder: Kissing the Wall: Works 1988-2003 (Distributed Arts Publishers). Exhibition and catalogue organized by Terrie Sultan, Blaffer Gallery, The Art Museum of the University of Houston. “Chuck Close Prints: Process and Collaboration,” exhibition brochure and gallery text, Blaffer Gallery, September 2003. Organized by Terrie Sultan, Blaffer Gallery, The Art Museum of the University of Houston. “Hans Hofmann” and “Morris Louis,” catalogue entries, Blanton Museum of Art: American Art since 1900. Carlozzi, Annette DiMeo, and Kelly Baum, eds. Austin, TX: Blanton Museum of Art, The University of Texas at Austin; Seattle, WA: Marquand Books, 2006. “At the Edge of Paradise: a Sculptural Dialogue between Jill Bedgood and Beverly Penn,” Artlies magazine, Spring 2003 (exhibition review). “The New Frontier: Art and Television 1960-1965,” Artlies magazine, Winter 2000-2001 (exhibition review). “Jill Bedgood: Deadly Sins & Worldly Virtues,” Artlies magazine, Summer 2000 (exhibition review). Conferences/Lectures/Gallery Talks: “Americans….and Texans: Lone Star Modernism in New York,” Center for the Advancement and Study of Early Texas Art (CASETA), April 2007, Dallas. “Jack Boynton and Richard Stout: Early Works in Houston,” William Reaves Fine Arts, Houston, October 27, 2007. Testsite, a project of Fluent Collaborative, Austin, Texas: September-October 2006. Details available @ http://www.fluentcollab.org/testsite/http://www.fluentcollab.org/testsite/project.php?id=53&section=archives Docent Training, Marion K. McNay Art Museum, San Antonio, for Factory Work: Warhol, Wyeth, Basquiat, September 2006. “Andrew Wyeth: Exploring Memory and Magic” (symposium), Philadelphia Museum of Art, March 30-April 1, 2006. “The Puzzle of Reception: Jackson Pollock and Andrew Wyeth Circa 1950,” College Art Association, Atlanta, Georgia, February 2005. “‘Of Course He Was Subversive!’: Jackson Pollock and Anticommunism in the Postwar Popular Press,” American Studies Graduate Student Conference, University of Texas at Austin, October 2003. “Contemporary Art from the Last 40 Years,” St. Stephen’s Episcopal School, ISAS Fine Arts Festival, Austin, Texas, April 2001. “Jasper Johns and Postmodernism,” Guest Lecturer, University of Texas at Austin, November 1997. "Reproduction and Reinterpretation: The Engraved Passions of Hieronymus Wierix and Albrecht Dürer," Midwest Art History Conference, Dallas Museum of Art, April 1997. “Head On: Image and Text in the Prints of Robert Rauschenberg,” Guest Curator, Huntington Art Gallery, University of Texas at Austin, April-June 1994. Co-organized (with Mark L. Smith, Ph.D. and Curator Jonathan Bober) exhibition of Robert Rauschenberg prints and multiples. Contributed essay to unpublished catalogue. “Rauschenberg’s Investigations in Multiple,” lecture, Huntington Art Gallery, Austin, April 1994. Recent Awards, Grants and Scholarly Activities: Faculty Research Fellowship, Baylor University Institute for Oral History, "Recalling Texas Modern: An Oral History of Modern Art Made in Texas,” June 2007-May 2008. Oral History Grant, Center for the Advancement and Study of Early Texas Art (CASETA), July 2007. Editor. Texas Modern: The Rediscovery of Early Texas Abstraction (1935-1965), Austin, Texas: Texas Art Books, 2006. Art Insight celebrates Bastille Day, Société Anonyme exhibition at Dallas Museum of Art, July 14, 2007 (with Dr. Karen Pope). .
Load more

Recommended publications
  • HETAG: the Houston Earlier Texas Art Group
    HETAG: The Houston Earlier Texas Art Group Newsletter, June 2017 Harry Worthman [On the Gulf Coast] 1973, oil on board At the Shore Here it is summer already and for many of us that means it’s time to head for the shore. It meant that for lots of Earlier Houston Artists too, so June seems like a good time to do an At the Shore issue of the Newsletter. There will be Galveston and other Gulf Coast shores, of course, but our artists did a good job of getting around, so there will be quite a few more exotic shores too. Don’t forget to put on your sunscreen. Emma Richardson Cherry Long Beach [California] c.1922, oil on board; Jack Boynton Beach Formation 1953, oil on canvas. HETAG: The Houston Earlier Texas Art Group Eva McMurrey [At the Lake] c. 1959, oil on board Don’t Mess With Texas Art: Tam Kiehnhoff, HETAG member and collector extraordinaire, has done a terrific podcast on the adventures and joys of collecting Texas art, as part of the series “Collecting Culture.” You can hear it here: Collecting Culture – Episode 6: Don’t Mess With Texas Art HETAG Newsletter online (soon): I’m pleased to announce that back issues of the HETAG Newsletter will soon be available online, thanks to our friends at the Museum of Fine Arts Houston’s Hirsch Library. I’m talking about you, Jon Evans, librarian. In fact, they already are available if you’re on the MFAH campus, but plans are to lift that restriction as soon as some technical issues can be addressed.
    [Show full text]
  • Vision Winter 2008
    FOR UNIVERSITY OF NORTHERN COLORADO ALUMNI AND FRIENDS NorthernNorthernVISION WINTER 2008 UNC’S JAZZ PROGRAM CONTInuES JJaaA TRADITIOzzN OF EzzXCELLEnceeE dd SPECIAL SECTION REPORT ON GIVING CANCER REHABILITATION INSTITUTE >> HONORS AND SCHOLARS Call 970.351.4TIX (4849) or visit www.uncbears.com www.uncbears.com WINTER 2008 DEPARTMENTS contentsFEATURES 3 10 A Smooth Melody The UNC Jazz Studies Program continues to build a reputation as one of the country’s best 14 8 2 Letters 18 3 Northern News 8 Bears Sports 22 Giving Back 14 A Higher Learning The Center for Honors, Scholars and 23 Alumni News Leadership challenges students to go 24 Alumni Profile beyond education to think for themselves 25 Class Notes 18 Transforming Lives 32 Calendar of Events UNC’s Rocky Mountain Cancer Rehabilitation Institute changes the way patients, students and professionals think about cancer recovery ON THE COVER SPECIAL SECTION FOR UNIVERSITY OF NORTHERN COLORADO The University of Northern ALUMNI AND FRIENDS Colorado Big Band ensemble, 25 WINTER 2008 NorthernVISION photographed after a perfor- Report 23 mance at the University Center, was named Best College Big on Giving Band by Down Beat magazine. This was the seventh award in Transforming UNC’S JAZZ PROGRAM CONTINUES NorthernVISION A TRADITION OF EXCELLENCE the past five years for the Jazz Lives Through Jazzed Studies Program. Education SPECIAL SECTION REPORT ON GIVING Vol. 5 No. 2 CANCER REHABILITATION INSTITUTE >> HONORS AND SCHOLARS PHOTOGRAPH BY ERIK STENBAKKEN 33 NORTHERN VISION < UNIVERSITY OF NORTHERN COLORADO > 1 lettersREADER This is an egregious error. I realize China 101 Editor that no one pays admission to see these Danyel Barnard THE SIDEBAR on the article “China 101” students run, but a cross country meet Alumni/Class Notes Editor in the fall 2007 issue said that the China is a true spectator sport where fans can Margie Meyer trip was the first three-week faculty- get close to the runners, cheer them on Contributing Writers taught study abroad course.
    [Show full text]
  • HETAG: the Houston Earlier Texas Art Group
    HETAG: The Houston Earlier Texas Art Group David Adickes 1894 Houston (Bird’s Eye View) 1954. Painted mural at the Houston Club (razed 2014); photography by Syd Moen. HETAG Newsletter No 26, October 2018 THE FESTIVAL OF EARLIER HOUSTON ART A year and a half ago some of us (rather naively) designated fall 2018 as The Festival of Earlier Houston Art. We weren’t quite sure what we meant by that, what the Festival would consist of or how we were going to accomplish it, but we had 18 months to do it, so no sweat. Well, the months flew by, and here we are in fall 2018. And, guess what, the Festival of Earlier Houston Art is a reality. Museums and galleries all over town are showing not just art that has been bought-&-brought to Houston (fabulous as that undoubtedly often is), but art MADE in Houston, by Houston artists, going back to the 1850s and coming up to the day just before Contemporary. This is a once-in-our-lifetime opportunity for Houstonians and visitors to Houston to see our own art – the art that is uniquely ours. Look later in the Newsletter for a listing of the exhibitions and related events that make this this fall the FESTIVAL OF EARLIER HOUSTON ART! Montage of Earlier Houston Paintings by Emma Richardson Cherry, Leila McConnell, Bill Condon, Lucas Johnson, Richard Stout and Beulah Schiller Ayars HETAG: The Houston Earlier Texas Art Group Next HETAG Meeting, Saturday, October 27, at 10:30 A.M. The reviews are coming in: As a Mexican I really appreciate the art, Isle from San Antonio Awesome exhibit – feels like MFAH at the library, Scott and Clinton from Austin Inspiring exhibition.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • Artists Active in Texas and Represented in Dallas Museum of Art Collections As of September 2011 for Questions, Contact [email protected] Or 214-922-1277
    Artists active in Texas and represented in Dallas Museum of Art Collections as of September 2011 For questions, contact [email protected] or 214-922-1277 Last Name First Name Display Name Nationality and Dates Adams Eleanor Eleanor Adams American, born 1909 Adams Wayman Wayman Adams American, 1883 - 1959 Adickes David David Adickes American, born 1927 Alexander John John Alexander American, born 1945 Allan William William Allan American, born 1936 Allen Terry Terry Allen American, born 1943 Altman Helen Helen Altman American, born 1958 Amado Jesse Jesse Amado American, born 1951 Amerine Wayne Wayne V. Amerine American, born 1928 Arpa y Perea José José Arpa y Perea Spanish, active in America, 1860 - 1952 Austin Dorothy Dorothy Austin American, 1911 - 2011 Avery Eric Eric Avery American, born 1948 Aylsworth David David Aylsworth American, born 1966 Bagley Frances Frances Bagley American, born 1946 Baker David David Baker American, born 1953 Baker Gus Gus Baker American Baker James James Baker American, born 1951 Barber Scott Scott Barber American, 1963 - 2005 Barrera Jose Jose Luis Rivera Barrera American, born 1946 Barsotti Daniel Daniel Barsotti American, born 1950 Bassett Reveau Reveau Bassett American, 1897 - 1981 Bates David David Bates American, born 1952 Batterton Robert Robert E. Batterton American, born 1951 Bearden Edward Edward Bearden American, 1919 - 1980 Bess Forrest Forrest Bess American, 1911 - 1977 Best Rebecca Rebecca Best American, born 1949 Bewley Murray Murray Percival Bewley American, 1884 - 1964 Biggers John John Thomas Biggers American, 1924 - 2001 Black Harding Harding Black American, born 1912 Blackburn Ed Ed Blackburn American, born 1940 Bodycomb Rosalyn Rosalyn Bodycomb American, born 1958 Bomar Bill Bill Bomar American, born 1919 Boshier Derek Derek Boshier British, born 1937 Bowling Charles Charles T.
    [Show full text]
  • Fame in the Abstract
    September 2016 Fame in the Abstract Dorothy Hood was one of Texas’s greatest artists, yet her work remains largely unknown. Now, sixteen years after her death, can her fans bring her the acclaim she never received in life? By Katy Vine Hood’s Copper Signal, oil on canvas, 1978–1979; Hood, photographed in Mexico City in the early forties. Copper Signal, 1978-1979, Oil on Canvas, 109 1/2” x 81”; Collection of the Art Museum of South Texas, Corpus Christi; Photograph of Copper Signal: Lynda A J Jones; Portrait: Art Museum of South Texas Dorothy Hood had all the makings of an icon. One of Texas’s most talented artists, she was a stunning strawberry blonde with a fearless sense of adventure. In 1941, fresh out of art school, she drove her dad’s roadster to Mexico City and stayed there for most of the next 22 years, drawing and painting alongside Diego Rivera, Frida Kahlo, Roberto Montenegro, and Miguel Covarrubias. Pablo Neruda wrote a poem about her paintings. José Clemente Orozco befriended and encouraged her. The Bolivian director and composer José María Velasco Maidana fell hard for her and later married her. And after a brief stretch in New York City, she and Maidana moved to her native Houston, where she produced massive paintings of sweeping color that combined elements of Mexican surrealism and New York abstraction in a way that no one had seen before, winning her acclaim and promises from museums of major exhibits. She seemed on the verge of fame. “She certainly is one of the most important artists from that generation,” said art historian Robert Hobbs.
    [Show full text]
  • HETAG: the Houston Earlier Texas Art Group
    HETAG: The Houston Earlier Texas Art Group Jack Boynton Sunstone 1957, mixed media on canvas, 44 x 77 in. a magnificent painting from Boynton’s prime, at Foltz Fine Art. HETAG Newsletter No. 36, August 2019 This issue of the HETAG Newsletter is filled with a variety of things to provide some Earlier Houston Art diversion during the long, hot August days when it’s too late to get a plane to cooler places, and too early to nap or drink. There is news of a great little show at MFAH celebrating the art savvy and philanthropy of Miss Ima Hogg, and a rediscovered travelogue by two Houstonians in Europe in 1949; notice of an upcoming show focusing on Modernism in Houston and Dallas in the 1930s, and an invitation to float down the Seine with other HETAGers on a river cruise in 2020. Maybe you’ll find something to take your mind off the weather, and remind you that good times with Houston art are in your future. John T. Biggers History of Education in Morris County, Texas 1954/55, casein on muslin, 5.5 x 22 ft., one of the magnificent works by Houston artists on view at the Witte Museum. HETAG: The Houston Earlier Texas Art Group Off to Europe, 1949! Part 1 of a travelogue wherein Houstonians Gene Charlton (1909-1979) and Jon Chaudier (1921-?) set out for a year in Europe (France, Italy, Spain and Morocco) – serialized weekly in the pages of the Houston Post from May 1949 to March 1950 – recently rediscovered in the digitized version of the newspaper, available at Rice University Library.
    [Show full text]
  • HETAG: the Houston Earlier Texas Art Group
    HETAG: The Houston Earlier Texas Art Group John Biggers The Cradle 1950 Conté crayon on paper board 22 3/8 x 21 ½ (Museum of Fine Arts Purchase prize in 1950) Newsletter No 2, April 2016 Please Note: Our next meeting time has been changed to 5:30 due to a scheduling conflict at MFAH: Thursday, April 14 5:30 pm (NOTE: due to a scheduling conflict at MFAH, this meeting has been moved forward a half hour from the time originally announced). The Museum of Fine Arts Houston Guided tour of "Statements: African American Art from the Museum's Collection" Althea Ruoppo, Curatorial Assistant, Contemporary Art and Special Projects at MFAH, will give us a tour of "Statements". The exhibition includes African American art from all parts of the country, but has an especially large representation of Houston and other Texas artists. https://www.mfah.org/exhibitions/statements-african-american-art-mfah- collection/ http://www.houstonpress.com/arts/statements-at-mfah-is-a-remarkable-exhibit-of- artistic-steps-forward-8141569 HETAG: The Houston Earlier Texas Art Group HETAG sponsorship of the CASETA SYMPOSIUM: Many thanks to all those HETAGers who joined together to make us a Silver ($500) sponsor of the 2016 CASETA Symposium. It shows those around the state our support of the important work CASETA is doing. If you didn’t join the HETAG group, you can still become a sponsor on your own. See the CASETA website to find out how. And, of course, make plans now to attend the Symposium, May 13-15, 2016, at the Hilton Anatole Dallas.
    [Show full text]
  • Dord Fitz Collection Warning: Collection Contains Nudity
    University of Oklahoma Libraries Western History Collections Dord Fitz Collection Warning: Collection contains nudity Fitz, George (Dord) Edward (1914-1989). Papers, 1928-1989. 10 feet. Artist, art educator, and gallery owner. A childhood lisp caused him to pronounce his first name “Dord,” and he began using it officially in 1933. Materials include Fitz’s correspondence, military records, exhibition brochures, newspaper articles, and sales records (1928-1989); as well as his files on artists carried in the Dord Fitz Gallery (1948-1989); records regarding his art students and student art shows at the Dord Fitz School of Art (1951-1980); and other papers reflecting his interests and activities. Notable artists in the collection include Elaine de Kooning, Louise Nevelson, and Charlie Bunnell. Box 1 Folder: 1. Fitz, Dord. Essay containing personal stories about the artists he associated with as well as his own personal philosophy regarding the meaning of art, n.d. Bordelon, Melinda. “The Day the Art Came to Visit.” The beginning of Fitz’s art movement and its impact. Published in Accent West, April 1985. 2. Bartsct, Heri Bert. Materials concerning sculptor Heri Bert Bartsct including articles, essays and exhibitions. Photos removed to photo collection. 1957-1968. 3. Bell, Larry. Materials concerning artist Larry Bell including sales records, exhibitions, and gallery booklets featuring his works. 1981-1986. 4. Boynton, Jack (James). Materials concerning artist Jack “James” Boynton including articles, history, correspondence, and gallery booklets featuring his work. 1959-1981. 5. Brooks, James. Materials concerning artist James Brooks including sales records, correspondence, and a full color essay booklet featuring images of his work.
    [Show full text]
  • Mysticism and the Modern Museum © 2010 Massachusetts Institute of Technology
    Marcia Brennan Curating Consciousness Mysticism and the Modern Museum © 2010 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email [email protected] or write to Special Sales Department, The MIT Press, 55 Hayward Street, Cambridge, MA 02142. This book was set in Berthold Walbaum and Futura by Graphic Composition, Inc. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Brennan, Marcia. Curating consciousness : mysticism and the modern museum / Marcia Brennan. p. cm. Includes bibliographical references and index. ISBN 978-0-262-01378-9 (hardcover : alk. paper) 1. Sweeney, James Johnson, 1900–1986. 2. Mysticism and art. 3. Modernism (Aesthetics) 4. Art museums—Exhibitions. I. Title. N72.M85B74 2010 701'.17—dc22 2009015566 10 9 8 7 6 5 4 3 2 1 Acknowledgments The idea for this book fi rst arose on a spring afternoon in 2001, just before I left Providence to go to Houston. I was walking with my teacher and advisor, Kermit S. Champa, and telling him how museum collaboration projects were going to be an institutional priority at Rice University. Kermit turned to me and said, “Well then, when you get to Houston, you might want to look into James Johnson Sweeney.” At the time, I couldn’t have guessed the magnitude of what sounded, at fi rst, like one of Kermit’s casual suggestions.
    [Show full text]
  • FRIDAYS Houston's Biggest Office Party. 3 in 1
    Park Plaza Hospital salutes The Assistance Fund and graciously underwrites the expense of this ad. Ibt JQHHE~,~\" ,\ GUClst D.J. J.D. Arnold ~ VOTED BEST Benefiting THE ASSISTANCE FUND ~ Sunday. July 12.1992 D.). Mid AmericCi/High Energy. Hew York 5:00 to 9:00 PM • Silent Auction 5:00 to 9:00 PM • Live Auction 7:30 JAGS • Decorative Center Houston. 5120 Woodway at Sage BEHEFITIHG Tickets $50 For information call 529-4788 Project Transitions I Austin Resident AIDS Hospice The Assistance Fund 501(c)(3) pays medical insurance premiums and emergency prescription ~~i-- ' .' '!&~AI' drug expenses for persons who are HIV+ until they qualify for coverage under Medicare. Since m~mmwu~ establishment in April. 1988. The Assistance Fund has served over 500 clients and has \~'=.e~=~ ~ disbursed over $750.000 for premium payments. The Assistance Fund is dedicated to the . -Ifu-;:&u-fdiJL ... preservation of quality health care for men. women and children who are HIV+. Cmu-~wdi-uLJ ... Every $1 donated generates $150 in medical coverage. 211 West 4th Austin (512) 320-8823 SUNDAY, JULY 12 CHRISTMAS IN JULY PARTY ~ 3pm-7pm~ ....I By lnvltatlon ....I W 3: a- r.U').. *==a. ,.... *a: aw. a. a:- I- en W > < 3:. a: == Join us for RICH'S TEA and ME r... After The Party *,.... ...>.I 25¢ Well Drinks, 7-10'pm ::J..., $1.25 Longnecks & Frozens All Night •.. > < -c ua:, Volume 18,Number 18 July 10-16, 1992 12 NEWS Texas Attorney General Rejects Rules Governing HIV and Dentists 25 COMMENT Letters to the Editor 35 OF LOCAL INTEREST 39 BACKSTAGE La Cage aux Folies at Fort Worth's Coso Manana Theatre 41 SPECIAL REPORT LGRL Brings Together Legislators, Gay Constituents by Laurie Eiserloh 47 STARSCOPE Venus in Leo; Full Moon In Capricorn 52 COVER FEATURE Mr.
    [Show full text]
  • HETAG: the Houston Earlier Texas Art Group
    HETAG: The Houston Earlier Texas Art Group HETAG Newsletter No. 37, November 2019 The North Africa Issue! Why North Africa, you might ask? Well, why not! Houston is now known as a city with arms and eyes open to the world, but that attitude isn’t new. Ever since our city became a major port, soon after the turn of the 20th Century, we’ve been cultivating an international worldview. Our artists have led the way. Remember Houston Paints Mexico from last year? By now we all know that many of our Earlier Houston Artists ventured to Europe. Glance through past issues of the HETAG Newsletter, on the University of Houston Digital Library, for reminders of that. But four even went all the way to North Africa between the 1920s and the 1950s – Emma Richardson Cherry, Virgie Claxton, Frederic Browne and Gene Charlton. And, of course, they brought back images of what they saw to share with their fellow Houstonians. I’m hard pressed to think of any other Texas artists who made that trip (though there may be some I haven’t tracked down). Just another of those things that make Earlier Houston Art so distinctive and such fun. This seems a perfect time to acknowledge the influence of Houston artists on North Africa, as the Museum of Fine Arts, Houston, unveils the major addition to the collection of Eugène Delacroix's Women of Algiers in Their Apartment (1833–34), a recently rediscovered, early version of his famous painting on the same subject in the Louvre. The Delacroix joins other images of North Africa at MFAH, some of which have been in the collection since the founding of the museum, helping shape the vision of our artists, as they help us see the wide world along with them.
    [Show full text]