Katie Robinson Edwards, Visiting Assistant Professor, Allbritton Art Institute

Publications “Karl Umlauf’s Cross Reference Series: There and Back Again,” essay for Karl Umlauf Retrospective, Wichita Falls Museum of Art, Wichita Falls, Texas (written December 2007; exhibition January 19-March 15, 2008).. “Jack Boynton and Richard Stout: Early Works in ,” William Reaves Fine Arts, Houston, September-October 2007. “Matisse: Painter as Sculptor,” Exhibition Review for College Art Association, CAAreviews.org, August 2007. “Lone Star .” Introduction to Texas Modern: The Rediscovery of Early Texas Abstraction (1935-1965), Austin, Texas: Texas Art Books, 2006. Jessica Stockholder: Kissing the Boundaries (Annotated Chronology),” in Jessica Stockholder: Kissing the Wall: Works 1988-2003 (Distributed Arts Publishers). Exhibition and catalogue organized by Terrie Sultan, Blaffer Gallery, The Art Museum of the . “Chuck Close Prints: Process and Collaboration,” exhibition brochure and gallery text, Blaffer Gallery, September 2003. Organized by Terrie Sultan, Blaffer Gallery, The Art Museum of the University of Houston. “Hans Hofmann” and “Morris Louis,” catalogue entries, Blanton Museum of Art: American Art since 1900. Carlozzi, Annette DiMeo, and Kelly Baum, eds. Austin, TX: Blanton Museum of Art, The University of Texas at Austin; Seattle, WA: Marquand Books, 2006. “At the Edge of Paradise: a Sculptural Dialogue between Jill Bedgood and Beverly Penn,” Artlies magazine, Spring 2003 (exhibition review). “The New Frontier: Art and Television 1960-1965,” Artlies magazine, Winter 2000-2001 (exhibition review). “Jill Bedgood: Deadly Sins & Worldly Virtues,” Artlies magazine, Summer 2000 (exhibition review).

Conferences/Lectures/Gallery Talks: “Americans….and Texans: Lone Star Modernism in New York,” Center for the Advancement and Study of Early Texas Art (CASETA), April 2007, . “Jack Boynton and Richard Stout: Early Works in Houston,” William Reaves Fine Arts, Houston, October 27, 2007. Testsite, a project of Fluent Collaborative, Austin, Texas: September-October 2006. Details available @ http://www.fluentcollab.org/testsite/http://www.fluentcollab.org/testsite/project.php?id=53§ion=archives Docent Training, Marion K. McNay Art Museum, San Antonio, for Factory Work: Warhol, Wyeth, Basquiat, September 2006. “Andrew Wyeth: Exploring Memory and Magic” (symposium), Philadelphia Museum of Art, March 30-April 1, 2006. “The Puzzle of Reception: Jackson Pollock and Andrew Wyeth Circa 1950,” College Art Association, Atlanta, Georgia, February 2005. “‘Of Course He Was Subversive!’: Jackson Pollock and Anticommunism in the Postwar Popular Press,” American Studies Graduate Student Conference, University of Texas at Austin, October 2003. “Contemporary Art from the Last 40 Years,” St. Stephen’s Episcopal School, ISAS Fine Arts Festival, Austin, Texas, April 2001. “Jasper Johns and Postmodernism,” Guest Lecturer, University of Texas at Austin, November 1997. "Reproduction and Reinterpretation: The Engraved Passions of Hieronymus Wierix and Albrecht Dürer," Midwest Art History Conference, , April 1997. “Head On: Image and Text in the Prints of Robert Rauschenberg,” Guest Curator, Huntington Art Gallery, University of Texas at Austin, April-June 1994. Co-organized (with Mark L. Smith, Ph.D. and Curator Jonathan Bober) exhibition of Robert Rauschenberg prints and multiples. Contributed essay to unpublished catalogue. “Rauschenberg’s Investigations in Multiple,” lecture, Huntington Art Gallery, Austin, April 1994.

Recent Awards, Grants and Scholarly Activities:

Faculty Research Fellowship, Institute for Oral History, "Recalling Texas Modern: An Oral History of Modern Art Made in Texas,” June 2007-May 2008. Oral History Grant, Center for the Advancement and Study of Early Texas Art (CASETA), July 2007. Editor. Texas Modern: The Rediscovery of Early Texas Abstraction (1935-1965), Austin, Texas: Texas Art Books, 2006. Art Insight celebrates Bastille Day, Société Anonyme exhibition at Dallas Museum of Art, July 14, 2007 (with Dr. Karen Pope).