City and Nature in the Work of Zadie Smith
Grey and Green: City and Nature in the work of Zadie Smith Grey and Green: City and Nature in the work of Zadie Smith Freya Graham Introduction In her riotous novel NW (2012), Zadie Smith takes us on a walk through North London. It’s a cacophony: “sweet stink of the hookah, couscous, kebab, exhaust fumes of a bus deadlock. 98, 16, 32, standing room only—quicker to walk!”.1 The narrative continues over a page, taking in “TV screens in a TV shop”, “empty cabs” and a “casino!”.2 Plant and animal life are almost entirely absent, aside from a moment of “birdsong!” and a building surrounded by “security lights, security gates, security walls, security trees”.3 Elements that we may associate with the “natural world” have become part of the architecture of the city, indistinguishable from the man-made lights, gates and walls. NW is so centred on city life that the title itself takes inspiration from a London postcode. The novel follows the lives of four friends—Leah, Natalie, Felix and Nathan— who grow up on the same estate in north-west London. As the friends grow older, their lives overlap in unexpected ways. Leah works in a dead-end job and still lives near her childhood estate; Natalie seemingly triumphs in becoming a successful lawyer and mother; Felix, a former drug addict, is forging a new life; Nathan is involved in organised crime. The novel’s ambitious narrative threads culminate in a tragic chance encounter. NW expands on the themes of class, race, identity and place which Smith first explored in her debut novel, White Teeth (2000).
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