Masses Yearning to Breathe Free Dancing

Total Page:16

File Type:pdf, Size:1020Kb

Masses Yearning to Breathe Free Dancing ARTS&BOOKSF SUNDAY, FEBRUARY 11, 2018 :: LATIMES.COM/CALENDAR Myung J. Chun Los Angeles Times THE SPRUTH MAGERS gallery in L.A. altered its layout and operating hours to optimize light and space for this installation by 89-year-old artist Robert Irwin. ART, ALLURE EVERYWHERE Artist Robert Irwin wants to help people notice that ‘beauty is all around you’ BY DEBORAH VANKIN >>> Inside a gleaming San Diego tract home, 89-year-old artist Robert Irwin reclines in his favorite leather lounge chair, snug in his favorite worn baseball cap, sipping a fizzy Coke over ice. ¶ Irwin has lived here about 15 years “because my wife wanted kids on the block for our daughter,” he says of his now-23-year-old. Still, the cozy setting seems incongruous. With dark sunglasses donned and legs outstretched, Irwin appears less the renowned contemporary artist — the one Los Angeles County Museum of Art Director Michael Govan calls one of the most innovative artists of the ’60s and ’70s — and more a relaxed suburban- ite, tanned and ruggedly handsome. ¶ But Irwin’s minimalist, site-specific installations toy with the viewer’s sense of perception, and if you look more closely here, his home reveals Irwin-esque touches everywhere — beauty in the benign. Sunlight seeps in through glass panes, apropos for a California Light and Space artist; nearly every window has views of his wife’s garden, nodding to Irwin’s love of artful plantings, like his Central Garden at the Getty Center; the elongated entrance hallway fea- [See Irwin, F6] BOOK REVIEW Masses yearning to breathe free Dancing Stories of immigration are from topic pooled for an Actors’ Gang play-construction project, to topic ‘The New Colossus.’ By Walton Muyumba By Tim Greiving Upon opening “Feel Free,” A play in which the cast acts Zadie Smith’s new essay collec- out the real immigration stories of tion, you’ll be surprised to learn family and friends would seem to that she doubts her literary talent, have “Trump” written all over it, her critical acumen. I support that but “The New Colossus” — the lat- many literary writers are skeptical est from the Actors’ Gang, di- or anxious about their chosen pro- rected by founding artistic direc- fession. I know I am: Though some tor Tim Robbins — was actually invisible force compels us to cre- workshopped during the Obama ate, we writers sometimes feel our- years in reaction to the Syrian ref- selves fraudulent intellectually, ugee crisis. not knowing enough about any- The current president, whose thing to represent human experi- election campaign was driven by ence or critique the arts success- characterizations of Mexican im- fully. migrants as criminals and rapists, Smith ought not be one of just threw fossil fuel on the fire. those writers though. Since 2000, “The New Colossus” has 12 ac- Smith — London born and bred, tors, young and old, playing char- now a New Yorker — has pub- acters from different countries lished six substantial, exceptional and eras, all woven into a single works of fiction (including the 2012 narrative about escaping an op- novel “NW,” a tour de force for- pressive homeland, drawn to the Kent Nishimura Los Angeles Times mally and stylistically) and an ex- beacon above Ellis Island. THE STORIES of people around the world who seek America and its way of life are stirred into cellent work of nonfiction, “There’s [See ‘Colossus,’ F4] the melting pot of “The New Colossus,” an Actors’ Gang presentation directed by Tim Robbins. “Changing My [See Smith, F10] F10 SUNDAY, FEBRUARY 11, 2018 LATIMES.COM/CALENDAR BOOK REVIEW BESTSELLERS LOS ANGELES TIMES FEB 11, 2018 weeks Fiction on list 1. Little Fires Everywhere by 20 Celeste Ng (Penguin Press: $27) A new family and an adoption upend a quiet Cleveland suburb. 2. The Immortalists by Chloe 3 Benjamin (Putnam: $26) Four siblings grapple with life after learning the dates of their demise from a psychic. 3. The Woman in the Window by 4 A.J. Finn (Morrow: $26.99) A twisted tale with Hitchcockian undertones features a Manhattan recluse who spends her days spying on neighbors. 4. City of Endless Night by Douglas 1 Preston & Lincoln Child (Grand Central: $28) A New York City detective and FBI agent track down a killer who decapitates victims. 5. The Largesse of the Sea Maiden 2 by Denis Johnson (Random House: $27) A posthumous short-story collection on mortality and transcendence from the late writer. 6. Origin by Dan Brown (Doubleday: 17 $29.95) A billionaire futurist and former student of professor of symbology Robert Langdon sends him on another quest to uncover the questions of human existence. 7. Munich by Robert Harris (Knopf: 2 $27.95) A spy novel set during British Prime Minister Neville Chamberlain’s last-ditch negotiations with Hitler in 1938. 8. A Gentleman in Moscow by Amor 73 Towles (Viking: $27) In 1922, a Russian count is sentenced to house arrest in a grand hotel for the rest of his life. 9. The Wanted by Robert Crais 4 (Putnam: $28) A single mother hires P.I. Elvis Cole to investigate her teenage son who is on the run after a deadly crime spree. 10. Manhattan Beach by Jennifer 17 Egan (Scribner: $27) The first female diver at the Brooklyn Naval Yard during World War II seeks to uncover the reason for her father’s disappearance. Nonfiction Eamonn McCabe Getty Images 1. Fire and Fury by Michael Wolff 4 (Holt: $30) A journalists’ inside ENGLISH AUTHOR Zadie Smith is apprehensive about her intellectual authority yet demonstrates command in her essays. account of the dysfunctional first year of the Trump White House. 2. Barking to the Choir by Gregory 12 Boyle (S&S: $26) The Jesuit priest shares what working with gang members in Los Angeles A ‘Free’ stream of ideas has taught him about faith, compassion. 3. Power Your Tribe by Christine 1 Comaford (McGraw-Hill: $27) A [Smith, from F1] cial naivety of an English her parents, family life “is always set of neuroscience-based tools Mind: Occasional Essays” (2009). sentence intended to sound an event of some violence.” How to empower your workplace Feel Free: Essays team. Across her eighth book’s five as if it has been translated Zadie Smith then does the writer balance de- parts — “In the World,” “In the Au- from the French) — it’s sired freedoms, minimize family as 4. Leonardo da Vinci by Walter 15 Penguin Press: 464 pp, $28 dience,” “In the Gallery,” “On the almost enough to make you an event of violence, and access Isaacson (Simon & Schuster: Bookshelf,” “Feel Free” — Smith feel patriotic. joy? Smith has built a career as a $35) The award-winning biographer, known for profiling has distributed a slew of essays, re- These sentences aren’t from our various selves, Smith novelist dancing among these geniuses, turns his attention to views (including a folio of Harper’s merely decorative. They’re writes, is an everyday sensation, poles, dancing between (as the title da Vinci. columns) and lectures written important because they “yet it proves a tricky sort of prob- of one her essay names it) opti- from 2009-17. enable the comedy: when lem for those people who hope to mism and despair. 5. The Subtle Art of Not Giving a 43 F*ck by Mark Manson Over 435 pages, she covers you create this many com- make art. For though we know and Smith’s most recent novel, (HarperOne: $24.99) How Brexit and the waning British partments in each line, you recognize discontinuity in our own “Swing Time” (2016) is an attempt stopping to try to be positive all state; climate change; David have space for at least two lives, when it comes to art we are to wrestle with her doubts about the time will make us become Fincher, Facebook and internet jokes and one sly dig. deeply committed to the idea of fiction’s capabilities. To great ef- better, happier people. 2.0; Billie Holiday; Joni Mitchell; continuity. I find myself to be radi- fect, Smith achieves a formally uni- 6. The Book of Joy by Archbishop 56 Key & Peele; Schopenhauer, Char- Effectively a pastiche of St. cally discontinuous with myself — fied literary novel while simulta- Desmond Tutu and The Dalai lie Kaufman and stop-motion ani- Aubyn’s style, Smith’s close read- but how does one re-create this neously illustrating a unnamed Lama (Avery: $26) The Nobel mation; black beauty, black sor- ing illustrates and explicates si- principle in fiction?” This profes- narrator recognizing her discon- Prize-winning spiritual leaders share their wisdom. row, oil painting and a horror movie multaneously. She’s also perform- sional literary problem is en- tinuous selves. It’s a novel about about white liberals; the vagaries ing what I’ll call her “affective” meshed with Smith’s apprehen- dance that ends with a major char- 7. Devotion by Patti Smith (Yale 66 of lower-middle-class British life in critical practice. Smith seems to sion about her intellectual author- acter, Tracy, herself a lapsed pro- University Press: $18) The the 1980s and ’90s; literary fiction define that mode while appraising ity. fessional dancer, joyously whirling rocker-writer’s exploration of the nature of creative invention. and the discontinuous self; and the intellectual prowess on display In “Some Notes,” when Smith dervish-like with her children. Justin Bieber, Jay-Z and joy. in Geoff Dyer’s “Otherwise Known worries that she cannot develop a While Smith may not be able to as- 8. Astrophysics for People in a 38 Smith’s continuous stream of as the Human Condition: Selected connoisseur’s command of, say, suage her doubts about her au- Hurry by Neil Degrasse Tyson (Norton: $18.95) An productivity, her topical range, the Essays and Reviews.” When she Mitchell’s or David Byrne’s music, thority, she can “dance” with and easy-to-understand introduction accolades laureling her books, her writes that each of Dyer’s essays “is or some other subject, her anxiety around them.
Recommended publications
  • Advance Program Notes an Onstage Conversation with Zadie Smith, Author Tuesday, March 19, 2019, 7:30 PM
    Advance Program Notes An Onstage Conversation with Zadie Smith, author Tuesday, March 19, 2019, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. An Onstage Conversation with Zadie Smith, author Moderated by Lucinda Roy, Alumni Distinguished Professor, Department of English at Virginia Tech Presented in partnership with the Department of English Visiting Writers Series and the Women’s Center at Virginia Tech in celebration of its 25th anniversary Biography ZADIE SMITH Novelist Zadie Smith was born in North London in 1975 to an English father and a Jamaican mother. She read English at Cambridge before graduating in 1997. Her acclaimed first novel,White Teeth (2000), is a vibrant portrait of contemporary multicultural London, told through the stories of three ethnically diverse families. The book won a number of awards and prizes, including the Guardian First Book Award, the Whitbread First Novel Award, the Commonwealth Writers Prize (Overall Winner, Best First Book), and two BT Ethnic and Multicultural Media Awards (Best Book/Novel and Best Female Media Newcomer). It was also shortlisted for the Mail on Sunday/John Llewellyn Rhys Prize, the Orange Prize for Fiction and the Author’s Club First Novel Award. White Teeth has been translated into over 20 languages and was adapted for Channel 4 television for broadcast in autumn 2002 and for the stage in November 2018. Smith’s The Autograph Man (2002), a story of loss, obsession, and the nature of celebrity, won the 2003 Jewish Quarterly Wingate Literary Prize for Fiction.
    [Show full text]
  • Creative Nonfiction: College Writing for Freshmen & Sophomores
    Creative Nonfiction: College Writing for Freshmen & Sophomores Saturday, May 13, 2017 - 10-12:00 Overview: In today’s workshop, we will explore the genre of creative nonfiction, based around ​ interviews you’ll conduct with your mentor or mentee. Creative nonfiction is a genre with many applications on your path to college: it’s a genre you can draw upon for your personal statement and supplementary application materials as well as scholarship essays, and you may end up writing creative nonfiction pieces for college classes, as well, since they allow for a blend of personal observations and factual research. And, of course, the theme of today’s interviews will be college! ​ ​ Outcomes: Mentees will be able to… ● Define the genre “creative nonfiction” ● Explain what a hook is and how you would use a hook to enhance your piece ● Define and follow best practices for conducting interviews ● Describe key aspects of their mentor’s college experience ● Write a piece of creative nonfiction based on mentor interview and add this piece to their Girls Write Now portfolio Mentors will be able to… ● Define the genre “creative nonfiction” ● Plan for ongoing conversations about college with their mentee ● Follow best practices for supporting mentees in college-ready writing Agenda: 9:45-10am Have some breakfast snacks! 10-10:10am Welcome & introduction to the day 10:10-10:20am What is Creative Nonfiction? Read and discuss “The Pieces of Zadie Smith” 10:20-10:40am Mentees interview mentors 10:40-11am Mentors interview mentees 11-11:40am Writing time! 11:40-11:55am Share out, wrap up 11:55-12pm Closing announcements 1 What is creative nonfiction? The Pieces of Zadie Smith Briton, Jamaican, mother, writer, female: on becoming whole with one of this generation’s most vital literary voices.
    [Show full text]
  • City and Nature in the Work of Zadie Smith
    Grey and Green: City and Nature in the work of Zadie Smith Grey and Green: City and Nature in the work of Zadie Smith Freya Graham Introduction In her riotous novel NW (2012), Zadie Smith takes us on a walk through North London. It’s a cacophony: “sweet stink of the hookah, couscous, kebab, exhaust fumes of a bus deadlock. 98, 16, 32, standing room only—quicker to walk!”.1 The narrative continues over a page, taking in “TV screens in a TV shop”, “empty cabs” and a “casino!”.2 Plant and animal life are almost entirely absent, aside from a moment of “birdsong!” and a building surrounded by “security lights, security gates, security walls, security trees”.3 Elements that we may associate with the “natural world” have become part of the architecture of the city, indistinguishable from the man-made lights, gates and walls. NW is so centred on city life that the title itself takes inspiration from a London postcode. The novel follows the lives of four friends—Leah, Natalie, Felix and Nathan— who grow up on the same estate in north-west London. As the friends grow older, their lives overlap in unexpected ways. Leah works in a dead-end job and still lives near her childhood estate; Natalie seemingly triumphs in becoming a successful lawyer and mother; Felix, a former drug addict, is forging a new life; Nathan is involved in organised crime. The novel’s ambitious narrative threads culminate in a tragic chance encounter. NW expands on the themes of class, race, identity and place which Smith first explored in her debut novel, White Teeth (2000).
    [Show full text]
  • Six Essays by Zadie Smith
    PENGUIN BOOKS An imprint of Penguin Random House LLC penguinrandomhouse.com Copyright © 2020 by Zadie Smith Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader. “The American Exception” was first published in The New Yorker, April 10, 2020 ISBN 9780593297612 (paperback) ISBN 9780593297629 (ebook) The author will donate her royalties from the sale of Intimations to charity. pid_prh_5.5.0_c0_r1 For Jackie and Jay It stares you in the face. No role is so well suited to philosophy as the one you happen to be in right now. MARCUS AURELIUS My vocabulary is adequate for writing notes and keeping journals but absolutely useless for an active moral life. GRACE PALEY Contents Foreword Peonies The American Exception Something to Do Suffering Like Mel Gibson Screengrabs • (After Berger, before the virus) A MAN WITH STRONG HANDS A CHARACTER IN A WHEELCHAIR IN THE VESTIBULE A WOMAN WITH A LITTLE DOG A HOVERING YOUNG MAN AN ELDER AT THE 98 BUS STOP A PROVOCATION IN THE PARK POSTSCRIPT: CONTEMPT AS A VIRUS Intimations Foreword THERE WILL BE many books written about the year 2020: historical, analytical, political, as well as comprehensive accounts. This is not any of those—the year isn’t halfway done. What I’ve tried to do is organize some of the feelings and thoughts that events, so far, have provoked in me, in those scraps of time the year itself has allowed.
    [Show full text]
  • Contemporary British Fiction and the Marketing of Mixed Race
    CONTEMPORARY BRITISH FICTION AND THE MARKETING OF MIXED RACE by Shantel Edwards A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of English Literature School of English, Drama and Canadian Studies College of Arts and Law University of Birmingham April 2019 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis argues that contemporary mixed-race authors, such as Zadie Smith, are central cultural figures through which narratives of British mixed race have been constructed and circulated post-2000. This thesis argues that the discourses of race constructed and disseminated to the wider British public by external agents, such as journalists, publishers, reveal the persistence of limiting narratives of mixed race in Britain today. Taking a case study approach, this thesis analyses ideas of mixedness that are established through the media coverage surrounding their work, alongside the modes of mixedness made available through their work, arguing that their texts provide a crucial intervention into narratives of mixed race, and race more broadly, in contemporary Britain. Alongside this analysis of external representations of mixedness, this thesis also examines the representation of mixed-race identity made available through the work of the authors themselves, arguing that these insider-led explorations of mixedness speak to, and against, mainstream narratives of mixedness and offer new representations and interpretations of mixedness.
    [Show full text]
  • ZADIE SMITH Zadie Smith’S First Novel White Teeth Won the Whitbread First Novel Award (Now Known As the Costa Book Awards)
    the Bookfiles FEATURED AUTHOR from Haringey Libraries ZADIE SMITH Zadie Smith’s first novel White Teeth won the Whitbread First Novel Award (now known as the Costa Book Awards). Her latest book Intimations was written during the early months of lockdown. Described as being a timely and exquisitely intimate collection of essays, it was written in response to the crisis that put the world on pause in 2020. We have brought together here nine of Zadie Smith’s books, including novels, short stories and essays. White Teeth (published in 2000) is a funny, big-hearted novel. Friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle. Winner of the Whitbread First Novel Award, it was included on Time Magazine's 100 best English-language novels published from 1923 to 2005. Borrow the eBook (external link) The Autograph Man (2002 ) follows one Alex-Li Tandem: a twenty-something Chinese-Jewish autograph dealer turned on by sex, drugs and organised religion. Alex tries to discover how a piece of paper can bring him closer to his heart's desire. Exposing our misconceptions about our idols – and about ourselves. Changing My Mind On Beauty (2005) Winner of (2009) A far-ranging, the Orange Prize for Fiction and invigorating and shortlisted for the Man Booker irrepressible collection Prize. When Howard Belsey's of essays on literature, oldest son falls for Victoria, the cinema, art - and stunning daughter of the right- everything in between. wing Monty Kipps, both families Borrow the eBook find themselves thrown together, (external link) enacting a cultural and personal war against each other.
    [Show full text]
  • Press Release
    Press Release Monday 6 July 2020 National Portrait Gallery Commissions New Portrait of Zadie Smith by Toyin Ojih Odutola Portrait will go on display in Zadie Smith’s home borough of Brent as part of Brent 2020 London Borough of Culture Sadie (Zadie Smith) by Toyin Ojih Odutola, 2018-19, Pastel, charcoal, pencil and graphite on paper © Toyin Ojih Odutola. Courtesy of the artist and Jack Shainman Gallery, New York. Purchased with generous support from Zekiye Cingillioglu The National Portrait Gallery, London has commissioned a new portrait of one of Britain’s best known writers, Zadie Smith by Nigerian born artist, Toyin Ojih Odutola. The full-length portrait, which joins the Gallery’s Collection, is available to view online on the Gallery website alongside an exclusive interview with Smith and Ojih Odutola by Katy Hessel, art historian and founder of The Great Women Artists Instagram account. The portrait will go on public display in the Brent Museum and Archive, where Smith grew up in North West London, in December 2020 as part of Brent 2020, London Borough of Culture. Read the interview with Zadie Smith and Toyin Ojih Odutola npg.org.uk/ZadieSmith Ojih Odutola is, in Smith’s words, the ‘central light in a thrilling new generation of black artists.’ In her portrait of Smith she has included a range of subtle details. Shapes and shadows evoke palm trees which reference Smith’s Jamaican heritage and a large map of North West London is in the background. Ojih Odutola chose the title, “Sadie,” to signify the foundations of Smith’s life, as a woman from North West London with firm roots in Jamaica and England.
    [Show full text]
  • Author Zadie Smith Finds Common Ground Among Cultures
    Tulane University Author Zadie Smith finds common ground among cultures March 02, 2016 12:30 PM Jamie Logan [email protected] Award-winning author Zadie Smith addresses the audience at Tulane University as the Zale- Kimmerling Writer-in-Residence on Tuesday (March 1). (Photo by Cheryl Gerber) Tulane University | New Orleans | 504-865-5210 | [email protected] Tulane University Zadie Smith speaks to creative writing students in the Anna E. Many Lounge in the Caroline Richardson Building. Students asked how she named characters, about her editing and writing process, and what authors she likes to read. (Photo by Sally Asher) Acclaimed author Zadie Smith wove a tale of sacrifice and survival as she stood before an enraptured audience in Kendall Cram Lecture Hall on the Tulane University uptown campus. Smith shared her most recent short story on Tuesday (March 1) as one of the 2016 Zale-Kimmerling Writers-in-Residence. This endowed program, coordinated by the Newcomb College Institute, brings talented female writers to campus each year to inspire readers and students. In a discussion with Karen Zumhagen-Yekplé, assistant professor of English, Smith described the progression of her work. She explained that humor once helped her write about difficult topics, but her focus has shifted with time. “As you get older, life gets a lot less funny,” Smith said. Nonetheless, she finds beauty in everyday scenes. “I get a lot out of the world,” she added. “As you get older, life gets a lot less funny.” Zadie Smith From New York to West Africa, she is inspired by the places she has seen.
    [Show full text]