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42 Artists Donate Works to Sotheby's Auction Benefitting the Studio Museum in Harlem
42 Artists Donate Works to Sotheby’s Auction Benefitting the Studio Museum in Harlem artnews.com/2018/05/03/42-artists-donate-works-sothebys-auction-benefitting-studio-museum-harlem Grace Halio May 3, 2018 Mark Bradford’s Speak, Birdman (2018) will be auctioned at Sotheby’s in a sale benefitting the Studio Museum in Harlem. COURTESY THE ARTIST AND HAUSER & WIRTH Sotheby’s has revealed the 42 artists whose works will be on offer at its sale “Creating Space: Artists for The Studio Museum in Harlem: An Auction to Benefit the Museum’s New Building.” Among the pieces at auction will be paintings by Mark Bradford, Julie Mehretu, Lynette Yiadom-Boakye, Glenn Ligon, and Njideka Akunyili Crosby, all of which will hit the block during Sotheby’s contemporary art evening sale and day sales in New York, on May 16 and 17, respectively. The sale’s proceeds will support the construction of the Studio Museum’s new building on 125th Street, the first space specifically developed to meet the institution’s needs. Designed by David Adjaye, of the firm Adjaye Associates, and Cooper Robertson, the new building will provide both indoor and outdoor exhibition space, an education center geared toward deeper community engagement, a public hall, and a roof terrace. “Artists are at the heart of everything the Studio Museum has done for the past fifty years— from our foundational Artist-in-Residence program to creating impactful exhibitions of artists of African descent at every stage in their careers,” Thelma Golden, the museum’s director and chief curator, said in a statement. -
What Does It Mean to Write Fiction? What Does Fiction Refer To?
What Does It Mean to Write Fiction? What Does Fiction Refer to? Timothy Bewes Abstract Through an engagement with recent American fiction, this article explores the possibility that the creative procedures and narrative modes of literary works might directly inform our critical procedures also. Although this is not detailed in the piece, one of the motivations behind this project is the idea that such pro- cedures may act as a technology to enable critics to escape the place of the “com- mentator” that Michel Foucault anathematizes in his reflections on critical dis- course (for example, in his 1970 lecture “The Order of Discourse”). The article not only theorizes but attempts to enact these possibilities by inhabiting a subjective register located between fiction and criticism—a space that, in different ways, is also inhabited by the two literary works under discussion, Renee Gladman’s To After That and Colson Whitehead’s novel Zone One. (Gladman’s work also provides the quotations that subtitle each half of the essay.) Readers may notice a subtle but important shift of subjective positionality that takes place between sections I and II. 1 “What Does It Mean to Write Fiction? What Does Fiction Refer to?” These two questions are not mine—which means that they are not yours, either. They are taken from a work of fiction entitled To After That by the American writer Renee Gladman. I hesitate to call them a quotation, for, although they appear in Gladman’s book, the questions do not exactly belong to her narrator; or rather, they do not belong to the moment of Gladman’s narration. -
Toyin Ojih Odutola: a Countervailing Theory
Toyin Ojih Odutola: A Countervailing Theory The Curve, Barbican Centre 26 March – 26 July 2020 Media View: Wednesday 25 March 2020, 10am – 1pm Free Admission #ToyinOjihOdutola @barbicancentre Supported by Jack Shainman Gallery and using public funding from Arts Council England Toyin Ojih Odutola, Semblance of Certainty from A Countervailing Theory, (2019), © Toyin Ojih Odutola. Courtesy of the artist and Jack Shainman Gallery, New York; Toyin Ojih Odutola, Introductions: Early Embodiment from A Countervailing Theory, (2019), © Toyin Ojih Odutola. Courtesy of the artist and Jack Shainman Gallery, New York Opening spring 2020, Barbican Art Gallery presents the first-ever UK commission by Nigerian- American artist Toyin Ojih Odutola, a site-specific installation for The Curve. An epic cycle of new work unfurls across the 90-metre long gallery, exploring an imagined ancient myth conceived by the artist. Toyin Ojih Odutola: A Countervailing Theory opens in The Curve on Thursday 26 March 2020. Working exclusively with drawing materials, including pencil, pastel, ballpoint pen and charcoal, Ojih Odutola’s works often take the form of monumental portraits, which retain a remarkable intimacy despite their scale. She approaches the process of drawing as an investigative practice, through which to explore an intense engagement with mark-making and its potential for meaning. Ojih Odutola recognises that the pen is ‘a writing tool first’, playing with the idea that drawing can be a form of storytelling. She proposes speculative fictions through her practice, inviting the viewer to enter her vision of an uncannily familiar, yet fantastical world. Working akin to an author or poet, she often spends months creating extensive imaginary narratives, which play out through a series of works to suggest a structure of episodes or chapters. -
Advance Program Notes an Onstage Conversation with Zadie Smith, Author Tuesday, March 19, 2019, 7:30 PM
Advance Program Notes An Onstage Conversation with Zadie Smith, author Tuesday, March 19, 2019, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. An Onstage Conversation with Zadie Smith, author Moderated by Lucinda Roy, Alumni Distinguished Professor, Department of English at Virginia Tech Presented in partnership with the Department of English Visiting Writers Series and the Women’s Center at Virginia Tech in celebration of its 25th anniversary Biography ZADIE SMITH Novelist Zadie Smith was born in North London in 1975 to an English father and a Jamaican mother. She read English at Cambridge before graduating in 1997. Her acclaimed first novel,White Teeth (2000), is a vibrant portrait of contemporary multicultural London, told through the stories of three ethnically diverse families. The book won a number of awards and prizes, including the Guardian First Book Award, the Whitbread First Novel Award, the Commonwealth Writers Prize (Overall Winner, Best First Book), and two BT Ethnic and Multicultural Media Awards (Best Book/Novel and Best Female Media Newcomer). It was also shortlisted for the Mail on Sunday/John Llewellyn Rhys Prize, the Orange Prize for Fiction and the Author’s Club First Novel Award. White Teeth has been translated into over 20 languages and was adapted for Channel 4 television for broadcast in autumn 2002 and for the stage in November 2018. Smith’s The Autograph Man (2002), a story of loss, obsession, and the nature of celebrity, won the 2003 Jewish Quarterly Wingate Literary Prize for Fiction. -
Karl Ove Knausgaard, Linguistic Inquiry and Word Count, and Explanatory Style
A STARING CONTEST WITH THE SELF: KARL OVE KNAUSGAARD, LINGUISTIC INQUIRY AND WORD COUNT, AND EXPLANATORY STYLE by COLTON TYLER ROYLE THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in English at the University of Texas at Arlington December, 2018 Arlington, Texas Supervising Committee: James E. Warren, Supervising Professor Desiree Henderson Timothy R. Morris ii ABSTRACT Shame as an emotional response in the late 2010s has been discussed in both high and low sectors, from a high level of shame with social media use in high school classrooms, to the lack of shame by the president of the United States. My thesis addresses the topic by analyzing Karl Ove Knausgaard’s two autobiographical works, My Struggle and his Seasonal Quartet. Readers, critics, and Knausgaard himself have described his work as a focus on the shameful moments of his life. Using positive psychology’s term “explanatory style,” coined by Martin E.P. Seligman, I do a structural reading of explicit moments of shame. Combining this with computer text-analysis software, Linguistic Inquiry and Word Count, devised by James Pennebaker, I create a thorough reading of shame in Knausgaard’s work. The thesis addresses the question of shame’s effect on the style of writing for the multiple volumes, as well as document possible moments of pessimistic mental health. I conclude that Knausgaard operates in typical literary arcs, regardless of his self-proclaimed thesis statement, and I discuss the importance of emotional changes in Knausgaard’s work. Copyright by Colton Tyler Royle 2018 ACKNOWLEDGEMENTS This thesis would not have been possible without the ongoing work and instruction of the tenured faculty of The University of Texas at Arlington. -
White Teeth / Zadie Smith About the Book…
White Teeth / Zadie Smith About the Book… Zadie Smith’s dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith’s voice is remarkably, fluently, and altogether wonderfully her own. At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth‐challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late‐in‐life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith. Set against London’s racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence. About the Author… Zadie Smith was born in 1975 and grew up in Willesden, in North London, the daughter of a Jamaican mother and an English father. She graduated from King's College, Cambridge, in 1997. White Teeth, her first novel, is a New York Times Book Review Editors' Choice, National Book Critics Circle Award Finalist, The Guardian First Book Award Winner, and Whitbread First Novel Award Winner. -
Toyin-Ojih-Odutola-CV-1.Pdf
CORVI-MORA TOYIN OJIH ODUTOLA Born 1985, Ile-́ Ife,̣̀ Nigeria Based in New York, NY 2012 MFA in Painting and Drawing, California College of the Arts, San Francisco, California 2008 BA in Studio Art and Communications, University of Alabama in Huntsville Solo Exhibitions 2021 “Toyin Ojih Odutola: A Countervailing Theory”, Kunsten Museum of Modern Art in Aalborg, Denmark 2020 “Toyin Ojih Odutola: A Countervailing Theory”, The Curve, Barbican Centre, London “Tell Me A Story, I Don’t Care If It’s True”, Jack Shainman Gallery, New York “Tell Me A Story, I Don’t Care if It’s True”, Jack Shainman Gallery (Online virtual exhibition) 2018 “When Legends Die”, Jack Shainman Gallery, New York “Toyin Ojih Odutola: The Firmament”, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire “Scenes of Exchange”, 12th Manifesta Biennial, Orto Botanico di Palermo, Palermo “Toyin Ojih Odutola: Testing the Name”, Savannah College of Art and Design (SCAD) Museum of Art, Savannah, Georgia 2017 “Toyin Ojih Odutola: To Wander Determined”, Whitney Museum of American Art, New York 2016 “A Matter of Fact: Toyin Ojih Odutola”, Museum of the African Diaspora, San Francisco, California 2015 “Of Context and Without”, Jack Shainman Gallery, New York “Toyin Ojih Odutola: Untold Stories”, Contemporary Art Museum, St. Louis 2014 “Like the Sea”, Jack Shainman Gallery, New York 2013 “The Constant Wrestler”, Indianapolis Museum of Contemporary Art (iMOCA), Indianapolis “My Country Has No Name”, Jack Shainman Gallery, New York 2011 “(MAPS)”, Jack Shainman Gallery, New York Selected Group Exhibitions 2021 “Unexpected Surfaces”, Philadelphia Museum of Art, Pennsylvania “Plural Possibilities & the Female Body”, Henry Art Gallery, Faye G. -
Multicultural World in Zadie Smith's Recent Novels Multikulturní Svět V
Jihočeská univerzita v Českých Budějovicích Pedagogická fakulta Katedra anglistiky Diplomová práce Multicultural World in Zadie Smith’s Recent Novels Multikulturní svět v románech Zadie Smith Vypracovala: Bc. Adéla Grenarová Vedoucí práce: PhDr. Alice Sukdolová, Ph.D. České Budějovice 2016 Prohlašuji, že jsem svoji diplomovou práci na téma Multikulturní svět v románech Zadie Smith vypracovala samostatně pouze s použitím pramenů a literatury uvedených v seznamu citované literatury. Prohlašuji, že v souladu s § 47b zákona č. 111/1998 Sb. v platném znění souhlasím se zveřejněním své diplomové práce, a to v nezkrácené podobě - v úpravě vzniklé vypuštěním vyznačených částí archivovaných pedagogickou fakultou elektronickou cestou ve veřejně přístupné části databáze STAG provozované Jihočeskou univerzitou v Českých Budějovicích na jejích internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikační práce. Souhlasím dále s tím, aby toutéž elektronickou cestou byly v souladu s uvedeným ustanovením zákona č. 111/1998 Sb. zveřejněny posudky školitele a oponentů práce i záznam o průběhu a výsledku obhajoby kvalifikační práce. Rovněž souhlasím s porovnáním textu mé kvalifikační práce s databází kvalifikačních prací Theses.cz provozovanou Národním registrem vysokoškolských kvalifikačních prací a systémem na odhalování plagiátů. V Českých Budějovicích dne Podpis studentky: ___________________________ Adéla Grenarová Poděkování Ráda bych poděkovala paní PhDr. Alici Sukdolové, Ph.D. za její připomínky, rady a podporu. Acknowledgement I would like to thank PhDr. Alice Sukdolová, Ph.D. for her comments, advice and support. Abstract Initially, the diploma thesis introduces the overall context of contemporary Anglo- American post-colonial literature and defines its fundamental postulates, such as ethnicity, cultural diversity, hybridity, globalization, and multiculturalism. -
Toyin Ojih Odutola
513 WEST 20TH STREET NEW YORK, NEW YORK 10011 TEL: 212.645.1701 FAX: 212.645.8316 JACK SHAINMAN GALLERY TOYIN OJIH ODUTOLA Born in Nigeria, 1985 EDUCATION 2012 MFA in Painting and Drawing, California College of the Arts 2008 BA in Studio Art and Communications, University of Alabama in Huntsville 2007 Norfolk Summer Residency for Music & Art, Yale University SELECTED ONE-ARTIST EXHIBITIONS 2020 Toyin Ojih Odutola: A Countervailing Theory, Barbican Centre, London, United Kingdom, March 26 – July 26, 2020, and will tour to the Kunsten Museum of Modern Art in Aalborg, Denmark, August 28, 2020 – January 17, 2021, and Hirshhorn Museum and Sculpture Garden, Washington, through the Fall of 2021. 2018 Scenes of Exchange, 12th Manifesta Biennial, Orto botanico di Palermo, Palermo, Italy, June 16 – November 4, 2018. When Legends Die, Jack Shainman Gallery, New York, NY, September 6 – October 27, 2018. Toyin Ojih Odutola: The Firmament, Hood Museum of Art, Dartmouth College, Hanover, NH, June 8 – September 2, 2018. Toyin Ojih Odutola: Testing the Name, Savannah College of Art and Design, Savannah, GA, February 20 – September 9, 2018. 2017 – 2018 Toyin Ojih Odutola: To Wander Determined, Whitney Museum of American Art, New York, NY, October 20, 2017 – February 25, 2018. 2016 – 2017 WWW.JACKSHAINMAN.COM [email protected] Toyin Odutola: Selected Biography Page 2 A Matter of Fact: Toyin Ojih Odutola, Museum of the African Diaspora, San Francisco, CA, October 26, 2016 – April 2, 2017. 2015 – 2016 Toyin Ojih Odutola: Of Context and Without, Jack Shainman Gallery, 513 West 20th Street, New York, NY, December 11, 2015 – January 30, 2016. -
Creative Nonfiction: College Writing for Freshmen & Sophomores
Creative Nonfiction: College Writing for Freshmen & Sophomores Saturday, May 13, 2017 - 10-12:00 Overview: In today’s workshop, we will explore the genre of creative nonfiction, based around interviews you’ll conduct with your mentor or mentee. Creative nonfiction is a genre with many applications on your path to college: it’s a genre you can draw upon for your personal statement and supplementary application materials as well as scholarship essays, and you may end up writing creative nonfiction pieces for college classes, as well, since they allow for a blend of personal observations and factual research. And, of course, the theme of today’s interviews will be college! Outcomes: Mentees will be able to… ● Define the genre “creative nonfiction” ● Explain what a hook is and how you would use a hook to enhance your piece ● Define and follow best practices for conducting interviews ● Describe key aspects of their mentor’s college experience ● Write a piece of creative nonfiction based on mentor interview and add this piece to their Girls Write Now portfolio Mentors will be able to… ● Define the genre “creative nonfiction” ● Plan for ongoing conversations about college with their mentee ● Follow best practices for supporting mentees in college-ready writing Agenda: 9:45-10am Have some breakfast snacks! 10-10:10am Welcome & introduction to the day 10:10-10:20am What is Creative Nonfiction? Read and discuss “The Pieces of Zadie Smith” 10:20-10:40am Mentees interview mentors 10:40-11am Mentors interview mentees 11-11:40am Writing time! 11:40-11:55am Share out, wrap up 11:55-12pm Closing announcements 1 What is creative nonfiction? The Pieces of Zadie Smith Briton, Jamaican, mother, writer, female: on becoming whole with one of this generation’s most vital literary voices. -
City and Nature in the Work of Zadie Smith
Grey and Green: City and Nature in the work of Zadie Smith Grey and Green: City and Nature in the work of Zadie Smith Freya Graham Introduction In her riotous novel NW (2012), Zadie Smith takes us on a walk through North London. It’s a cacophony: “sweet stink of the hookah, couscous, kebab, exhaust fumes of a bus deadlock. 98, 16, 32, standing room only—quicker to walk!”.1 The narrative continues over a page, taking in “TV screens in a TV shop”, “empty cabs” and a “casino!”.2 Plant and animal life are almost entirely absent, aside from a moment of “birdsong!” and a building surrounded by “security lights, security gates, security walls, security trees”.3 Elements that we may associate with the “natural world” have become part of the architecture of the city, indistinguishable from the man-made lights, gates and walls. NW is so centred on city life that the title itself takes inspiration from a London postcode. The novel follows the lives of four friends—Leah, Natalie, Felix and Nathan— who grow up on the same estate in north-west London. As the friends grow older, their lives overlap in unexpected ways. Leah works in a dead-end job and still lives near her childhood estate; Natalie seemingly triumphs in becoming a successful lawyer and mother; Felix, a former drug addict, is forging a new life; Nathan is involved in organised crime. The novel’s ambitious narrative threads culminate in a tragic chance encounter. NW expands on the themes of class, race, identity and place which Smith first explored in her debut novel, White Teeth (2000). -
Swing Time: a Novel by Zadie Smith Ebook
Swing Time: A Novel by Zadie Smith ebook Ebook Swing Time: A Novel currently available for review only, if you need complete ebook Swing Time: A Novel please fill out registration form to access in our databases Download book here >> Paperback: 464 pages Publisher: Penguin Books; Reprint edition (September 5, 2017) Language: English ISBN-10: 0143111647 ISBN-13: 978-0143111641 Product Dimensions:5.4 x 1 x 8.4 inches ISBN10 0143111647 ISBN13 978-0143111641 Download here >> Description: A New York Times bestseller * Finalist for the National Book Critics Circle Award for Fiction * Longlisted for the Man Booker PrizeAn ambitious, exuberant new novel moving from North West London to West Africa, from the multi-award-winning author of White Teeth and On Beauty.Two brown girls dream of being dancers—but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, what constitutes a tribe, or makes a person truly free. Its a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.Tracey makes it to the chorus line but struggles with adult life, while her friend leaves the old neighborhood behind, traveling the world as an assistant to a famous singer, Aimee, observing close up how the one percent live.But when Aimee develops grand philanthropic ambitions, the story moves from London to West Africa, where diaspora tourists travel back in time to find their roots, young men risk their lives to escape into a different future, the women dance just like Tracey—the same twists, the same shakes—and the origins of a profound inequality are not a matter of distant history, but a present dance to the music of time.