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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Conference Program Book
2020 FMEA Professional Development Conference Guide 1 Hit all the high notes Booth #4001 Inspire them to new musical heights! See for Yourself Breezin’ Thru Theory makes learning to read and understand music faster Hands-on Workshop: and easier. And, it’s motivating, so your students quickly build mastery, Fri., Jan. 10 at 11:45 am as well as self-confi dence! Accessed seamlessly online – on any device, (Room TCC 18 & 19) anytime, anywhere – it’s fun and interactive. Kids love it… and so do teachers. With at-a-glance student tracking and automated assessments, it frees up valuable class and marking time, so you can do what you love most – getting kids excited about learning music. BreezinThruTheory.com 1-855-265-3805 [email protected] Grades 4-12 2 2020 FMEA Professional Development Conference Guide 2020 FMEA PROFESSIONAL DEVELOPMENT CONFERENCE Index of Advertisers & ALL-STATE CONCERTS Breezin’ Thru, Inc. ......................IFC Brightspark Travel .......................... 64 DePaul University School of Music ............................... 62 Florida Atlantic University ........................................ 10 Florida Gulf Coast University ........................................ 67 Florida State University ............... 32 Florida State University Summer Camps .............................. 24 LungTrainers, LLC ..................... IBC Manhattan Concert Contents Productions ...................................... 46 Mercer University President’s Message ................................. 5 Concerts ..............................................26-29 -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
IATSE and Labor Movement News
FIRST QUARTER, 2012 NUMBER 635 FEATURES Report of the 10 General Executive Board January 30 - February 3, 2012, Atlanta, Georgia Work Connects Us All AFL-CIO Launches New 77 Campaign, New Website New IATSE-PAC Contest 79 for the “Stand up, Fight Back” Campaign INTERNATIONAL ALLIANCE OF THEATRICAL STAGE EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS OF THE UNITED STATES, ITS TERRITORIES AND CANADA, AFL-CIO, CLC EXECUTIVE OFFICERS Matthew D. Loeb James B. Wood International President General Secretary–Treasurer Thomas C. Short Michael W. Proscia International General Secretary– President Emeritus Treasurer Emeritus Edward C. Powell International Vice President Emeritus Timothy F. Magee Brian J. Lawlor 1st Vice President 7th Vice President 900 Pallister Ave. 1430 Broadway, 20th Floor Detroit, MI 48202 New York, NY 10018 DEPARTMENTS Michael Barnes Michael F. Miller, Jr. 2nd Vice President 8th Vice President 2401 South Swanson Street 10045 Riverside Drive Philadelphia, PA 19148 Toluca Lake, CA 91602 4 President’s 74 Local News & Views J. Walter Cahill John T. Beckman, Jr. 3rd Vice President 9th Vice President Newsletter 5010 Rugby Avenue 1611 S. Broadway, #110 80 On Location Bethesda, MD 20814 St Louis, MO 63104 Thom Davis Daniel DiTolla 5 General Secretary- 4th Vice President 10th Vice President 2520 West Olive Avenue 1430 Broadway, 20th Floor Treasurer’s Message 82 Safety Zone Burbank, CA 91505 New York, NY 10018 Anthony M. DePaulo John Ford 5th Vice President 11th Vice President 6 IATSE and Labor 83 On the Show Floor 1430 Broadway, 20th Floor 326 West 48th Street New York, NY 10018 New York, NY 10036 Movement News Damian Petti John M. -
College of Fine and Applied Arts Annual Meeting 5:00P.M.; Tuesday, April 5, 2011 Temple Buell Architecture Gallery, Architecture Building
COLLEGE OF FINE AND APPLIED ARTS ANNUAL MEETING 5:00P.M.; TUESDAY, APRIL 5, 2011 TEMPLE BUELL ARCHITECTURE GALLERY, ARCHITECTURE BUILDING AGENDA 1. Welcome: Robert Graves, Dean 2. Approval of April 5, 2010 draft Annual Meeting Minutes (ATTACHMENT A) 3. Administrative Reports and Dean’s Report 4. Action Items – need motion to approve (ATTACHMENT B) Nominations for Standing Committees a. Courses and Curricula b. Elections and Credentials c. Library 5. Unit Reports 6. Academic Professional Award for Excellence and Faculty Awards for Excellence (ATTACHMENT C) 7. College Summary Data (Available on FAA Web site after meeting) a. Sabbatical Requests (ATTACHMENT D) b. Dean’s Special Grant Awards (ATTACHMENT E) c. Creative Research Awards (ATTACHMENT F) d. Student Scholarships/Enrollment (ATTACHMENT G) e. Kate Neal Kinley Memorial Fellowship (ATTACHMENT H) f. Retirements (ATTACHMENT I) g. Notable Achievements (ATTACHMENT J) h. College Committee Reports (ATTACHMENT K) 8. Other Business and Open Discussion 9. Adjournment Please join your colleagues for refreshments and conversation after the meeting in the Temple Buell Architecture Gallery, Architecture Building ATTACHMENT A ANNUAL MEETING MINUTES COLLEGE OF FINE AND APPLIED ARTS 5:00P.M.; MONDAY, APRIL 5, 2010 FESTIVAL FOYER, KRANNERT CENTER FOR THE PERFORMING ARTS 1. Welcome: Robert Graves, Dean Dean Robert Graves described the difficulties that the College faced in AY 2009-2010. Even during the past five years, when the economy was in better shape than it is now, it had become increasingly clear that the College did not have funds or personnel sufficient to accomplish comfortably all the activities it currently undertakes. In view of these challenges, the College leadership began a process of re- examination in an effort to find economies of scale, explore new collaborations, and spur creative thinking and cooperation. -
Texto Completo (Pdf)
Revista Pilquen • Sección Psicopedagogía • Año IX • Nº 4, 2007 COLABORACIÓN TRÁNSITOS ALTERADOS. VIAJE A LA CIUDAD DE DIOS Por Mario Carlos Zerbino Universidad de Buenos Aires RESUMEN En este artículo se ponen en discusión algunas ideas cotidianas y naturalizadas sobre la pobreza, la educación y la violencia escolar, habitualmente asociadas entre sí sin que los fundamentos de esa asociación sean claramente explicitados. Las transformaciones en la subjetividad, junto con los nuevos procesos segregativos y los niveles crecientes de violencia y de fracaso que se producen en las escuelas necesitan de una discusión acerca de sus fundamentos que pueda ir más allá de las buenas intenciones y de las declaraciones de principios. Vivimos en tiempos de tránsitos alterados y atravesar las discusiones que provocan tanto los libros como la película Ciudad de Dios, de San Agustín uno y de Paulo Lins el otro, pueden ser un modo de aproximarnos a comprender la magnitud y las características de esas alteraciones. Palabras clave: Educación; Pobreza; Violencia escolar; Fracaso escolar; Segregación; Subjetividad; Biopolítica. ALTERED TRANSITS. A TRIP TO THE CITY OF GOD ABSTRACT In this article some daily and naturalized ideas about poverty, education and school violence are put in discussion, ideas which are commonly associated to each other without the foundations of that association clearly specified. The transformations in the subjectivity, along with the new segregating processes and the increasing levels of violence and failure that take place at schools, need a discussion about their foundations that can go beyond good intentions and the declarations of principles. We live in times of altered transits and to get through the discussions caused by both the books and the film City of God, by San Agustín one and Paulo Lins the other, can be a way to come closer to understanding the magnitude and characteristics of those alterations. -
Ruth Duckworth Resume
RUTH DUCKWORTH RESUME 1919 - 2009 • List of works • Biography • CV • Exhibitions Solo Exhibitions 2012 Erskine, Hall & Coe Gallery, London, UK 2010 Bellas Artes, Santa Fe, New Mexico, USA 2009 Ruthin Craft Centre, Wales, UK 2006 Renwick Gallery of the Smithsonian American Art Museum, Washington, D.C., USA Long Beach Museum of Art, Long Beach, California, USA The Minneapolis Institute of Arts, Minneapolis, Minnesota, USA 2005 Museum of Arts and Design, New York, USA Cultural Center of Chicago, Chicago, Illinois, USA Daum Museum of Contemporary Art, Sedalia, Missouri, USA Cranbrook Art Museum, Bloomfield Hills, Michigan, USA Garth Clark Gallery, New York, USA 2004 Bellas Artes, Santa Fe, New Mexico, USA 2003 Union League Club of Chicago, Chicago, Illinois, USA 2002 Garth Clark Gallery, New York, USA 2000 Bellas Artes, Santa Fe, New Mexico, USA Galerie b15, Munich, Germany 1999 Garth Clark Gallery, New York, USA 1996 Garth Clark Gallery, New York, USA Bellas Artes Gallery, Santa Fe, New Mexico, USA 1994 Dorothy Weiss Gallery, San Francisco, California, USA Schleswig-Holsteinische Landesmuseum, Rendsburg, Germany 1993 Bellas Artes Gallery, Santa Fe, New Mexico, USA Keramik-Galerie Bowig, Hannover, Germany 1992 Dorothy Weiss Gallery, San Francisco, California, USA Pewabic Gallery, Detroit, Michigan, USA 1991 Garth Clark Gallery, New York, USA Bellas Artes Gallery, Santa Fe, New Mexico, USA 1990 Garth Clark Gallery, New York, USA 1989 Dorothy Weiss Gallery, San Francisco, California, USA 1987 Society of Art and Crafts, Pittsburgh, Pennsylvania, -
Craft Horizons AUGUST 1973
craft horizons AUGUST 1973 Clay World Meets in Canada Billanti Now Casts Brass Bronze- As well as gold, platinum, and silver. Objects up to 6W high and 4-1/2" in diameter can now be cast with our renown care and precision. Even small sculptures within these dimensions are accepted. As in all our work, we feel that fine jewelery designs represent the artist's creative effort. They deserve great care during the casting stage. Many museums, art institutes and commercial jewelers trust their wax patterns and models to us. They know our precision casting process compliments the artist's craftsmanship with superb accuracy of reproduction-a reproduction that virtually eliminates the risk of a design being harmed or even lost in the casting process. We invite you to send your items for price design quotations. Of course, all designs are held in strict Judith Brown confidence and will be returned or cast as you desire. 64 West 48th Street Billanti Casting Co., Inc. New York, N.Y. 10036 (212) 586-8553 GlassArt is the only magazine in the world devoted entirely to contem- porary blown and stained glass on an international professional level. In photographs and text of the highest quality, GlassArt features the work, technology, materials and ideas of the finest world-class artists working with glass. The magazine itself is an exciting collector's item, printed with the finest in inks on highest quality papers. GlassArt is published bi- monthly and divides its interests among current glass events, schools, studios and exhibitions in the United States and abroad. -
Binjamin Wilkomirski, Tania Head and Ishmael Beah
Ghent University Faculty of Arts and Philosophy The Creation and Reception of False Testimony: Binjamin Wilkomirski, Tania Head and Ishmael Beah Supervisor: Dissertation submitted in partial fulfilment Prof. Dr. Craps of the requirements for the degree of “Master in de Taal- en Letterkunde: Engels-Spaans” by Hans Pieters June 2009 2 Contents Contents...................................................................................................................................... 2 Acknowledgements .................................................................................................................... 3 1. Introduction ............................................................................................................................ 4 2. The curious case of Binjamin Wilkomirski............................................................................ 7 2.1. Binjamin Wilkomirski’s traumatic history...................................................................... 7 2.2. From Bruno Dösseker to Binjamin Wilkomirski, a Holocaust survivor....................... 10 2.3. Allegations and exposure of his lies.............................................................................. 13 2.4. From Binjamin Wilkomirski back to Bruno Grosjean .................................................. 22 2.5. Bruno’s strategies of deception ..................................................................................... 27 2.6. His possible motives and ‘triggers’.............................................................................. -
Fire + Earth Catalogue
Table of Contents Artists Robert Archambeau ................................................1 Ann Mortimer.....................................................112 Loraine Basque........................................................4 Diane Nasr..........................................................115 Alain Bernard..........................................................7 Ingrid Nicolai......................................................118 Robert Bozak ........................................................10 Agnes Olive.........................................................121 John Chalke ..........................................................13 Walter Ostrom ....................................................124 Ruth Chambers.....................................................16 Kayo O’Young.....................................................127 Victor Cicansky.....................................................19 Greg Payce ..........................................................130 Jennifer Clark........................................................22 Andrea Piller .......................................................133 Bonita Bocanegra Collins ......................................25 Ann Roberts........................................................136 Karen Dahl ...........................................................28 Ron Roy..............................................................139 Roseline Delise......................................................31 Rebecca Rupp .....................................................142 -
The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery September 4, 2015–January 3, 2016
YA L E U N I V E R S I T Y A R T PRESS For Immediate Release GALLERY RELEASE August 12, 2015 EXHIBITION RE-EXAMINES THE ROLE THAT CLAY HAS PLAYED IN ART MAKING DURING THE SECOND HALF OF THE 20TH CENTURY The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery September 4, 2015–January 3, 2016 August 12, 2015, New Haven, Conn.—Over the last 25 years, Linda Leonard Schlenger has amassed one of the most important collec- tions of contemporary ceramics in the country. The Ceramic Presence in Modern Art features more than 80 carefully selected objects from the Schlenger collection by leading 20th-century artists who have engaged clay as an expressive medium—including Robert Arneson, Hans Coper, Ruth Duckworth, John Mason, Kenneth Price, Lucie Rie, and Peter Voulkos—alongside a broad array of artworks created in clay and other media from the Yale University Art Gallery’s perma- nent collection. Although critically lauded within the studio-craft movement, many ceramic pieces by artists who have continuously or periodically worked in clay are only now coming to be recognized as important John Mason, X-Pot, 1958. Glazed stoneware. Linda Leonard Schlenger Collection. © John Mason and integral contributions to the broader history of modern and contemporary art. By juxtaposing exceptional examples of ceramics with great paintings, sculptures, and works on paper and highlighting the formal, historical, and theoreti- cal affinities among the works on view, this exhibition aims to re-examine the contributions of ceramic artists to 20th- and 21st-century art. -
Focus Self Critique
CERAMICS MONTHLY focus MONTHLY self critique August/September 2006 h $ 7 . 5 0 ( C an$ 9 , 6 . 5 0 ) w w w . ceramicsmonthly . org focus self critique AUGUST/SEPTEMBER 2006 $ 7 . 5 0 ( C an$ 9 , E6 . 5 0 ) w w w . ceramicsmonthly . org AS 06 Front_Cover.indd 2 7/14/06 11:07:42 AM AS 06 Covers.indd 2 7/13/06 8:14:45 PM Ceramics Monthly August/September 2006 1 AS 06 001_017.indd 1 7/13/06 6:35:03 PM MONTHLY Editorial [email protected] telephone: (614) 895-4213 fax: (614) 891-8960 editor Sherman Hall assistant editor Renée Fairchild assistant editor Jennifer Poellot technical editor Dave Finkelnburg publisher Charles Spahr Advertising/Classifi eds [email protected] (614) 794-5809 fax: (614) 891-8960 classifi[email protected] (614) 794-5866 advertising manager Steve Hecker advertising services Debbie Plummer Subscriptions/Circulation customer service: (800) 342-3594 [email protected] Design/Production design Paula John Editorial and advertising offices 735 Ceramic Place, Suite 100 Westerville, Ohio 43081 USA Editorial Advisory Board Linda Arbuckle; Professor, Ceramics, Univ. of Florida Tom Coleman; Studio Potter, Nevada Dick Lehman; Studio Potter, Indiana Meira Mathison; Director, Metchosin Art School, Canada Don Pilcher; Potter and Author, Illinois Bernard Pucker; Director, Pucker Gallery, Boston Phil Rogers; Potter and Author, Wales Jan Schachter; Potter, California Mark Shapiro; Worthington, Massachusetts Susan York; Santa Fe, New Mexico Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and September, by The American Ceramic Society, 735 Ceramic Pl., Suite 100, Westerville, Ohio 43081; www. ceramics.org. Periodicals postage paid at Westerville, Ohio, and additional mailing offices.