DOCSLIB.ORG

The International Development of the French Economy Foreign Investment

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The International Development of the French Economy Foreign Investment Investments 2017 The international development of the French economy Foreign investment 2017 4-5 FOREWORD 6-7 2017 SUMMARY 1 Introduction 10 INTERNATIONAL CONTEXT Contents 2 3 Foreign Investment investment attractiveness in France of France’s regions in 2017 in 2017 22 56 PROJECTS REGIONAL ANALYSIS AND JOBS 66 THE CONTRIBUTION 26 OF FOREIGN SUBSIDIARIES SOURCE TO FRANCE’S REGIONAL ECONOMIES COUNTRIES 31 BUSINESS ACTIVITIES 39 BUSINESS SECTORS 44 4 Appendices INVESTMENT TYPES 78 48 JOB-CREATING PHYSICAL INVESTMENT SELECTION CRITERIA FINANCIAL INVESTMENTS 82 BUSINESS FRANCE 2017 RE PORT - BUSINESS FRANCE FOREIGN INVESTMENT IN FRANCE FOREWORD The way France is seen abroad has improved no end in Innovation is another of France’s main draws as a recent times. business destination. International media coverage of the election of France’s More than eight in 10 (85%) foreign business leaders say President in May 2017 helped to shape an image of France that pro-innovation government policy has made France as a country resisting the extremes of right and left, and a more attractive location for their companies, and the eager to face a future of reforms led by a trusted new 125 investment decisions involving R&D, engineering and generation of politicians. design in 2017 bear out this trend. Today, foreign investors are hailing our country as a Investments such as these included those by American sound business destination, with a fascinatingly creative firmZenDesk, a global leader in customer service software economy. More than half of foreign decision-makers1 development, which decided to double its R&D personnel (54%) believe that France has become a more compelling in Montpellier by recruiting a further 50 engineers. proposition in recent years, while 84% (up 10%pts) now Meanwhile, German group Sartorius, which specializes in consider France to be an attractive business location. producing consumables for the pharmaceutical industry, decided to significantly increase R&D capacity by hiring The evidence itself could not be clearer: France’s 200 new employees, including 80 at its facility near attractiveness is growing constantly. Marseille. In 2017, an average of 25 new investment decisions were The spectacular rise in funding startups through venture with France receiving recorded every week, 1,298 job- and growth capital is also making France one of the creating foreign investments, up 16% from 1,117 in 2016. world’s leading startup nations. In the most recent EY Together, these investments created or maintained 33,489 Venture Capital survey, France was ranked second in jobs. Europe for fundraising, both in terms of the number of When asked about the criteria making France attractive deals and the sums raised, which exceeded a record €2.5 to investment, chief executives of multinational businesses billion in 2017 (up 16.2%). Another report, “Tech Funding established in France pointed, among other things, Trends in France” by CB Insights, highlighted the sound to France’s industrial base (84%). In the light of such health of fundraising in France, with 743 funding deals recognition, France continues to attract investment to confirmed in 2017 totaling US$3.2 billion (up 49%). The ‘strategic’ activities, and has now been Europe’s leading three largest fundraising rounds in France in 2017 – Actility destination for foreign investment in industry for more (€75 million), ManoMano (€60 million) and Vestiaire than 15 years. Collective (€58 million) – are all in their own way symbols of French entrepreneurial momentum and success. In 2017, investments in production / manufacturing operations were up 23% year-on-year, accounting for While more French startups are going global than ever 26% of all foreign investments in France and 48% of jobs before, increasing numbers of their foreign counterparts thereby generated. are heading to France to build their business. NanoRaven, a Brazilian startup and 2017 French Tech Ticket winner Examples include General Electric (United States), that designs and builds communication systems for which decided to invest €120 million to establish a new nanosatellites, set up in Montpellier, close to the city’s wind turbine blade production facility in Cherbourg University Space Center, the only French higher education (Normandy), creating more than 500 jobs; Toyota, establishment to offer the European Space Agency’s “Fly which announced a new €300 million investment at its Your Satellite” program. Meanwhile, Mexican FinTech Toyota Motor Manufacturing France vehicle production startup ZaveApp, another 2017 French Tech Ticket winner, facility in Onnaing, near Valenciennes (Hauts de offering virtual piggy bank services for smartphones, France region); and Dutch firm Plukon, which acquired decided to establish itself in France and join the Station F ailing French group Duc’s poultry slaughter and meat incubator in Paris. processing sites in the Bretagne (Brittany), Occitanie and Ile de France (Paris) regions. This €20 million This report sheds light on the twin aspects determining investment to modernize production facilities saved the international development of the French economy, nearly 800 jobs. highlighting the gains to be made by businesses 1 Kantar France/Business France survey, 2017. - 5 - FOREWORD PASCAL CAGNI CHRISTOPHE LECOURTIER Chairman of the Board, Business France, CEO, Business France and Ambassador for International Investment through the interplay between foreign investment and taxation and labor market regulations have already international trade. We can already see that companies provided a further lift to the numbers of investment that invest more often in France are also among those that decisions being recorded. export the most. Moreover, as outside observers regularly remind us, No fewer than 85% of foreign businesses established in promoting France’s business image, “La French Tech”, and France see exporting as a decisive part of their strategy. entrepreneurship are all plus points for decision-makers in On such example is Ahlstrom-Munksjö, the world-leading the business world. The results for 2017 show that France Finnish manufacturer of fiber-based materials, which is attracted investment from businesses of all sizes, sectors set to invest €7 million to build a fourth production line and nationalities. to make baking paper for the American market at its Saint-Séverin site (Nouvelle Aquitaine region). Another In this context, our agency’s work has never been more is Ateliers d’Emboutissage de Faulquemont, a French crucial: for successful investment projects also require subsidiary of the German Allgaier Group, based in the contacts you can trust, providing support and guidance to Moselle area of the Grand Est region and specializing in investors on the ground to see their plans come to fruition. automotive brake parts as well as structural and gearbox components, which exports more than 90% of its output. This is the role of Business France, which is responsible for helping foreign investors prosper in the country, assisting All in all, 2017 confirmed France’s attractiveness and them at every step of the way, and laying the groundwork status as a preferred destination for foreign investment for a record year in 2017. We are delighted that our in Europe. The momentum created following the colleagues continued to play their part alongside their French Presidential election in May 2017 should not be regional partners to help secure 677 foreign investment underestimated: reforms undertaken to reform corporate decisions in France in 2017. - 6 - 2017 RE PORT - BUSINESS FRANCE FOREIGN INVESTMENT IN FRANCE 2017 SUMMARY Foreign investment in France 1,298 16% investment INCREASE IN decisions INVESTMENTS IN 2017 CREATING OR MAINTAINING 33,489 JOBS PROJECTS JOBS NUMBER OF PROJECTS 25 AND JOBS investment BY INVESTMENT TYPE decisions PER WEEK 651 CREATION 12,639 551 EXPANSION 12,855 96 TAKEOVER 7,995 FRANCE SITE CREATIONS IS AN ATTRACTIVE FOREIGN LED THE WAY: INVESTMENT DESTINATION France BURGEONING FOR now seen as the ATTRACTIVENESS TO BUSINESS pts 50% 84% 2nd +10% OF DECISIONS IN A YEAR OF DECISION- MOST ATTRACTIVE WERE INVESTMENTS MAKERS* COUNTRY IN EUROPE *Kantar Public/Business France survey after Germany* AT NEW SITES - 7 - 2017 SUMMARY SOURCE OF STRATEGIC INVESTMENTS INVESTMENT PROJECTS TOP 3 source BUSINESS 54 countries ACTIVITIES IN 2017 UP FROM 47 360 IN 2014 343 PROJECTS PROJECTS DECISION-MAKING 251 MANUFACTURING CENTERS PROJECTS BUSINESS EUROPE SERVICES NORTH NORTH MANUFACTURING R&D, ENGINEERING: AMERICA ASIA 26% of the investments recorded in the Annual +9% Report were in production/ INCREASE IN 58% 23% 13% manufacturing… R&D/ENGINEERING generating 48% of all jobs INVESTMENTS +23% 10% of 18% UNITED STATES INCREASE IN INVESTMENTS investments 16% GERMANY +44 % INCREASE IN JOBS GENERATED 7% ITALY 7% UNITED KINGDOM Headquarters GLOBAL/EUROPEAN HQs 5% JAPAN SHARP INCREASES IN INVESTMENT DECISIONS FROM THE UNITED STATES (+26%) 29IN 2017 AND SWITZERLAND (+37 %) - 8 - 1 Introduction 10 INTERNATIONAL CONTEXT 2017 RE PORT - BUSINESS FRANCE FOREIGN INVESTMENT IN FRANCE INTERNATIONALCROISSANCE CONTEXTMONDIALE The aim of this report is to analyze trends in job-creating French growth forecasts remain buoyant in 2018-2019, foreign investment in France, providing key information at an annual average of around 1.7%. The government’s on inward investment and talking points about the business reforms – including lowering corporate taxation country’s attractiveness to business. In addition to and reforming
Load more

Recommended publications
  • Paris Region Facts & Figures 2021
    Paris Region Facts & Figures 2021 Welcome to Paris Region Europe’s Leading Business and Innovation Powerhouse Paris Region Facts and Figures 2021 lays out a panorama of the Region’s economic dynamism and social life, positioning it among the leading regions in Europe and worldwide. Despite the global pandemic, the figures presented in this publication do not yet measure the impact of the health crisis, as the data reflects the reality of the previous months or year.* With its fundamental key indicators, the brochure, “Paris Region Facts and Figures 2021,” is a tool for decision and action for companies and economic stakeholders. It is useful to economic and political leaders of the Region and to all who wish to have a global vision of this dynamic regional economy. Paris Region Facts and Figures 2021 is a collaborative publication produced by Choose Paris Region, L’Institut Paris Region, and the Paris Île-de-France Regional Chamber of Commerce and Industry. *L’Institut Paris Region has produced a specific note on the effects of the pandemic on the Paris Region economy: How Covid-19 is forcing us to transform the economic model for The Paris Region, February 2021 Cover: © Yann Rabanier / Choose Paris Region 2nd cover: © Pierre-Yves Brunaud / L’Institut Paris Region © Yann Rabanier / Choose Paris Region Table of contents Welcome to Paris Region 5 Overview 6 Population 10 Economy and Business 12 Employment 18 Education 20 R&D and Innovation 24 Digital Infrastructure 27 Real Estate 28 Transport and Mobility 30 Logistics 32 Meetings and Exhibitions 34 Tourism and Quality of life 36 Welcome to Paris Region A Dynamic and A Thriving Business Paris Region, Fast-growing Region and Research Community A cultural and intellectual The highest GDP in the EU28 in A Vibrant, Innovative metropolis, a scientific and billions of euros.
    [Show full text]
  • NIKKI S. LEE Born 1970, Seoul, South Korea Lives and Works in Seoul, South Korea
    VARIOUS SMALL FIRES, LOS ANGELES / SEOUL [email protected] / +1 310 426 8040 VSF [email protected] / +82 70 8884 0107 NIKKI S. LEE Born 1970, Seoul, South Korea Lives and works in Seoul, South Korea Education 1998 MA, Photography, New York University, New York, NY 1993 BFA, Chung-Ang University, Seoul, South Korea Solo Exhibitions 2019 Parts and Scenes, Various Small Fires, Los Angeles, CA 2015 Yours, One and J. Gallery, Seoul, South Korea 2011 Nikki S. Lee: Projects, Parts and Layers, One and J Gallery, Seoul, South Korea, May 19 – June 19, 2011. 2008 Layers, Sikkema Jenkins & Co., New York, NY 2007 Nikki S. Lee: Projects and Parts, GAK, Bremen, Germany 2006 LT/Shoreham Gallery, New York, NY 2005 Galerie Anita Beckers, Frankfurt am Main, Germany Kemper Museum of Contemporary Art, Kansas City, MO 2004 Numark Gallery, Washington, D.C. 2003 The Cleveland Museum of Art, Cleveland, OH Leslie Tonkonow Artworks + Projects, New York, NY Nikki S. Lee, Printemps de Septembre, Toulouse, France 2002 Galerîa Senda, Barcelona, Sapin Clough-Hanson Gallery, Rhodes College, Memphis, TN 2001 Leslie Tonkonow Artworks + Projects, New York, NY The Institute of Contemporary Art, Boston, MA Yerba Buena Center for the Arts, San Francisco, CA Museum of Contemporary Photography, Chicago, IL 2000 Gallery Gan, Tokyo, Japan Stephen Friedman Gallery, London, UK 1999 Leslie Tonkonow Artworks + Projects, New York, NY Film Screenings 2015 Pink Panther, Oracle, Berlin, Germany 2011 Persona: A Body in Parts, Weatherspoon Art Museum, Greensboro, NC 2010 Home Movies, Platform: Centre for Photographic & Digital Arts, Winnipeg, Canada 2008 Mistaken Identities, University of Southern California, Los Angeles, CA Insa Art Center, Seoul, Korea 2007 Museum of Fine Arts, Houston , TX Saint Louis Art Museum, St.
    [Show full text]
  • Yeondoo Jung Curriculum Vitae
    YEONDOO JUNG CURRICULUM VITAE Född 1954 i Jinju, Korea / Born 1954 in Jinju, Korea Bosatt och verksam i Seoul / Lives and works in Seoul Utbildning / Education 1997 MFA, Goldsmiths College, University of London, London 1995 Diploma in Sculpture, Central Saint Martin College of Art, London Institute, London 1994 BFA, College of Fine Arts, Seoul National University, Seoul Separatutställningar / Solo Exhibitions 2012 “Inside Out”, Tina Kim Gallery, New York 2010 “ordinary Paradise”, Galerie Gebr. Lehmann, Berlin “Innerscape”, Galerie Emmanuel Perrotin, Paris 2009 “Handmade Memories”, Tina Kim Gallery, New York “Cinemagician”, International Festival for Arts and Media Yokohama 2009/CREAM, Bank Art, Yokohama “Cinemagician”, PERFORMA09, Asia Society, New York “Moving Perspectives: Yeondoo Jung”, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington DC 2008 “Handmade Memories”, Kukje Gallery, Seoul “For Your Loneliness”, Galerie Gebr. Lehmann, Dresden; Berlin 2007 “Locations”, Tina Kim Gallery, New York “Memories of You - Artist of the Year 2007”, National Museum of Contemporary Art, Gwacheon “I Will Remember You”, ACA Gallery, Atlanta / Red Gallery, Savannah College of Art and Design, Savannah “Wonderland”, Galeria Espacio Minimo, Madrid 2006 “Are You Lonesome Tonight?”, Kukje Gallery, Seoul 2005 “Wonderland”, Tina Kim Fine Art, New York 2004 “Beat It”, Insa Art Center, Seoul 2003 “Bewitched”, Gallery Loop, Seoul 2002 “Chinese Lucky Estate”, 1A Space, Hong Kong “Tokyo Brand City”, Koyanagi Gallery, Tokyo 2001
    [Show full text]
  • The Propeller Group the Living Need Light, the Dead Need Music,” E- Flux, September 11, 2015
    GALERIE QUYNH CONTEMPORARY ART The Propeller Group Phunam, Matt Lucero and Tuan Andrew Nguyen Founded in 2006 Living and working between Ho Chi Minh City, Viet Nam, and Los Angeles, CA, USA PHUNAM Born in 1974 in Saigon, Vietnam 1997 École des Beaux Arts Hanoi, Oil Painting Restoration, Hanoi, Vietnam 1995 Bronze Buddha sculpting and bronze casting, Chiang Mai, Thailand 1988 Stone sculpting, Khmer arts restoration, Kun Ya apprenticeship, Bangkok, Thailand MATT LUCERO Born in 1976 in Upland, CA, USA 2003 MFA, California Institute of the Arts, Valencia, CA, USA 2000 BFA, University of California Riverside, Riverside, CA, USA TUAN ANDREW NGUYEN Born in 1976 in Saigon, Vietnam 2004 MFA, California Institute of the Arts, Valencia, CA, USA 1999 BFA, Studio Art, with Minor in Digital Arts, University of California, Irvine, CA, USA SOLO EXHIBITIONS 2015 The Living Need Light, The Dead Need Music, Carnegie Museum of Art, Pittsburgh, PA, USA The Propeller Group, Grand Arts, Kansas City, Missouri, USA 2013 Lived, Lives, Will Live!, Lombard Freid Gallery, New York, NY, USA 2012 The History of the Future, 10 Chancery Lane, Hong Kong Static Friction, Galerie Quynh, Ho Chi Minh City, Vietnam Station Friction: Burning Rubber, San Art, Ho Chi Minh City, Vietnam 2010 Your Name Here, San Art @ L’Usine, Ho Chi Minh City, Vietnam 2007 Requiem for a wall, Galerie Quynh, Ho Chi Minh City Level 2, 151/3 Dong Khoi Street District 1 Ho Chi Minh City Vietnam | tel/fax: +84 8 3824 8284 | [email protected] | www.galeriequynh.com GALERIE QUYNH CONTEMPORARY ART
    [Show full text]
  • Jean-Pierre Cassigneul
    Jean-Pierre Cassigneul I began painting my first portraits of women in 1963, along with gardens, the Bois de Boulogne, and Deauville. My world hasn’t changed since then. Jean-Pierre Cassigneul is a French artist (b. 1986). His practice has expanded from painting into lithography, tapestries, and stained glass over a five-decade career which has seen him celebrated across Europe, Japan, and America. At 85, Cassigneul delights in his position as the “unclassifiable painter”, uninfluenced by art movements, devoting himself to figurative painting throughout his long career. He is perhaps best known for his striking compositions of fashionable women, with his ability to capture the transience and beauty of recreation best displayed in these languid works. Raised between France and Switzerland, Jean-Pierre Cassigneul studied at the Académie Charpentier in 1954 where he was taught by the influential French figurative painter Jean Souverbie (1891-1981). Souverbie had been closely associated with Post-Impressionists, Maurice Denis (1870-1943), Paul Sérusier (1864-1927), Édouard Vuillard (1868-1940) and Félix Vallotton (1865-1925) at the Académie Renon. It was under the influence of Souverbie that Cassigneul founded his technique and approach to painting. Cassigneul can spend several months on a single canvas, though his working environment is not the solitary atmosphere one might expect, he is keen on presenting his studio as a communal space, where one can ‘chat, laugh, and discuss things, and paint at the same time.’ JD Malat Gallery 30 Davies St, Mayfair, London W1K 4NB +44 20 3746 6830 Selected Works Jean-Pierre Cassigneul La robe rouge, 2019 Oil on canvas 100 x 81cm (JPC003) Jean-Pierre Cassigneul Le chevalet, 2017 Oil on canvas 162 x 130cm (JPC009) JD Malat Gallery 30 Davies St, Mayfair, London W1K 4NB +44 20 3746 6830 Jean-Pierre Cassigneul CV b.
    [Show full text]
  • Europe Is Not Dead Guest Editor — Dr Ian Shepherdson
    COVER NEWS ISSUE 45 AUGUST 2013 FEATURES REFERENCE - EPRA Annual Conference - Member offers - The French REIT is not a - FTSE EPRA/NAREIT Global tax loophole Real Estate Indices - Making the data count Europe is not dead Guest Editor — Dr Ian Shepherdson Tracking EU regulatory activity Crossrail & Grand Paris – two of Europe’s largest infrastructure projects EPRA MEMBERS AS OF AUGUST 2013 AUSTRALIA • Fair Value REIT NORWAY • JPMorgan • Univ. of Western Sydney, • GSW • Norwegian Property • Jefferies Property Research Centre • Hamborner • JLL • Heitman SINGAPORE • KPMG AUSTRIA • IREBS International RE Business • Keppel Land Limited • Land Securities • CA Immobilien Anlagen School • National Univ. of Singapore • Linklaters • Conwert Immobilien Invest • IVG Immobilien • London Metric • Immofinanz AG • LEG SOUTH-AFRICA • Macquarie Real Estate • Sparkassen Immobilien • MEAG Real Estate Management • Growthpoint Properties • M&G Investment Management • PATRIZIA Immobilien • Morgan Stanley BELGIUM • POLIS Immobilien SPAIN • Nabarro • Aedifica • PricewaterhouseCoopers • Fundación ESADE • Nottingham Trent Univ. • Antwerp Management School • Prime Office REIT • Inmobiliaria Colonial • Principal Global Investors • Banque De Groof • Real Estate Management • Neinver • Quintain Estates & Development • Befimmo Institute • TESTA Inmuebles & Renta • Redefine International • Cofinimmo • RREEF Investment • Safestore • Leasinvest Real Estate • SEB Asset Management SWEDEN • SEGRO • Retail Estates • TAG Immobilien • Aberdeen Property Investors • Shaftesbury
    [Show full text]
  • Hiroshi HAMAYA 1915 Born in Tokyo, Japan 1933 Joins Practical
    Hiroshi HAMAYA 1915 Born in Tokyo, Japan 1933 Joins Practical Aeronautical Research Institute (Nisui Jitsuyo Kouku Kenkyujo), starts working as an aeronautical photographer. The same year, works at Cyber Graphics Cooperation. 1937 Forms “Ginkobo” with his brother, Masao Tanaka. 1938 Forms “Youth Photography Press Study Group” (Seinen Shashin Houdou Kenkyukai) with Ken Domon and others. With Shuzo Takiguchi at the head, participates in “Avant-Garde Photography Association” (Zenei Shashin Kyokai). 1941 Joins photographer department of Toho-Sha. (Retires in 1943) Same year, interviews Japanese intellectuals as a temporary employee at the Organization of Asia Pacific News Agencies (Taiheiyo Tsushinsha). 1960 Signs contract with Magnum Photos, as a contributing photographer. 1999 Passed away SOLO EXHIBITIONS 2017 A Chronicle of Grief and Anger, Taka Ishii Gallery Photography / Film, Tokyo, Japan 2015 Hiroshi Hamaya Photographs 1930s – 1960s, The Niigata Prefectural Museum of Modern Art, Niigata, Japan, July 4 – Aug. 30; Traveled to: Setagaya Art Museum, Tokyo, Japan, Sept. 19 – Nov. 15; Tonami Art Museum, Toyama, Japan, Sept. 2 – Oct. 15, 2017. [Cat.] Hiroshi Hamaya Photographs 100th anniversary: Snow Land, Joetsu City History Museum, Niigata, Japan 2013 Japan's Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto, J. Paul Getty Museum, Los Angeles, CA, USA [Cat.] 2012 Hiroshi Hamaya: “Children in Japan”, “Chi no Kao [Aspects of Nature]”, “American America”, Kawasaki City Museum, Kanagawa, Japan 2009 Shonan to Sakka II Botsugo
    [Show full text]
  • Streets and Open Spaces in Seoul (1995-2010). a Cultural and Geographical View of Local Neighborhood Valérie Gelézeau
    Streets and open Spaces in Seoul (1995-2010). A Cultural and Geographical View of Local Neighborhood Valérie Gelézeau To cite this version: Valérie Gelézeau. Streets and open Spaces in Seoul (1995-2010). A Cultural and Geographical View of Local Neighborhood. KNCU-Korean Studies Series. Seoul, Seoul, Seoul, Hollym, 2014, 978-1-56591- 413-1. halshs-01174275 HAL Id: halshs-01174275 https://halshs.archives-ouvertes.fr/halshs-01174275 Submitted on 8 Jul 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Streets and Open Spaces in Seoul (1995– 2010) : A Cultural and Geographical View of Local Neighborhoods* Valérie GELÉZEAU Introduction The transformation of Seoul’s cityscape and urban morphology since the 1970s has been the topic of a tremendous body of research in various fields of the social sciences interested in the construction of landscape. Based upon the perspective of cultural geography, this chapter proposes a particular focus on what is generally considered as “open space,” grounded on a two-fold entry: first, the analysis is centered on a particular urban object, the street, one of the matrix of urban tissue; second, the analysis is oriented more specifically on the scale of neighborhood communities in residential areas.
    [Show full text]
  • CHOE U-RAM B
    This document was updated 16 April 2020 and is for reference only and not for purposes of publication. For further information please contact the gallery. CHOE U-RAM b. 1970, Seoul, Korea Lives and works in Seoul EDUCATION 1999 MFA, Chungang University, Seoul, Korea 1993 BFA, Chungang University, Seoul, Korea SELECTED SOLO EXHIBITIONS 2017 Choe U-Ram:[Stil laif], National Taiwan Museum of Fine Arts, Taichung, Taiwan 2016 Choe U-Ram:[Stil laif], Daegu Art Museum, Daegu 2013 Project Lamp Shop, Gallery Hyundai, Seoul Anima, Borusan Contemporary, Istanbul, Turkey 2012 Gallery Hyundai, Seoul John Curtin Gallery, Perth, Australia 2011 In Focus, Asia Society Museum, New York 2010 Kalpa, Bitforms Gallery, New Yor New Urban Species, Frist Center for the Visual Arts, Nashville 2008 Anima Machines, SCAI The Bathhouse, Tokyo 2007 The Crow Collection of Asian Art, Dallas 2006 New Active Sculpture, Bitforms Gallery, New York City Energy - MAM Project004, Mori Art Museum, Tokyo 2002 Ultima Mudfox, Do Art, Seoul 2001 170 Box Robot, Hello Art Gallery, Seoul, Korea 1998 Civilization Host, Gallery Boda, Seoul, Korea SELECTED GROUP EXHIBITIONS 2019 Chapter One From the Collection, Amore Pacific Museum of Art (APMA), Seoul 2018 BOTANICA, Busan Museum of Art, Busan 2050 A Brief History of the Future, Asian Art Biennial, National Taiwan Museum of Fine Arts, Taichung BIO, Daejeon Biennale, Daejeon of Art Museum, Daejeon 2017 Trace of Time, Jeju Kim Tschang-Yeul Museum of Art, Jeju 2016 Odyssey:Navigating Nameless Seas, Singapore Art Museum Extension, Triumph
    [Show full text]
  • Kouichi Tabata 1979 Born in Tochigi, Japan 2004 BA, Tokyo National University of Fine Arts and Music
    Y 6-6-9 2F Roppongi,Minato-ku,Tokyo 106-0032,Japan Tel: +81 (0)3 6447 0500 Mail: [email protected] www.ykggallery.com Kouichi Tabata 1979 Born in Tochigi, Japan 2004 B.A., Tokyo National University of Fine Arts and Music (Tokyo University of the Arts) Received the Tokyo National University of Fine Arts and Music Salon de Printemps Prize 2006 M.A., Tokyo National University of Fine Arts and Music (Tokyo University of the Arts) 2011 Residency in Berlin, Grant for Overseas Research, Yoshino Gypsum Art Foundation 2012 Residency in Berlin, Grant for Overseas Study, Pola Art Foundation 2014 The first half of 2014, Arts and Culture Grant, Nomura Foundation Solo exhibitions 2017 “marmelo and the two sides”, Yutaka Kikutake Gallery,Tokyo 2016 “one way or another”, Gallery Koyanagi, Tokyo 2015 “Scape”, Daiwa Anglo-Japanese foundation, London 2013 “interior /pare/ exterior”, Joyce Gallery, Beijing “interior /pare/ exterior”, G-tokyo 2013, Tokyo Midtown Hall, Tokyo 2011 “trace of images”, Gallery Koyanagi, Tokyo 2007 “Night Projection Window: Kouichi Tabata Selected Works”, Centre for Contemporary Photography, Fitzroy, Australia “no lemon, no melon”, Gallery Koyanagi, Tokyo Y 6-6-9 2F Roppongi,Minato-ku,Tokyo 106-0032,Japan Tel: +81 (0)3 6447 0500 Mail: [email protected] www.ykggallery.com Group exhibitions 2017 “超自然 | cho-shizen“, HUMO Gallery, Zurich, Switzerland “Primal Reverberation“, Yutaka Kikutake Gallery,Tokyo “Art Meets04 Kouichi Tabata / Saori Miyake“, Arts Maebashi Museum, Gnma, Japan “Spring Fever “, Komagome SOKO, Komagome, Japan
    [Show full text]
  • Paris Region Key Figures 2019 Campus © École Polytechnique - J.Barande - Caillebotte House -Yerres © CRT IDF / Tripelon-Jarry Sébastien Erras - BNP Paribas © V
    Paris Region Key Figures 2019 Campus © École polytechnique - J.Barande - Caillebotte House -Yerres © CRT IDF / Tripelon-Jarry Sébastien Erras - BNP Paribas © V. Gollain / IAU îdF - Vaux-le-Vicomte Castle © CRT IDF /Tripelon-Jarry - Pompidou Center Fountain © CRT IDF / ATF / Ooshot / Capelle-Tourn - © École polytechnique - J.Barande - La Defense business district from Louis Vuitton Foundation - Frank Gehry © F. Humbert - Rungis International Market © C. Tarquis Welcome to Paris Region, home of business opportunities Paris Region Key Figures 2019 lays out a panorama of the region’s economic dynamism and social life, positioning it among the leading regions in Europe and worldwide. With its fundamental key indicators, the brochure “Paris Region Key Figures 2019” is a tool for decision and action for companies and economic stakeholders. It is useful to economic and political leaders of the region and to all those who want to have a global vision of this dynamic regional economy. Paris Region Key Figures 2019 is a collaborative publication produced by Paris Region Entreprises, the Paris Île-de-France Regional Chamber of Commerce and Industry, and the Paris Region Urban Planning and Development Agency (IAU île-de-France). Paris Region Key Figures 2019 3 Jardin suspendu © Nouvelle AOM / Ida+ Welcome to Paris Region 5 Overview 6 Population 8 Economy and Business 10 Employment 16 Education 18 R&D and Innovation 21 Real Estate 24 Transport and Mobility 26 Logistics 28 Meetings and Exhibitions 30 Tourism and Quality of life 32 4 Paris Region Key Figures 2019 Welcome to Paris Region Paris Region, a dynamic and forward-looking region Standing at the crossroads of European and worldwide trade, Paris Region is part of : Paris Region is Europe’s #1 economic and innovative region.
    [Show full text]
  • Choe U-Ram (B
    Choe U-Ram (b. 1970, Korea) Education 1999 M.F.A., Department of Sculpture, Chungang University, Seoul, Korea 1993 B.F.A., Department of Sculpture, Chungang University, Seoul, Korea Solo Exhibitions 2013 Lamp Shop Project, GALLERY HYUNDAI Art Cube, Seoul, Korea Anima, Borusan Contemporary, Istanbul, Turkey 2012 GALLERY HYUNDAI, Seoul, Korea John Curtin Gallery, Perth, Australia 2011 In Focus, Asia Society Museum, New York, USA 2010 Kalpa, Bitforms Gallery, New York, USA New Urban Species, Frist Center for the Visual Arts, Nashville, USA 2008 Anima Machines, SCAI THE BATH HOUSE, Tokyo, Japan 2007 The Crow Collection of Asian Art, Dallas, USA 2006 City Energy―MAM Project004, Mori Art Museum, Tokyo, Japan New Active Sculpture, Bitforms Gallery, New York, USA 2002 Ultima Mudfox, DoArt Gallery, Seoul, Korea 2001 170 Box Robot, Hello Art Gallery, Seoul, Korea 1998 Civilization Host, Gallery Boda, Seoul, Korea Group Exhibitions 2014 Beyond and Between, Leeum, Samsung Museum of Art, Seoul, Korea Busan Biennale 2014: Voyage to Biennale - 50 years of Korean Contemporary Art in Overseas Biennales, Busan Cultural Center, Busan, Korea Myth/History: Yuz Collection of Contemporary Art, YUZ Museum Shanghai, China ThingWorld: International Triennial of New Media Art 2014, National Art Museum of China (NAMOC), Beijing, China 2013 Post-humanist Desire: Sexuality and Digitality in Contemporary Art, Museum of Contemporary Art Taipei, Taiwan Site Specific Art Project: Choe U-Ram, National Museum of Modern and Contemporary Art, Seoul, Korea Who is Alice?, Spazio
    [Show full text]