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Paris Region Facts & Figures 2021
Paris Region Facts & Figures 2021 Welcome to Paris Region Europe’s Leading Business and Innovation Powerhouse Paris Region Facts and Figures 2021 lays out a panorama of the Region’s economic dynamism and social life, positioning it among the leading regions in Europe and worldwide. Despite the global pandemic, the figures presented in this publication do not yet measure the impact of the health crisis, as the data reflects the reality of the previous months or year.* With its fundamental key indicators, the brochure, “Paris Region Facts and Figures 2021,” is a tool for decision and action for companies and economic stakeholders. It is useful to economic and political leaders of the Region and to all who wish to have a global vision of this dynamic regional economy. Paris Region Facts and Figures 2021 is a collaborative publication produced by Choose Paris Region, L’Institut Paris Region, and the Paris Île-de-France Regional Chamber of Commerce and Industry. *L’Institut Paris Region has produced a specific note on the effects of the pandemic on the Paris Region economy: How Covid-19 is forcing us to transform the economic model for The Paris Region, February 2021 Cover: © Yann Rabanier / Choose Paris Region 2nd cover: © Pierre-Yves Brunaud / L’Institut Paris Region © Yann Rabanier / Choose Paris Region Table of contents Welcome to Paris Region 5 Overview 6 Population 10 Economy and Business 12 Employment 18 Education 20 R&D and Innovation 24 Digital Infrastructure 27 Real Estate 28 Transport and Mobility 30 Logistics 32 Meetings and Exhibitions 34 Tourism and Quality of life 36 Welcome to Paris Region A Dynamic and A Thriving Business Paris Region, Fast-growing Region and Research Community A cultural and intellectual The highest GDP in the EU28 in A Vibrant, Innovative metropolis, a scientific and billions of euros. -
NIKKI S. LEE Born 1970, Seoul, South Korea Lives and Works in Seoul, South Korea
VARIOUS SMALL FIRES, LOS ANGELES / SEOUL [email protected] / +1 310 426 8040 VSF [email protected] / +82 70 8884 0107 NIKKI S. LEE Born 1970, Seoul, South Korea Lives and works in Seoul, South Korea Education 1998 MA, Photography, New York University, New York, NY 1993 BFA, Chung-Ang University, Seoul, South Korea Solo Exhibitions 2019 Parts and Scenes, Various Small Fires, Los Angeles, CA 2015 Yours, One and J. Gallery, Seoul, South Korea 2011 Nikki S. Lee: Projects, Parts and Layers, One and J Gallery, Seoul, South Korea, May 19 – June 19, 2011. 2008 Layers, Sikkema Jenkins & Co., New York, NY 2007 Nikki S. Lee: Projects and Parts, GAK, Bremen, Germany 2006 LT/Shoreham Gallery, New York, NY 2005 Galerie Anita Beckers, Frankfurt am Main, Germany Kemper Museum of Contemporary Art, Kansas City, MO 2004 Numark Gallery, Washington, D.C. 2003 The Cleveland Museum of Art, Cleveland, OH Leslie Tonkonow Artworks + Projects, New York, NY Nikki S. Lee, Printemps de Septembre, Toulouse, France 2002 Galerîa Senda, Barcelona, Sapin Clough-Hanson Gallery, Rhodes College, Memphis, TN 2001 Leslie Tonkonow Artworks + Projects, New York, NY The Institute of Contemporary Art, Boston, MA Yerba Buena Center for the Arts, San Francisco, CA Museum of Contemporary Photography, Chicago, IL 2000 Gallery Gan, Tokyo, Japan Stephen Friedman Gallery, London, UK 1999 Leslie Tonkonow Artworks + Projects, New York, NY Film Screenings 2015 Pink Panther, Oracle, Berlin, Germany 2011 Persona: A Body in Parts, Weatherspoon Art Museum, Greensboro, NC 2010 Home Movies, Platform: Centre for Photographic & Digital Arts, Winnipeg, Canada 2008 Mistaken Identities, University of Southern California, Los Angeles, CA Insa Art Center, Seoul, Korea 2007 Museum of Fine Arts, Houston , TX Saint Louis Art Museum, St. -
Yeondoo Jung Curriculum Vitae
YEONDOO JUNG CURRICULUM VITAE Född 1954 i Jinju, Korea / Born 1954 in Jinju, Korea Bosatt och verksam i Seoul / Lives and works in Seoul Utbildning / Education 1997 MFA, Goldsmiths College, University of London, London 1995 Diploma in Sculpture, Central Saint Martin College of Art, London Institute, London 1994 BFA, College of Fine Arts, Seoul National University, Seoul Separatutställningar / Solo Exhibitions 2012 “Inside Out”, Tina Kim Gallery, New York 2010 “ordinary Paradise”, Galerie Gebr. Lehmann, Berlin “Innerscape”, Galerie Emmanuel Perrotin, Paris 2009 “Handmade Memories”, Tina Kim Gallery, New York “Cinemagician”, International Festival for Arts and Media Yokohama 2009/CREAM, Bank Art, Yokohama “Cinemagician”, PERFORMA09, Asia Society, New York “Moving Perspectives: Yeondoo Jung”, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington DC 2008 “Handmade Memories”, Kukje Gallery, Seoul “For Your Loneliness”, Galerie Gebr. Lehmann, Dresden; Berlin 2007 “Locations”, Tina Kim Gallery, New York “Memories of You - Artist of the Year 2007”, National Museum of Contemporary Art, Gwacheon “I Will Remember You”, ACA Gallery, Atlanta / Red Gallery, Savannah College of Art and Design, Savannah “Wonderland”, Galeria Espacio Minimo, Madrid 2006 “Are You Lonesome Tonight?”, Kukje Gallery, Seoul 2005 “Wonderland”, Tina Kim Fine Art, New York 2004 “Beat It”, Insa Art Center, Seoul 2003 “Bewitched”, Gallery Loop, Seoul 2002 “Chinese Lucky Estate”, 1A Space, Hong Kong “Tokyo Brand City”, Koyanagi Gallery, Tokyo 2001 -
The Propeller Group the Living Need Light, the Dead Need Music,” E- Flux, September 11, 2015
GALERIE QUYNH CONTEMPORARY ART The Propeller Group Phunam, Matt Lucero and Tuan Andrew Nguyen Founded in 2006 Living and working between Ho Chi Minh City, Viet Nam, and Los Angeles, CA, USA PHUNAM Born in 1974 in Saigon, Vietnam 1997 École des Beaux Arts Hanoi, Oil Painting Restoration, Hanoi, Vietnam 1995 Bronze Buddha sculpting and bronze casting, Chiang Mai, Thailand 1988 Stone sculpting, Khmer arts restoration, Kun Ya apprenticeship, Bangkok, Thailand MATT LUCERO Born in 1976 in Upland, CA, USA 2003 MFA, California Institute of the Arts, Valencia, CA, USA 2000 BFA, University of California Riverside, Riverside, CA, USA TUAN ANDREW NGUYEN Born in 1976 in Saigon, Vietnam 2004 MFA, California Institute of the Arts, Valencia, CA, USA 1999 BFA, Studio Art, with Minor in Digital Arts, University of California, Irvine, CA, USA SOLO EXHIBITIONS 2015 The Living Need Light, The Dead Need Music, Carnegie Museum of Art, Pittsburgh, PA, USA The Propeller Group, Grand Arts, Kansas City, Missouri, USA 2013 Lived, Lives, Will Live!, Lombard Freid Gallery, New York, NY, USA 2012 The History of the Future, 10 Chancery Lane, Hong Kong Static Friction, Galerie Quynh, Ho Chi Minh City, Vietnam Station Friction: Burning Rubber, San Art, Ho Chi Minh City, Vietnam 2010 Your Name Here, San Art @ L’Usine, Ho Chi Minh City, Vietnam 2007 Requiem for a wall, Galerie Quynh, Ho Chi Minh City Level 2, 151/3 Dong Khoi Street District 1 Ho Chi Minh City Vietnam | tel/fax: +84 8 3824 8284 | [email protected] | www.galeriequynh.com GALERIE QUYNH CONTEMPORARY ART -
Kwang Young Chun B. 1944, Hongchun, Korea; Currently Lives and Works in Shanghai
Kwang Young Chun b. 1944, Hongchun, Korea; Currently lives and works in Shanghai EDUCATION & BACKGROUNG 1967 Korean Contemporary Artist’s Invited Exhibition Special Prize, held by Chosun Press Group, National Museum of Modern Art, Seoul, Korea. 1968 Bachelor of Fine Arts, Hong-Ik University, Korea. 1969 Special Prize in the 18th Korean National Art’s Exhibition sponsored by the Korean Culture and Arts Foundation, Seoul, Korea. 1971 Masters in Fine Arts, Philadelphia College of Art, Philadelphia, PA. 1973 Special Prize in the Earth Art II sponsor Civic Center Museum, Philadelphia, PA. 1974 Silver Prize in the 27th Cheltenham Art Center Exhibition sponsored by Cheltenham Art Center. 1966-97Special Prize in the 5th, 6th Shin Sang Group Exhibition, held by Shin Sang Group, National Museum of Modern Art, Seoul, Korea. 2009 Presidential Prize in the 41st Korean Culture and Art Prize, the Ministry of Culture, Sports and Tourism, Seoul, Korea . Chun Kwang Young; Artist of the Year 2001, National Museum of Contemporary Art, Seoul, Korea. SELECTED SOLO EXHIBITIONS 2018 Chun Kwang Young - Aggregation , Sundaram Tagore Gallery, New York 2017 CHUN KWANG YOUNG , Pearl Lam Galleries, Central Hong Kong 2015 Aggregation,, Pearl Lam Galleries, Singapore 2014 Kwang Young Chun, Hasted Kraeutler, New York 2013 Chun Kwang Young - Assemblage, Art Plural Gallery, Singapore 2012 Kwang Young Chun, Hasted Kraeutler, New York 2011 Knoxville Museum of Art, Tennessee, USA Gallery Hyundai, Seoul, Korea Conny Dietzschold Gallery, Sydney, Australia 2009 Singapore Tyler -
Modernismus Im Tanz Und Die Entwicklung Des Koreanischen Sinmuyong –
Zwischen Vertrautheit und Fremdheit – Modernismus im Tanz und die Entwicklung des koreanischen Sinmuyong – zur Erlangung des Grades eines Doktors der Philosophie am Fachbereich Philosophie und Geisteswissenschaften der Freien Universität Berlin vorgelegt von Okju Son Berlin 2013 Erstgutachterin: Prof. Dr. Gabriele Brandstetter Zweitgutachterin: Prof. Dr. Eun-jeung Lee Tag der Disputation: 15. Januar 2014 Inhalt 1. Einleitung ----------------------------------------------------------------------------------------------1 2. Tanzmoderne im Westen 2.1. Tanz und Wissen: Geistige Wahrnehmung von Tanz im modernen Zeitalter ------------- 11 2.1.1. Einfluss der natur- und geisteswissenschaftlichen Diskurse ------------------------------ 13 2.1.2. Die technische Entwicklung und ihr Effekt auf den Tanz --------------------------------- 20 2.1.3. Kulturkonsum ----------------------------------------------------------------------------------- 26 2.2. Zwei Physiognomien der modernen westlichen performativen Künste: Der Einfluss des Anderen und die Interpretation des Anderen ------------------------------------------------------- 34 2.2.1. Der Kontakt der Theateravantgarde mit der ostasiatischen Bühnenkunst -------------- 36 2.2.2. Die Interpretation des Anderen im modernen westlichen Tanz -------------------------- 43 3. Die Begegnung der japanischen Tänzer mit der westlichen Tanzmoderne 3.1. Multiple Modernities: Modernität und Performative Künste in der Meiji-Zeit ---------- 51 3.1.1. Reformierung der traditionellen japanischen Bühnenkunst ------------------------------- -
Jean-Pierre Cassigneul
Jean-Pierre Cassigneul I began painting my first portraits of women in 1963, along with gardens, the Bois de Boulogne, and Deauville. My world hasn’t changed since then. Jean-Pierre Cassigneul is a French artist (b. 1986). His practice has expanded from painting into lithography, tapestries, and stained glass over a five-decade career which has seen him celebrated across Europe, Japan, and America. At 85, Cassigneul delights in his position as the “unclassifiable painter”, uninfluenced by art movements, devoting himself to figurative painting throughout his long career. He is perhaps best known for his striking compositions of fashionable women, with his ability to capture the transience and beauty of recreation best displayed in these languid works. Raised between France and Switzerland, Jean-Pierre Cassigneul studied at the Académie Charpentier in 1954 where he was taught by the influential French figurative painter Jean Souverbie (1891-1981). Souverbie had been closely associated with Post-Impressionists, Maurice Denis (1870-1943), Paul Sérusier (1864-1927), Édouard Vuillard (1868-1940) and Félix Vallotton (1865-1925) at the Académie Renon. It was under the influence of Souverbie that Cassigneul founded his technique and approach to painting. Cassigneul can spend several months on a single canvas, though his working environment is not the solitary atmosphere one might expect, he is keen on presenting his studio as a communal space, where one can ‘chat, laugh, and discuss things, and paint at the same time.’ JD Malat Gallery 30 Davies St, Mayfair, London W1K 4NB +44 20 3746 6830 Selected Works Jean-Pierre Cassigneul La robe rouge, 2019 Oil on canvas 100 x 81cm (JPC003) Jean-Pierre Cassigneul Le chevalet, 2017 Oil on canvas 162 x 130cm (JPC009) JD Malat Gallery 30 Davies St, Mayfair, London W1K 4NB +44 20 3746 6830 Jean-Pierre Cassigneul CV b. -
Press Release Gallery
Pontone PRESS RELEASE GALLERY Lee Jeonglok Parallel Worlds: Tree of Life & Nabi 30 June – 23 July 2017 Opening reception Thursday 29 June | 6–8 pm Lee Jeonglok is an established Korean artist, represented in many international collections, with an extensive, world-wide record of solo and group exhibitions. He has shown frequently with the Pontone Gallery and we are pleased to showcase these new and exclusive works. Lee Jeonglok uses photography to create and record his world. He makes mysterious and evocative images of strange and magical events. These happen in carefully chosen, personally significant landscapes, realised by a thorough mastery of photographic technique. The production of these pieces is a complex and painstaking process. These images are not made digitally, but by an ‘in camera’ technique. This means using long and multiple exposures, manipulating artificial light and deploying various props on site and in real time. The physicality and engagement of this process is important to the artist. He states that this effort allows him to Tree of Life 6-1 reveal another, parallel world. 2017 | C-Type Print | Edition of 7 + AP 2 | 152 x 120 cm (60 x 47 in) ‘Nabi’, the butterfly, is a valued image and symbol. It is an interlocutor to the spiritual world, somewhere that is significant for this artist to locate and reveal in his work. This image, created out of light, multiplies into clusters and bunches, forming clouds that glow and sparkle in the landscape. Existing only for an instant, the length of a photoflash, these ‘Nabi’ express something other, a world conjured out of the artist’s perception and now revealed to us. -
LEE SEUNG-JIO 1941 Born in Yongcheon, Korea 1990 Died In
LEE SEUNG-JIO 1941 Born in Yongcheon, Korea 1990 Died in Seoul, Korea 1984 MFA, Hongik University, Seoul, Korea 1965 BFA in Painting, Hongik University, Seoul, Korea SELECTED SOLO EXHIBITIONS 2020 Lee Seung Jio: Nucleus, Tina Kim Gallery, New York, USA 2017 Nucleus, Perrotin, Hong Kong 2010 Back to Black, Wellside Gallery, Seoul, Korea 2000 Special Exhibition of Late Lee Seung Jio, Busan Museum of Art, Busan, Korea 1996 Total Museum of Contemporary Art, Seoul, Korea 1991 Hoam Gallery, Seoul, Korea 1987 Duson Gallery, Seoul, Korea 1984 Mee Gallery, Seoul, Korea 1980 Kwanhoon Gallery, Seoul, Korea 1978 Hankook Gallery, Seoul, Korea 1976 Myungdong Gallery, Seoul, Korea 1973 Shinsegae Gallery, Seoul, Korea SELECTED GROUP EXHIBITIONS 2016 Origin, Perrotin, Paris, France After Drawing, Gallery Hyundai, Seoul, Korea As the Moon Waxes and Wanes, MMCA Gwacheon, 30 Years, National Museum of Contemporary Art, Gwacheon, Korea Dansaekhwa: The Traces of Four Artists, Curated by Yoon Jin Sup, LA Art Show, Los Angeles Convention Center, Los Angeles, California, USA 2015 Beyond Materiality, Pursuing the Realm of Vacancy - Eye and Mind of Korean Contemporary Art, Gana Art Center, Seoul, Korea Empty Fullness: Materiality and Spirituality in Contemporary Korea Art, Centro Cultural Recoleta, Buenos Aires, Argentina Commemorative Exhibition of the 70th Anniversary of Liberation: The Great Journey with the Citizen-Uproarious, Heated, Inundated, National Museum of Modern and Contemporary Art, Seoul, Korea 2014 Color, Aram Art Museum, Gyeonggi-do, Korea Empty -
Europe Is Not Dead Guest Editor — Dr Ian Shepherdson
COVER NEWS ISSUE 45 AUGUST 2013 FEATURES REFERENCE - EPRA Annual Conference - Member offers - The French REIT is not a - FTSE EPRA/NAREIT Global tax loophole Real Estate Indices - Making the data count Europe is not dead Guest Editor — Dr Ian Shepherdson Tracking EU regulatory activity Crossrail & Grand Paris – two of Europe’s largest infrastructure projects EPRA MEMBERS AS OF AUGUST 2013 AUSTRALIA • Fair Value REIT NORWAY • JPMorgan • Univ. of Western Sydney, • GSW • Norwegian Property • Jefferies Property Research Centre • Hamborner • JLL • Heitman SINGAPORE • KPMG AUSTRIA • IREBS International RE Business • Keppel Land Limited • Land Securities • CA Immobilien Anlagen School • National Univ. of Singapore • Linklaters • Conwert Immobilien Invest • IVG Immobilien • London Metric • Immofinanz AG • LEG SOUTH-AFRICA • Macquarie Real Estate • Sparkassen Immobilien • MEAG Real Estate Management • Growthpoint Properties • M&G Investment Management • PATRIZIA Immobilien • Morgan Stanley BELGIUM • POLIS Immobilien SPAIN • Nabarro • Aedifica • PricewaterhouseCoopers • Fundación ESADE • Nottingham Trent Univ. • Antwerp Management School • Prime Office REIT • Inmobiliaria Colonial • Principal Global Investors • Banque De Groof • Real Estate Management • Neinver • Quintain Estates & Development • Befimmo Institute • TESTA Inmuebles & Renta • Redefine International • Cofinimmo • RREEF Investment • Safestore • Leasinvest Real Estate • SEB Asset Management SWEDEN • SEGRO • Retail Estates • TAG Immobilien • Aberdeen Property Investors • Shaftesbury -
Hiroshi HAMAYA 1915 Born in Tokyo, Japan 1933 Joins Practical
Hiroshi HAMAYA 1915 Born in Tokyo, Japan 1933 Joins Practical Aeronautical Research Institute (Nisui Jitsuyo Kouku Kenkyujo), starts working as an aeronautical photographer. The same year, works at Cyber Graphics Cooperation. 1937 Forms “Ginkobo” with his brother, Masao Tanaka. 1938 Forms “Youth Photography Press Study Group” (Seinen Shashin Houdou Kenkyukai) with Ken Domon and others. With Shuzo Takiguchi at the head, participates in “Avant-Garde Photography Association” (Zenei Shashin Kyokai). 1941 Joins photographer department of Toho-Sha. (Retires in 1943) Same year, interviews Japanese intellectuals as a temporary employee at the Organization of Asia Pacific News Agencies (Taiheiyo Tsushinsha). 1960 Signs contract with Magnum Photos, as a contributing photographer. 1999 Passed away SOLO EXHIBITIONS 2017 A Chronicle of Grief and Anger, Taka Ishii Gallery Photography / Film, Tokyo, Japan 2015 Hiroshi Hamaya Photographs 1930s – 1960s, The Niigata Prefectural Museum of Modern Art, Niigata, Japan, July 4 – Aug. 30; Traveled to: Setagaya Art Museum, Tokyo, Japan, Sept. 19 – Nov. 15; Tonami Art Museum, Toyama, Japan, Sept. 2 – Oct. 15, 2017. [Cat.] Hiroshi Hamaya Photographs 100th anniversary: Snow Land, Joetsu City History Museum, Niigata, Japan 2013 Japan's Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto, J. Paul Getty Museum, Los Angeles, CA, USA [Cat.] 2012 Hiroshi Hamaya: “Children in Japan”, “Chi no Kao [Aspects of Nature]”, “American America”, Kawasaki City Museum, Kanagawa, Japan 2009 Shonan to Sakka II Botsugo -
Cho Yong-Ik CV
Edouard Malingue Gallery Hong Kong | Shanghai Cho Yong-Ik | Born in Bukcheong, Hamgyeongnam-do, Korea, 1934 edouardmalingue.com Education 1958 Graduated Department of Painting, Seoul National University Major Solo Exhibitions 2016 Edouard Malingue Gallery, Hong Kong Sungkok Art Museum, Seoul, Korea 2008 Geohong Gallery, Guri, Korea Han Gallery, Seoul, Korea 2001 Jongno Gallery, Seoul, Korea 1990 Arko Art Center, Seoul, Korea 1984 Shinsegae Gallery, Seoul, Korea 1974 Shinsegae Gallery, Seoul, Korea Selected Group Exhibitions 2017 Art Basel Hong kong, Edouard Malingue Gallery, Hong Kong 2016 Art Basel Hong kong, Edouard Malingue Gallery, Hong Kong 2015 Re:Contemporary- Fermented Souls, Waterfall mansion, New York, USA Art & Life, Art Space Ben, Seoul, Korea 2004 Inaugural Exhibition on Leeum, Samsung Museum Leeum, Seoul, Korea Abstraction from suffering, Arko Art Center/MIA, Seoul, Korea 2002 Age of Philosophy and Aesthetics, MMCA, Gwacheon, Korea 2000 An Aspect of Korean Contemporary Art, MMCA, Gwacheon, Korea Postwar Abstract Art in Korea and the West : Passion and Expression, Samsung Museum of Modern Art, Seoul, Korea Selected Works Division of Contemporary Art, Seoul National University Museum, Korea 1996 Letters and Images, Hallim Museum, Daejeon, Korea 1995 The Exhibition of Contemporary Art ’50, MMCA, Seoul, Korea 1994 Seoul International Contemporary Art Festival, MMCA, Gwacheon, Korea Abstraction Art of Korea, Seonam Art Center, Seoul, Korea 1993 Opening Exhibition on Contemporary Arts, Seoul Art Center Hangaram Museum, Seoul,