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In This Issue in Toronto and Jewelry Deco Pavilion
F A L L 2 0 1 3 Major Art Deco Retrospective Opens in Paris at the Palais de Chaillot… page 11 The Carlu Gatsby’s Fashions Denver 1926 Pittsburgh IN THIS ISSUE in Toronto and Jewelry Deco Pavilion IN THIS ISSUE FALL 2013 FEATURE ARTICLES “Degenerate” Ceramics Revisited By Rolf Achilles . 7 Outside the Museum Doors By Linda Levendusky . 10. Prepare to be Dazzled: Major Art Deco Retrospective Opens in Paris . 11. Art Moderne in Toronto: The Carlu on the Tenth Anniversary of Its Restoration By Scott Weir . .14 Fashions and Jewels of the Jazz Age Sparkle in Gatsby Film By Annette Bochenek . .17 Denver Deco By David Wharton . 20 An Unlikely Art Deco Debut: The Pittsburgh Pavilion at the 1926 Philadelphia Sesquicentennial International Exposition By Dawn R. Reid . 24 A Look Inside… The Art Deco Poster . 27 The Architecture of Barry Byrne: Taking the Prairie School to Europe . 29 REGULAR FEATURES President’s Message . .3 CADS Recap . 4. Deco Preservation . .6 Deco Spotlight . .8 Fall 2013 1 Custom Fine Jewelry and Adaptation of Historic Designs A percentage of all sales will benefit CADS. Mention this ad! Best Friends Elevating Deco Diamonds & Gems Demilune Stacker CADS Member Karla Lewis, GG, AJP, (GIA) Zig Zag Deco By Appointment 29 East Madison, Chicago u [email protected] 312-269-9999 u Mobile: 312-953-1644 bestfriendsdiamonds.com Engagement Rings u Diamond Jewelry u South Sea Cultured Pearl Jewelry and Strands u Custom Designs 2 Chicago Art Deco Society Magazine CADS Board of Directors Joseph Loundy President Amy Keller Vice President PRESIDENT’S MESSAGE Susanne Petersson Secretary Mary Miller Treasurer Ruth Dearborn Ann Marie Del Monico Steve Hickson Conrad Miczko Dear CADS Members, Kevin Palmer Since I last wrote to you in April, there have been several important personnel changes at CADS . -
Galeries Lafayette Paris Haussmann 2 2
GALERIES LAFAYETTE PARIS HAUSSMANN 2 2 GALERIES LAFAYETTE PARIS HAUSSMANN, A NEW “WORLD DEPARTMENT STORE” Galeries Lafayette Haussmann has been the beating heart of Paris since its creation in 1894. The 100‑year‑old department store and its famous Art Nouveau dome symbolise creative 1894 energy and the spirit of the times, welcoming over 2,000 brands Creation of « Aux Galeries Lafayette » from all over the world. by Théophile Bader This important and legendary “world department store” is both 1912 Inauguration of the dome a trendsetter and a benchmark, surprising and amazing French designed by Ferdinand Chanut and international visitors and striving above all to provide its clients with a place of knowledge sharing, influence and culture. No.1 european department store in therms of revenue Its visitors are inspired and transformed; served with an 37 million visitors every year array of choice, advised with care. At Galeries Lafayette Paris Haussmann, no‑one is a foreigner — everyone feels at home. 70,000 SQ.M. spread throughout over 2,000 brands and 25 restaurants 4 “COUPOLE”, AN ICONIC BUILDING AND THE BEATING HEART OF PARISIAN SHOPPING Fashion Galeries Lafayette Paris Haussmann is a trendsetter in fashion, offering clients a constantly renewed selection of French and international brands. Three floors are set aside for must‑have brands and designer labels. Beauty Below the dome, the 2,500‑sq.m. ground floor displays the finest beauty brands and products from skincare experts, as well as a wide range of exceptional and emerging designer perfumes. The Beauty Lab offers a beneficial approach to cosmetics by combining the best brands for natural and organic skincare products. -
Paris Region Facts & Figures 2021
Paris Region Facts & Figures 2021 Welcome to Paris Region Europe’s Leading Business and Innovation Powerhouse Paris Region Facts and Figures 2021 lays out a panorama of the Region’s economic dynamism and social life, positioning it among the leading regions in Europe and worldwide. Despite the global pandemic, the figures presented in this publication do not yet measure the impact of the health crisis, as the data reflects the reality of the previous months or year.* With its fundamental key indicators, the brochure, “Paris Region Facts and Figures 2021,” is a tool for decision and action for companies and economic stakeholders. It is useful to economic and political leaders of the Region and to all who wish to have a global vision of this dynamic regional economy. Paris Region Facts and Figures 2021 is a collaborative publication produced by Choose Paris Region, L’Institut Paris Region, and the Paris Île-de-France Regional Chamber of Commerce and Industry. *L’Institut Paris Region has produced a specific note on the effects of the pandemic on the Paris Region economy: How Covid-19 is forcing us to transform the economic model for The Paris Region, February 2021 Cover: © Yann Rabanier / Choose Paris Region 2nd cover: © Pierre-Yves Brunaud / L’Institut Paris Region © Yann Rabanier / Choose Paris Region Table of contents Welcome to Paris Region 5 Overview 6 Population 10 Economy and Business 12 Employment 18 Education 20 R&D and Innovation 24 Digital Infrastructure 27 Real Estate 28 Transport and Mobility 30 Logistics 32 Meetings and Exhibitions 34 Tourism and Quality of life 36 Welcome to Paris Region A Dynamic and A Thriving Business Paris Region, Fast-growing Region and Research Community A cultural and intellectual The highest GDP in the EU28 in A Vibrant, Innovative metropolis, a scientific and billions of euros. -
NIKKI S. LEE Born 1970, Seoul, South Korea Lives and Works in Seoul, South Korea
VARIOUS SMALL FIRES, LOS ANGELES / SEOUL [email protected] / +1 310 426 8040 VSF [email protected] / +82 70 8884 0107 NIKKI S. LEE Born 1970, Seoul, South Korea Lives and works in Seoul, South Korea Education 1998 MA, Photography, New York University, New York, NY 1993 BFA, Chung-Ang University, Seoul, South Korea Solo Exhibitions 2019 Parts and Scenes, Various Small Fires, Los Angeles, CA 2015 Yours, One and J. Gallery, Seoul, South Korea 2011 Nikki S. Lee: Projects, Parts and Layers, One and J Gallery, Seoul, South Korea, May 19 – June 19, 2011. 2008 Layers, Sikkema Jenkins & Co., New York, NY 2007 Nikki S. Lee: Projects and Parts, GAK, Bremen, Germany 2006 LT/Shoreham Gallery, New York, NY 2005 Galerie Anita Beckers, Frankfurt am Main, Germany Kemper Museum of Contemporary Art, Kansas City, MO 2004 Numark Gallery, Washington, D.C. 2003 The Cleveland Museum of Art, Cleveland, OH Leslie Tonkonow Artworks + Projects, New York, NY Nikki S. Lee, Printemps de Septembre, Toulouse, France 2002 Galerîa Senda, Barcelona, Sapin Clough-Hanson Gallery, Rhodes College, Memphis, TN 2001 Leslie Tonkonow Artworks + Projects, New York, NY The Institute of Contemporary Art, Boston, MA Yerba Buena Center for the Arts, San Francisco, CA Museum of Contemporary Photography, Chicago, IL 2000 Gallery Gan, Tokyo, Japan Stephen Friedman Gallery, London, UK 1999 Leslie Tonkonow Artworks + Projects, New York, NY Film Screenings 2015 Pink Panther, Oracle, Berlin, Germany 2011 Persona: A Body in Parts, Weatherspoon Art Museum, Greensboro, NC 2010 Home Movies, Platform: Centre for Photographic & Digital Arts, Winnipeg, Canada 2008 Mistaken Identities, University of Southern California, Los Angeles, CA Insa Art Center, Seoul, Korea 2007 Museum of Fine Arts, Houston , TX Saint Louis Art Museum, St. -
Performa Announces Pioneering Partnership with Lafayette Anticipation, Fondation Galeries Lafayette, Paris for Performa 15
For Immediate Release September 3, 2015 PERFORMA ANNOUNCES PIONEERING PARTNERSHIP WITH LAFAYETTE ANTICIPATION, FONDATION GALERIES LAFAYETTE, PARIS FOR PERFORMA 15 PRESENTING WORKS BY ULLA VON BRANDENBURG, VOLMIR CORDEIRO, PAULINE CURNIER JARDIN, SIMON FUJIWARA, CHRISTODOULOS PANAYIOTOU, AND ERIKA VOGT New York—Performa, the internationally acclaimed organization dedicated to live performance across disciplines, announces a pioneering partnership with Lafayette Anticipation, Fondation Galeries Lafayette in Paris to launch during Performa’s 2015 biennial. Since its inception in 2004, Performa has been a leader in commissioning live performances by artists working in the field of visual arts. Likewise Lafayette Anticipation has established itself as a major player in producing ambitious new works by contemporary artists and designers since its creation in 2013. Both organizations strive to deepen this shared commitment and actively collaborate in mentoring and supporting artists to conceive, create, develop, and deliver stunning new works that will shape the visual art landscape of the twenty-first century. In anticipation of its 2017 Grand Opening in a building rehabilitated by internationally renowned architect Rem Koolhaas in the heart of Paris, Lafayette Anticipation organizes temporary peripatetic sessions. Part- workshops, part-showcases, these gatherings unfold as intense research programs that explore the various missions of the upcoming operational foundation, from its relationship to design and fashion to its creative online presence or the role of an artists’ library within the building. Since the beginning, performance has held a special place in the program, including projects such as the nighttime poetic street procession conceived by British artist Simon Fujiwara and the commission of a short film by French experimental ballet dancer Benjamin Millepied captured in the building’s construction site. -
Yeondoo Jung Curriculum Vitae
YEONDOO JUNG CURRICULUM VITAE Född 1954 i Jinju, Korea / Born 1954 in Jinju, Korea Bosatt och verksam i Seoul / Lives and works in Seoul Utbildning / Education 1997 MFA, Goldsmiths College, University of London, London 1995 Diploma in Sculpture, Central Saint Martin College of Art, London Institute, London 1994 BFA, College of Fine Arts, Seoul National University, Seoul Separatutställningar / Solo Exhibitions 2012 “Inside Out”, Tina Kim Gallery, New York 2010 “ordinary Paradise”, Galerie Gebr. Lehmann, Berlin “Innerscape”, Galerie Emmanuel Perrotin, Paris 2009 “Handmade Memories”, Tina Kim Gallery, New York “Cinemagician”, International Festival for Arts and Media Yokohama 2009/CREAM, Bank Art, Yokohama “Cinemagician”, PERFORMA09, Asia Society, New York “Moving Perspectives: Yeondoo Jung”, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington DC 2008 “Handmade Memories”, Kukje Gallery, Seoul “For Your Loneliness”, Galerie Gebr. Lehmann, Dresden; Berlin 2007 “Locations”, Tina Kim Gallery, New York “Memories of You - Artist of the Year 2007”, National Museum of Contemporary Art, Gwacheon “I Will Remember You”, ACA Gallery, Atlanta / Red Gallery, Savannah College of Art and Design, Savannah “Wonderland”, Galeria Espacio Minimo, Madrid 2006 “Are You Lonesome Tonight?”, Kukje Gallery, Seoul 2005 “Wonderland”, Tina Kim Fine Art, New York 2004 “Beat It”, Insa Art Center, Seoul 2003 “Bewitched”, Gallery Loop, Seoul 2002 “Chinese Lucky Estate”, 1A Space, Hong Kong “Tokyo Brand City”, Koyanagi Gallery, Tokyo 2001 -
The Propeller Group the Living Need Light, the Dead Need Music,” E- Flux, September 11, 2015
GALERIE QUYNH CONTEMPORARY ART The Propeller Group Phunam, Matt Lucero and Tuan Andrew Nguyen Founded in 2006 Living and working between Ho Chi Minh City, Viet Nam, and Los Angeles, CA, USA PHUNAM Born in 1974 in Saigon, Vietnam 1997 École des Beaux Arts Hanoi, Oil Painting Restoration, Hanoi, Vietnam 1995 Bronze Buddha sculpting and bronze casting, Chiang Mai, Thailand 1988 Stone sculpting, Khmer arts restoration, Kun Ya apprenticeship, Bangkok, Thailand MATT LUCERO Born in 1976 in Upland, CA, USA 2003 MFA, California Institute of the Arts, Valencia, CA, USA 2000 BFA, University of California Riverside, Riverside, CA, USA TUAN ANDREW NGUYEN Born in 1976 in Saigon, Vietnam 2004 MFA, California Institute of the Arts, Valencia, CA, USA 1999 BFA, Studio Art, with Minor in Digital Arts, University of California, Irvine, CA, USA SOLO EXHIBITIONS 2015 The Living Need Light, The Dead Need Music, Carnegie Museum of Art, Pittsburgh, PA, USA The Propeller Group, Grand Arts, Kansas City, Missouri, USA 2013 Lived, Lives, Will Live!, Lombard Freid Gallery, New York, NY, USA 2012 The History of the Future, 10 Chancery Lane, Hong Kong Static Friction, Galerie Quynh, Ho Chi Minh City, Vietnam Station Friction: Burning Rubber, San Art, Ho Chi Minh City, Vietnam 2010 Your Name Here, San Art @ L’Usine, Ho Chi Minh City, Vietnam 2007 Requiem for a wall, Galerie Quynh, Ho Chi Minh City Level 2, 151/3 Dong Khoi Street District 1 Ho Chi Minh City Vietnam | tel/fax: +84 8 3824 8284 | [email protected] | www.galeriequynh.com GALERIE QUYNH CONTEMPORARY ART -
Infotext English-House History
Galeries Lafayette isn’t just another department store. Galeries Lafayette’s enchanting world of fashion transforms shopping into pure enjoyment, making for an exquisite delight for the senses. The history of Galeries Lafayette, Paris In 1893 the cousins Théophile Bader and Alphonse Kahn decided to open a store in Paris selling the latest items the market had to offer. They began in premises measuring just 70 square metres in a shopping district near the Opéra de Paris Garnier and the station Gare St. Lazare. Business was formidable , and so in 1896 Théophile Bader, who hailed from Alsace, promptly decided to rent all six storeys of the building. Its address was no. 1, Rue La Fayette, a street named after the French general and politician Marquis de la Fayette. This marked the birth of the Grands Magasins “Aux Galeries Lafayette”! Trade in frills, cuffs, braiding, lace and haberdashery flourished so much that during the next few years the neighbouring buildings had to be purchased to allow for expansion. However, moving into a building especially designed and build for the Galeries Lafayette became inevitable. And that is why the new house at Bd. Hausmann was built in an orientalic-byzanti by the renowned architect George Chedanne A whole chain of stores emerged with branches in every major town and city in France – from Monoprix in Lille to the Bazar de l’Hôtel de Ville in Paris and Galeries Lafayette in Bayonne. And in 1996, Galeries Lafayette opened its first store outside France – on Friedrichstrasse in central Berlin. The history of Galeries Lafayette in Berlin In 1996 Galeries Lafayette branched out from Paris to Berlin when its first German store was opened on Friedrichstrasse, at the junction with Französische Strasse. -
Jean-Pierre Cassigneul
Jean-Pierre Cassigneul I began painting my first portraits of women in 1963, along with gardens, the Bois de Boulogne, and Deauville. My world hasn’t changed since then. Jean-Pierre Cassigneul is a French artist (b. 1986). His practice has expanded from painting into lithography, tapestries, and stained glass over a five-decade career which has seen him celebrated across Europe, Japan, and America. At 85, Cassigneul delights in his position as the “unclassifiable painter”, uninfluenced by art movements, devoting himself to figurative painting throughout his long career. He is perhaps best known for his striking compositions of fashionable women, with his ability to capture the transience and beauty of recreation best displayed in these languid works. Raised between France and Switzerland, Jean-Pierre Cassigneul studied at the Académie Charpentier in 1954 where he was taught by the influential French figurative painter Jean Souverbie (1891-1981). Souverbie had been closely associated with Post-Impressionists, Maurice Denis (1870-1943), Paul Sérusier (1864-1927), Édouard Vuillard (1868-1940) and Félix Vallotton (1865-1925) at the Académie Renon. It was under the influence of Souverbie that Cassigneul founded his technique and approach to painting. Cassigneul can spend several months on a single canvas, though his working environment is not the solitary atmosphere one might expect, he is keen on presenting his studio as a communal space, where one can ‘chat, laugh, and discuss things, and paint at the same time.’ JD Malat Gallery 30 Davies St, Mayfair, London W1K 4NB +44 20 3746 6830 Selected Works Jean-Pierre Cassigneul La robe rouge, 2019 Oil on canvas 100 x 81cm (JPC003) Jean-Pierre Cassigneul Le chevalet, 2017 Oil on canvas 162 x 130cm (JPC009) JD Malat Gallery 30 Davies St, Mayfair, London W1K 4NB +44 20 3746 6830 Jean-Pierre Cassigneul CV b. -
Les Galeries Lafayette De METZ DÉVOILENT LEUR TOUTE NOUVELLE FAÇADE
LES GALERIES LAFAYETTE DE METZ DÉVOILENT LEUR TOUTE NOUVELLE FAÇADE DOSSIER DE PRESSE UNE NOUVELLE FAÇADE POUR LES GALERIES LAFAYETTE DE METZ Une réalisation de Manuelle Gautrand pour les Galeries Lafayette de Metz GALERIES LAFAYETTE DE METZ 4, rue Winston Churchill 57 000 Metz Entrée libre - Du lundi au vendredi de 9h30 à 19h30 - Samedi de 9h30 à 20h ÉDITO Les Galeries Lafayette de Metz célèbrent l’aboutissement de leur transformation et révèlent au grand jour leur toute nouvelle façade, réalisée par l’architecte française de renommée internationale, Manuelle Gautrand. Entièrement rénovée, la façade des Galeries Lafayette de Metz arbore un nouveau look, moderne et épuré. Sous leur habillage de verre et de miroirs, les nouvelles vitrines de la rue Winston Churchill et de la rue des Clercs sont sublimées. La façade immaculée est rehaussée d’une marquise rouge. Tel un escalier qui monte vers le ciel, la marquise apporte à la façade une nouvelle dimension. Retravaillée toute en modernité et en élégance, cette nouvelle façade du magasin de Metz incarne l’engagement constant des Galeries Lafayette en faveur de l’art et de la création. Image de couverture : © Vincent Fillon Image ci-dessus : © photo Marin Hock DOSSIER DE PRESSE UNE NOUVELLE FAÇADE POUR LES GALERIES LAFAYETTE DE METZ 03 LE MAGASIN, SA NOUVELLE FAÇADE À gauche et ci-dessous : l’ancienne et la nouvelle façade du magasin © photo gauche DR - photo droite Vincent Fillon ituées en plein cœur du centre-ville, les Galeries Lafayette de Metz ont ouvert leurs portes Sen 1967 sous l’enseigne des Nouvelles Galeries. Véhiculant une image architecturale forte et contemporaine, le magasin devient en peu de temps une référence commerciale de la ville, avec une superficie de 10 579 m2. -
The Parisian Department Store As a Paradigmatic Place for Interactions Between Tourism and Shopping
Belgeo Revue belge de géographie 1 | 2020 Miscellaneous The Parisian department store as a paradigmatic place for interactions between tourism and shopping: the production of a heterotopia Le grand magasin parisien, lieu paradigmatique des interactions entre tourisme et shopping : la production d'une hétérotopie Vincent Coëffé and Jean-René Morice Electronic version URL: http://journals.openedition.org/belgeo/43367 DOI: 10.4000/belgeo.43367 ISSN: 2294-9135 Publisher: National Committee of Geography of Belgium, Société Royale Belge de Géographie Electronic reference Vincent Coëffé and Jean-René Morice, “The Parisian department store as a paradigmatic place for interactions between tourism and shopping: the production of a heterotopia”, Belgeo [Online], 1 | 2020, Online since 30 October 2020, connection on 20 January 2021. URL: http://journals.openedition.org/ belgeo/43367 ; DOI: https://doi.org/10.4000/belgeo.43367 This text was automatically generated on 20 January 2021. Belgeo est mis à disposition selon les termes de la licence Creative Commons Attribution 4.0 International. The Parisian department store as a paradigmatic place for interactions betwee... 1 The Parisian department store as a paradigmatic place for interactions between tourism and shopping: the production of a heterotopia Le grand magasin parisien, lieu paradigmatique des interactions entre tourisme et shopping : la production d'une hétérotopie Vincent Coëffé and Jean-René Morice Introduction 1 For three centuries, the capitalist model has produced fantasy spaces which, while being based on the marketing of goods, are set up in such a way that they tend to suspend their economic purpose in order to constitute places fostering both individual and collective pleasures (Lemarchand, 2010; Berdet, 2013). -
Les Galeries Lafayette Et De Bijenkorf
Où est la gloire des grands magasins? Une étude de l’histoire du grand magasin français et néerlandais à partir de deux exemples : les Galeries Lafayette et de Bijenkorf Thèse : Comment est-ce que le grand magasin français les Galeries Lafayette et le grand magasin néerlandais de Bijenkorf s’adaptent aux consommateurs actuels ? Mémoire de « Bachelor Franse taal en cultuur » p a r : M a r i e - Cécile Fokkema Numéro d’étudiant: 3 8 4 3 6 6 1 [email protected] Sous la direction de: Drs. Marie - C l a i r e F o u x Deuxième lectrice: Dr. Michèle Kremers - A m m o u c h e Université d’Utrecht, le 8 juin 2015 Table de matières Introduction……………………………………………………………………………………......................................3 Chapitre I : L’histoire du grand magasin : sa naissance vue dans son contexte……………..…...5 1.1. Les origines du grand magasin……………………………………….............................................5 1.2. Les grands magasins avant la lettre…………………………………………………..…..…….….6 1.3. Le grand magasin et sa clientèle……………………………………………………………...….….7 1.4. Le développement du grand magasin et l’imitation en Europe…………………..…..10 Chapitre II : Les Galeries Lafayette et de Bijenkorf : étude de cas des deux histoires…………………………………………………………………………………………………...…...…..…………12 2.1. Justification du choix………………………………………………………………….........................12 2.2. Les Galeries Lafayette………………………………………………………………………….……....13 2.3. De Bijenkorf…………………………………………………………………………………….……….....15 Chapitre III : Les deux grands magasins comparés: étude de cas des stratégies actuelles.................................................................................................................................................................19 3.1. Les Galeries Lafayette et de Bijenkorf dans leur contexte actuel..…........................19 3.2. Les stratégies des Galeries Lafayette et leurs effets…………………………...................22 3.3. Les stratégies de De Bijenkorf et leurs effets……………………………….….....................25 3.4.