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Syllabi for Standards Ix and X
SYLLABI FOR STANDARDS IX AND X (As sanctioned under Government of Maharashtra Letter No. SSC-210/(195/10)/ C._m.{e.2 {X.12/03/2012 Maharashtra State Board of Secondary And Higher Secondary Education, Pune – 411 004. © All rights reserved No part of this book shall be reproduced or transmitted in any form or by any means, such as Printed, C. D. Rom / Audio / Video Cassettes or Electronic / Mechanical, including photo, copying, recording or by any information storage and retrieval system, at any portal, website etc. All rights reserved with Secretary of Maharashtra State Board of Secondary and Higher Secondary Education, Pune - 411 004. Publisher : Shahaji Dhekane Secretary, Maharashtra State Board of Secondary and Higher Secondary Education, Pune - 411 004. Liaison Officers : K. B. Gawade Research Officers Dr. Shivaji Shelke Research Officers G. D. Sonawane Research Officers Maharashtra State Board of Secondary and Higher Secondary Education, Pune - 411 004. Co- ordinator : Dr. Umesh D. Pradhan Type Setting : Maharashtra State Board of Secondary and Higher Secondary Education, Pune - 411 004. Printer : Mudrankan Offsets Pvt. Ltd. 69 Mahesh Society, Opp. Datta Mandir, Bibwewadi, Pune -411 037. Ph. : (020) 24410036 Fax : (020) 24410037 e-mail : [email protected] 2 3 amï>´JrV OZ JU _Z A{YZm`H$ O` ho ^maV ^m½` {dYmVm & n§Om~, qgYw, JwOamV, _amR>m, Ðm{dS>, CËH$b, ~§Jm, qdÜ`, {h_mMb, `_wZm, J§Jm, CÀN>b Ob{Y Va§Jm Vd ew^ Zm_o OmJo Vd ew^ Am{ef _mJo, Jmho Vd O` JmWm, OZJU _§JbXm`H$ O` ho, ^maV ^m½` {dYmVm & O` ho & O` ho & O` ho & O` O` O` O` ho & à{Vkm ^maV _mPm Xoe Amho. -
Hindu Music from Various Authors, Pom.Pil.Ed and J^Ublished
' ' : '.."-","' i / i : .: \ CORNELL UNIVERSITY LIBRARY MUSIC e VerSl,y Ubrary ML 338.fl2 i882 3 1924 022 411 650 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31 92402241 1 650 " HINDU MUSIC FROM VARIOUS AUTHORS, POM.PIL.ED AND J^UBLISHED RAJAH COMM. SOURINDRO MOHUN TAGORE, MUS. DOC.J F.R.S.L., M.U.A.S., Companion of the Order of the Indian Empire ; KNIGHT COMMANDER OF THE FIRST CLASS OF THE ORDER OF ALBERT, SAXONY ; OF THE ORDER OF LEOPOLD, BELGIUM ; FRANCIS OF THE MOST EXALTED ORDEE OF JOSEPH, AUSTRIA ; OF THE ROYAL ORDER OF THE CROWN OF ITALY ; OF THE MOST DISTINGUISHED ORDER OF DANNEBROG, DENMARK ; AND OF THE ROYAL ORDER OF MELTJSINE OF PRINCESS MARY OF LUSIGNAN ; FRANC CHEVALIER OF THE ORDER OF THE KNIGHTS OF THE MONT-REAL, JERUSALEM, RHODES HOLY SAVIOUR OF AND MALTA ; COMMANDEUR DE ORDRE RELIGIEOX ET MILITAIRE DE SAINT-SAUVEUR DE MONT-REAL, DE SAINT-JEAN DE JERUSALEM, TEMPLE, SAINT SEPULCRE, DE RHODES ET MALTE DU DU REFORME ; KNIGHT OF THE FIRST CLASS OF THE IMPERIAL ORDER OF THE " PAOU SING," OR PRECIOUS STAR, CHINA ; OF THE SECOND CLASS OF THE HIGH IMPERIAL ORDER OF THE LION AND SUN, PERSIA; OF THE SECOND CLASS OF THE IMPERIAL ORDER OF MEDJIDIE, TURKEY ; OF THE ROYAL MILITARY ORDER OF CHRIST, AND PORTUGAL ; KNIGHT THE OF BASABAMALA, OF ORDER SIAM ; AND OF THE GURKHA STAR, NEPAL ; " NAWAB SHAHZADA FROM THE SHAH OF PERSIA, &C, &C, &C. -
Hindu Music in Bangkok: the Om Uma Devi Shiva Band
Volume 22, 2021 – Journal of Urban Culture Research Hindu Music In Bangkok: The Om Uma Devi Shiva Band Kumkom Pornprasit+ (Thailand) Abstract This research focuses on the Om Uma Devi Shiva, a Hindu band in Bangkok, which was founded by a group of acquainted Hindu Indian musicians living in Thailand. The band of seven musicians earns a living by performing ritual music in Bangkok and other provinces. Ram Kumar acts as the band’s manager, instructor and song composer. The instruments utilized in the band are the dholak drum, tabla drum, harmonium and cymbals. The members of Om Uma Devi Shiva band learned their musical knowledge from their ancestors along with music gurus in India. In order to pass on this knowledge to future generations they have set up music courses for both Indian and Thai youths. The Om Uma Devi Shiva band is an example of how to maintain and present one’s original cultural identity in a new social context. Keywords: Hindu Music, Om Uma Devi Shiva Band, Hindu Indian, Bangkok Music + Kumkom Pornprasit, Professor, Faculty of Fine and Applied Arts, Chulalongkorn University, Thailand. email: [email protected]. Received 6/3/21 – Revised 6/5/21 – Accepted 6/6/21 Volume 22, 2021 – Journal of Urban Culture Research Hindu Music In Bangkok… | 218 Introduction Bangkok is a metropolitan area in which people of different ethnic groups live together, weaving together their diverse ways of life. Hindu Indians, considered an important ethnic minority in Bangkok, came to settle in Bangkok during the late 18 century A.D. to early 19 century A.D. -
Why I Became a Hindu
Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita -
Music Honours Syllabus
CBCS SYLLABUS FOR THREE YEARS UNDER-GRADUATE COURSE IN MUSIC (HONOURS) (w.e.f. 2017) BANKURA UNIVERSITY BANKURA WEST BENGAL PIN 722155 Bankura University B.A Honours in Music CBCS w.e.f. 2017-18 STRUCTURE IN MUSIC (HONOURS) SEMESTER –I Course Course Title Credit Marks No. of Hours Code I.A. ESE Total Lec. Tu. Pr. AHMUS HISTORY OF INDIAN MUSIC 6 10 40 50 5 1 - 101/C-1 AHMUS / PRACTICAL KNOWLEDGE 6 10 40 50 - - 12 102/C-2 OF INDIAN MUSIC AHMUS ASPECTS OF THATA, 6 10 40 50 5 1 - /103/GE- MELA,RAGA & TALA 1 ACSHP/ Environmental Studies 4 10 40 50 4 - - AECC-1 Total in Semester - I 22 40 160 200 14 2 12 SEMESTER –II Course Course Title Credit Marks No. of Hours Code I.A. ESE Total Lec. Tu. Pr. AHMUS/ HISTORY OF INDIAN 6 10 40 50 5 1 - 201/C-1 MUSIC AHMUS / PRACTICAL KNOWLEDGE 6 10 40 50 - - 12 202/C-4 OF RAGA AHMUS / HISTORY OF INDIAN 6 10 40 50 5 1 - 203/GE-2 MUSIC ACSHP/ English/Hind/MIL 2 10 40 50 2 - - AECC-2 Total in Semester - II 20 40 160 200 12 2 12 2 | P a g e Bankura University B.A Honours in Music CBCS w.e.f. 2017-18 SEMESTER –III Course Course Title Credit Marks No. of Hours Code I.A. ESE Total Lec. Tu. Pr. AHMUS HISTORY OF INDIAN MUSIC 6 10 40 50 5 1 - / 301/C-5 AHMUS PRACTICAL KNOWLEDGE 6 10 40 50 - - 12 / 302/ C-6 OF RAGA AHMUS PRACTICAL KNOWLEDGE 6 10 40 50 - - 12 /303/C-7 OF RAGA AHMUS PRACTICAL- RABINDRA 6 10 40 50 - - 12 / 304/GE- SANGEET & NAZRUL GITI 3 AHMUS PRACTICAL 2 10 40 50 - - 12 / DEMONSTRATION OF 305/SEC- KHAYAL 1 Total in Semester - III 26 50 200 250 5 1 48 SEMESTER –IV Course Course Title Credit Marks No. -
An Introduction to The-History of Music Amongst
AN INTRODUCTION TO THE-HISTORY OF MUSIC AMONGST INDIAN SOUTH AFRICANS IN NATAL 1860-1948: 10WARDS MEL VEEN BETH J ACf::::'GN DURBAN JANUARY 1988 Of ~he hi stoczf ffiCISi C and mic and so; -political status Natal, 186<)- 1948. The study conce ns itself e:-:pr- essi on of musi c and the meanings associated with it. Music for-ms, music per-sonalities, and music functions ar-e tr-aced. Some expl anations of the rel a tionships between cl ass str-uctur-es, r- eligious expr-ession, political affiliation, and music ar-e suggested. The first chapter establishes the topic, par-ameters, motivation, pur-pose, theor-etical framewor-k, r esear-ch method and cons traints of the study. The main findings ar-e divided between two chronological sections, 1860-1920 and 1920-1948. The second chapter- describes early political and social structures, the South African phase of Gandhi's satyagraha, Muslim/Hindu festivals, early Christian activity, e arly organisation of a South Indian Hindu music group, the beginnings of the Lawrence family, and the sparking of interest in classical Indian music. The third chapter indicates the changing nature of occupation and life-style f rom a rural to an how music styles changed to suit t he new, Assimilation, assimilation music:: Ind :i. dn Ei s_ fo~ s.. Hindu an·I Muslim.. are identified. including both imported recorcl recor· / and the growth of the cl assi -al music movement ar-e traced, and the role of the "Indian II or-chestr·a is anal yst~d . Chapter· four presents the main conclusions, regarding the cultural, political, and social disposition of Indi a n South Africans, educational implications, and s ome areas requiring further research. -
Professor Dr. Abdul Momin Chowdhury Email: [email protected]
Professor Dr. Abdul Momin Chowdhury email: [email protected] Present Position: Fellow Asiatic Society of Bangladesh Project Director History of Bangladesh: Ancient and Medieval Asiatic Society of Bangladesh Fulbright Senior Research Fellow Department of History Vanderbilt University Nashville, Tennessee USA Adjunct Faculty, School of Liberal Arts and Social Sciences, Independent University, Bangladesh Current Research Projects: 1. History of Bangladesh: Ancient and Medieval 2. Identity/Alterity: Bangladesh Perspective Academic Awards: State Overseas Scholarship, 1962-1965 Commonwealth Academic Staff Fellowship, 1975-1976, for post-Doctoral Research at the School of Oriental and African Studies, University of London. Commonwealth Senior Visiting Fellowship, 1988, visited several universities in India, Sri Lanka, Nepal, Singapore, Malaysia and Australia to make on the spot study of Academic administration. British Council Short Term Fellowship, 1985, visited several universities in the U.K. to see the administration of the Libraries. U.S. IVP, 1985, visited several universities in the U.S.A. to observe the academic administration of Universities. Visiting Lecturer, Heidelberg University, Germany, 1985. South Asia Dialogue Fellowship, 1992, for research in the field of Democratisation in South Asia. Short Term Fellowship, Indian Council of Historical Research, 1996. Represented Bangladesh at the Inter-Governmental meeting on the Convention on Intangible Cultural Heritage at UNESCO, Paris in September, 2002 and February, 2003. Fullbright -
The Sound of Belonging
The Sound of Belonging Music and Ethnic Identification among Marrons and Hindus in Paramaribo, Suriname Verena Brey Anne Goudzwaard Background picture: Hindu Dancer Small photograph: Marron Dance Group Both pictures were taken during a performance for festivities of the women's club “Soroptimist”, March 19th 2015. The Sound of Belonging Music and Ethnic Identification among Marrons and Hindus in Paramaribo, Suriname Verena Brey, 3920356 [email protected] Anne Goudzwaard 4028279 [email protected] Wordcount: 19192 Coordinator: Hans de Kruijf June 2015 Content 1.Introduction..............................................................................................................................9 2.Theoretical Frame..................................................................................................................13 2.1Ethnomusicology.............................................................................................................13 2.2The Role of Music in constructing Identity.....................................................................16 2.3Music and Ethnic Identity in the Context of Cultural Diversity and Creolization..........20 3.Introducing Suriname.............................................................................................................23 4.Marrons..................................................................................................................................24 4.1Introducing Marrons .......................................................................................................24 -
"Chant and Be Happy": Music, Beauty, and Celebration in a Utah Hare Krishna Community Sara Black
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Chant and Be Happy": Music, Beauty, and Celebration in a Utah Hare Krishna Community Sara Black Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC “CHANT AND BE HAPPY”: MUSIC, BEAUTY, AND CELEBRATION IN A UTAH HARE KRISHNA COMMUNITY By SARA BLACK A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music The members of the Committee approve the Thesis of Sara Black defended on October 31, 2008. __________________________ Benjamin Koen Professor Directing Thesis __________________________ Frank Gunderson Committee Member __________________________ Michael Uzendoski Committee Member Approved: ___________________________________________________________ Douglass Seaton, Chair, Musicology ___________________________________________________________ Seth Beckman, Dean, College of Music The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Figures iv List of Photographs v Abstract vi INTRODUCTION: ENCOUNTERING KRISHNA 1 1. FAITH, AESTHETICS, AND CULTURE OF KRISHNA CONSCIOUSNESS 15 2. EXPERIENCE AND MEANING 33 3. OF KRISHNAS AND CHRISTIANS: SHARING CHANT 67 APPENDIX A: IRB APPROVAL 92 BIBLIOGRAPHY 93 BIOGRAPHICAL SKETCH 99 iii LIST OF FIGURES Figure 1. Cymbal rhythm 41 Figure 2. “Mekala” beat and “Prabhupada” beat 42 Figure 3. Melodies for Maha Mantra 43-44 Figure 4. “Jaya Radha Madhava” 45 Figure 5. “Nama Om Vishnu Padaya” 47 Figure 6. “Jaya Radha Madhava” opening line 53 Figure 7. “Jaya Radha Madhava” with rhythmic pattern 53 Figure 8. “Jaya Radha Madhava” opening section 54 Figure 9. -
Introducing the Sylheti Language and Its Speakers, and the SOAS Sylheti Project
Language Documentation and Description ISSN 1740-6234 ___________________________________________ This article appears in: Language Documentation and Description, vol 18. Editors: Candide Simard, Sarah M. Dopierala & E. Marie Thaut Introducing the Sylheti language and its speakers, and the SOAS Sylheti project CANDIDE SIMARD, SARAH M. DOPIERALA & E. MARIE THAUT Cite this article: Simard, Candide, Sarah M. Dopierala & E. Marie Thaut. 2020. Introducing the Sylheti language and its speakers, and the SOAS Sylheti project. In Candide Simard, Sarah M. Dopierala & E. Marie Thaut (eds.) Language Documentation and Description 18, 1-22. London: EL Publishing. Link to this article: http://www.elpublishing.org/PID/196 This electronic version first published: August 2020 __________________________________________________ This article is published under a Creative Commons License CC-BY-NC (Attribution-NonCommercial). The licence permits users to use, reproduce, disseminate or display the article provided that the author is attributed as the original creator and that the reuse is restricted to non-commercial purposes i.e. research or educational use. See http://creativecommons.org/licenses/by-nc/4.0/ ______________________________________________________ EL Publishing For more EL Publishing articles and services: Website: http://www.elpublishing.org Submissions: http://www.elpublishing.org/submissions Introducing the Sylheti language and its speakers, and the SOAS Sylheti project Candide Simard The University of the South Pacific Sarah M. Dopierala Goethe University Frankfurt E. Marie Thaut SOAS, University of London Abstract Sylheti is a minoritised, politically unrecognised, and understudied Eastern Indo-Aryan language with approximately 11 million speakers worldwide, with high speaker concentrations in the Surma and Barak river basins in north-eastern Bangladesh and south Assam, India, and in several diasporic communities around the world (especially UK, USA, and Middle East). -
5Th International Conference on the Physiology & Acoustics of Singing
5th International Conference on the Physiology & Acoustics of Singing August 10-13, 2010 KTH, Stockholm, Sweden kth main campus valhallavägen P Stockholm University 30A 81 83 89 30B 30C fa 85 19 30D 87 Æ 30E 74 76 78 m fb 80 82 84 21 25 72 fr 66 Æ 86 88 15 AlbaNova fd University Center 70 76B 64B 62 68 64A 60 58 90 17 92 23 27 P University College P of Dance brinellvägen 37 11 29 31 drottning krist fp 33 busshållplats brunbärvägen inas väg KTH-Hallen linje 43, 44 roslagstullsbacken 40 25 38 67 rudammsbacken P rudammsvägen 36 30 34 32 48 23 roslags drottn b 74 72 28 76 v tullsbacken 61 ing kr 26 istinas väg 32 22 24 ngen 78 teknikri 53 P 53A 53B P Æ väg q University 4 as 51 k 56 6 College of Opera 58 53C 49 brinellväg 35 54 30 l 2 "Q-houses" osquld 48 8 10 47 50 46 valhall 45 Red Cross Hospital 12 and University 44 P en h 33 42 avä 31 40 n gen körsbärsvä teknikringe 38 41 10A 36 P 30 k 32 gen 28 Swedish National 26 n 10 34 Defence College 26 f 12 20A 24 kringe 28 33A 31 18 Æ 22 24 P P 8 P 14 26 tekni 30 2A 24 29 18 20 21 33 lindste 22 Æ 18 f tekniska 23 16 27 dtsvägen T drottn KTHB högskolan 25B 25 8 31 12 19 21 19 25 14 23 ing kristinas väg 10 15 13 Æ 6 7 8 11 17 15 9 T Student Union House ars backe 4 4 3 osqu2 e odengatan 1 5 9 P i lindstedtsvägend 7 östra 4 station J Sophiahemmet taxi 79 University College Administration T bussterminal tekniska högskolan valhallavägen 0 50 100 m T atan a lecture/exercise premises uggleviksgatan ydsg 37 street address stermalm dander info-center i sgatan P parking 19 commuter train s tation 26 School -
Music and Society in Late Colonial India: a Study of Esraj in Gaya LSE Research Online URL for This Paper: Version: Accepted Version
Music and society in late colonial India: a study of Esraj in Gaya LSE Research Online URL for this paper: http://eprints.lse.ac.uk/101477/ Version: Accepted Version Article: Roy, Tirthankar (2019) Music and society in late colonial India: a study of Esraj in Gaya. Journal of Asian Studies, 79 (1). pp. 25-49. ISSN 0021-9118 https://doi.org/10.1017/S0021911819000123 Reuse Items deposited in LSE Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the LSE Research Online record for the item. [email protected] https://eprints.lse.ac.uk/ Music and Society in Late Colonial India: A Study of Esraj in Gaya TIRTHANKAR ROY In the late nineteenth and early twentieth centuries, Indian classical music was in transition. Most readings of the transition stress the choices of the professional musicians, as these musicians and the institutions in which they functioned were caught up in political and economic movements such as nationalism and commercialization. This article studies a different type of transition: when a small-town professional group with a strong associational culture became musicians. This second process, standing in contrast to the received narratives, suggests novel lessons in the history of urban cultures during a time of change. Keywords: colonial India, esraj, Gaya, Gayawals, gharanas, harmonium, Indian classical music, nationalism, urban culture Tirthankar Roy ([email protected]) is Professor of Economic History at the London School of Economics and Political Science.