Maryland Historical Magazine, 1964, Volume 59, Issue No. 1
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Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
“Never Was I So Depressed”
The Army of Northern Virginia in the Gettysburg Campaign “Never Was I So Depressed” James Longstreet and Pickett’s Charge Karlton D. Smith On July 24, 1863, Lt. Gen. James Longstreet wrote a private letter to his uncle, Augusts Baldwin Longstreet. In discussing his role in the Gettysburg Campaign, the general stated: General Lee chose the plan adopted, and he is the person appointed to chose and to order. I consider it a part of my duty to express my views to the commanding general. If he approves and adopts them it is well; if he does not, it is my duty to adopt his views, and to execute his orders as faithfully as if they were my own. While clearly not approving Lee’s plan of attack on July 3, Longstreet did everything he could, both before and during the attack, to ensure its success.1 Born in 1821, James Longstreet was an 1842 graduate of West Point. An “Old Army” regular, Longstreet saw extensive front line combat service in the Mexican War in both the northern and southern theaters of operations. Longstreet led detachments that helped to capture two of the Mexican forts guarding Monterey and was involved in the street fighting in the city. At Churubusco, Longstreet planted the regimental colors on the walls of the fort and saw action at Casa Marta, near Molino del Ray. On August 13, 1847, Longstreet was wounded during the assault on Chapaltepec while “in the act of discharging the piece of a wounded man." The same report noted that during the action, "He was always in front with the colors. -
The Mayor and the President by George W. Liebmann
The Mayor and the President by George W. Liebmann This symposium has unlikely origins. It was in some measure prompted by a recent speech before the Supreme Court Historical Society by the celebrated Professor John Yoo. By way of demonstrating that the policies relating to detention and interrogation with which he is identified were consonant with American traditions, Professor Yoo delivered an address contending that the Merryman and Milligan cases were aberrations, what Justice Frankfurter called in another context, “derelicts on the waters of the law”. He alleged that “Merryman remains unknown to almost all but those scholars who toil in the academic fields of the separation of powers or the early days of the Civil War.”1 Merryman of course is better known than that. It was the subject of a centennial symposium in the federal district court for Maryland in 1961, addressed by William L. Marbury, Chief Judge Roszel C. Thomsen and Taney’s biographer H.H.Walker Lewis.2 It figures prominently in a number of books on executive power in wartime by such as Carl Brent Swisher (1974)3, Clinton Rossiter (1945)4, Frederick Bernays Wiener (1940)5 and Charles Warren (1935)6 that you will not find prominently cited in the recent writings of Professor Yoo, as well as in Chief Justice Rehnquist’s book on the subject.7 In 1961, executive detention without trial was not a burning issue. It is now. There is a vast literature, and there is therefore no excuse for another redundant discussion. The remarks of all three speakers today will therefore focus on unpublished documents by or about the contending 1 protagonists. -
April 30, 2020 the Honorable Mitch Mcconnell the Honorable Nancy
April 30, 2020 The Honorable Mitch McConnell The Honorable Nancy Pelosi Majority Leader Speaker U.S. Senate U.S. House of Representatives Washington, D.C. 20510 Washington, D.C. 20515 The Honorable Charles Schumer The Honorable Kevin McCarthy Minority Leader Minority Leader U.S. Senate U.S. House of Representatives Washington, D.C. 20510 Washington, D.C. 20515 Dear Leader McConnell, Minority Leader Schumer, Speaker Pelosi, and Minority Leader McCarthy: The National Trust for Historic Preservation and the 379 undersigned preservation organizations and businesses thank you for your extraordinary efforts in acting to address so many of our nation’s needs in our current health and economic emergency. The enactment of the $2.2 trillion Coronavirus Aid, Relief, and Economic Security Act (CARES Act) and other response legislation provided essential funding and programs to begin our nation’s recovery. The CARES Act provided much needed funding for the nonprofit sector, including the arts and humanities, and we thank you for those provisions, including: • The Paycheck Protection Program and its forgivable loans to benefit small businesses and nonprofit organizations; • Providing a universal above-the-line deduction for taxpayers making charitable contributions; and • Creating additional funding for the National Endowment for the Arts ($75 million), National Endowment for the Humanities ($75 million), and the Institute for Museum and Library Services (IMLS) ($50 million). We are also extraordinarily thankful for last week’s Paycheck Protection Program and Health Care Enhancement Act that will provide an additional $321 billion for the Paycheck Protection Program. This program is essential to ensuring economic vitality and meeting the The Watergate Office Building 2600 Virginia Avenue NW Suite 1100 Washington, DC 20037 E [email protected] P 202.588.6000 F 202.588.6038 SavingPlaces.org needs of nonprofit organizations and the small business community, especially Main Street businesses. -
North Carolina
Gowan MALS Final Project Spring 2014 2 Table of Contents The Roots of Jazz in North Carolina ................................................................................................. 3 Setting the Stage ............................................................................................................................ 4 The 19th Century: Songs of Joy and Freedom .................................................................................. 9 19th Century Secular Music in North Carolina: In the String of Things ......................... 10 Sacred Music in 19th Century North Carolina: Lined Up and Ready ............................. 19 The 20th Century: Repression, Deliverance, and Escape ............................................................. 28 Secular Music in 20th Century North Carolina: Getting the Blues ................................... 29 Sacred Music in the 20th Century: Shout It Out ................................................................... 39 North Carolina: Fertile Ground for Jazz? ..................................................................................... 48 Works Cited .......................................................................................................................................... 52 Gowan MALS Final Project Spring 2014 3 The Roots of Jazz in North Carolina An analysis of the musical heritage of the Tar Heel State and its connection to jazz greats North Carolina is not known for its jazz music. When you think about the hubs of jazz, New Orleans, New York, -
Preservemaryland II
PreserveMaryland II The Statewide Preservation Plan (2019-2023) 1 2 PreserveMaryland II: Key Authors and Contributors Nell Ziehl, Maryland Historical Trust Peter Kurtze, Maryland Historical Trust Ross Bater, Maryland Historical Trust Anne Raines, Maryland Historical Trust Jennifer Chadwick-Moore, Maryland Historical Trust With special thanks for content and images provided by Johns Hopkins at Baltimore Heritage, Inc.; Heidi Glatfelter Schlag, C&O Canal Trust; Judy Dobbs and Theresa Worden, Maryland Humanities; Karen Brown, Historic Annapolis Foundation; Cathy Thompson, Charles County Department of Planning and Zoning; Aaron Marcavitch, Maryland Milestones/Greater Anacostia Heritage Area; Elly Colmers Cowan, Preservation Maryland; Lady Brion, Leaders of a Beautiful Struggle With Special Thanks to Our Partners and Hosts AIA Baltimore * Archeological Society of Maryland, Inc. * Baltimore Museum of Industry * Coalition of Maryland Heritage Areas * Council for Maryland Archeology * Eastern Shore Network for Change * Galesville Community Association * Historic London Town and Gardens * Maryland Association of Historic District Commissions * Maryland Commission on African American History and Culture * Maryland Commission on Indian Affairs * Maryland Museums Association * Morgan State University * Preservation Maryland * Ward Museum of Wildfowl Art * Washington College * And to those who participated in the survey, forums, and interviews; advertised opportunities for participation; provided com- ments; and reviewed draft language and illustrations. Acknowledgement The production of the State Historic Preservation Plan has been financed in part with Federal funds from the National Park Service, U.S. Department of the Interior. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior, nor does the mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior. -
View Geff's Resume
Geffery B. Stewart 1347 Gorsuch Ave Baltimore, Maryland 21218 443.454.1875 [email protected] Summary/Bio My name is Geffery Stewart. I was born in 1985 in Baltimore, MD. I was raised in Pasadena, MD where I attended public school. I am a self taught musician specializing in string instruments, mainly guitar, banjo, violin/fiddle, and mandolin. With the influence of my parents, I came obsessed with music of all kinds at a very young age. In my elementary school years, I discovered I had a keen ear and began singing along with music I heard at home and in church. At age 10, I began teaching myself guitar, with tuning and some chording assistance from my father. I was soon able to tune by ear. I worked hard at my 3 first chords, and played incessantly. More musical influence from my father began to influence my direction, and obsession such as Experimental, Jazz, Punk Rock, Reggae, Folk, Bluegrass, Hip Hop and more, but it was the Blues that grabbed my attention. My life was altered after hearing the Blues/Gospel of Blind Willie Johnson. Country blues and pre-war American music became a full time passion around age 15. The other pivotal musical experience was hearing John Coltrane at some point in Middle School. This opened my ears and mind to the possibilities of improvisation. At this time I was attempting to translate some of these concepts that I was hearing in country blues, punk, and jazz onto electric guitar. I was trying to comprehend using alternate tunings, using a slide, and eventually alternating bass fingerpicking from various American Folk Music. -
NP 2013.Docx
LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities 15/04/13 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : F Avant 1996, des chevaux qui ont une renommée F Prior 1996, the horses who are internationally internationale, soit comme principaux renowned, either as main stallions and reproducteurs ou comme champions en courses broodmares or as champions in racing (flat or (en plat et en obstacles), jump) F de 1996 à 2004, des gagnants des neuf grandes F from 1996 to 2004, the winners of the nine épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Japan Cup, Melbourne Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F à partir de 2005, des gagnants des onze grandes F since 2005, the winners of the eleven famous épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Cox Plate (2005), Melbourne Cup (à partir de 2006 / from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F des principaux reproducteurs, inscrits à la F the main stallions and broodmares, registered demande du Comité International des Stud on request of the International Stud Book Books. -
Boxing Men: Ideas of Race, Masculinity, and Nationalism
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2016 Boxing Men: Ideas Of Race, Masculinity, And Nationalism Robert Bryan Hawks University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the History Commons Recommended Citation Hawks, Robert Bryan, "Boxing Men: Ideas Of Race, Masculinity, And Nationalism" (2016). Electronic Theses and Dissertations. 1162. https://egrove.olemiss.edu/etd/1162 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. BOXING MEN: IDEAS OF RACE, MASCULINITY, AND NATIONALISM A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the University of Mississippi's Center for the Study of Southern Culture by R. BRYAN HAWKS May 2016 Copyright © 2016 by R. Bryan Hawks ALL RIGHTS RESERVED ABSTRACT Jack Johnson and Joe Louis were African American boxers who held the title of World Heavyweight Champion in their respective periods. Johnson and Louis constructed ideologies of African American manhood that challenged white hegemonic notions of masculinity and nationalism from the first decade of the twentieth century, when Johnson held the title, through Joe Louis's reign that began in the 1930's. This thesis investigates the history of white supremacy from the turn of the twentieth century when Johnson fought and does so through several lenses. The lenses I suggest include evolving notions of masculinity, Theodore Roosevelt's racially deterministic agendas, and plantation fiction. -
Haitian Creole – English Dictionary
+ + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo + + + + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo dp Dunwoody Press Kensington, Maryland, U.S.A. + + + + Haitian Creole – English Dictionary Copyright ©1993 by Jean Targète and Raphael G. Urciolo All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without the prior written permission of the Authors. All inquiries should be directed to: Dunwoody Press, P.O. Box 400, Kensington, MD, 20895 U.S.A. ISBN: 0-931745-75-6 Library of Congress Catalog Number: 93-71725 Compiled, edited, printed and bound in the United States of America Second Printing + + Introduction A variety of glossaries of Haitian Creole have been published either as appendices to descriptions of Haitian Creole or as booklets. As far as full- fledged Haitian Creole-English dictionaries are concerned, only one has been published and it is now more than ten years old. It is the compilers’ hope that this new dictionary will go a long way toward filling the vacuum existing in modern Creole lexicography. Innovations The following new features have been incorporated in this Haitian Creole- English dictionary. 1. The definite article that usually accompanies a noun is indicated. We urge the user to take note of the definite article singular ( a, la, an or lan ) which is shown for each noun. Lan has one variant: nan. -
Guide to Canadian Sources Related to Southern Revolutionary War
Research Project for Southern Revolutionary War National Parks National Parks Service Solicitation Number: 500010388 GUIDE TO CANADIAN SOURCES RELATED TO SOUTHERN REVOLUTIONARY WAR NATIONAL PARKS by Donald E. Graves Ensign Heritage Consulting PO Box 282 Carleton Place, Ontario Canada, K7C 3P4 in conjunction with REEP INC. PO Box 2524 Leesburg, VA 20177 TABLE OF CONTENTS PART 1: INTRODUCTION AND GUIDE TO CONTENTS OF STUDY 1A: Object of Study 1 1B: Summary of Survey of Relevant Primary Sources in Canada 1 1C: Expanding the Scope of the Study 3 1D: Criteria for the Inclusion of Material 3 1E: Special Interest Groups (1): The Southern Loyalists 4 1F: Special Interest Groups (2): Native Americans 7 1G: Special Interest Groups (3): African-American Loyalists 7 1H: Special Interest Groups (4): Women Loyalists 8 1I: Military Units that Fought in the South 9 1J: A Guide to the Component Parts of this Study 9 PART 2: SURVEY OF ARCHIVAL SOURCES IN CANADA Introduction 11 Ontario Queen's University Archives, Kingston 11 University of Western Ontario, London 11 National Archives of Canada, Ottawa 11 National Library of Canada, Ottawa 27 Archives of Ontario, Toronto 28 Metropolitan Toronto Reference Library 29 Quebec Archives Nationales de Quebec, Montreal 30 McCord Museum / McGill University Archives, Montreal 30 Archives de l'Universite de Montreal 30 New Brunswick 32 Provincial Archives of New Brunswick, Fredericton 32 Harriet Irving Memorial Library, Fredericton 32 University of New Brunswick Archives, Fredericton 32 New Brunswick Museum Archives, -
View PDF of Volume
o - .3 ' /3 ~/3 802292 The Flag and the Great Seal of Maryland From Gambrill’s Leading Events of Maryland History By permission of Ginn and Company, Publishers MARYLAND MANUAL rf 1904 HALL OP RECORDS ANNAPOLIS, MARYLAND A COMPENDIUM Legal, Historical and Statistical Information relating to the STATE OF MARYLAND Published Under Act of 1900, Chapter 240. Compiled by OSWALD TILGHMAN, Secretary of State. BALTIMORE: Wm. J. C. Dulany Co. loo'? 3 Chapter 48, Acts of 1904. An Act to formally adopt and legalize the Maryland flag. Whereas, It is represented to the General Assembly that the flag designed and used as the Flag of Maryland, under the Proprietary Government, and which is still known as the Maryland Flag, has never been formally adopted by Maryland as a State, its use having been continued by common consent only; and, Whereas, It is not only desirable that the official Flag of Maryland should be formally adopted and legalized, but it is eminently fitting that, by reason of its historic interest and meaning, as well as for its beauty and harmony of colors, the flag adopted should be the one which, from the earliest settlement of the Province to the present time, has been known and distinguished as the Flag of Maryland; therefore, ,y • ■ SECTION i. Be it enacted by the General Assembly of Maryland, That the flag heretofore, and now in use, and known as the Maryland Flag, be and the same is hereby legalized and adopted as the flag of the State of Maryland, which said flag is particularly described, as to coloring and arrangement, as follows: