DOCSLIB.ORG

Drum Loop Dj Software

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Drum Loop Dj Software 282 DRUM LOOP DJ SOFTWARE AVID TORQ® FXPANSION GEIST DJ PERFORMANCE SOFTWARE SAMPLING DRUM MACHINE •DJ performance and real-time production •Sample, slice, sequence, mix, software from the makers of Pro Tools arrange, effect, & resample •4 full-featured decks for loading and •Dirac3™ time-stretch/pitch-shift playing files, each with EQ, level control, •Powerful full-featured slicing headphone cueing, and crossfade and detection/classification SUPPORTS: •Cue, beat-match, and mix digital audio files •30 effect types including DCAM (including MP3, AIFF, WAV, WMA, AAC and CD audio) circuit-modeled filters/dynamics/drive & •Traq Morph™ for crossfading and transitions Overloud Breverb algorithms •13 built-in effects, sampler, and advanced looping functionality •Pattern sequencing, scene switching •Organize digital audio files (including iTunes libraries) •Integrated song mode, real-time record & retro capture into an updated, easily searchable database •Step-automation for parameters, Intuitive & powerful browser SUPPORTS: •Standalone operation for functionality w/o dedicated hardware •Full MIDI and audio export NATIVE INSTRUMENTS •Integrate Torq 2.0 with turntables, CD decks, •Runs as a plug-in (VST/RTAS/AU) and standalone TRAKTOR PRO 2 and a variety of popular DJ controllers •Exclusive sounds and presets from •ReWire support for Pro Tools and other DAWs many popular electronic music artists •Professional DJ software, integrating industry-stan- dard workflows into an intuitive and stylish interface TORQ-2.0................. DJ Perfomance Software, Mac/PC ............199.99 GEIST .................Sampling drum machine software ................249.00 •Modular user interface features 4 playback decks with automatic beat-gridding of tracks, advanced beat detection and Sync Lock for perfect mixing •30+ professional effects – tempo sync to any deck or route an external source through effects section FXPANSION BFD-2.0 •Auto Loop makes it easy to create synchronized loops DRUM PRODUCTION WORKSTATION IZOTOPE STUTTER EDIT on the fly with precise control over loop in and out points •10 full kits, extra snares, cymbals, & more •Real-time sampling and audio •Fully featured 4-channel mixer, emulating the Xone:92™ •Multiple mic positions, expressive chopping with versatile effects 4-band EQ and filters, and 3 other high-end equalizers articulations, up to 96 velocity layers •An innovative tool for both •User stereo multi-velocity layer sample import SUPPORTS: •Realtime track management with incremental search, Crate studio and stage, designed by BT ™ •Route audio from 8 stereo and 16 mono SUPPORTS: •Play effects like an instrument Flick artwork browsing, iPod and iTunes compatibility outputs into VST, RTAS and AU hosts •Re-mix in real-time, on stage or in the studio •Play, cue, jog wheel control, hot cues, and loop •5000+ grooves ready to use in your projects •Cutting edge audio slicing and manipulation setting/adjusting follow the same intuitive •EQ and FX suite containing everything from •Elegant and intuitive MIDI control workflow as industry-standard hardware flanger, bitcrusher and delay effects to circuit- •Rhythmic gate, pan, digital distortion, delay and filter effects •Automatic gain control based on perceived modeled dynamics, filtering and distortion •Stay on beat with flawless tempo sync and timing grids loudness; high-quality key correction •Great-sounding presets let you concentrate on •Turn rhythm into pitch and pitch into rhythm with incredible •Directly record your set to disk with the integrated writing and playing instead of engineering stuttering techniques recorder supporting internal and external audio input •Easy mapping for keyboard/pad controllers and automation •Requires MIDI input from your host to trigger its effects •Supports multiple MIDI controllers and advanced MIDI •Electronic drum triggering support including expressive •Supports Logic, Ableton Live, Pro Tools (7.4+), SONAR, assignments, as well as the syncing of external gear hi-hats and snare positional sensing Cubase/Nuendo, FL Studio, REAPER, Digital Performer through MIDI clock functionality BFD-2.0................... Drum production workstation .................. 299.00 BFD-2.0-UPGRADE ..Upgrade path from version 1 .................. 199.00 STUTTER-EDIT ...Live remixing, sampling & chopping software ...199.00 TRAKTOR-PRO-2..............DJ software ......................................199.00 MOTU BPM BEAT NATIVE INSTRUMENTS MASCHINE FXPANSION •Instrument and controller in one- BFD2 EXPANSION PACKS PRODUCTION MACHINE 16 illuminated, velocity-sensitive pads Expansion packs for BFD 2.0 •Complete rhythm production •Create patterns and sequence entire (require BFD 2.0) center for Mac/Windows SUPPORTS: songs with the included Maschine software SUPPORTS: •Record/program individual samples •Two large high resolution LCD displays SUPPORTS: and build/arrange entire songs •Over 41 buttons, & 11 rotary encoders for playing, recording, sequencing, automation, •Includes loop libraries for urban, R&B, pop, rock arrangement & transport controls integrate •19+ GB library of all-new loops, samples & beats with the software BFD-DELUXE ........... Steve Albini’s Electrical Audio •Over 10,000 hits, 1,000 new drum/perc. loops, •External sampling through a computer’s expansion w/ 55GB of new sounds ..........249.00 over 200 kits & patterns and 100 multi-sampled instruments audio interface, internal re-sampling, auto-mapping, BFD-PERCUSSION ...Vibrant percussion instruments w/ •Beat Box Anthology 4 GB collection of legacy rhythm sounds and effects all in a convenient browser 26.GB of new sounds .............................. 249.00 •Ships with 5GB of over 15,000 production ready samples BFD-BOMB ..............Big orchestral and marching band •24-bit/96kHz audio quality and patterns. Includes over 300 drum-kits, 280 instruments, expansion w/ 38GB of new sounds ..........149.00 •Built-in drum synth for unlimited drum & percussion sounds studio quality effects and more BFD-JAZZFUNK ........BFD Jazz & Funk Collection w/ 55GB •Plug-and-play support for keyboard/combo/ pad controllers •Step sequencing, real-time recording, note repeat, of pure, detailed drums ...........................249.00 •Slice loop editing and Slice loop mapping slicing, and auto-mapping BFD-GREATEST-HITS .A sample selection of BFD2 kits & •MIDI-input/output, USB 2.0, Kensington lock sounds. Kits from Jazz & Funk, B.O.M.B & •Stand-alone or plug-in (Audio Unit, VST, RTAS and MAS) Percussion Expansion Packs ..................... 99.00 BPM ............Software beat production sampler/synth .............279.00 MASCHINE ...Groove production software/hardware controller ....599.00 NEW! NATIVE INSTRUMENTS BATTERY FXPANSION BFD ECO NATIVE INSTRUMENTS •40 presets & kits, various musical styles STUDIO DRUMMER • Advanced drum sequencer/ •5 kicks, 6 snares and 12 toms, •Create realistic acoustic drum tracks sample playback plug-in 11 cymbals, 3 hihats, percussion •Top-of-the-line drum kits, detailed mixing • 256 stereo voice, •Mix and match individual kit-pieces to options, and a ready-to-go groove library 32-bit internal resolution build your own 12-piece kits •Pearl Masters Premium Maple kit, • 12GB sound library included SUPPORTS: •Internal EQ & FX slots on each channel Yamaha Maple Custom Absolute kit SUPPORTS: with over 100 drum kits •Integrated mixer includes 2 aux SUPPORTS: • Up to 128 cells in a channels for adding extra and a Sonor SQ2 Drum System reverb/parallel compression •Over 17 GB of pristine drum samples customizable sample matrix •Master & Direct output for each channel •Paiste, Zildjian, Sabian & Masterworks cymbals • 127 sample layers per cell, •Intuitive, user-configurable MIDI •Snares by Sonor, Mapex, Ludwig, & Masshoff multiple out, choke & voice groups key-mapping and electronic drum support •Percussion with tambourine, sticks, cowbell and handclaps • Dedicated filter/EQ, each cell has own compressor •Over 1500 Grooves, advanced humanization & audio export •Dedicated mixing with high-quality studio effects • 8 step-by-step video tutorials included •FX suite includes EQ and filtering, circuit-modeled com- •Warm tape saturation, convolution reverb and SOLID G-EQ, • Graphical waveform for on-the-fly editing pression and drive, delay, ring-mod and flanger, bitcrusher • Import EXS24, AIFF, WAV, REX, SDII, many more files and envelope-shaper, Overloud B reverb plate algorithm SOLID BUS COMP compressor, and TRANSIENT MASTER BFD-ECO ................Acoustic drum software ............................149.00 STUDIO-DRUMMER ... Acoustic drums sample/groove software ... 149.00 BATTERY-3 ........................ Drum sampler ............................... 179.00 PLEASE ALWAYS CONSULT MANUFACTURER’S WEBSITE FOR MOST CURRENT SYSTEM REQUIREMENTS! DRUM LOOP DJ SOFTWARE 283 TOONTRACK EXPANSIONS OCEAN WAY DRUMS STEVEN SLATE DRUMS Expansions require EZdrummer •Produced/engineered by SIGNATURE DRUMKITS or Superior Drummer 2.0 Allen Sides and Steven Miller •World-class drum kits in all styles ELECTRONIC-EZX ........Classic, circuit bent and resampled electronic drum sounds .........................39.99 •Multi-channel and stereo drum kits, (10 in EX Edition, 40 in Platinum) CLAUSTROPHOBIC....... R&B, Hip Hop and Pop expansion.......... 39.99 from Ocean Way Recording Studio B • All drums and cymbals recorded to TWISTED-KIT ...............Junkyard sounds, unique/conventional •Hand picked mic selection SUPPORTS: drum expansion .....................................39.99 •Recorded through Studio B’s 2" tape originally and
Load more

Recommended publications
  • Touchpoint: Dynamically Re-Routable Effects Processing As a Multi-Touch Tablet Instrument
    Proceedings ICMC|SMC|2014 14-20 September 2014, Athens, Greece Touchpoint: Dynamically Re-Routable Effects Processing as a Multi-Touch Tablet Instrument Nicholas K. Suda Owen S. Vallis, Ph.D California Institute of the Arts California Institute of the Arts 24700 McBean Pkwy. 24700 McBean Pkwy. Valencia, California 91355 Valencia, California 91355 United States United States [email protected] [email protected] ABSTRACT Touchpoint is a multi-touch tablet instrument which pre- sents the chaining-together of non-linear effects processors as its core music synthesis technique. In doing so, it uti- lizes the on-the-fly re-combination of effects processors as the central mechanic of performance. Effects Processing as Synthesis is justified by the fact that that the order in which non-linear systems are arranged re- sults in a diverse range of different output signals. Be- cause the Effects Processor Instrument is a collection of software, the signal processing ecosystem is virtual. This means that processors can be re-defined, re-configured, cre- Figure 1. The sprawl of peripherals used to control IDM ated, and destroyed instantaneously, as a “note-level” mu- artist Tim Exile’s live performance. sical decision within a performance. The software of Touchpoint consists of three compo- nents. The signal processing component, which is address- In time stretching, pitch correcting, sample replacing, no- ed via Open Sound Control (OSC), runs in Reaktor Core. ise reducing, sound file convolving, and transient flagging The touchscreen component runs in the iOS version of Le- their recordings, studio engineers of every style are reg- mur, and the networking component uses ChucK.
    [Show full text]
  • Izotope Stutter Edit Mac
    1 / 2 Izotope Stutter Edit Mac Download iZotope Stutter Edit 1 05c Stutter Edit is a MIDI controlled plug-in that lets you create a beat-repeating effect, or “Stutter”, automatically synced to your DAW tempo.. 13 2 Master rhythm with iZotope’s Stutter Edit, a real-time audio manipulation plug-in for electronic performance and sound design—designed by BT.. Year of manufacture : 2017Version : 1 0 5Developer : iZotopeDeveloper’s site : iZotopePlatform : iNTELFormat : VST, VST3, RTAS, AUBit depth : 32bit, 64bitLanguage : EnglishTablet : Files for copyingSystem requirements : Mac: OS X 10.. He cuts sound material into small pieces and rebuilds them into clear rhythmic effects, allowing him to reproduce a technique that would take many hours in the studio.. Izotope Stutter Edit Free DownloadIzotope Stutter FreeStutter Edit is the first collaboration between iZotope and composer and electronic musician Brian Transeau (BT).. With just the press of a key, switch between an extensive bank of over 800 individual. Izotope Stutter Edit Free DownloadDescription : Stutter Edit was created by iZotope in collaboration with composer and musician Brian Transeau (BT).. Slicing and dicing audio into microscopic fragments and then processing and filtering the slices in real time is what Stutter Edit is all about.. 6 8-10 13 (Intel only) Please be aware: We are currently investigating a known issue with Apple Logic Pro X on MacOS High Sierra 10.. Mac: OS X 10 8 5 Mountain Lion–macOS 10 15 Catalina 5, Digital Performer 9, FL Studio 12, Logic Pro X, Nuendo 8, Pro Tools 10–12, Reaper 5, Reason 10, Studio One 3–4 Stutter Edit works.
    [Show full text]
  • 2011 – Cincinnati, OH
    Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.
    [Show full text]
  • Frank Zappa, Captain Beefheart and the Secret History of Maximalism
    Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing.
    [Show full text]
  • Virtual Instrument Software
    350 VIRTUAL INSTRUMENT SOFTWARE TOONTRACK EZ DRUMMER TOONTRACK EXPANSIONS • 7000 sounds at 16-bit/44.1kHz equiv. Expansions require EZdrummer to 5GB of uncompressed WAV files or Superior Drummer 2.0 • Instant access to more than 8000 ELECTRONIC-EZX ........Classic, circuit bent MIDI drum patterns with prelistening and resampled electronic drums ...................39.99 • Multiple microphone control CLAUSTROPHOBIC ......R&B, Hip Hop and Pop expansion ..................39.99 • Operates in General MIDI TWISTED-KIT ...............Junkyard sounds, unique/conventional ..........39.99 • Internal mixer allows stereo and NASHVILLE...................Traditional country and bluegrass .................39.99 multitrack routing into the host DRUMKIT-FROM-HELL..Heavy metal and rock drums .........................39.99 through one single plug-in VINTAGE-ROCK ............Ludwig Keystone drumset...............................39.99 JAZZ-EZX .....................Jazz expansion with samples performed • Recorded at Avatar Studios, New York by Roy “Futureman” Wooten ..........................39.99 by world-class drummers and producers FUNKMASTERS ............Clyde Stubblefield and John “Jabo” Starks funk 39.99 • Humanizer function combines METALHEADS ...............Extreme Metal - Tomas Haake/ drum hit randomizing and non-cycling SUPPORTS: Daniel Bergstrand (Meshuggah) ....................39.99 LATIN-PERCUSSION ....Lain percussion expansion .............................39.99 • Add your own MIDI files to the library THE-CLASSIC...............'70s rock-contemporary
    [Show full text]
  • Izotope Stutter Edit Documentation
    iZotope Stutter Edit Help Documentation Table of Contents Introduction ............................................................................................................ 1 Welcome to iZotope Stutter Edit .............................................................................. 1 iZotope Customer Support ...................................................................................... 2 Quick Start ............................................................................................................. 3 First Steps ........................................................................................................... 3 Ableton Live ......................................................................................................... 4 Apple Logic .......................................................................................................... 8 Avid Pro Tools ..................................................................................................... 11 Cakewalk SONAR ................................................................................................ 13 Cockos Reaper .................................................................................................... 17 Image-Line FL Studio ........................................................................................... 20 MOTU Digital Performer ........................................................................................ 25 PreSonus Studio One ..........................................................................................
    [Show full text]
  • P.E.N.C.I.L 31-03-2015 Revision
    COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright Exploring complex rhythmic devices in new music composition through software design Joe Manton A thesis submitted in partial fulfilment of requirements for the degree of Master of Music (Composition) Sydney Conservatorium of Music The University of Sydney 2014 Abstract This thesis examines the role that complex rhythms perform in my music. I will demonstrate how the software I have created is unique and necessary for this type of rhythmic exploration in music composition and how it differs from existing softwares.
    [Show full text]
  • Countercultures and Popular Music
    COUNTERCULTURES AND POPULAR MUSIC A translated and edited edition of a special issue of Volume! The French Journal of Popular Music Studies (Éditions Mélanie Seteun). Additional articles published in both ‘countercultures’ issues of Volume! can be found at: http://www.cairn.info/revue-volume.htm and http://volume.revues.org. Volume! is the only French peer-reviewed popular music studies journal. Created in 2002 by Marie-Pierre Bonniol, Samuel Étienne and Gérôme Guibert, it is published independently by the Éditions Mélanie Seteun, a publishing association specialising since 1998 in the cultural sociology of popular music. Biannual special issues deal with various topics in popular music studies, in a multidisciplinary perspective. It is also included on the online international academic portals Cairn.info and Revues.org. Volume! is classified by the French AERES and abstracted/indexed on the International Index to Music Periodicals, the Répertoire International de Littérature Musicale and the Music Index. This page has been left blank intentionally Countercultures and Popular Music Edited by SHEILA WHITELEY University of Salford, UK JEDEDIAH SKLOWER Université Sorbonne Nouvelle, Paris 3, France © Sheila Whiteley and Jedediah Sklower and the contributors 2014 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Sheila Whiteley and Jedediah Sklower have asserted their rights under the Copyright, Designs and Patents Act, 1988, to be identified as the editors of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East 110 Cherry Street Union Road Suite 3-1 Farnham Burlington, VT 05401-3818 Surrey, GU9 7PT USA England www.ashgate.com British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library.
    [Show full text]
  • Frank Zappa and the Orchestra Question: Dissonant Clatter Or Well-Crafted Design?
    FRANK ZAPPA AND THE ORCHESTRA QUESTION: DISSONANT CLATTER OR WELL-CRAFTED DESIGN? CHANAN HANSPAL Thesis submitted in partial fulfilment of the requirements of the University of South Wales for the degree of Doctor in Philosophy. 2016 ABSTRACT This study offers an insight into the orchestral music of Frank Zappa and his unique approach to composition. In Chapter 1, The Fieldwork So Far, I present an extensive annotated bibliography of selected Zappa research to illustrate the multiple forms of discourse generated by the composer’s work. While this chapter examines various books and articles written about Zappa, it also illustrates the imbalance between critical theory and musicology. Chapter 2, Structure, Concepts and the Analytical Approach, describes analytical methods used as a rationale to determine modes of consistency across the studied pieces herein. As well as describing the analytical approach, I offer to align the conceptuality and design of the Calder Mobile with Zappa’s theory of weights, balances, measured tensions and releases by providing specific extracts of compositions where these concepts can be seen to exist. In chapter 3, I present the first analysis in this study of “Pedro’s Dowry”, a highly dissonant piece of music that builds on the idea of thematic and fragmental repetition. Chapter 4 is an analysis of “The Perfect Stranger”, a piece that demonstrates extensive use of Zappa’s Chord Bible. The chords are dense scalar derived structures exploiting both the octatonic and Minor Lydian scales, yet retaining fragmental and sectional repetition techniques. The analysis of “Bob in Dacron” in chapter 5 illuminates the process of intervallic manipulation and confirms the importance of recurrent ideas dispersed throughout.
    [Show full text]
  • Famous Sounds
    14/04/2015 Famous Sounds Famous Sounds "Famous sounds" are sounds that have been created or used by somebody, liked and then copied by many others, and thus earned a "classic" status. I'd like to open this section of Synth Mania utilizing as a starting point portions of an article appeared in the October 1995 issue of Keyboard magazine, titled "20 Sounds That Must Die", in which the author David Battino analyzes many sounds that have, over the years, been used, re­ used and abused again. I added audio examples to the list for those who might not be familiar with those sounds. From there, I'll start adding my own examples of more sounds, including loops. When possible, audio examples are available. Keyboard magazine List: Audio SOUND NAME DESCRIPTION example 1. The square/triangle wave solo This flutey, highly synthetic lead sound sure stands out, but already belongs to someone. Still, add portamento and maybe you'll get Lucky Man lucky, man. (Note: the author is referring to the song "Lucky Man", by Emerson, Lake & Palmer. Emerson's Moog solo is regarded as the first rock synthesizer solo in history) 2. The sample­and­hold­to­pitch computer processing effect "Professor, why don't you ask the computer?" Bee­poo­bee­bee­boo­ Processing poo­bah­pah... has anyone ever really heard a computer make this noise? (Note: I used an Alesis airSynth for this sound.) 3. Rez zaps Feed white noise through a rapidly closing VCF with the resonance cranked. Kraftwerk did. And now most every techno band does.
    [Show full text]
  • Teacher's Guide
    MIXCRAFT 8 TEACHER’S GUIDE TEACHER’S MIXCRAFT 8 TEACHER’S GUIDE Written by Parker Tichko • Design by Alan Reynolds Edited by Peter Clarke and Mitchell Sigman MIXCRAFT 8 TEACHER’S GUIDE Written by Parker Tichko • Design by Alan Reynolds Edited by Peter Clarke and Mitchell Sigman Mixcraft 8 Teacher’s Guide ©2017 Acoustica Inc. All rights reserved. The content of this guide is furnished for informational use only, and is subject to change without notice. Acoustica Inc. assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. Please remember that existing music, video, or images that you may want to include in your project may be protected under copyright law. The unauthorized incorporation of such material into your new work could be a violation of the rights of the copyright owner. Please be sure to obtain any permission required from the copyright owner. Acoustica and Mixcraft are registered trademarks of Acoustica, Inc. in the United States and/or other countries. All other trademarks are the property of their respective owners. Written by: Parker Tichko Edited by: Peter Clarke and Mitchell Sigman Cover design: Alan Reynolds Interior design: Alan Reynolds www.acoustica.com First Edition ISBN #: 978-1-365-95989-9 UNDERSTANDING MIXCRAFT KEY 1 ● CONSTRUCTING A MUSIC LAB WITH MIXCRAFT .................. 10 Student tutorial lesson Setting Up Your Music Lab .................................................. 10 Suggested Software .........................................................12
    [Show full text]
  • IZOTOPE VOCALSYNTH Plug-In
    T_VocalSynth_T_VocalSynth 21.06.16 09:27 Seite 52 TESTBERICHTE IZOTOPE VOCALSYNTH Plug-in 52 TESTBERICHTE IZOTOPE VOCALSYNTH SOUND & RECORDING 07/08.2016 T_VocalSynth_T_VocalSynth 21.06.16 09:27 Seite 53 Der amerikanische Plug-in Entwickler iZotope hat sich im Bereich der Manipulation und Bearbeitung von Audiosignalen schon lange einen Namen gemacht. Während Lösungen wie das Mastering-Plug-in Ozone oder die Restaurationssuite RX eher den technischen Bereich abdecken, bieten Stutter Edit und Iris kreative Optionen zur Verfremdung und Neuerstellung von Klängen an. In der Reihe der Kreativwerkzeuge ist nun auch die Neuerscheinung VocalSynth zu finden, die auf die Bearbeitung von Sprache und Gesang spezialisiert ist. Klassische und moderne Vocal-Effekte aus dem Rechner iZotope VocalSynth TEXT & FOTOS: STEPHAN LEMBKE Für iZotope ist der VocalSynth nicht das erste In der Voices-Sektion werden bis zu drei Plug-In, das sich im Bereich der synthetischen zusätzliche Stimmen auf intelligente Weise Klangbearbeitung bewegt. Diesmal zielen die zum Grundton hinzu generiert. Im Mixer ist Effekte jedoch ganz klar auf ein konkretes das Verhältnis der parallel arbeitenden Sound- »Instrument« ab − die menschliche Stimme. Engines zueinander einstellbar und kann mit Vocal Synth Dabei soll die umfangreiche Palette der Ge- dem Eingangssignal kombiniert werden. Eine Hersteller/Vertrieb iZotope sangs- und Spracheffekte durch verschiedene umfangreiche Effektsektion, bestehend aus UvP/Straßenpreis 200,— Euro Sound-Engines abgedeckt werden. Egal ob Verzerrung, Filter, Lautsprecher-Simulation, Autotune-Effekte à la T-Pain, den klassischen Beat-Repeater und Delay, rundet den erstell- r www.izotope.com Moog-Vocoder-Sound, Sprachsynthese wie ten Klang im Plug-in ab. im Speak&Spell von Texas Instruments oder der akustische Talkbox- Effekt − all diese cha- PRAXIS +++ rakteristischen Klänge sind im VocalSynth Der Einsatz des VocalSynth gestaltet sich Umfang der Klangbearbeitungs- vereint.
    [Show full text]