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The Mauritanian Screenbox THE MAURITANIAN SCREENBOX FICHA NÚM. 2.398 T.O.: THE MAURITANIAN NACIONALIDAD: REINO UNIDO Estreno Screenbox: 26-03-2.021 DURACIÓN: 129’ Estreno España: 19-03-2.021 AÑO: 2.021 WWW.SCREENBOX.CAT TEL: 630 743 981 PI I MARGALL, 26. LLEIDA FICHA ARTÍSTICA abogada defensora Nancy Ho- Mohamedou Ould Slahi: Tahar llander y su asociada Teri Duncan. Rahim Juntos se enfrentan a innumerables Nancy Hollander: Jodie Foster obstáculos en una búsqueda deses- Teri Duncan: Shailene Woodley perada de justicia. Stuart Couch: Benedict Cumber- batch FILMOGRAFÍA (seleccionada) DEL DIRECTOR: FICHA TÉCNICA KEVIN MACDONALD (Glasgow, Director: Kevin Macdonald Reino Unido, 28-10-1.967) Guion: Rory Haines, -The Mauritanian (2.021) Sohrab Noshirvani, M.B. Traven -Black Sea: Mar Tenebroso (2.014) (Basado en la novela escrita por -Mi Vida Ahora (2.013) Mohamedou Ould Slahi) -La Legión del Águila (2.011) Productores: Adam Ackland, -La Sombra del Poder (2.009) Michael Bronner, Leah Clarke, -El Último Rey de Escocia (2.006) Benedict Cumberbatch -One Day in September (1.999) Música: Tom Hodge (Documental) Fotografía: Alwin H. Küchler Montaje: Justine Wright PREMIOS Y PRESENCIA EN FESTIVALES (selección) SINOPSIS -Globos de Oro: Premio a la Mejor Capturado por el gobierno de los Actriz de Reparto (2.021) Estados Unidos, Mohamedou Ould -Premios BAFTA: Nominada a la Slahi sobrevive en la prisión de Mejor Película, a la Mejor Película Guantánamo donde lleva más de Británica del Año, al Mejor Actor, al una década sin cargos ni juicio. Mejor Guion Adaptado, a la Mejor Tras haber perdido toda esperan- Fotografía (2.021) za, Slahi encuentra aliados en la SOBRE EL DESARROLLO DE LA PRODUCCIÓN trabajando con SunnyMarch en otro proyecto, y consciente (publicado en cineymax.es) del apasionado interés de Adam y Benedict en Mohamedou y sus memorias, Shadowplay llevó el proyecto a SunnyMarch La génesis de esta producción se remonta a 2015, fecha en la para ver si querían unir fuerzas para hacer la película. que Mohamedou Ould Slahi estaba encarcelado en la Bahía de Guantánamo. Los productores Lloyd y Beatriz Levin y La productora Leah Clarke explica que: “La compañía se creó Michael Bronner viajaron a Albuquerque para reunirse con los en parte para encontrar papeles que le interesaran a Benedict, abogados de Slahi, Nancy Hollander y Theresa Duncan. Lloyd pero también para tomar riesgos: trabajar con directores recuerda: “Cuando leímos el libro nos sorprendió el ingenio, emergentes y adaptar material de interés cinematográfico, la poesía y la sabiduría de la escritura de Mohamedou y nos algo complicado y difícil. Muchos de nuestros proyectos conmovió su historia, y sentimos la humanidad innata de tienen ese ADN y ”The Mauritanian” fue un ejemplo perfecto Mohamedou y el impulso de ver que lo que todos tenemos de ello”. en común es más grande que lo que nos divide. A pesar de su experiencia brutal e injusta, su reflexión era inspiradora y El productor Adam Ackland recuerda que al principio se oportuna, por lo que vimos que sería una película importante”. trataba de un proyecto en el que Benedict Cumberbatch quedaba estrictamente como productor de la película. “La Las memorias de Ould Slahi fueron publicadas en Reino estaba produciendo activamente con nosotros, y cuando Unido en 2015 por Jamie Byng de Canongate. El productor llegó uno de los borradores, lo leyó y se dio cuenta de que le Adam Ackland recuerda: “Jamie, que es un querido amigo encantaría interpretar a Couch”. nuestro, le pidió a Benedict que participara en el lanzamiento de la película. Cuando Benedict leyó el libro se enamoró de Se embarcaron en el desafío de recaudar fondos y como él. Él mismo propuso hacer esta película y averiguar quién recuerda Clarke, “cuando estábamos tratando de encontrar tenía los derechos”. colaboradores financieros, mucha gente no quería acercarse porque se habla de Guantánamo y es algo demasiado político El propio actor recuerda el momento en que descubrió el y complicado. Creo que la gente sentía que también sería libro de Mohamedou: “Cogí el libro y lo leí de principio a fin una decepción. Entonces, nuestro trabajo principal fue tratar y Mohamedou me dejó pasmado, su humanidad y su humor, de convencerlos de que se trataba de una película edificante, su extraordinaria resistencia, el hecho de que pasó por todo como “Cadena Perpetua” o “La Vida Es Bella”. esto y surgió para enseñarnos a todos algo sobre la alegría infatigable del espíritu humano. Me cautivó por completo su En Divergent Media, 30WEST, Topic Studios, BBC Films historia desgarradora y preocupante al mismo tiempo”. y STX International, los productores encontraron socios que estaban dispuestos a apoyar la producción. Con el Nancy Hollander, abogada de defensa criminal internacional, proyecto comenzando a concretarse lentamente, era la hora que durante años había luchado incansablemente por la de encontrar al cineasta que sería responsable de guiar la liberación de Mohamedou Ould Slahi, recuerda: “Lloyd, Bea historia de Mohamedou, un papel que Ackland sabía que solo Levin y Michael Bronner vinieron a mi oficina y firmamos el podía desempeñarlo un director muy particular. “En realidad, contrato por los derechos de la película mientras Mohamedou no acudimos a muchos cineastas porque es muy importante aún estaba en prisión”. Tras la liberación de Slahi el 17 de conseguir el correcto, por lo que nos sentamos y debatimos octubre de 2016, Bronner viajó a Mauritania, comenzando un buen rato”. un período de intenso trabajo juntos en la historia. Ya Los productores pronto se dieron cuenta de que el ADAPTANDO EL LIBRO multipremiado director Kevin Macdonald sería el mejor (extracto) (publicado en cineymax.es) cineasta para llevar la historia de Mohamedou a la pantalla. El cineasta escocés se ha labrado una reputación formidable en la Clarke explica que “nuestra película no es una adaptación industria del entretenimiento por su habilidad en la realización directa del libro; el libro es la autobiografía de Mohamedou, por de documentales y dramas, empezando con “El Último Rey de lo que no puede contar la historia desde otras perspectivas. Escocia” que recibió elogios generalizados y obtuvo múltiples Cubrimos los dos primeros tercios de la historia, hasta su premios, incluido un premio Oscar al mejor actor para Forest apelación”. Whitaker. “Kevin es brillante con las historias de la vida real. Es un cineasta apasionado y muy intrépido con habilidad para los El reto principal para los realizadores fue crear una historia thrillers, y sentimos que su gusto por las historias de lugares de la vida real. “Siempre es difícil, sobre todo si se trata de lejanos y su interés por las vidas de personas reales serían una historia cercana, porque tienes una responsabilidad con buenos para el proyecto y honrar la historia de Mohamedou”, todo el mundo y es un tema candente”, explica Clarke. “No afirma Clarke. queríamos un relato sombrío y liberal. Tenía que ser un drama humano en el que el público pudiera vivir una experiencia que Existía un primer borrador del guion, acreditado a M.B. le cambiara y diera que hablar”. Traven y basado en extensas entrevistas con Mohamedou, comenzando en su casa en Mauritania solo tres semanas La historia está protagonizada por Mohamedou, que es una después de su liberación. Macdonald trabajó con el escritor, persona trascendental, un filósofo, ingenioso y compasivo. Esa y el nuevo borrador llegó a Cumberbatch y Tahar Rahim, es realmente la razón por la que queríamos hacer esta película, quienes aceptaron con entusiasmo interpretar sus papeles en porque su mensaje y su espíritu cambiarán nuestras vidas a la película. En ese momento Macdonald se puso en contacto mejor”. Ackland añadió: “Creo que hay que tener cuidado a con Mohamedou a través de Skype. “Hice una llamada de la hora de contar historias reales, porque quieres que sean Skype con él. Y el hombre es tan encantador y divertido correctas desde el punto de vista de los hechos, pero también que no es lo que esperas de un criminal terrorista, excusado, quieres que sean interesantes, y a veces esas dos cosas no buscado internacionalmente que fue acusado de reclutar van muy bien juntas. Se trataba de encontrar al cineasta que personas para el 11 de septiembre y financiar el terrorismo. Es pudiera bombear adecuadamente el corazón y la personalidad todo lo contrario de lo que imaginas. Está tan enamorado de de Mohamedou y convertirlo en su historia”. la cultura estadounidense que puede citar cada línea de “El Gran Lebowski”. Se la sabe de memoria porque la vio 110 veces Macdonald era más que consciente del enorme reto que mientras estaba en prisión”. tendría el equipo al adaptar una historia tan sugerente: “¿Cómo contamos esta historia increíblemente compleja, que Con Kevin Macdonald a bordo, Benedict recuerda los desafíos tiene geopolítica, que tiene terminología legal, y que tiene a que tuvieron que afrontar y cómo Macdonald demostró todos estos diferentes países involucrados? ¿Cómo podemos instantáneamente que era el hombre adecuado para el papel. contarla de forma que sea lo suficientemente sencilla para Así lo relata el propio Cumberbatch: “Era un tema difícil lo de que el público la entienda y que también funcione como conseguir financiación así que constantemente teníamos que una buena narración, como un thriller? Quería que fuera una elaborar estrategias y hablar sobre cómo llevaríamos esta historia emocionante, que el espectador estuviera al borde de historia a la realidad. Kevin lo sobrellevó todo con entusiasmo. su asiento deseando saber lo que iba a ocurrir a continuación. Luchó por las cosas que le importaban con pasión, lo que es increíblemente importante para un proyecto que tiene este El reto de escribir el guion fue: ¿cómo podemos incluir todo tipo de integridad. Es el mejor portavoz de esta película, así este complejo material en la medida de lo posible y hacer como el mejor director posible.
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