wavves you're welcome album download Wavves Vinyl, CD & tapes by Wavves at Norman Records. Nathan Williams brings Wavves back to the Fat Possum label for the first time since their 2010 breakout album ‘King Of The Beach’. The outfit’s seventh record ‘Hideaway’ is produced with indie heavyweight Dave Sitek, with Williams taking the listener through emotional peaks and troughs through its economical, nine-track duration. More from: Wavves. Wavves You’re Welcome. All formats sold out - sorry! Ten tears into the Wavves project, Nathan Williams has gone from super lo-fi DIY to major-label-signed and now back to some sort of midpoint. You’re Welcome, the sixth Wavves record, is released on Williams’ own Ghostramp label, but features all the production and songwriting lessons that he’s learned along the way. Good times! More from: Wavves. Wavves X Beach Fossils Enter Still / Silver Tongue. All formats sold out - sorry! What connects California’s Wavves and New York’s Beach Fossils? Well, I’ll tell you. As well as touring together last year, they have are releasing a split single. It features a new track from Wavves called 'Enter Still' and 'Silver Tongue', a 2017 track by Beach Fossils. You know the drill by now. On Ghost Ramp. More from: Wavves. Wavves & Culture Abuse Up and Down / Big Cloud. All formats sold out - sorry! Wavves together with Culture Abuse--after Big Cloud hit Spotify earlier this year, it was only a matter of time for an accompanying 7”. A slightly cleaner surfer sound than you’d expect maybe. Still, great tracks for your road trips to the beach or wherever it is you young-uns go nowadays. More from: Wavves. Sweet Valley Eternal Champ II. All formats sold out - sorry! Sweet Valley is a mysterious place where you're quite likely to get lost in a hazy fog of cannabis smoke and never re-emerge. Additionally, and not-quite coincidentally, Sweet Valley is also a duo of stoner-rock musicians who just happen to be brothers. The Williams brethren of slurred-out California are also seemingly quite taken by hip-hop and infuse video-game nostalgia into their sample-heavy instrumental beat workouts. The sequel to Eternal Champ, Eternal Champ II is quite the record to anticipate. Summer's here, everyone. Coloured vinyl, limited edition LP on Ghost Ramp. More from: Wavves. Sweet Valley Eternal Champ. All formats sold out - sorry! Sweet Valley are an experimental stoner rock-esque musical outfit and this is a thirteen track reissue of Eternal Valley on Ghost Ramp. Should you purchase this vinyl LP, you will receive a limited edition blue coloured record with a matching coloured euro sleeve and you'll (metaphorically) become part of the Sweet Valley neighbourhood. More from: Wavves. Spirit Club Slouch. All formats sold out - sorry! Are Spirit Club a supergroup? They contain Nathan Williams of Wavves along with his Sweet Valley bandmate Kynan Williams and Andrew Caddick of Jeans Wilder, which gives the project a strong pedigree. Either way, Slouch is a cool indie take on the kind of harmony-pop made famous by The Beach Boys et al. A lovely-sounding record, out on Ghost Ramp. More from: Wavves. Wavves / Cloud Nothings Split. All formats sold out - sorry! Wavves are in a friendly mood at the moment, so they’ve embarked on a series of joint singles with other cool bands. For this second installment they’ve teamed up with Cloud Nothings, meaning twice the amount of sweeping indie rock action in a single dose. 7” single on the Ghost Ramp label. More from: Wavves. Wavves / Best Coast Dreams of Grandeur / Dumb. All formats sold out - sorry! The two prime movers of the lo-fi American beach sound, Wavves and Best Coast, do the obvious thing here and pair up for a split single. Dreams Of Grandeur is a snappy surf-punk cut, while Best Coast provide a cool cover of Nirvana’s Dumb. 7” with download code on Ghost Ramp: limited edition! More from: Wavves. Wavves / Cloud Nothings No Life For Me. All formats sold out - sorry! No Life For Me is the new album that sees a collaboration between Nathan Williams of Wavves and Cloud Nothings main-man Dylan Baldi. The music is influenced by the SoCal punk scene of the early ‘80s adding Williams’ summery splash with elements of Baldi’s lugubrious sentiment. It was recorded in Williams' house and produced by Sweet Valley. More from: Wavves. Wavves V. All formats sold out - sorry! Wavves are all the way up to album number five, hence the title V (unless Nathan Williams has interlaced a dense web of allusions to Thomas Pynchon into the album: answers on a postcard please). Summery, slightly lo-fi pop-punk remains the name of the game, this time with a full band backing Williams. On Ghost Ramp. IsraBox - Music is Life! Artist : Wavves Title : King Of The Beach Year Of Release : 2020 Label : Fat Possum Records Genre : Psychedelic Rock, Indie Rock, Lo-Fi, Punk Quality : Mp3 320 / Flac (tracks) Total Time : 41:04 Total Size : 288/947 Mb. Wavves - You're Welcome (2017) [Hi-Res] Artist : Wavves Title : You're Welcome Year Of Release : 2017 Label : Ghost Ramp Genre : Indie Rock Quality : Mp3 320 kbps / FLAC (tracks) / 24bit-44.1kHz FLAC (tracks) Total Time : 35:33 Total Size : 82 / 265 / 457 MB. New Albums. Music Genres. Information. Welcome to popular music site IsraBox! On IsraBox you can listen music for review is also you can download music albums. We present new, exclusive music and the hot hits for information. Have fun and enjoy the use of our website. Copyright 2006-2021 isRAbox/Is Real Audio Box/ Album: Wavves – Hideaway. Wavves have announced their next album. It’s called Hideaway and it arrives July 16 via Fat Possum. To accompany the announcement, the band have also shared a new single titled ‘Help Is On the Way’. Nathan Williams, Stephen Pope, and Alex Gates collaborated with producer Dave Sitek on the new album, which follows 2017’s You’re Welcome. According to a press release, the record is about “what happens when you get old enough to take stock of the world around you and realise that no one is going to save you but yourself.” Williams explains: “It’s real peaks and valleys with me. I can be super optimistic and I can feel really good, and then I can hit a skid and it’s like an earthquake hits my life, and everything just falls apart. Some of it is my own doing, of course.” You're Welcome. After a less than pleasant experience releasing their previous album, 2015's V, through Warner Bros., Wavves mainman Nathan Williams decided to move the band over to his own Ghost Ramp label for 2017's You're Welcome and change some things about the recording process. On V, the band had all jammed together in the studio, resulting in their most live-sounding and brightly fun album. This time, Williams began working on his own in the studio, starting the songs off before bringing the rest of the band in one by one to record their parts. With the help of producer Dennis Herring (who had worked with Williams on King of the Beach), he built the songs from samples and weird sounds, giving each one a tangible hook, before adding each bandmember's (still Alex Gates, Stephen Pope, and Brian Hill) contribution. The end result is a deviation from the usual Wavves sound, definitely more of a wonky bedroom pop meets knucklehead alt-rock feel than just a bunch of guys blasting through a batch of songs. As good as V was, it's fascinating to hear this new approach play out. After beginning with a couple of rockers with naggingly sharp slide guitar hooks, the album veers off in one oddball direction after another. It's still super-catchy and fun, like Wavves at their best usually are, but it's warped in a very interesting way. The care Williams and Herring put into the sound of each song, the use of odd samples and sounds, the dynamic tension they make sure each song has -- it all adds up to something a little more impressive than a bunch of songs all played at maximum volume. Sure, there are a couple of knockout rockers, like "Dreams of Grandeur" and "Exercise," but even these have weird little production tricks and glitches that make them really stick. The songs that fully give themselves over to the samples are really fun. "Come to the Valley" is a loping pop song with what sounds like a sample of a vocal choir from the '50s; "I Love You" kicks off with a snippet of an old doo wop song, then segues into a reverb-drenched ballad that sounds like the most honest expression of emotion they've ever put on wax. A couple other highlights are the glittery, '80s-damaged "Million Enemies," where it sounds like Herring whipped out some of the sounds he used when producing Timbuk 3, and the Alex Gates-penned "Animal," which sounds weird in context just by being straightforward indie rock. Nathan Williams could have kept cranking out fun and frothy albums like V with little effort; it's good that he decided to stretch his creative muscles a little on You're Welcome. It's even better that he came up with a smart and compulsively listenable update on the Wavves sound that kept all their rambunctious energy, but also added some fun tricks and treats. Wavves. The last Wavves record was well below par, and with the benefit of hindsight, we know have some insight into why. Ahead of the release of 2015’s V, the Californians signed with Warner Bros. and apparently found the experience a hellish one. Frontman Nathan Williams cited widespread organisational failures as being behind their fallout with the label, as well as more specific post-recording difficulties; the release of the single “Way Too Much” on Soundcloud before Warner Bros. had approved it, and the label's failure to sign off the artwork for the album. In the press notes for this follow-up, Williams does not mince his words, and is also characteristically honest about the reasoning behind signing - a cash advance too good to turn down and his and bassist Stephen Pope’s desire to be wined and dined by majors at some of Los Angeles’ best restaurants. As the band return with You’re Welcome , they’re now very much back in control of their own destiny, with their Ghost Ramp label that also doubles as a merchandise store for what is, in effect, Williams’ fashion line of the same name. The press notes for You’re Welcome ascribe the title of “self-released, self-actualised, self-promoting punk kingpin” to Williams in the light of this reinvention, which would be a touch easier to take at face value if he didn’t describe himself as an “entrepreneur” not once but twice in the same press release, thus casting himself more as jumped-up The Apprentice candidate than trailblazing bastion of fuck-the-man cool. Still, there is a palpable sense of purpose and urgency about You’re Welcome that make it the best Wavves record, notwithstanding the collaborative No Hope for Me LP that they put out with Cloud Nothings , since their career standout to date, 2010’s King of the Beach . The primary issue with V was that it meandered stylistically and lacked cohesion as a result; its follow-up, by way of contrast, sounds refreshingly free of behind-the-scenes meddling, and very much an accurate reflection of a singular vision. Wavves have always been at their best when they’ve focused less on freewheeling punk and more on Williams’ keen ear for hooks and melody, and You’re Welcome is mainly born of the latter, so much so that even the more ambitious tracks really come off - the bouncy-but-wonky “Come to the Valley” being a prime example. The irresistible fizz of “Animal” falls into the same category, as does “Under”, minimal verses exploding into a hoarse-throated, scuzzy chorus. Elsewhere, though, there’s some real re-treads; the glitchy nature of the guitars on “No Shade” doesn’t cover up the fact that it’s basically Wavves-by-numbers (“I’m by my pool, I’m drinking lemonade / no shade”, whilst “Stupid in Love” would be repetitive even if we hadn’t heard them do it before. “Million Enemies”, meanwhile, would’ve been a stomper at two minutes, but begins to drag at twice that length - after all, four minutes is a lifetime by Wavves’ standards. Williams has traded on a decidedly bratty persona for much of his career to date and, accordingly, hasn’t always been the easiest guy to warm to. He goes some way to making amends with some of his most endearing lyrics yet on You’re Welcome . His brusque Twitter proclamation last year that Trump supporters were not welcome at his band’s shows was admirable and brave, as is Ghost Ramp’s support of ACLU and Planned Parenthood, and he channels some of that political energy on the furious “Exercise”. Plus, affecting closer “I Love You” might be the first time we’ve seen him properly lower his guard; the outcome is endearing and, like much of this album, holds promise for the future.