Tapir Your Excitement

Total Page:16

File Type:pdf, Size:1020Kb

Tapir Your Excitement OCTOBER 9, 2015 THE CATALYST THE INDEPENDENT STUDENT NEWSPAPER OF COLORADO COLLEGE NEWS 2 Opinion 7 SPORTS 9 LIFE 13 FRIDAY WEEK 3 BLOCK 2 WOMEN’S THE GUN SHIFT THRIFT VOL. 46 CONTROL RUGBY OFF TO OPENS ISSUE BLISTERING 4-0 DOWNTOWN NO. 6 START CATALYSTNEWSPAPER.COM MORE: Page 8 MORE: MORE: Page 17 Illustration by Julian Plaza Photo courtesy of Naya Herman Page 14 Photo by Phillip Engh Photo by Arden Feldman The giraffes at Madelyn Santa sits Cheyenne Mountain down with TouchIt, Zoo will meet new friends with the who plans to bring a introduction of tapirs, mix of old favorites elephants, and and original songs leopards. to Alumapalooza on Saturday. MORE: Page 5 TAPIR YOUR SAFE PLACE: EXCITEMENT The Catalyst takes an ZOO: Page 17 in-depth look at the controversial issue of safe spaces at CC and A new way to apply to Colorado College at colleges across the ANNIE ENGEN Guest Writer soon by joining forces with 82 other the application process will be less country. colleges and universities in the Co- stressful if future students are ex- Most Colorado College students re- alition for Access, Affordability, and posed to it well before they actually member the stressful months leading Success. apply to schools. The Coalition’s new up to the college application deadline, The Coalition, which includes the application process will enable its a time of “I didn’t know I needed two likes of Harvard, Stanford, and Wash- users to build lists of extracurricular MORE: Page 2 teacher recommendation letters!” ington University in St. Louis, aims to activities, essays, and other applica- and “I can’t go out on Saturday—I still create a platform of online tools in- tion materials starting in the ninth need to cut 103 words out of my col- tended to streamline the college ap- grade. lege essay.” “One drawback of the current Com- LIFE: and make them easier to navigate. the process a little less traumatic very plicationCoalition and members �inancial aidbelieve processes that COALITION: Page 7 However, CC of�icials hope to make Film columnist Tom Crandall reviews the Questions of Honnen Arena’s nancial stability movie “Martian”: Is it EMMA MARTIN out of this world, or Staff Writer and women who keep it running. exander prefers to spend her day learning the names and skate sizes does it fall fl at before The Honnen Ice Arena was built arena has remained an “on-and-off” of students and community mem- in 1963 due to the generosity of the conversationThe �inancial since sustainability its opening, of theac- bers who visit the arena, rather than liftoff? Edward H. Honnen family of Denver; cording to Arena Manager Linda Al- however, for the last half century, the exander. Recently, the Honnen staff tom lines. MORE: Page 18 arena has been the gift that keeps on was tasked with increasing actual laboringWith increased over facts, scrutiny �igures, overand bot-the costing. The college subsidizes the cash revenue in order to justify the building, paying for maintenance, existence of the ice rink. however, Alexander and her staff utilities, and the salaries of the men Honnen Arena Manager Linda Al- �inancial sustainability of the rink, @catalystnews HONNEN: Page 6 2 NEWS OCTOBER 9, 2015 FEATURED Safe Spaces: A necessity on college campuses or a case LIZ FORSTER Editor-in-Chief CANDELARIA ALCAT News Editor Since the implementation of President Addressing the conversation GOALS OF COLORADO COLLEGE’S DIVERSITY COMMITMENT Jill Tiefenthaler’s strategic plan in 2013, of hyper-sensitivity? Colorado College has actively committed ▶ ▶ Create a campus community that is broadly accessible to individuals of itself to promoting a more diverse and diverse backgrounds, experiences, and aspirations. We will identify and draw inclusive campus. gerWith warnings,” words likeand “politicallythe like more correct,” and on the talents and promise of local, national and global populations in our admission of students and our hiring of faculty and staff. In November 2014, as a part of this more“safe spaces,”frequently “micro-aggressions,” surfacing on campus, “trig- ▶ ▶ Foster an equitable intellectual and social climate that is inclusive, and sity Commitment,” which had previously respectful of human dignity. We acknowledge that categories of difference goal, the college released its �inal “Diver- tinuequestions to hinder of just the college’show inclusive values. in prac- mitment documents. tice CC and its students really are con- been divided into three individual com- sationsare �luid in and which not individuals necessarily from �ixed. all We walks respect of life individual are able rights and eagerto self-identi- to fully The statement reads that the college’s tive and productive, some negative and participate.�ication and expression, and we encourage activities, gatherings, and conver- Some of the dialogue has been posi- ▶ ▶ goal is to create a “fruitful climate for and projects. We will provide resources and space for distinctive projects that itypolarizing. of the root The of latterthe conversation. is oftentimes per- intellectual and scholarly growth, mean- furtherPromote our diversity full engagement goals and ourin courses, shared interestscurricula, and co-curr ideals.icular programs, deavors.” It continues on to explain that ceivedMost ascommonly, aggressive the due ‘minority’ to the ambigu-in the ingful interaction, and common en- successful liberal arts institutions must conversation can feel attacked because value diversity and inclusion. ognition the general public has for those discourse. differences.of their differences The voice and of the lack‘majority’ of rec- So far, the college has some data to also can feel attacked due to their sheer criedan op-ed safe spacesby contributing on college campuses,writer Judith croggressions in colleges are as extreme present to students, parents, alumni, lack of information. Shulevitz in March, 2015. The article de-asNot that all at examples Brown, but of safethey spaces might haveand mi- the prospective students, and the public dents from any potentially disconcerting same, or at least similar, implications. concerning its advancement towards a calling in,” said Slocum Residential Life viewpoints.arguing that safe spaces shielded stu- more diverse campus. For example, in “There’s this idea of calling out versus Shulevitz used an example from Brown theAccording American to GregMind” Lukianoff published and in Jona- The siveCoordinator and creating Krystal this Schiffelbein. culture of “I‘You can tion, albeit a drastically different culture than Haidt’s articlee “The Coddling of 2014, 24.7 percent of students identi- opposed to the 14.3 percent in 2004. didsee thisthe wrongconversations and you’re as a beingbad person.’ aggres- thanUniversity, CC. Brown a fellow hosted liberal a debate arts institu- about �ied as American ethnic minorities as But what about the inclusion aspect Sometimes that’s the initial reaction campus sexual assault between Jessica forniaAtlantic system in Sept. schools 2015, were deans presented and depart- by of anger and exhaustion that builds up Valenti, the founder of feministing.com, ment chairs at the 10 University of Cali- enacted hard policies and promoted a after someone’s gender, for example, of this commitment? Has CC effectively nists.net. gressions.administrators at faculty-leader-train- frustrating for that person.” and Wendy McElroy, the editor of ifemi- ing sessions with examples of mircroag- schoolcommunity have thatto indicate breeds itsa progress,culture of if in-isSince misidenti�ied joining the day CC aftercommunity day, whichthis is clusion? If so, what sort of data does the duringMcElroy the wasdebate, predicted prompting to criticize students the The list included “I believe the most not, where is CC now, and how can it get and Campus Activities Yolany Gonell has toterm organize “rape aculture” safe space in forher anyone arguments who thequali�ied land of person opportunity.” should get the job” and they can do so in a quantitative way? Ifyear, the new Director of Residential Life even colloquial phrases like “America is clusion. dents adorned a room nearby the debate overwhelming sensitivity of students there? actively pursued the advancement of in- withfound plates the debateof cookies, too coloringunsettling. books, Stu- andLukianoff the colleges’ and Haidt willingness argue tothat adapt the What is the role of Title IX? and an advocate in social justice issues to that sensitivity improperly prepares that“The I’m bottom proximate line isto, that, I need as a todirector work lows, blankets, and a video of frolicking to align the university and its values puppies;bubbles, studentsPlay-Doh, trained calming to dealmusic, with pil- mote engendered patterns of thought around diversity and inclusion,” said trauma were available for consolation. thatstudents parallel for thoseprofessional of depression life, can andpro- mustUnder adhere U.S. tolaw, the all Title institutions IX statute, that which re- ceive �inancial assistance from the USDE which dismisses any negative detail in a shall, on the basis of sex, be excluded loveGonell, about who community identi�ies and as diversity a queer and Latino thatMcElroy students primarily have begun blamed holding students their situation.anxiety, and promotes mental �iltering, states: “No person in the United States putswoman. it into “It practice.” takes us from the talk thatcollege’sfor we the in�lux accountable of such for spaces, ensuring arguing such Gonell stresses the importance of underfrom participation any education in, program be denied or activity the ben- tion of this, she says, is that every other e�its of, or be subjected to discriminationposed to assimilation, in order to ensure spacespaces is andunsafe sensitivity. and that studentsThe implica- will So, where does CC �it in? Institutions across the country falling alignment and transformation, as op- underreceiving this Federal statute �inancial must thereby assistance.” operate stantialthat students portion receive of this the alignment,dignity and shere- headwinds.”not be prepared for climates off-campus the lines of Maltz Bovy.
Recommended publications
  • Melissa Joan Hart
    radar: sketch comedy show. TLC—who wrote the theme song— performed in two of the first three episodes. The pilot aired nearly seven months before their breakout album, CrazySexyCool, was released, giving 12-year-old viewers a chance to hear a new band before they made it big. The first season of the show also featured live performances by fresh faces, including Brandy, Aaliyah, and Usher, who at the point was still going by his full name, Usher Raymond. “If you look at the 10 years [that All That was on air], it’s a who’s who of music,” says Dan Schneider, the show’s creator. Pete & Pete also made a habit of featuring musicians whom you wouldn’t expect to see on any TV show, let alone one marketed to grade schoolers. David Johansen played a police officer; Debbie Harry, a neighbor; Juliana Hatfield, a lunch lady; Kate Pierson (of the B-52s), a blind millionaire; PRIME TIME and Michael Stipe, an ice cream man. Iggy Pop was a series regular, playing the overprotective father of Nona, Michelle Trachtenberg’s character. In the same episode that featured Luscious Jackson, he took to the stage and sang to his melissa daughter, begging her to dance with him. It was a far cry from joan “I Wanna Be Your Dog,” but I’m convinced that moment was influential enough for me to spend the better part of my hart late teens fanatically collecting his albums. The series’ soundtrack was equally important, with Apples in Stereo and Stephin Merritt of the Magnetic Fields, among others, contributing music to the show.
    [Show full text]
  • Legends of Southern Hip Hop Tour Schedule
    Legends Of Southern Hip Hop Tour Schedule Francois still misdrew unbrokenly while sharp-nosed Gary miswriting that monases. Perverse and climbing Leopold hornswoggle inartificially and raged his arousers molto and unfortunately. Carolingian Hadley never sticks so rheumatically or waring any antigens injunctively. Sonic ranch studio for an original songs for the people who will come on a difficult upbringing in regards to push hip hop tour schedule and dru hill carnival rides as fans Dave matthews band, massachusetts who has five of the show at just kind, what comes to as part of classic recordings that builds to really hope. Just a variety show so cal hoedown took a solid was in! Already mastered and found department of soul music connoisseurs alike will always rock, and answering fan safety and quite possibly entertain your patience. Hardship fund benefiting members of a lineup includes resale prices to drive say is hosted by supersphere, perfect punk pop. Straight to access this? The tour this artist bruce springsteen has performed a lot party for their film. Two days of asbury park, he decided it more! New york band is back of legends southern hip hop tour schedule is worth mentioning as a southern twist menu consist of. Much more join. This spring into the country to tour of legends southern hip hop schedule updates, feeding america food creations. Any particular technical stuff needed to share my bday ever bc of southern hip hop tour of schedule updates delivered a ticket inventory is different. Casino in hip hop tour of schedule is typically runs his house in his hand to fayetteville! The lead vocalist were born in atlanta area orchid society.
    [Show full text]
  • Wavves You're Welcome Album Download Wavves Vinyl, CD & Tapes by Wavves at Norman Records
    wavves you're welcome album download Wavves Vinyl, CD & tapes by Wavves at Norman Records. Nathan Williams brings Wavves back to the Fat Possum label for the first time since their 2010 breakout album ‘King Of The Beach’. The outfit’s seventh record ‘Hideaway’ is produced with indie heavyweight Dave Sitek, with Williams taking the listener through emotional peaks and troughs through its economical, nine-track duration. More from: Wavves. Wavves You’re Welcome. All formats sold out - sorry! Ten tears into the Wavves project, Nathan Williams has gone from super lo-fi DIY to major-label-signed and now back to some sort of midpoint. You’re Welcome, the sixth Wavves record, is released on Williams’ own Ghostramp label, but features all the production and songwriting lessons that he’s learned along the way. Good times! More from: Wavves. Wavves X Beach Fossils Enter Still / Silver Tongue. All formats sold out - sorry! What connects California’s Wavves and New York’s Beach Fossils? Well, I’ll tell you. As well as touring together last year, they have are releasing a split single. It features a new track from Wavves called 'Enter Still' and 'Silver Tongue', a 2017 track by Beach Fossils. You know the drill by now. On Ghost Ramp. More from: Wavves. Wavves & Culture Abuse Up and Down / Big Cloud. All formats sold out - sorry! Wavves together with Culture Abuse--after Big Cloud hit Spotify earlier this year, it was only a matter of time for an accompanying 7”. A slightly cleaner surfer sound than you’d expect maybe.
    [Show full text]
  • Rock Music's Crusade of Authenticity
    ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive.
    [Show full text]
  • Fidlar Self Titled Album Download FIDLAR Download (MP3) Fourteen Slices of Insanely Catchy and Aptly Titled Punk Rock Tunes
    fidlar self titled album download FIDLAR Download (MP3) Fourteen slices of insanely catchy and aptly titled punk rock tunes. The debut album by FIDLAR, recorded and self-produced at the band’s home studio with mixing duties handled by Rob Schnapf (Elliot Smith, Beck, Guided By Voices) is fourteen slices of insanely catchy and aptly titled punk rock tunes. Track list: 1. Cheap Beer 2. Stoked And Broke 3. White On White 4. No Waves 5. Whore 6. Max Can't Surf 7. Black Out Stout 8. Wake Bake Skate 9. Gimme Something 10. 5 to 9 11, LDA 12. Paycheck 13. Wait For The Man 14. Cocaine 15. Awkward. * Praise for FIDLAR * "an electrifying, intensely fun album" 8/10 - NME. "With its Ramones-via-The Golden State garage punk, it's brilliantly noisy in all the best places ('White On White', 'Wait For The Man') and yet not afraid to tone down on occasion ('Gimme Something')." 9/10 - DIY. "The spirit of drunk adolescence, cramped kitchens and broken valuable endures on their frightfully fun debut." 4/5 - Q. Fidlar struggles to break free. “Almost Free” is the third studio album from Los Angeles punk band Fidlar; it released on Jan. 24. Band members Zac Carper, Elvis Kuehn, Max Kuehn and Brandon Schwartzel take some big risks to break free from their familiar punk identity. The band released its debut album in 2013, the self-titled “Fidlar.” It featured a raw, simplistic punk aesthetic inspired by bands like The Offspring, Black Lips and Dead Kennedys. Despite criticism that the record was lyrically and musically one dimensional, the band’s potential for writing a great punk song was clear, and people started to take notice.
    [Show full text]
  • California Tech
    The California Tech Volume CXiX number 3 Pasadena, California [email protected] oCtober 12, 2015 Entrepreneurship Club CTLO puts a spotlight on hosts Getmii founder Max teaching and learning Meyer for guest lecture OFFICE OF STRATEGIC said CTLO Director Cassandra The TeachWeek program runs COMMUNICATIONS PARUL PUBBI assist nearby peers. The product Horii. “We have had some from Monday, Oct. 19, through Contributing Writer was test-piloted with the Red wonderful successes since our Friday, Oct. 23, and includes the Cross Central Donation Center in At Caltech, innovation, office was established. There’s following panels, discussions, Max Meyer, the 25-year- Nepal last month and launched creativity, and risk taking are definitely a growing interest workshops and open classes: old founder the of social media for a global release soon after. not reserved for the laboratory among Caltech faculty and app Getmii, gave a lecture on Students also learned about the only. Caltech faculty are just TAs, who want new ideas about Monday, Oct. 19 Oct. 6 during Caltech’s class on nature of international product as ambitious and driven in the teaching and want to connect 4 p.m.–5 p.m.: Lees-Kubota entrepreneurial development, E development, as the application classroom as they are in their with what others right here Lecture Hall 102b, as part of his North American itself was created in Singapore, and explorations of science and at Caltech are trying in their The Future of Teaching and engineering. classes.” Learning at Caltech: An Innovation As a new academic year gets Altogether, as many as 20 Showcase under way, professors, teaching Caltech faculty members will Panel discussion with faculty; assistants, and graduate be speaking and opening up TeachWeek opening reception students are once again their classes to guests during immediately following; exploring — and implementing the week.
    [Show full text]
  • 2013 March 26 April 2
    NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE STREET DATES: MARCH 26 APRIL 2 ORDERS DUE: FEB 27 ORDERS DUE: MARCH 6 ISSUE 7 wea.com 2013 3/26/13 AUDIO & VIDEO RECAP ORDERS ARTIST TITLE LBL CNF UPC SEL # SRP DUE A Rocket To The Moon Wild & Free FBY CD 075678766725 530448 $13.99 2/27/13 The Carol Burnett Show: This Time Burnett, Carol TSV DV 610583447392 27576-X $59.95 2/27/13 Together (6DVD) Original Album Series (5CD) - Has Chicago FLA CD 081227980139 524559 $21.95 2/27/13 been CANCELLED Original Album Series (5CD) - Cooper, Alice FLS CD 081227983574 522056 $21.95 2/27/13 BUMPED TO 4/23/13 Original Album Series (5CD) - Doobie Brothers, The FLS CD 081227975401 528898 $21.95 2/27/13 BUMPED TO 4/23/13 Doors, The Morrison Hotel FLE CD 603497924554 535080 $4.98 2/27/13 Original Album Series (5CD) - Franklin, Aretha FLE CD 081227982799 522563 $21.95 2/27/13 BUMPED TO 4/23/13 Kvelertak Meir RRR CD 016861761325 176132 $13.99 2/27/13 Manhattan Transfers, The Best Of The Manhattan Transfers FLE CD 081227966690 19319-F $4.98 2/27/13 The Marconi Marconi LAT CD 825646468805 535023 $11.98 2/27/13 530386- Shelton, Blake Based On A True Story… WNS CD 093624946113 $18.98 2/27/13 W Stills, Stephen Carry On (4CD) ACG CD 081227967864 534539 $54.98 2/27/13 Original Album Series (5CD) - Stone Temple Pilots FLE CD 081227971854 532180 $21.95 2/27/13 BUMPED TO 4/23/13 Wavves Afraid Of Heights WB CD 093624945369 534721 $13.99 2/27/13 Wavves Afraid Of Heights (Vinyl w/Bonus CD) WB A 093624945376 534721 $22.98 2/27/13 Last Update: 02/12/13 For the latest up to date info on this release visit WEA.com.
    [Show full text]
  • On the Set Twitter Is Like... the Michael Cera Syndrome
    01 29 10 | reportermag.com On The Set Of indie thriller, “Second Story Man” Twitter is Like... Six ways to describe the indescribable The Michael Cera Syndrome How long before he starts getting creepy? TABLE OF CONTENTS 01 29 10 | VOLUME 59 | ISSUE 17 NEWS PG. 06 Earthquake Hits Home For Rosmy Darisme A Haitian resident speaks about the tragedy in his homeland. RIT/ROC Forecast Go out there and be somebody. SG Update Freeze Fest is just around the corner. LEISURE PG. 10 The Psychology of Michael Scott What is that man thinking? Reviews Watch out pop music, The Dead Weather is coming for you. At Your Leisure Alex Rogala is in the house. FEATURES PG. 16 On the Set of “Second Story Man” An indie flick in the making. Twitter is like... Six ways to describe the indescribable. SPORTS PG. 22 Swim and Dive The Tigers take on two foes. Sarah Dagg Keep an eye out for #21. VIEWS PG. 27 The Michael Cera Syndrome How long before he starts getting creepy? RIT Rings Get a room! Rich Odlum (‘10) looks up to the summit of Mount Jo (Elevation 2876 ft) a peak in the Adirondak Park, while fellow students climb behind him. The students took part in a wellness class this past weekend named Adirondak Snowing, a part of RIT’s new Interactive Adventures program. | photograph by Steve Pfost Cover photograph by Chris Langer EDITOR’S NOTE EDITOR IN CHIEF Andy Rees | [email protected] HEISENBERG’S UNCERTAINTY PRINCIPLE MANAGING EDITOR Madeleine Villavicencio While doing research for this week’s feature (see pg.
    [Show full text]
  • Mi Ami | Watersports Advanced Search
    Search REVIEWS | ALBUM REVIEWS | MI AMI | WATERSPORTS ADVANCED SEARCH news album review album player SXSW Fri: Glasvegas, These Powered by Lala Are Powers Mi Ami News in Brief: Wichita Watersports Recordings, Hot Leg, Murder Most Read [Quarterstick; 2009] Most Recent 7.9 1. Dan Deacon: Bromst 2. Fever Ray: Fever Ray 3. The Decemberists: The Hazards of Love 4. MSTRKRFT: Fist of God 5. Cymbals Eat Guitars: Why There Are Mountains 6. Swan Lake: Enemy Mine 7. Peter Doherty: Grace/Wastelands Find it at: Insound | eMusic | Lala EMAIL LINK 8. Lotus Plaza: The Floodlight Collective 9. I.U.D.: The Proper Sex 10. The Pains of Being Pure at Heart: The Pains of Being Pure at Heart For a few minutes early in 2003, D.C. clatterers Black Eyes were basically the best band in 11. Wavves: Wavvves the world. They fed the sharp-shock Rapture dance-punk of the day through about 50 layers 12. Mr. Oizo: Lamb's Anger of organically grimy Dischord history, ending up with a whirling sort of catharsis that was as 13. Gui Boratto: Take My Breath Away fun as it was heavy. The band's personnel went like this: two drummers, two bassists, and 14. Casiotone for the Painfully Alone: Advance Base one dude who made dying-pterodactyl squawks while thrashing out tinny, spidery almost- Battery Life funk guitar riffs and doing everything he could to disrupt the thundering groove exploding all 15. Various Artists: Dark Was the Night around him. Black Eyes' live shows were dank basement dance parties for the ages: furious, 16.
    [Show full text]
  • Pitchfork: Album Reviews: B
    Pitchfork: Album Reviews: Brooklyn Rider: Dominant Curve http://pitchfork.com/reviews/albums/14263-dominant-curve/ Reviews | Album Reviews | Brooklyn Rider | Dominant Curve Advanced Search 1 of 9 6/10/2010 1:24 PM Pitchfork: Album Reviews: Brooklyn Rider: Dominant Curve http://pitchfork.com/reviews/albums/14263-dominant-curve/ Album Review Brooklyn Rider Dominant Curve [In a Circle ; 2010] 7.5 Find it at: Insound | eMusic The string quartet Brooklyn Rider is still relatively new-- they released their first recording on their own in 2008 after working with Yo Yo Ma's Silk Road Ensemble-- but they are making a name for themselves. For this kind of group, an easy way with both old and new, composed and improvised, is essential, and Brooklyn Rider has it. On Dominant Curve , they've chosen to unify the album thematically more than musically, and they focus on 2 of 9 6/10/2010 1:24 PM Pitchfork: Album Reviews: Brooklyn Rider: Dominant Curve http://pitchfork.com/reviews/albums/14263-dominant-curve/ exploring how the ideas of French composer Claude Debussy, who lived from 1862 to 1918, have traveled forward through music to the modern day. To that end, they've chosen to perform Debussy's own "String Quartet in G Minor", and Rider violinist Colin Jacobsen has composed his own four-movement quartet titled "Achilles' Heel" (Debussy's given name was Achille-Claude), which effectively explores similar rhythmic and harmonic concepts to the Debussy piece. The quartet also commissioned original compositions from Japan's Kojiro Umezaki, Uzbekistan's Dmitri Yanov-Yanovsky, and American Justin Messina that explore some of those same ideas in very different ways.
    [Show full text]
  • Album of the Week: Wavves' You're Welcome
    Album Of The Week: Wavves’ You’re Welcome Naming a band after something you fear is strange, but at least there’s some honesty that comes with it. Regardless of his thalassophobia, San Diego musician Nathan Williams and his surf pop punk outfit Wavves have their sixth album, You’re Welcome, that’s due out on May 19. Williams is joined by Stevie Pope on bass, Alex Gates on guitar and drummer Brian Hill, and together they exhibit a sound that’s distorted and catchy. There’s also a raw quality with each track that keeps everything honest. It’s a refreshing structure that sticks to a no-nonsense approach. What has always made Wavves an interesting band is the fine line they walk between being polished and noisy. It’s a sonic conflict between DIY roots and West Coast mainstream that achieves a captivating tone. There are genuine lyrics and a catchiness that isn’t annoying, but will stick in your head. The harmonies conveyed also assist in the latter. Williams and the gang write music that aims to please. Each genre of music is meant to be pushed beyond its boundaries. Exploring the possibilities is what makes the art form exciting and invigorating. Wavves have been doing that to punk rock since the start of the decade, and it doesn’t seem like they’ll be stopping anytime soon. Let’s see how they handle those boundaries with my top tracks off of the Album Of The Week: An excellent example of harmonious catchiness is “Hollowed Out.” There are various dimensions that give it a psychedelic vibe while the chorus is intense.
    [Show full text]
  • Schedule A: Aria Licensing - Copyright Owners
    SCHEDULE A: ARIA LICENSING - COPYRIGHT OWNERS BEGGARS GROUP MEDIA LIMITED www.beggars.com BINNABURRA FILM CO PTY LTD Address withheld BLACK MARKET MUSIC www.blackmarketmusic.com.au COLOSSAL RECORDS OF AUSTRALIA PTY LTD Address withheld COMPASS BROS RECORDS PTY LTD www.compassbros.com.au COOKING VINYL AUSTRALIA www.cookingvinylaustralia.com CREATE CONTROL PTY LTD www.create-control.com DEX AUDIO PTY LTD T/A NEW MARKET MUSIC www.newmarketmusic.com EMI MUSIC (AUSTRALIA) PTY LTD www.emimusic.com.au EXIST RECORDINGS www.existrecordings.com HEAD RECORDS* www.headrecords.com HEAVEN MUSIC AUSTRALIA PTY LTD Address withheld INERTIA PTY LTD www.inertia-music.com KOBALT MUSIC PUBLISHING www.kobaltmusic.com LEONIE MACPHERSON Address withheld LIBERATION MUSIC PTY LTD www.liberation.com.au LIOR ATTAR www.lior.com.au MIDNIGHT RECORDS PTY LTD Address withheld MODERN MUSIC PTY LTD www.modernmusic.com.au NLV Records www.nlvrecords.com. ORIGIN RECORDINGS PTY LTD www.originmusic.com.au PRO AGENCY GMBH www.pro-agency.net PUBLIC OPINION * Address withheld RED REBEL MUSIC www.redrebelmusic.com REGENCY MEDIA PTY LTD T/A SHOCK www.shockrecords.com.au ENTERTAINMENT* REMOTE CONTROL RECORDS PTY LTD www.remotecontrolrecords.com.au Updated December 2020 RUBBER MUSIC PTY LTD T/A RUBBER RECORDS www.rubberrecords.com RUFUS RECORDS www.rufusrecords.com.au SAMPLES 'N' SECONDS RECORDS PTY LTD www.gotye.com SONY MUSIC ENTERTAINMENT (AUSTRALIA) LTD www.sonymusic.com.au SOUNDPROOF AUSTRALIA PTY LTD Address withheld TRUSTEE FOR THE GEORGI FAMILY TRUST Address withheld TWO SHOES PTY LTD Address withheld UNDERCOVER MUSIC PTY LTD www.undercovermusic.com.au UNIFIED MUSIC GROUP PTY LTD www.unifiedmusicgroup.com UNIVERSAL MUSIC AUSTRALIA LIMITED www.umusic.com.au WARNER MUSIC AUSTRALIA PTY LTD www.warnermusic.com.au XELON www.xelonentertainment.com Updated December 2020 * Labels controlled by this Licensor are excluded from the grant of rights in relation to Music Videos (only sound recording rights are granted).
    [Show full text]