2005 Eric Harvie-Glenbow-Award Winners Announced
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October 2006 Telephone: 403-261-3662 ISSN 1205-0350 Fax: 403-269-6029 PM a #400 I0031 E-Mail: [email protected]
The membership newsletter of the Historical Society of Alberta Box 4035 Station C No.4 Calgary. AB. T2T 5M9 October 2006 Telephone: 403-261-3662 ISSN 1205-0350 Fax: 403-269-6029 PM A #400 I0031 e-mail: [email protected] HSA Centennial 2007 In this issue HSA Centennial 2007 President's Report 3 " 100 years of researching Alberta's history." 2006 Legacy Campaign 4 British Home Children 5 \ I I .: ~ I Casino 2006 5 '" / Dr Grant MacEwan 6 , , Camille Claudel, A Novel 8 HSA Christmas Book Special 9 James Delamere Lafferty, MD 10-14 Book Reviews & Web Sites 15-16 Chapter Reports 17-19 HSA Calendar of Events 20 Crossword 20 "100 years of outstanding contributors to The Historical Society of Alberta." HSA Pin The In 2007 The Historical Soc iety of Alberta Historical Society; Chinoo k Historical Alberta will be ce lebrating its Country Historical Soc iety; Edmonton & Society of Centennial. The Society could not District Historical Society; Lethbridge Alberta pin possibly exist without the continuous and Historical Society. As well. this issue is available. ge nerous support of our volunteers. will highlight 100 of our outstandi ng You can pick it That is you. contributors (volunteers). up from the office or mail your cheque or money order in Neither co uld we ce lebrate our We need your help to do this. We as k the amount of $5 plus $.50 postage and handling to: Centenni al without first acknowledging that you submit your nominations for The Historical Socie ty of Alberta the support of our volunteers. -
Hall of Fame
HALL OF FAME 2020 EDITION National Library of Canada Cataloguing in Publication Data Main entry under title: City of Orillia Hall of Fame 2020 edition Library and Archives Canada Cataloguing in Publication Isabel Brillinger, 1916-2011 author Commemorative Awards Committee / Kym Kennedy / Ellen Cohen -- 2020 edition. ISBN 978-0-9689198-2-8 (paperback) 1. Orillia (Ont.)--Biography. 2. Awards--Ontario--Orillia. I. Orillia (Ont.). Commemorative Awards Committee, issuing body II. Title. FC3099.O74Z48 2020 971.3’17 C2020-905298-X HALL OF FAME 2020 Edition Updated by: The Commemorative Awards Committee City of Orillia Cover Art by: Jieun Kim Introduction The Orillia Hall of Fame was established in 1964 to recognize residents, or past residents, of Orillia and area for their outstanding accomplishments. The award serves to build upon the history of our city and the incredible patrons who have built its past and present. Those nominated have received national and/or international recognition in their field of work or endeavour. Nominees have included those in the arts, professions, politics, business, philanthropy, athletics and more. In all cases, the nominees and, ultimately the inductees, have made a substantial impact on the destiny of Orillia. In order to ensure the legacy of the deeds and achievements of our Orillia citizenship, we invite nominations of those who inspire and illuminate. Details regarding criteria and deadlines are available at orillia.ca/halloffame. Take some time to visit the display of the 50+ inductees at the Orillia City Centre in the hall outside of the council chamber. 4 Chair’s Remarks Orillia isn’t just a beautiful city. -
Event Listings Inside Outdoor Concerts and More!
ARTS CULTURE EVENTS SPRING / SUMMER 2018 Event Listings Inside Outdoor concerts and more! On the cover Tom Rolston (bottom left, 1969) and his wife Isobel are the SPRING/SUMMER 2018 co-founders of Banff Centre’s Music and Sound programs. In their 40 years at the Centre, they helped shape the program to the unique learning experience that it is today. Luri Lee (right) plays first violin with the Rolston String Quartet, which won grand prize at the 2016 Banff International String Quartet Competition, and is named for the Rolston family. The quartet was formed in 2013 during a chamber music residen- cy on our campus. The violin she currently uses is Rolston’s, on loan from Banff Centre, and crafted by luthier Samuel Zygmuntowicz. Both artists are pictured on our cover holding that same violin, surrounding Juno-nominated cellist Cris Derksen, whose new commission will be performed on campus this summer. Features In every issue 12 Long’s Not Gone 28 Changing the 3 President’s Letter 40 Open Studios Longform journalism Way We Work Peek into the studios of master Susan Orlean on Learning to think 4 Event Highlights Banff Centre artists the medium’s revival and differently as the way Some highlights from how she likes to work we work changes this season’s Banff 46 What’s On Centre events Plan your spring/summer 14 Back to the Future 30 Eighty-Five Years of cultural adventures Breaking down walls Creative Practice 6 Connect With Us during the Summer Music Some highlights from our Follow our InStudio 56 Alumni News program EQ: Evolution of 85 years -
Great Canadian Oil Patch, 2Nd Edition
1 THE GREAT CANADIAN OIL PATCH, SECOND EDITION. By Earle Gray Drilling rigs in the Petrolia oil field, southwestern Ontario, in the 1870’s. The rigs were sheltered to protect drillers from winter snow and summer rain. Photo courtesy Lambton County Museums. “Text from ‘The Great Canadian Oil Patch. Second edition: The Petroleum era from birth to peak.’ Edmonton: JuneWarren Publishing, 2005. 584 pages plus slip cover. Free text made available courtesy JWN Energy. The book is out of print but used copies are available from used book dealers.” Contents Part One: In the Beginning xx 1 Abraham Gesner Lights Up the World xx 2 Birth of the Oil Industry xx 3 The Quest in the West: Two Centuries of Oil Teasers and Gassers xx 4 Turner Valley and the $30 Billion Blowout xx 5 A Waste of Energy xx 6 Norman Wells and the Canol Project xx 7 An Accident at Leduc xx 8 Pembina: The Hidden Elephant xx 2 Part Two: Wildcatters and Pipeliners xx 9 The Anatomy of an Oil Philanthropy xx 10 Max Bell: Oil, Newspapers, and Race Horses xx 11 Frank McMahon: The Last of the Wildcatters xx 12 The Fina Saga xx 13 Ribbons of Oil xx 14 Westcoast xx 15 The Great Pipeline Debate xx 16 The Oil Sands xx 17 Frontier Energy: Cam Sproule and the Arctic Vision xx 18 Frontier Energy: From the End of the Mackenzie River xx 19 Don Axford and his Dumb Offshore Oil Idea xx Part Three: Government Help and Hindrance xx 20 The National Oil Policy xx 21 Engineering Energy and the Oil Crisis xx 22 Birth and Death of the National Energy Program xx 23 Casualties of the NEP xx Part Four: Survivors xx 24 The Largest Independent Oil Producer xx 25 Births, obituaries, and two survivors: the fate of the first oil ventures xx Epilogue: The End of the Oil and Gas Age? xx Bibliography xx Preface and acknowledgements have been omitted from this digital version of the book. -
Eric Harvie's Vision
2003/04 Annual Report Table of Contents Chair’s and President’s Message 1 Eric Harvie’s Vision 3 Continuing the Vision: Alberta’s Role at Glenbow Museum 3 Celebrate Alberta’s 100th Anniversary at Glenbow Museum 4 Mavericks: An Incorrigible History of Alberta 7 Highlights from 2003/04 8 Support 13 Financial Review 15 Board of Governors 28 Current and Upcoming Exhibitions Inside back cover Glenbow Museum’s Profile Glenbow Museum is Western Canada’s largest museum and is also one of Canada’s most entrepreneurial top ten museums. Through a variety of dynamic and changing exhibitions and programs and a broad collection of artifacts, art, and historical documents, Glenbow Museum builds on a commitment to preserve western heritage while simultaneously providing visitors with a glimpse of the world beyond. This annual report reflects Glenbow Museum’s fiscal year April 1, 2003 to March 31, 2004. Front and back cover image credits can be found on pages 4-6. Chair’s and President’s Message Each year’s Annual Report is the best public forum for a broad discussion of past, present and future trends at the Glenbow Museum. Looking back we note the completion of our 38th year of service since our founder, Eric Harvie, donated his collections to the people of Alberta in 1966. Once again, as always, we have completed our fiscal year with a clean and unconditional audit, and a modest surplus of funds on operations. As you may know, since 1996 the Glenbow Museum has been an independent, non-governmental organization, embracing continued fealty to the vision of being “Where the World Meets the West.” This year the vision was met with three special exhibitions: Canvas of War: Masterpieces from the Canadian War Museum; Inusivut: Our Way of Life; and The Mysterious Bog People. -
Uplift Visual Culture at the Banff School of Fine Arts Contents
PearlAnn Reichwein and Karen Wall Uplift Visual Culture at the Banff School of Fine Arts Contents List of Illustrations / ix Acknowledgments / xi Introduction: Artists, Tourists, and Citizens / 3 1 Uplifting the People: Extension Education and the Arts / 22 2 Branding Banff: Arts Education, Tourism, and Nation Building / 42 3 Building a “Campus in the Clouds”: Space, Design, Modernity / 83 4 “Wholesome Understandable Pictures”: Practices of Landscape Painting and Production of Landscapes / 120 5 Presence and Portrait: Indigeneity in the Park / 145 6 “Leading Artists of the World”: Teachers as Tourist Attractions and Pedagogues / 172 7 “Some Paint, Some Tan”: Students Coming to the Mountains / 200 Conclusion: The Arts, Nature, and Democracy / 237 Notes / 256 Bibliography / 300 Index / 328 Introduction Artists, Tourists, and Citizens One winter night in 1945 Eric Harvie and Donald Cameron tramped through the snow on Tunnel Mountain for three hours, looking over land offered by the director of the National Parks Branch1 as a permanent site for the Banff School of Fine Arts.2 Harvie had come from his law office in Calgary, where his interests in oil and gas development and strategic invest- ments eventually made him wealthy. Cameron had been director of the school for almost ten years at the time; with his ambitious and fertile im- agination, he had no trouble seeing splendid new buildings amid the dark woods and stars or a committed supporter in Harvie. The two men walked on into the night, spinning out grand visions of an educated, cultured cit- izenry arising from the inspirations of Banff. Envisioned as an educational institution and world centre for art and culture in the Canadian Rockies, the Banff School was conceived as “the Salzburg of America” by its long-time director Donald Roy Cameron (1901–89). -
We Are Coming Home: Repatriation and the Restoration of Blackfoot
We Are Coming Home WE ARE COMING HOME Repatriation and the Restoration of Blackfoot Cultural Confidence edited by gerAld t. ConAty Copyright © 2015 Gwyn Langemann Published by AU Press, Athabasca University 1200, 10011 – 109 Street, Edmonton, AB T5J 3S8 Cover and interior design by Marvin Harder, marvinharder.com. Cover photo © David P. Lewis/shutterstock.com Printed and bound in Canada by Friesens. doi: 10.15215/aupress/9781771990172.01 Library and Archives Canada Cataloguing in Publication We are coming home : repatriation and the restoration of Blackfoot cultural confidence / edited by Gerald T. Conaty. Includes bibliographical references and index. Issued in print and electronic formats. iSbn 978-1-77199-017-2 (pbk.). iSbn 978-1-77199-018-9 (pdf). iSbn 978-1-77199-019-6 (epub) 1. Cultural property—Repatriation—Alberta. 2. Cultural property—Moral and ethical aspects— Alberta. 3. Siksika Indians―Material culture―Alberta. 4. Kainah Indians―Material culture― Alberta. 5. Piegan Indians―Material culture―Alberta. 6. Museums and Indians―Alberta. 7. Glenbow Museum. 8. Museum techniques―Alberta. 9. Canada. First Nations Sacred Ceremonial Objects Repatriation Act. I. Conaty, Gerald Thomas, 1953-2013, author, editor E76.86.C34W33 2014 971.23004’97352 C2014-905601-X C2014-905602-8 We acknowledge the financial support of the Government of Canada through the Canada Book Fund (CbF) for our publishing activities. This book has been published with the help of a grant from the Federation for the Humanities and Social Sciences, through the Awards to Scholarly Publications Program, using funds provided by the Social Sciences and Humanities Research Council of Canada. Assistance provided by the Government of Alberta, Alberta Multimedia Development Fund. -
Trickle Down
winter 2006 volume 31 number 4 TRICKLE DOWN: What’s the impact of Alberta’s oil and gas boom on heritage, arts, and culture? Alberta indie rock band Big Sugar had a 2001 hit song with the refrain: “I hear tell, about a heaven in Alberta, where they’ve got all hell for a basement.” They were inspired by British author Rudyard Kipling who, a century ago, described Medicine Hat as “the town that was born lucky, with all hell for a basement.” Kipling was one of many celebrity visitors and prospective investors who were entertained by dramatic fl arings from the city’s new gas wells. He was equally intrigued by an Aboriginal legend about a medicine man (spiritual leader) who lost his war bonnet in the South Saskatchewan River. Kipling discouraged his hosts from changing the name of their town to something more conventional, insisting that Medicine Hat was uniquely memorable for both its gas and culture. Perhaps Albertans need more visitors such as Kipling, to help us appreciate our distinctiveness, or to set us wondering about the relationship between our resource wealth and our cultural features. What is that connection? Ten years ago, when Legacy embarked on its own unique exploration of Alberta’s culture heritage, the provincial government was in a defi cit situation, and culture funding had already been fl at for a decade. But Alberta was about to blow into an extraordinary oil and gas boom. Ten years ago crude oil sold for $20 per barrel and natural gas went for about $2 per GJ. -
The Calgary Stampede
Icon, Brand, Myth: THE CALGARY STAMPEDE Icon, Brand, Myth: THE CALGARY STAMPEDE edited by Max Foran The West Unbound: Social and Cultural Studies series ©2008 AU Press Published by AU Press, Athabasca University 1200, 10011 – 109 Street Edmonton, AB T5J 3S8 Library and Archives Canada Cataloguing in Publication Icon, brand, myth : the Calgary Exhibition and Stampede / edited by Max Foran. Includes bibliographical references and index. Issued also in electronic format. ISBN 978-1-897425-03-9 (bound) ISBN 978-1-897425-05-3 (pbk.) 1. Calgary Stampede–History. 2. Calgary Stampede–Social aspects. 3. Calgary (Alta.)–History. 4. Calgary (Alta.)–Social conditions. I. Foran, Max GV1834.56.C22C3 2008 791.8’409712338 C2008-902106-1 This book is part of the The West Unbound: Social and Cultural Studies series ISSN 1915-8181 (print) ISSN 1915-819X (electronic) Printed and bound in Canada by AGMV Marquis Cover and book design by Alex Chan, Studio Reface All photographs and illustrations courtesy Calgary Stampede, except for the following: Fiona Angus: p. 128; Max Foran: p. 159, 160; Glenbow Archives: p. 8: NA-628-1; p. 21: NA-81-1; p. 61: NA-446-111; p. 73: PA-1326-9; p. 89: NA-5627-33; p. 101: NA-1722-2; p. 147: NA-2864-29706; p. 274: NA-2376-1; p. 315: fig. 2; Stéphane Guevremont: all photographs on pp. 266–267; Library of Congress: p. 175: LC-USZ62-78721. This publication is licensed under a Creative Commons License, see www.creativecommons.org. The text may be reproduced for non-commercial purposes, provided that credit is given to the original author(s). -
Petroleum History Society Archives Newsletter September 2006
PETROLEUM HISTORY ARCHIVES SOCIETY Newsletter of the Petroleum History Society September 2006; Volume XVII, Number 4 P.H.S. Lunch and Learn Meeting – Wednesday, September 27, 2006 Speaker: Gunnar Nerheim, Director – Stavanger Museum, Norway on: Impact of Oil on City Growth in Two Oil Capitals – Calgary, Canada and Stavanger, Norway Gunnar Nerheim graduated from the University of Oslo in 1977 as mag. art. in the history of ideas. During the 1970’s and 1980’s he studies at several German Universities. In the fall of 1984 he was visiting scholar at Program in Science, Technology and Society at M.I.T. Gunnar is a historian of technology and business. From 1995 to 2005 he was the executive director of the Norwegian Museum of Science and Technology in Oslo. In addition to his administrative duties, Gunnar has written a number of books dealing with the history of technology and business in Norway in the 19th and 20th centuries. During the 1990’s he was involved in the writing of several books focusing with shipping, shipbuilding, regional utility companies, banking, the Norwegian oil and the offshore, and the petrochemical industry. On August 1, 2006 he became director of the Stavanger Museum. He is writing a book on the history of Norwegian oil from its beginnings up to 2005, for English-reading audiences, to be published by Texas A & M University Press. He is visiting Calgary as a part of a tour in which he is researching the comparative histories of cities that are energy centres. These include Calgary, Canada; Stavanger, Norway; Houston, Texas; Aberdeen, Scotland; Dammam, Saudi Arabia; Daqing, China; Halifax, Canada; Luanda, Angola; Perth, Australia; Rio de Janeiro, Brazil; and St. -
Always an Adventure: an Autobiography
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2011 Always an Adventure: An Autobiography Dempsey, Hugh A. University of Calgary Press Dempsey, Hugh A. "Always an adventure: an autobiography". The West Series, No. 3, University of Calgary Press, Calgary, Alberta, 2011. http://hdl.handle.net/1880/48493 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com ALWAYS AN ADVENTURE: AN AUTOBIOGRAPHY by Hugh A. Dempsey ISBN 978-1-55238-568-5 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. -
Greenhouse Magazine
SPECIAL ISSUE The alumni magazine of the Faculty of Agricultural, Life & Environmental Sciences facebook.com/UofAALES @UofAALES www.ales.ualberta.ca INNOVATING CHANGE Research collaboration takes tech to another level P. 29 GROWING GREEN & GOLD Shirley Ross is one in a million P. 43 UNIVERSAL APPEAL Making mobility garments matter P. 33 A WHOLE NEW VIEW HOW THE FACULTY IS MOVING FORWARD P. 4 CONTENTS This issue is a special edition highlighting the ways the faculty exemplifies the priorities of the 2017–2021 strategic plan. To learn more, go to strategic.ales.ualberta.ca. WHERE WE EXCEL 16 A TRANSFORMATIVE GIFT More than $25 million dollars given to the University of Alberta's Botanic Garden will make a deep cultural connection 18 BUILDING A NEW FUTURE After almost four decades, one of the faculty’s dearest memories for many, the Ag-For atrium, gets a new look and a new lease on life. 24 GLOBALLY APPEALING ATTIRE One young alumnus is taking the fashion world by storm, thanks to inspiration from his roots and the lessons learned through his practicum experience. 28 GROWTH OPPORTUNITY How one scientific partnership pays dividends for science, discovery and the common good. 33 GETTING OUT THERE Individuals with mobility issues now have a new lease 18 on outdoor life, thanks to Megan Strickfaden. 2 GREENHOUSE GREENHOUSE is published twice a year by the Faculty of Agricultural, 7 Life & Environmental Sciences. It is distributed to alumni and friends of the faculty. Dean HOW WE BUILD Stan Blade Editor 4 Cait Wills WHAT’S NEXT? Development Team The ALES strategic planning Marie Perron group reflects on the last 15 Katherine Irwin months of strategic planning, Amy Stevens where it’s gotten us and where Dawn Donnelly it’s going to take us.