Open Dissertation Ying June06.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Variants of Warburg's Manuscripts on His Indian
The Epistemic Advantage of Self-Analysis for Cultural-Historical Insights: The variants of Warburg’s manuscripts on his Indian Journey A vantagem epistêmica da autoanálise para insights histórico-culturais: as variantes dos manuscritos de Warburg em sua jornada indígena Dra. Sigrid Weigel Como citar: WEIGEL, S. The Epistemic Advantage of Self-Analysis for Cultural- Historical Insights: The variants of Warburg’s manuscripts on his Indian Journey. MODOS. Revista de História da Arte. Campinas, v. 4, n.3, p.386-404, set. 2020. Disponível em: ˂https://www.publionline.iar.unicamp.br/index.php/mod/article/view/4 794˃; DOI: https://doi.org/10.24978/mod.v4i3.4794. Imagem: The Diptych Oraibi (GUIDI; MANN, 1998). The Epistemic Advantage of Self-Analysis for Cultural-Historical Insights: The variants of Warburg’s manuscripts on his Indian Journey A vantagem epistêmica da autoanálise para insights histórico-culturais: as variantes dos manuscritos de Warburg em sua jornada indígena Dra. Sigrid Weigel* Abstract The article is devoted to analyze different versions and drafts of the 1923 Warburg’s Lecture, held in Kreuzlingen in 1923, on his travel to the United States in 1895/96, at the end of his long convalescence in the sanatorium of Ludwig Binswanger, as well as the respective lectures of 1897. This essay focuses on how the dispersion of these texts, their different dates and interferences in publications over decades had epistemological implications in the interpretation of his famous Conference. Thus, the contrast between fundamental points of these texts, both in their forms and contents – including deliberate terminological fluctuations –, raises theoretical questions that interfere with the understanding of Warburg’s work in its methodological specificity. -
Bachmann's Feminist Reception
CHAPTER 2 Bachmann’s Feminist Reception One must in general be able to read a book in different ways and to read it differently today than tomorrow. (Ingeborg Bachmann, Wir müssen wahre Sätze finden) Every reader, when he reads, is in reality a reader of himself. —Ingeborg Bachmann, Werke, quoting Proust Since the late 1970s, the enthusiastic response of feminist readers, critics, and scholars to the writing of Ingeborg Bachmann has produced a radical reassessment of her work. As I explained in chapter 1, she owed her reputation during her lifetime to the two highly accomplished volumes of lyric poetry she published in the 1950s, Die gestundete Zeit and Anrufung des Großen Bären. Her critics responded more negatively to her subsequent attempts at prose fiction, The Thirtieth Year (1961) and the first finished volumes of her “Ways of Death” cycle, Malina (1971) and Three Paths to the Lake (1972). But after her death in 1973, feminist readers rediscovered her fiction, now focusing their attention on representations of femininity in the “Ways of Death,” augmented in 1978 by the posthumous publication of two novel fragments, The Franza Case (now called The Book of Franza) and Requiem for Fanny Goldmann. By the 1980s “the other Ingeborg Bachmann,” as Sigrid Weigel termed her (“Andere” 5), had achieved the status of cult figure within German feminism; feminist literary scholars’ spirited and subtle reinterpretations of her writing had produced a renaissance in Bachmann scholarship; and Bachmann’s texts had become central to the Ger- man feminist literary canon. In a study of Bachmann’s reception before 1973, Constance Hotz argues that 1950s journalists constructed an image of her that met the political needs of their era, turning Bachmann into an “exemplum for [Germany’s] reconstruction, its reattainment of international standards, its reachievement of recognition in the world” (72). -
Über Gegenwartsliteratur About Contemporary Literature
Leseprobe Über Gegenwartsliteratur Interpretationen und Interventionen Festschrift für Paul Michael Lützeler zum 65. Geburtstag von ehemaligen StudentInnen Herausgegeben von Mark W. Rectanus About Contemporary Literature Interpretations and Interventions A Festschrift for Paul Michael Lützeler on his 65th Birthday from former Students Edited by Mark W. Rectanus AISTHESIS VERLAG ––––––––––––––––––––––––––––––– Bielefeld 2008 Abbildung auf dem Umschlag: Paul Klee: Roter Ballon, 1922, 179. Ölfarbe auf Grundierung auf Nesseltuch auf Karton, 31,7 x 31,1 cm. Solomon R. Guggenheim Museum, New York. © VG BILD-KUNST, Bonn 2008 Bibliographische Information Der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Daten sind im Internet über http://dnb.ddb.de abrufbar. © Aisthesis Verlag Bielefeld 2008 Postfach 10 04 27, D-33504 Bielefeld Satz: Germano Wallmann, www.geisterwort.de Druck: docupoint GmbH, Magdeburg Alle Rechte vorbehalten ISBN 978-3-89528-679-7 www.aisthesis.de Inhaltsverzeichnis/Table of Contents Danksagung/Acknowledgments ............................................................ 11 Mark W. Rectanus Introduction: About Contemporary Literature ............................... 13 Leslie A. Adelson Experiment Mars: Contemporary German Literature, Imaginative Ethnoscapes, and the New Futurism .......................... 23 Gregory W. Baer Der Film zum Krug: A Filmic Adaptation of Kleist’s Der zerbrochne Krug in the GDR ......................................................... -
Nachlässe Von Germanistinnen Und Germanisten Aus Derddr
Erschienen in: Mitteilungen des Deutschen Germanistenverbandes Jg. 64 (2017) H. 2, S. 171-180. Nachlässe von Germanistinnen und Germanisten aus der DDR: eine Beständeübersicht Simone Waidmann / Frederike Teweleit / Ruth Doersing Die nachfolgende Beständeübersicht ist als heuristisches Arbeitsinstrument zu verstehen, das keinerlei Anspruch auf Vollständigkeit erhebt. Sie beruht auf Re cherchen in öffentlich zugänglichen Nachweisinstrumenten und Selbstauskünften bestandshaltender Institutionen. Neben Literaturwissenschaftlerinnen und Literaturwissenschaftlern wurden in Auswahl auch germanistische Linguistinnen und Linguisten berücksichtigt. Auf nahme in die Übersicht fanden nur Bestände (Nachlässe und Vorlässe), die von den genannten Personen bzw. deren Erben gebildet wurden. Instituts- und Gremien unterlagen, Promotions- und Habilitationsakten, Personalakten von Arbeitgebern und andere durch Dritte gebildete Bestände, u. a. Stasiakten, bleiben unberück sichtigt. Die Heterogenität der Angaben ist auf die sehr unterschiedlichen Er schließungsstände in den jeweiligen Archiven zurückzuführen. Becker, Henrik (1902-1984) Universitäts rchiv Jena Nachlass(5,25 lfm, erschlossen, Findbuch) Inhalt:Lehrtätigkeit, hier Unterlagen über die Tätigkeit an der Volkshochschule und der ABF in Leipzig sowie am Germanistischen Institut und dem Institut für Sprachpflege und Wortforschung der FSU Jena. Mitarbeit in Arbeitsgemein schaften und Kommissionen, hauptsächlich Sprachlehrbücher des Sprachlehr- buchausschusses der Gewerkschaft der Lehrer und Erzieher -
DDR-Literatur Im Tauwetter. Band III. Stellungnahmen
DDR-Literatur im Tauwetter Stellungsnahmen – Ein Gespräch mit dem Interviewer. Anstatt eines Vorworts. – Karl Heinz Schoeps: Aus welchem Grunde wurden diese Interviews mit DDR-Autoren geführt? Richard A. Zipser: Während der Tauwetterphase, die der Berufung Erich Honeckers zum ersten Parteisekretär der SED im Jahre 1971 folgte, wollte ich soviel unmittelbare Informationen wie möglich sammeln über die Bedingungen für das Schreiben in der DDR, über Stellung und Anliegen der Schriftsteller und über die Rolle, die die Literatur in diesem Staate spielt. Dieses ursprüngliche Ziel erhielt jedoch ab Herbst 1976 durch die unerwartete kulturpolitische Kursänderung eine neue, unvorhergesehene, geschichtliche Dimension. Schoeps: Wann wurden die Interviews durchgeführt? Zipser: Vom Herbst 1975 bis zum Sommer 1976, also in einer Zeit der Ruhe und des Optimismus, die der Ausbürgerung Wolf Biermanns im November 1976 vorausging, konnte ich zweiunddreißig DDR-Autoren [Jurek Becker, Uwe Berger, Jurij Brezan, Günter de Bruyn, Adolf Endler, Fritz Rudolf Fries, Franz Fühmann, Günter Görlich, Peter Hacks, Stephan Hermlin, Stefan Heym, Karl-Heinz Jakobs, Bernd Jentzsch, Hermann Kant, Uwe Kant, Rainer Kirsch, Sarah Kirsch, Günter Kunert, Reiner Kunze, Karl Mickel, Irmtraud Morgner, Erik Neutsch, Eberhard Panitz, Siegfried Pitschmann, Ulrich Plenzdorf, Benno Pludra, Klaus Schlesinger, Rolf Schneider, Max Walter Schulz, Helga Schütz, Martin Stade und Paul Wiens.] befragen. Weitere sieben Autoren [Heinz Czechowski, Elke Erb, Wolfgang Kohlhaase, Kito Lorenc, Heiner Müller, Eva Strittmatter und Christa Wolf.] wurden vom Herbst 1977 bis zum Frühjahr 1978 interviewt, in einer Zeit der Unruhe und Unsicherheit, die durch den Weggang von so talentierten Autoren wie Bernd Jentzsch, Thomas Brasch, Reiner Kunze, Sarah Kirsch, Hans Joachim Schädlich und Jurek Becker noch verstärkt wurde. -
Driven Into Suicide by the Communist Regime of the German Democratic
Central European History 0 (2019), 1–23. © Central European History Society of the American Historical Association, 2019 doi:10.1017/S0008938919000165 1 2 3 Driven into Suicide by the Communist Regime of the 4 German Democratic Republic? On the Persistence 5 6 of a Distorted Perspective 7 8 Q1 Udo Grashoff 9 10 ABSTRACT. The assumption that the Communist dictatorship in the German Democratic Republic 11 (GDR) drove many people to suicide has persisted for decades, and it is still evident in academic 12 and public discourse. Yet, high suicide rates in eastern Germany, which can be traced back to the 13 nineteenth century, cannot be a result of a particular political system. Be it monarchy, 14 democracy, fascism, or socialism, the frequency of suicide there did not change significantly. In 15 fact, the share of politically motivated suicides in the GDR amounts to only 1–2 per cent of the 16 total. Political, economic, or socio-cultural factors did not have a significant impact on suicide 17 rates. An analysis of two subsets of GDR society that were more likely to be affected by 18 repression—prisoners and army recruits—further corroborates this: there is no evidence of a 19 higher suicide rate in either case. Complimentary to a quantitative approach “from above,” a qualitative analysis “from below” not only underlines the limited importance of repression, but 20 also points to a regional pattern of behavior linked to cultural influences and to the role of 21 religion—specifically, to Protestantism. Several factors nevertheless fostered the persistence of 22 an overly politicized interpretation of suicide in the GDR: the bereaved in the East, the media in 23 the West, and a few victims of suicide themselves blamed the regime and downplayed important 24 individual and pathological aspects. -
Kafkas Üniversitesi Sosyal Bilimler Enstitüsü Dergisi
Kafkas Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Kafkas University Journal of the Institute of Social Sciences Bahar Spring 2018, Sayı Number 21, 9-26 DOI:10.9775/kausbed.2018.002 Gönderim Tarihi: 13.11.2017 Kabul Tarihi: 12.02.2018 DAS SANDKORN, WAGENBACH UND CO.: ZUR VORGESCHICHTE VON ADOLF ENDLERS AUSSCHLUSS AUS DEM SCHRIFTSTELLERVERBAND DER DDR The Grain of Sand, Wagenbach and Co.: On the Prehistory of Adolf Endler’s Expulsion from the Author’s Association of the GDR Onur Kemal BAZARKAYA Dr. Öğr. Üyesi, Namık Kemal Üniversitesi, Fen-Edebiyat Fakültesi, Alman Dili ve Edebiyatı Bölümü. [email protected] ORCID ID: 0000-0001-6553-4255 Çalışmanın Türü: Araştırma Öz Kum Tanesi, Wagenbach ve Ortaklar: Adolf Endler’in ADC Yazarlar Birliğinden İhraç Edilmesinin Önceki Evreleri Adolf Endler, 7 Haziran 1979 ADC (Alman Demokratik Cumhuriyeti) Yazarlar Birliğinden ihraç edilmiş dokuz yazardan birisidir. Bu ihraç kararı, ADC içindeki kültür politikalarında olduğu kadar ADC’nin dışında da ses getiren bir tedbirdir. Bu çalışmada, Endler’in söz konusu kurumdan ihracının öncesine ışık tutulacaktır. Makalenin merkezinde, Endler’in ihracının birçok nedeni olduğu varsayım olarak yer almaktadır. Şairin Mayıs 1979’da ADC Başkanı Erich Honecker’e yazdığı protesto mektubu bu kapsamda ne kadar etkili olduysa da, makalenin sorunsalını tek bu nedene bağlamak, bu çalışmanın ikinci ağırlık noktasını oluşturan Endler’in eleştirel yazarlığını gözardı etmek anlamına gelir. Provokasyondan çekinmeyen Endler’in ihracına birden çok bakış açısıyla bakmak, konunun arka planını ayrıntılı bir biçimde belirlemeye olanak sağlar. Dolaysıyla bu makalede Endler’in muhalif sanatı ele alınacaktır. Diğer yandan da ADC tarafından sakıncalı görülen kişilerle ilgili yaptığı üç eylem irdelenecektir. -
Alexander Kluge Raw Materials for the Imagination
FILM CULTURE IN TRANSITION Alexander Kluge Raw Materials for the Imagination EDITED BY TARA FORREST Amsterdam University Press Alexander Kluge Alexander Kluge Raw Materials for the Imagination Edited by Tara Forrest Front cover illustration: Alexander Kluge. Photo: Regina Schmeken Back cover illustration: Artists under the Big Top: Perplexed () Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn (paperback) isbn (hardcover) e-isbn nur © T. Forrest / Amsterdam University Press, All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustra- tions reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. For Alexander Kluge …and in memory of Miriam Hansen Table of Contents Introduction Editor’s Introduction Tara Forrest The Stubborn Persistence of Alexander Kluge Thomas Elsaesser Film, Politics and the Public Sphere On Film and the Public Sphere Alexander Kluge Cooperative Auteur Cinema and Oppositional Public Sphere: Alexander Kluge’s Contribution to G I A Miriam Hansen ‘What is Different is Good’: Women and Femininity in the Films of Alexander Kluge Heide -
GESAMTARBEIT Kulturtechniken Des Kollektiven Bei Alexander Kluge
Jens Grimstein GESAMTARBEIT Kulturtechniken des Kollektiven bei Alexander Kluge Dissertation zur Erlangung des Grades eines Doktors der Philosophie am Fachbereich Philosophie und Geisteswissenschaften der Freien Universität Berlin Gutachterinnen und Gutachter: Erstgutachterin: Frau Prof. Dr. Irene Albers Zweitgutachter: Herr PD Dr. Wolfram Ette Tag der Disputation: 03. Juli 2019 INHALTSVERZEICHNIS 1. Einleitung ............................................................................ 2 2. Begriffe (Theorie) ............................................................. 12 2.1. Kollektive................................................................................ 12 2.2. Kulturtechniken ...................................................................... 25 2.3. Arbeit ...................................................................................... 40 2.4. Gesamtarbeit ........................................................................... 47 3. Kluges Theoriearbeit (Theoros) ........................................ 57 3.1. Kluge und die Theorie ............................................................ 58 3.2. Kluge und die Kollektive ........................................................ 64 3.3. Kluge und die Kulturtechniken ............................................... 66 3.4. Die Kritische Theorie zwischen Aufklärung und Theorie der Kulturtechnik ............................................... 85 4. Medien (Textilia) .............................................................. 92 4.1. Zivilisation, Turm, Stadt -
Curriculum Vitae
Curriculum Vitae Devin O. Pendas [email protected] Department of History Boston College 140 Chestnut Hill Avenue Chestnut Hill, MA 02467-3859 Work: (617) 552-6881 Cell: (508) 314-4126 Education Ph.D., 2000 University of Chicago, History M.A., 1993 University of Chicago, History Diplôme élémentaire, 1990 Institut Catholique de Paris, French B.A., 1989 Carleton College, History magna cum laude, Phi Beta Kapa Academic Employment 2019- Boston College Professor of History Affiliated Faculty, Center for Human Rights and International Justice (2006-); Affiliated Faculty, Clough Center for the Study of Constitutional Democracy (2009-); Affiliated Faculty, Jewish Studies Program (2011-). 2006-2019 Boston College Associate Professor of History Summer 2017 Fritz Bauer Institute, J.W. Goethe Universität, Frankfurt am Main, Germany Guest Professor for Interdisciplinary Holocaust Research (taught a seminar on “Kriegsverbrecherprozesse in der Weltgeschichte” and a lecture course on “War and Genocide in World History”) Spring 2016 Meiji University, Tokyo, Japan Guest Professor (taught the seminar, “Law, Human Rights, and International History”) 1 2008- Harvard University Faculty Affiliate and Co-Chair, German Study Group (2008-14); co-chair, Contemporary Europe Study Group (2014-19), Minda de Guzberg Center for European Studies 2003-06 Boston College Assistant Professor of History 2000-2003 University of Chicago Collegiate Assistant Professor of Social Sciences and Schmidt Fellow in the Society of Fellows in the Liberal Arts; Member of the Committee on International Relations [from 2002]; associated faculty member, Department of History [from 2001] 1995-1999 University of Chicago Lecturer, Social Science Core 1994-1995 University of Chicago Teaching Assistant, Social Science Core 1992-1996 University of Chicago Research Assistant for Professor Michael Geyer Publications Books -- Democracy, Nazi Trials and Transitional Justice in Germany, 1945-1950 (Cambridge University Press, 2020). -
Hostage to Feminism? the Success of Christa Wolf's Kassandra in Its 1984
This is a repository copy of Hostage to feminism? The success of Christa Wolf’s Kassandra in its 1984 English translation. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/127025/ Version: Accepted Version Article: Summers, C (2018) Hostage to feminism? The success of Christa Wolf’s Kassandra in its 1984 English translation. Gender and History, 30 (1). pp. 226-239. ISSN 0953-5233 https://doi.org/10.1111/1468-0424.12345 © 2018 John Wiley & Sons Ltd. This is the peer reviewed version of the following article: Summers, C (2018) Hostage to feminism? The success of Christa Wolf’s Kassandra in its 1984 English translation. Gender and History, 30 (1). pp. 226-239, which has been published in final form at https://doi.org/10.1111/1468-0424.12345. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Self-Archiving. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. -
36429721.Pdf
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Publikationsserver der RWTH Aachen University Reflexionen über Entfremdungserscheinungen in Christa Wolfs Medea. Stimmen Yildiz Aydin Reflexionen über Entfremdungserscheinungen in Christa Wolfs Medea. Stimmen Von der Philosophischen Fakultät der Rheinisch-Westfälischen Technischen Hochschule Aachen zur Erlangung des akademischen Grades einer Doktorin der Philosophie genehmigte Dissertation von Yildiz Aydin, M.A. Berichter: Universitätsprofessor Dr. Dieter Breuer Universitätsprofessorin Dr. Monika Fick Tag der mündlichen Prüfung: 13.09.2010 Diese Dissertation ist auf den Internetseiten der Hochschulbibliothek online verfügbar. Meiner Mutter Danksagung Für meine Doktorarbeit schulde ich sehr vielen Menschen einen herzlichen Dank. An erster Stelle möchte ich meinem Doktorvater, Herrn Prof. Dr. Dieter Breuer, danken. Ohne seine weitreichende Unterstützung, seinen Ansporn und seine konstruktive Kritik wäre diese Dissertation nie entstanden. Viele haben diese Arbeit mit motivierendem Zuspruch unterstützt. Ihnen allen gehört mein persönlicher Dank, insbesondere an Josipa Spoljaric für die jahrelange freundschaftliche Unter- stützung und für endlose literarische Gespräche. Frau Sabine Durchholz war mir bei der End- korrektur und Layoutgestaltung sehr behilflich, wofür ich ihr danke. Zum Schluss möchte ich mich ganz herzlich bei meiner Mutter, Sevim Aydin, und meinen Geschwistern, Hülya, Derya, Ayla und Murat bedanken, die mir sehr viel Geduld entgegen-