KEROUAC, JACK, 1922-1969. Jack and Stella Sampas Kerouac Papers,1940-1994
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KEROUAC, JACK, 1922-1969. John Sampas Collection of Jack Kerouac Material, Circa 1900-2005
KEROUAC, JACK, 1922-1969. John Sampas collection of Jack Kerouac material, circa 1900-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Kerouac, Jack, 1922-1969. Title: John Sampas collection of Jack Kerouac material, circa 1900-2005 Call Number: Manuscript Collection No. 1343 Extent: 2 linear feet (4 boxes) and 1 oversized papers box (OP) Abstract: Material collected by John Sampas relating to Jack Kerouac and including correspondence, photographs, and manuscripts. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Related Materials in Other Repositories Jack Kerouac papers, New York Public Library Related Materials in This Repository Jack Kerouac collection and Jack and Stella Sampas Kerouac papers Source Purchase, 2015 Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. John Sampas collection of Jack Kerouac material, circa 1900-2005 Manuscript Collection No. 1343 Citation [after identification of item(s)], John Sampas collection of Jack Kerouac material, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. -
The Impact of World War Ii on Personal and Social Life As Portrayed in Jack Kerouac’S on the Road and Kim Won-Il’S the Wind and the River: a Comparative Literature
THE IMPACT OF WORLD WAR II ON PERSONAL AND SOCIAL LIFE AS PORTRAYED IN JACK KEROUAC’S ON THE ROAD AND KIM WON-IL’S THE WIND AND THE RIVER: A COMPARATIVE LITERATURE A THESIS BY MIRA APRIANTI REG. NO. 130705093 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2017 Universitas Sumatera Utara Universitas Sumatera Utara Universitas Sumatera Utara Universitas Sumatera Utara AUTHOR’S DECLARATION I, MIRA APRIANTI DECLARE THAT I AM THE SOLE AUTHOR OF THIS THESIS EXCEPT WHERE REFERENCE IS MADE IN THE TEXT OF THIS THESIS. THIS THESIS CONTAINS NO MATERIAL PUBLISHED ELSEWHERE OR EXTRACTED IN WHOLE OR IN PART FROM A THESIS BY WHICH I HAVE QUALIFIED FOR OR AWARDED ANOTHER DEGREE. NO OTHER PERSON’S WORK HAS BEEN USED WITHOUT DUE ACKNOWLEDGEMENTS IN THE MAIN TEXT OF THIS THESIS. THIS THESIS HAS NOT BEEN SUBMITTED FOR THE AWARD OF ANOTHER DEGREE IN ANY TERTIARY EDUCATION. Signed : Date : August 22nd, 2017 v Universitas Sumatera Utara COPYRIGHT DECLARATION NAME : MIRA APRIANTI TITLE OF THESIS : THE IMPACT OF WORLD WAR II ON PERSONAL AND SOCIAL LIFE AS PORTRAYED IN JACK KEROUAC’S ON THE ROAD AND KIM WON-IL’S THE WIND AND THE RIVER: A COMPARATIVE LITERATURE QUALIFICATION : S-1/ SARJANA SASTRA DEPARTMENT : ENGLISH I AM WILLING THAT MY THESIS SHOULD BE AVAILABLE FOR REPRODUCTION AT THE DISCRETION OF THE LIBRARIAN OF DEPARTMENT OF ENGLISH, FACULTY OF CULTURAL STUDIES, UNIVERSITY OF SUMATERA UTARA ON THE UNDERSTANDING THAT USERS ARE MADE AWARE OF THEIR OBLIGATION UNDER THE LAW OF THE REPUBLIC OF INDONESIA. Signed : Date : August 22nd, 2017 vi Universitas Sumatera Utara ACKNOWLEDGEMENTS Bismillahirrahmanirrahim. -
December 2013 VOL XXI, Issue 12, Number 248
December 2013 VOL XXI, Issue 12, Number 248 Editor: Klaus J. Gerken European Editor: Mois Benarroch Contributing Editors: Michael Collings; Jack R. Wesdorp; Heather Ferguson; Patrick White Previous Associate Editors: Igal Koshevoy; Evan Light; Pedro Sena; ; Oswald Le Winter ISSN 1480-6401 Selected Works by Ron Whitehead with Photographs by Jinn INTRODUCTION The Emperor Has No Clothes (Poem by Jinn) PHOTO 1 by jinn PHOTO 2 by jinn Section 1 Tapping My Own Phone I WILL NOT BOW DOWN The Dance Kentucky Blues Mama Sex Education Music Saved My Life and Bob Dylan Saved My Soul listen dog, sky Jasper Joyce San Francisco, May 1993 Oh Nameless Section 2 PHOTO by Jinn Secrets Thousands of Shrieking Devils Ritual Night the black talent dark conceit the grinding of her bones ghost lover my final farewell Trance Mission Section 3 PHOTO by Jinn How Many More Times No More Fingers Pointing to The Moon You Grow Wild in My Heart samurai sword go down all night listening treasure our flowered home Section 4 PHOTO by Jinn Moxley and Eirene Moonshine King Burgoo Queen the loneliest picture i've ever seen without blinking plowed earth the shape of water purple orchid dawn endless river sail on Section 5 PHOTO by Jinn westward into the canyoned night a ruin i new mexico Naked Interview: Conversations with William S. Burroughs CALLING THE TOADS Can Art Matter? For as Long as Space Endures Section 6 PHOTO by Jinn The Storm Generation Manifesto i refuse POST SCRIPTUM Section 7 PHOTO by Jinn NEVER GIVE UP (in English/Icelandic/Spanish) back cover (end of Journal) -
Journeys of the Beat Generation
My Witness Is the Empty Sky: Journeys of the Beat Generation Christelle Davis MA Writing (by thesis) 2006 Certificate of Authorship/Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all the information sources and literature used are indicated in the thesis. Signature of Candidate 11 Acknowledgements A big thank you to Tony Mitchell for reading everything and coping with my disorganised and rushed state. I'm very appreciative of the Kerouac Conference in Lowell for letting me attend and providing such a unique forum. Thank you to Buster Burk, Gerald Nicosia and the many other Beat scholars who provided some very entertaining e mails and opinions. A big slobbering kiss to all my beautiful friends for letting me crash on couches all over the world and always ringing, e mailing or visiting just when I'm about to explode. Thanks Andre for making me buy that first copy of On the Road. Thank you Tim for the cups of tea and hugs. I'm very grateful to Mum and Dad for trying to make everything as easy as possible. And words or poems are not enough for my brother Simon for those silly months in Italy and turning up at that conference, even if you didn't bother to wear shoes. -
INTRODUCTION in 2007, the Fiftieth Anniversary of the Publication Of
INTRODUCTION In 2007, the fiftieth anniversary of the publication of Jack Kerouac’s On the Road , the original scroll on which the novel was based toured the country and was published for the first time in book form by Viking. This literary document, which was purchased for a record sum of $2.43 million, has taken on a mythology befitting its scripture-like appearance. According to the legend, after three furious and Benzedrine-fueled weeks in April 1951, Kerouac emerged from a New York City apartment with a complete novel of more than 120,000 words. The work represented a radical challenge to conventional literary tastes: it was typed on a 120-foot-long scroll of teletype paper and contained virtually no punctuation. After his publisher Harcourt Brace rejected it, Kerouac replied, “It was dictated by the Holy Spirit! It doesn’t need editing!” As the legend has it, the novel that was eventually published as On the Road six years later was but a tame, heavily censored version of the original. The reality of the story is quite different. Howard Cunnell in his introduction to On the Road: The Original Scroll punctures several myths surrounding the scroll, including Kerouac’s use of Benzedrine (he took nothing stronger than coffee), its physical appearance (it was actually typed on long sheets of drawing paper not teletype paper), and its disregard of punctuation (it is for the most part conventionally punctuated). More importantly, the scroll did not emerge out of thin air – since 1947, Kerouac had made several attempts to begin his road novel, all of which he came to realize were false starts. -
You'll Be Okay: My Life with Jack Kerouac, 2007, 286 Pages, Edie Kerouac-Parker, 0872864642, 9780872864641, City Lights Books, 2007
You'll Be Okay: My Life with Jack Kerouac, 2007, 286 pages, Edie Kerouac-Parker, 0872864642, 9780872864641, City Lights Books, 2007 DOWNLOAD http://bit.ly/16BAeYu http://www.barnesandnoble.com/s/?store=book&keyword=You%27ll+Be+Okay%3A+My+Life+with+Jack+Kerouac "Sad and funny, full of pathos and the lost dreams of youth, 'You'll Be Okay' will find it's way to the short list of exceptional books by women of the Beat Generation that includes Carolyn Cassady's 'Off the Road' and Joyce Johnson's 'Minor Characters.' This year, on the 50th anniversary of the publication of 'On the Road,' readers may well want to turn to Edie's long-overdue memoir for one woman's soulful view of Kerouac, Carr, Ginsberg and Burroughs, whom she knew intimately and describes in her own inimitable style." Jonah Raskin, The San Francisco Chronicle"You have a unique viewpoint from which to write about Jack as no one else has or could write. I feel very deeply that this book must be written. And no one else, I repeat, can write it." William S. BurroughsEdie Parker was eighteen years old when she met Jack Kerouac at Columbia University in 1940. A young socialite from Grosse Pointe, Michigan, she had come to New York to study art and quickly found herself swept up in the excitement and new freedoms that the big city offered a sheltered young woman of that time.Jack Kerouac was also eighteen, attending Columbia on a football scholarship, impressing his friends with his intelligence and knowledge of literature. -
Department of English and American Studies Representation of Female
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Bc. Magdalena Šedrlová Representation of Female Characters in Jack Kerouac’s On the Road and Its Film Adaptations Master’s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Ph. D. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank my supervisor, doc. PhDr. Tomáš Pospíšil, Ph.D., for his guidance, invaluable advice, useful remarks, and, above all, for not giving up on me. Table of Contents 1) THE BEAT GENERATION ........................................................................... 5 2) JACK KEROUAC ....................................................................................... 9 3) ON THE ROAD ....................................................................................... 19 3.1 On the Road – plot summary ....................................................................................... 19 3.2 On the Road – writing and publication ....................................................................... 26 3.3 Women in On the Road ................................................................................................. 29 3.3.1 Marylou..................................................................................................................... 30 3.3.2 Camille ..................................................................................................................... -
Stewart, Katie Jennifer (2007) 'A Kind of Singing in Me' : a Critical Account of Women Writers of the Beat Generation
Stewart, Katie Jennifer (2007) 'A kind of singing in me' : a critical account of women writers of the Beat generation. PhD thesis. http://theses.gla.ac.uk/2805/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] 'A Kind of Singing in Me': A Critical Account of Women Writers of the Beat Generation Katie Jennifer Stewart Thesis submitted for the degree of Doctor of Philosophy to the University of Glasgow Department of English Literature June 2007 © Katie Jennifer Stewart, 2007 ABSTRACT This thesis provides a critical account of women writers of the Beat generation. Writers such as Diane di Prima, Hettie Jones, Joanne Kyger, Joyce Johnson, Bonnie Bremser, and Janine Pommy Vega were part of the 1950s Beat literary culture and had social relationships with the more famous male Beat writers such as Jack Kerouac and Allen Ginsberg. To differing degrees the women writers have also been influenced by the aesthetics of the male writers, and since the 1950s their work has been contextualised alongside the men's in literary magazines, anthologies and more recent academic studies. -
The Women of the Beat Writers Symposium - Mania: the Lives, Literature, and Law of the Beats: Session I: Weaving Lives Into Literature
Alabama Law Scholarly Commons Articles Faculty Scholarship 2013 On the Road without a Map: The Women of the Beat Writers Symposium - Mania: The Lives, Literature, and Law of the Beats: Session I: Weaving Lives into Literature Jean Stefancic University of Alabama - School of Law, [email protected] Follow this and additional works at: https://scholarship.law.ua.edu/fac_articles Recommended Citation Jean Stefancic, On the Road without a Map: The Women of the Beat Writers Symposium - Mania: The Lives, Literature, and Law of the Beats: Session I: Weaving Lives into Literature, 37 Seattle U. L. Rev. xv (2013). Available at: https://scholarship.law.ua.edu/fac_articles/321 This Article is brought to you for free and open access by the Faculty Scholarship at Alabama Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Alabama Law Scholarly Commons. On the Road Without a Map: The Women of the Beat Writers Jean Stefancic* 1. INTRODUCTION During a tribute to Allen Ginsberg' at the Naropa Institute in Boul- der in July 1994, a woman in the audience asked: "Why are . so few women on this panel? Why . .. so few women in this whole week's pro- gram? Why . so few . among the Beat writers?" Corso, suddenly utterly serious, leaned forward and said: There were women, they were there, I knew them, their families put them in institutions, they were given electric shock. In the '50s if you were male you could be a rebel, but if you were female, your families had you locked up. -
Expanding Jack Kerouac's “America”: Canadian
Expanding Jack Kerouac’s “America” 31 Expanding Jack Kerouac’s “America”: Canadian Revisions of On the Road Karen E. H. Skinazi Figure 1: Commemorative stamp of Champlain’s historic voyage of 1606, issued jointly by Canada Post and the United States Postal Service in 2006. Canada Post Commemorative Stamp © Canada Post 2006. Reprinted with permission. In our history, America began with a French look, briefly but gloriously given it by Champlain, Jolliet, La Salle, La Vérendrye. (René Lévesque, An Option for Québec, 1968, 14) ‘Come into my house,’ Jack said to me when I read Doctor Sax; ‘we have so few visitors from Up There.’ —(I’ll teach you and teaching you will teach me)— (Victor-Lévy Beaulieu, Jack Kerouac: A Chicken Essay, 1972, 31) 0026-3079/2010/5103/4-031$2.50/0 American Studies, 51:3/4 (Fall/Winter 2010): 31-59 31 32 Karen E. H. Skinazi I. Introduction Fans of Jack Kerouac’s On the Road are offered a facile lesson in American history. Readers race alongside Sal Paradise as he sweeps across the land, paus- ing to exult in the vastness of what he calls “the great raw bulge and bulk of my American continent” (Kerouac, Road, 79). And as they cover “the whole mad thing, the ragged promised land” with Sal, they encounter cowboys and vagrants, students of Nietzsche and Mexican migrants, ranchers, coal-truck drivers, mothers and fathers, drug addicts, poets, con men, jazz musicians—all the people of his “American continent” across its varied, incredible landscape (Kerouac, Road, 83). Is this “American continent,” however, confined to the United States of America? At first glance, the answer must be yes: The book begins with Sal Paradise “reading books about the pioneers” and poring over maps of the United States (Kerouac, Road, 10). -
The Women of the Beat Writers
Alabama Law Scholarly Commons Working Papers Faculty Scholarship 2-28-2014 On the Road Without a Map: The Women of the Beat Writers Jean Stefancic University of Alabama - School of Law, [email protected] Follow this and additional works at: https://scholarship.law.ua.edu/fac_working_papers Recommended Citation Jean Stefancic, On the Road Without a Map: The Women of the Beat Writers, (2014). Available at: https://scholarship.law.ua.edu/fac_working_papers/675 This Working Paper is brought to you for free and open access by the Faculty Scholarship at Alabama Law Scholarly Commons. It has been accepted for inclusion in Working Papers by an authorized administrator of Alabama Law Scholarly Commons. THE UNIVERSITY OF ALABAMA SCHOOL OF LAW On the Road Without a Map: The Women of the Beat Writers Jean Stefancic 37 SEATTLE UNIVERSITY LAW REVIEW xv (2013) This paper can be downloaded without charge from the Social Science Research Network Electronic Paper Collection: http://ssrn.com/abstract=2401930 Electronic copy available at: http://ssrn.com/abstract=2401930 On the Road Without a Map: The Women of the Beat Writers Jean Stefancic* 1. INTRODUCTION During a tribute to Allen Ginsberg' at the Naropa Institute in Boul- der in July 1994, a woman in the audience asked: "Why are . so few women on this panel? Why . .. so few women in this whole week's pro- gram? Why . so few . among the Beat writers?" Corso, suddenly utterly serious, leaned forward and said: There were women, they were there, I knew them, their families put them in institutions, they were given electric shock. -
Durham E-Theses
Durham E-Theses Constructions of Identity and Otherness in Jack Kerouac's Prose MIKELLI, EFTYCHIA How to cite: MIKELLI, EFTYCHIA (2009) Constructions of Identity and Otherness in Jack Kerouac's Prose, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/29/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk CONSTRUCTIONS OF IDENTITY AND OTHERNESS IN JACK KEROUAC’S PROSE BY EFTYCHIA MIKELLI DURHAM UNIVERSITY DEPARTMENT OF ENGLISH STUDIES PhD THESIS MAY 2009 CONSTRUCTIONS OF IDENTITY AND OTHERNESS IN JACK KEROUAC’S PROSE Mikelli, E. PhD Thesis, Durham University, 2009. This thesis is inspired by the abiding academic and public interest in Kerouac’s work and aims to advance new readings of Kerouac’s prose in a contemporary literary and cultural context. It is particularly concerned with a deconstructive reading of Kerouac’s prose and engages with his negotiations of race, gender, spirituality and origins within the framework of post-war America’s accelerated culture.