DOCSLIB.ORG

Best of Greyhawk #1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Best of Greyhawk #1 The Best of Greyhawk Presents Best of Greyhawk #1 Edited by Leo DiBenigno and Nathan E. Irving Revised September 28, 1999 pdf’d October 24, 2000, by Tal Meta NOTES FROM ROGER MOORE...................................................................... 2 By Roger Moore "All the notes in the folder from one of TSR's legends, wherein he shares his thoughts on Greyhawk and divulges many secrets" DRUIDS IN GREYHAWK ............................................................................... 10 By various posters "Many different views and suggestions regarding the Great Druid and nature priests in Greyhawk" GREYHAWK CHRONOLOGY....................................................................... 18 by various posters "An extensive discussion attempting to rectify some prominent discrepancies in the classic modules and suggested order of playing the modules to form a grand epic" Originally posted on the AOL/TSR Greyhawk Message Board, folder #1. ADVANCED DUNGEONS & DRAGONS, AD&D, GREYHAWK and WORLD OF GREYHAWK are registered trademarks owned by TSR, Inc. All TSR characters, character names, and the distinctive likenesses thereof are trademarks owned by TSR, Inc. TSR, Inc. is a subsidiary of Wizards of the Coast, Inc. Unless otherwise noted, all individual contributions copyright their respective authors. 1 Notes from Roger Moore Subj: A Note from Roger Moore Pt 1 95-02-21 13:58:03 EST From: TSR Inc I had an interesting time last weekend looking over the messages on this topic. (Thank you for the welcome, Tamerlain.) I came up with a few comments to add to the topic of continuing GREYHAWK(R) campaigns. One consistent complaint here about running Oerth campaigns is that a guiding vision is needed in structuring adventures and background material. I think that *any* DM can reconstruct parts of that vision by sitting down with whatever modules and accessories are deemed acceptable for that campaign (no matter who wrote them), getting out a notepad and a pencil, and writing down all the elements that these products have in common, including the things these modules imply about the world at large. For example, look at the early AD&D(R) modules for the GREYHAWK setting. (Forgive me for the capitals and trademarking in my posts, but 12 years of working with the Legal department have convinced me that life is best served by doing the Correct Thing.) Anyway, take a moment and think about what the following adventures have in common: A1-4 Slavers modules, GDQ Giants-Drow-Abyss series, T1-4 Temple of Elemental Evil, EX1-2 Dungeonland modules, S1-4 Realms of Terror modules, WG4-6 Tharizdun/Mordenkainen/Ape mo dules. Time's up. Here's my list: 1. They're all about dungeons--sneaking through underground complexes and beating up evil monsters and taking their valuables. That sounds pretty self-evident, but it is also a rather important distinction when you look at how proactive the adventurers of Oerth are apparently supposed to be (or how fast they deliver retribution). These adventures take place in reaction to the maneuvers of evil forces, and the PCs merely carry the fight directly home to the bad guys. You can think of the early GREYHAWK adventures as commando raids: sudden, violent, destructive, and decisively solving large problems in quick order. You don't worry about merchandising, diplomacy, or anything else that involves talking your way through things. You swing your sword and the problem is gone. 2. Each of these adventures epitomizes the philosophy that "nothing is as it seems." The PCs start out facing a certain localized threat that turns out to be a part of a broader regional threat, which is in turn a part of an even greater threat to the whole world, and so on. The GDQ series demonstrates this extremely well, but the same pattern is followed in A1-4 and T1-4, with lesser echoes in other modules. It's like peeling an onion. Each layer of adventure and mystery, when peeled off, reveals a new and unsuspected layer beneath it. Every puppet has a master, and that master has a greater master. You never know when the last grand plot or last master has been found. Great, world-threatening plots are spun out in small ways, supported by small people who support greater ones, and so on. The small evil people cannot see or comprehend the great scheme of which they are only a part. They get their cut, then go home. Questioning a flunky gains the heroes little except, perhaps, the name of someone a little higher in the evil hierarchy. (And only one or two top people in a particular area know who their commander is on the next level of the hierarchy.) Low-level heroes start out in the same way; they aren't able to fully comprehend the danger because they don't have all the information. Knowledge is gained painfully, step by step, in all old GREYHAWK modules. Behind all great GREYHAWK schemes, however, is a great villain--perhaps two or more acting in concert, but often just one with plenty of helpers and aides. Even the most chaotic events often have a logical structure to them, a deliberate and purposeful motion toward an unseen but surely unwelcome end. Note that no GREYHAWK villains (that I've heard of) ever come right out and say, "I'm taking over the world." The villain instead *acts* to take over the world, not bothering to broadcast the news verbally; talk is cheap, and time is precious. (I recall the dialog in the first <Superman> movie between Superman and Lex Luthor: "Is that how you get your kicks, Luthor? By planning the deaths of millions of innocent people?" "No--by *causing* the deaths of millions of innocent people.") 3. Secrets are paramount in Oerth. (It's no accident that Vecna, in <Vecna Lives>, is so closely tied to secrecy and plots.) Mystery is everywhere. The unexpected is all you can expect. Heroes must put together the pieces of the puzzle, the activities that they see happening, to gain insight into the master villain's motives. It would be very un- Greyhawkish for a villain to make his full intentions clear. There are too many meddling gods, demigods, and heroes around who would love to see a bad guy telegraph his next moves. ("Say, Tyranna!" "Yes, Great Heironeous?" "That Iuz just said he was going to attack in the west! Be a good underling and organize an army and put a stop to it." "At once, Your Deityship!") Instead, as noted above, little things are done that add up to bigger things, which in turn make 2 bigger ones. A few kidnappings, done in many places widely scattered, add up to a large slaver ring. An uprising of hill giants on Oerth is just a part of a massive series of conflicts on many worlds (as per Q1), part of Lolth's attempts to conquer the known multiverse. 4. Many of the early modules show a preoccupation with what I call "pocket universes." Oerth is obviously a world crawling with gates to other planes, worlds, dimensions, times, etc. Look at the modules: G-series modules are linked by teleporters; Q1 has many, many gates; the Isle of the Ape is a pocket universe, as are the places in the EX series and S4. Obviously, having your own pocket universe is quite a status symbol in the Flanaess among the High and Mighty, and well it should be if Oerth is actually a uniquely potent nexus world for entering and exiting numerous other planes and settings. Interestingly, some of the plots in the early GREYHAWK adventures revolve around other- universe invasions, Lolth being the prime example. The AD&D 1st Edition DMG gives game mechanics for converting PCs to TSR's early Wild West and science-fantasy games. Some of the quasi deities described in DRAGON(R) issue #71 are universe-crossers. (Indeed, one of them, Murlynd, is a "magitech" genre-crosser, as his home in EX1 makes abundantly clear.) 5. The early adventures, though having devious traps, creatively vile monsters, and unexpected discoveries about Who Is Really In Charge, are also very straightforward and often unadorned. They are very practical, action- packed dungeon crawls with less-developed background stories that one often sees in typical DUNGEON(R) Adventures modules. Villains are often sketched in with little personality detail except their battle tactics. This in no way discredits the early modules, because I played in many of them and loved them dearly. The thrust is pretty direct, however. Things are clearly in black and white, good and evil. You know who and where the bad guys are, and you go kill them and take their treasures because they are bad and don't deserve to be rich. YOU are the hero and YOU deserve to be rich. One must admit this is a very appealing and powerful theme; it sure worked for me and my groups in the late 1970s. Life was simpler then, eh? 6. Magical devices from Oerth, though sometimes clever and appealing, are pretty unadorned themselves. Rare is the long sword +3 that has any history or personality worth mentioning; magical devices, except for the most powerful ones, are regarded as tools and nothing more--very, very, very nice tools, perhaps, but they exist only to get a job done. 7. Evil is on the rise on Oerth. I disagree with some in this forum who say that <From the Ashes> was a radical departure from earlier material. A constant theme hammered home in almost every early GREYHAWK module is that very powerful entities are extremely interested in conquering and ruining the world. Assaults by evil forces are not at all unusual; they are, in fact, constant and extreme.
Load more

Recommended publications
  • Dragon Magazine #151
    Issue #151 SPECIAL ATTRACTIONS Vol. XIV, No. 6 Into the Eastern Realms: November 1989 11 Adventure is adventure, no matter which side of the ocean you’re on. Publisher The Ecology of the Kappa David R. Knowles Jim Ward 14 Kappa are strange, but youd be wise not to laugh at them. Editor Soldiers of the Law Dan Salas Roger E. Moore 18 The next ninja you meet might actually work for the police. Fiction editor Earn Those Heirlooms! Jay Ouzts Barbara G. Young 22Only your best behavior will win your family’s prize katana. Assistant editors The Dragons Bestiary Sylvia Li Anne Brown Dale Donovan 28The wang-liang are dying out — and they’d like to take a few humans with them. Art director Paul Hanchette The Ecology of the Yuan-ti David Wellman 32To call them the degenerate Spawn of a mad god may be the only nice Production staff thing to say. Kathleen C. MacDonald Gaye OKeefe Angelika Lukotz OTHER FEATURES Subscriptions The Beastie Knows Best Janet L. Winters — Hartley, Patricia, and Kirk Lesser 36 What are the best computer games of 1989? You’ll find them all here. U.S. advertising Role-playing Reviews Sheila Gailloreto Tammy Volp Jim Bambra 38Did you ever think that undead might be . helpful? U.K. correspondent The Role of Books John C. Bunnell and U.K. advertising 46 New twists on an old tale, and other unusual fantasies. Sue Lilley The Role of Computers — Hartley, Patricia, and Kirk Lesser 52 Fly a Thunderchief in Vietnam — or a Silpheed in outer space.
    [Show full text]
  • Chronomancer
    OPTIONAL GAME ACCESSORY Chronomancer Credits Design: Loren Coleman Development and Editing: Matt Forbeck Additional Assistance: Jim Butler, Andria Hayday, Bruce Heard, Steve Miller, Roger Moore, Jon Pickens, Skip Williams, and David Wise Graphic Design: Stephen Daniele and Paul Hanchette Cover Art: Alan Pollack Interior Art: Thomas Baxa, Adrian Bourne, Terry Dykstra, Jim HoUoway, Mark Nelson Typography: Angelika Lokotz Production: Paul Hanchette Sample file ADVANCED DUNGEONS & DRAGONS, AD&D, AL-QADIM, BLACKMOOR, DARK SUN, DRAGONLANCE, FORGOTTEN REALMS, GREYHAWK, HOLLOW WORLD, MYSTARA, RAVENLOFT, RED STEEL, and SPELLJAMMER are registered trademarks owned by TSR, Inc. BIRTHRIGHT, COUNCIL OF WYRMS, ENCYCLOPEDIA MAGICA, PLANESCAPE, and the TSR logo are trademarks owned by TSR, Inc. All TSR characters, character names, and the distinctive likenesses thereof are trademarks owned by TSR, Inc. Random House and its affiliate companies have worldwide distribution rights in the book trade for English-language products of TSR, Inc. Distributed to the book and hobby trade in the United Kingdom by TSR Ltd. Distributed to the toy and hobby trade by regional distributors. ©1995 TSR, Inc. All rights reserved. This material is protected under the copyright laws of the United States of America. Any reproduction or unauthorized use of the materials or artwork contained herein is prohibited without the express written permission of TSR, Inc. Printed in the United States of America. TSR, Inc. TSR Ltd. 201 Sheridan Springs Rd. 120 Church End Lake Geneva Cherry Hinton WI43147 Cambridge CB1 3LB USA United Kingdom ISBN 0-7869-0325-2 1st Printing, August 1995 9506XXX1501 le of Contents Introduction 3 Chapter 4: Chronomancy 39 Where This Belongs in Your Campaign .
    [Show full text]
  • Legendary Items: a Herol Follow-Up Carl Quaif 5: War Paintings in D&D Tosatt Earp 8: Some Enchanted Item - Greywand Erin D
    2: Editorial R. E. B. Tongue 3: Legendary Items: A Herol Follow-up Carl Quaif 5: War Paintings in D&D Tosatt Earp 8: Some Enchanted Item - Greywand Erin D. Smale 10: Deadly Wounds and Balanced Combat Erin D. Smale 15: The Bard: A Revitalized Class for the OD&D Game Geoff Gander, Marco Dalmonte, and Carl Quaif 27: Luigi's Symphony Geoff Gander 30: The Immortal Game Jesse Walker 33: Secondary Skills for OD&D Mike Stewart Editor: R.E. B. Tongue Cover by Enrico Penagila Interestingly enough, this is the third editorial I have had occasion to write for this issue. Getting this one out has been a long, hard slog – not because of shortage of material, but because of other problems. As far as I am concerned, these are now over, and I intend to make OD&DITIES my primary focus once again. In short, all will now be as it was, I hope. A little house news, first – OD&DITIES Twelve is scheduled for April, with a March release possible if I get material in. As well as the normal range of material that is found in OD&DITIES, there will be two themes in the next issue. The first will be, ‘Classes and Races’ – an assortment of new classes and races for OD&D. I had quite a bit of material of this type in, enough that I’ve decided to make a special based on this. The second will be ‘Your Keep’. This will be a collection of variations on the ‘Keep on the Borderlands’ that have been created over the years by various people – let’s get these in.
    [Show full text]
  • Dragon Magazine
    May 1980 The Dragon feature a module, a special inclusion, or some other out-of-the- ordinary ingredient. It’s still a bargain when you stop to think that a regular commercial module, purchased separately, would cost even more than that—and for your three bucks, you’re getting a whole lot of magazine besides. It should be pointed out that subscribers can still get a year’s worth of TD for only $2 per issue. Hint, hint . And now, on to the good news. This month’s kaleidoscopic cover comes to us from the talented Darlene Pekul, and serves as your p, up and away in May! That’s the catch-phrase for first look at Jasmine, Darlene’s fantasy adventure strip, which issue #37 of The Dragon. In addition to going up in makes its debut in this issue. The story she’s unfolding promises to quality and content with still more new features this be a good one; stay tuned. month, TD has gone up in another way: the price. As observant subscribers, or those of you who bought Holding down the middle of the magazine is The Pit of The this issue in a store, will have already noticed, we’re now asking $3 Oracle, an AD&D game module created by Stephen Sullivan. It for TD. From now on, the magazine will cost that much whenever we was the second-place winner in the first International Dungeon Design Competition, and after looking it over and playing through it, we think you’ll understand why it placed so high.
    [Show full text]
  • Dragon Magazine #103
    D RAGON 1 18 SPECIAL ATTRACTION 48 UNEARTHED ARCANA additions and corrections New pieces of type for those who have the book 35 26 Publisher Mike Cook Editor-in-Chief OTHER FEATURES Kim Mohan 8 The future of the game Gary Gygax Editorial staff How well tackle the task of a Second Edition AD&D® game Patrick Lucien Price Roger Moore 12 Arcana update, part 1 Kim Mohan Art director and graphics Explanations, answers, and some new rules Roger Raupp All about Krynns gnomes Roger E. Moore Subscriptions 18 Finishing our series on the demi-humans of the DRAGONLANCE world Georgia Moore Advertising 26 A dozen domestic dogs Stephen Inniss Mary Parkinson Twelve ways to classify mans best friend Contributing editors The role of books John C. Bunnell Ed Greenwood 31 Reviews of game-related fantasy and SF literature Katharine Kerr This issues contributing artists 35 The Centaur Papers Stephen Inniss and Kelly Adams Robert Pritchard Everything two authors could think of about the horse-folk Larry Elmore Bob Maurus 58 The Wages of Stress Christopher Gilbert Roger Raupp How to handle obnoxious people and make it pay Tom Centola Marvel Bullpen David Trampier Ted Goff Joseph Pillsbury DEPARTMENTS 3 Letters 88 Convention calendar 93 Dragonmirth 4 World Gamers Guide 86 Gamers Guide 94 Snarfquest 6 The forum 89 Wormy COVER Robert Pritchards first contribution to our cover is an interesting piece of artwork and thats always the main factor in deciding whether or not to accept a painting to use. But Roberts choice of a title didnt hurt a bit.
    [Show full text]
  • 1598484472942.Pdf
    Maztica Campaign Set Gods & Battles by Douglas Niles Table of Contents Introduction .......................................................... 2 BATTLESYSTEM Rules for Maztica ..................................... .3 Typical Maztican Troop Rosters ............... ......................... .6 Scenario 1: The Early Days of Empire ..................................... .7 Scenario 2: The Golden Legion at Ulatos; First Triumph ...................... 10 Scenario 3: Humans United at Tukan ..................................... .14 Powers of Maztica .................................................. 19 Kukul: Ancient Father of the Gods ..................................... .22 Maztica: Mother of Life, the World ..................................... .23 Qotal: The Feathered Dragon ......................................... .24 Zaltec: Bringer of War and Eater of Hearts .............................. .25 Azul: Giver of Rain and Taker of Breath ................................. .26 Plutoq: Master of Earth and Stone ..................................... .27 Tezca: Ruler of Sun and Fire .......................................... .28 Kiltzi: Giver of Health, Growth, Nourishment, and Love ....................29 Eha: Wind Sprite .................................................... .30 Watil: Guardian of Plants ............................................. .31 Nula: Guardian of Animals ............................................ .32 Credits: Design: Douglas Niles Cartography: David Sutherland III Editing: Karen S. Boomgarden Typesetting: Tracey Zamagne
    [Show full text]
  • An "Official" Spelljammer Guide to the Spheres [Revised 1.0]
    Guide to the Spheres An "official" Spelljammer Guide to the Spheres [revised 1.0] By Paul Westermeyer aka GMWestermeyer Table of Contents: Page Section 1 Introduction 2 Phlogiston Navigation 4 Phlogiston Transit Times 4 Where is the Rock of Bral? 6 “Official” Flow Map 7 The Spheres and other Phlogiston Locations 23 ‘Loose’ Planets/Worlds 34 Bibliography: Introduction Spelljammer is a very unique and creative setting, but it is also one of the worst organized settings TSR produced with material is scattered among many different products. This makes it very difficult to find what you are looking for, a problem exasperated by Spelljammer’s status as a ‘connection’ campaign, designed (like Planescape) to connect the ‘big’ three settings, Forgotten Realms, Greyhawk, and Dragonlance. I’ve been working to alleviate this problem by writing guides and indices for those aspects of Spelljammer that are most important for creating a coherent, rational game setting. The first of these guides was An “Official” Spelljammer Timeline, which collated Spelljammer-related historical mentions in published TSR products into a cohesive, coherent timeline that Spelljammer (or Hackjammer) gamemasters could use as the foundation of their own, personalized campaigns. This guide, An “Official” Spelljammer Guide to the Spheres, has a similar purpose. Spelljammer’s iconic center is the Rock of Bral, just as Sigil is the iconic heart of Planescape, Spelljammer’s setting cousin, but Sigil’s location is quite firmly placed at the center of the Plane of Concordant Opposition, metaphorically the heart of the entire Advanced Dungeons and Dragons multiverse. Moreover, the various inner and outer planes are all well mapped in relation to each other, and have been ever since the Advanced Dungeons and Dragons Player’s Handbook in 1978.
    [Show full text]
  • Dragon Magazine #127
    CONTENTS Magazine Issue #127 Vol. XII, No. 6 SPECIAL ATTRACTIONS November 1987 15 Cal1 to Arms: The fighters world, from berserkers to battlefields. 16 Lords & Legends Kyle Gray Four famous warriors from European myth and legend. 22 No Quarter! Arn Ashleigh Parker Publisher Mike Cook Creative combat for fighters with style. 26 Bazaar of the Bizarre The readers Editor A magical treasury of bows and bolts for arcane archers. Roger E. Moore 32 Two Hands Are Better Than One Donald D. Miller Assistant editor Fiction editor When a two-handed sword becomes a three-handed sword, and other handy facts. Robin Jenkins Patrick L. Price 36 In Defense of the Shield Tim Merrett Editorial assistants A good shield might be the best friend youll ever have. Eileen Lucas Barbara G. Young 38 Fighting for Keeps Roy G. Schelper Debbie Poutsch Georgia Moore Your new castle is full of orcs? Its BATTLESYSTEM supplement time! Art director 46 In the Heat of the Fight Sean Holland Roger Raupp Berserkers, ambushes, fanatics, tribal champions all in a days work. Production Staff 48 A Menagerie of Martial Arts Len Carpenter Marilyn Favaro Gloria Habriga Twenty all-new martial-arts styles for Oriental Adventures. Colleen OMalley OTHER FEATURES Subscriptions Advertising 8 Role-playing Reviews Ken Rolston Pat Schulz Mary Parkinson Game designers rush in where deities fear to tread. Creative editors 56 The Ecology of the Yeti Thomas Kiefer Ed Greenwood Jeff Grubb A particularly chilling encounter on the high glaciers. 62 Arcane Lore Arthur Collins Selections from a lost tome on lifes little illusions.
    [Show full text]
  • Dragon Magazine #205
    Issue #205 Vol. XVIII, No. 12 May 1994 SPECIAL ATTRACTIONS Publisher Secrets abound in the wilderness TSR, Inc. 11 Uncover hidden lore as we spend some time in the great outdoors. Associate Publisher Brian Thomsen The People David Howery Editor-in-Chief 12 Explore a fantasy America-complete with Native Kim Mohan Americans. Associate editor Getting Back to Nature Jon Pickens Dale A. Donovan 26 Improve the distinctive flavor of the druid with these Fiction editor re-aligned spell spheres. Barbara G. Young Arcane Lore Jon Pickens Editorial assistant 34 Add these new (& old) spells to the druids repertoire. Wolfgang H. Baur Art director Larry W. Smith FICTION Production staff Cap Renvoorts Luck Daniel Hood Tracey Isler 76 Making your own luck is a risky proposition. Subscriptions Janet L. Winters REVIEWS U.S. advertising Cindy Rick The Role of Books John C. Bunnell 44 Read this column before Nightfall. DRAGON® Magazine (ISSN 0279-6848) is published tion throughout the United Kingdom is by Comag monthly by TSR, Inc., PO. Box 756 (201 Sheridan Magazine Marketing, Tavistock Road, West Drayton, Springs Road), Lake Geneva WI 53147, United States Middlesex UB7 7QE, United Kingdom; telephone: of America. The postal address for all materials from 0895-444055. the United States of America and Canada except Subscriptions: Subscription rates via second-class subscription orders is: DRAGON® Magazine, PO. Box mail are as follows: $30 in U.S. funds for 12 issues 111, (201 Sheridan Springs Road), Lake Geneva WI sent to an address in the U.S.; $36 in U.S. funds for 12 53147, U.S.A.; telephone (414) 248-3625; fax (414) issues sent to an address in Canada; £21 for 12 issues 248-0389.
    [Show full text]
  • Dragon Magazine #100
    D RAGON 1 22 45 SPECIAL ATTRACTIONS In the center: SAGA OF OLD CITY Poster Art by Clyde Caldwell, soon to be the cover of an exciting new novel 4 5 THE CITY BEYOND THE GATE Robert Schroeck The longest, and perhaps strongest, AD&D® adventure weve ever done 2 2 At Moonset Blackcat Comes Gary Gygax 34 Gary gives us a glimpse of Gord, with lots more to come Publisher Mike Cook 3 4 DRAGONCHESS Gary Gygax Rules for a fantastic new version of an old game Editor-in-Chief Kim Mohan Editorial staff OTHER FEATURES Patrick Lucien Price Roger Moore 6 Score one for Sabratact Forest Baker Graphics and production Role-playing moves onto the battlefield Roger Raupp Colleen OMalley David C. Sutherland III 9 All about the druid/ranger Frank Mentzer Heres how to get around the alignment problem Subscriptions Georgia Moore 12 Pages from the Mages V Ed Greenwood Advertising Another excursion into Elminsters memory Patricia Campbell Contributing editors 86 The chance of a lifetime Doug Niles Ed Greenwood Reminiscences from the BATTLESYSTEM Supplement designer . Katharine Kerr 96 From first draft to last gasp Michael Dobson This issues contributing artists . followed by the recollections of an out-of-breath editor Dennis Kauth Roger Raupp Jim Roslof 100 Compressor Michael Selinker Marvel Bullpen An appropriate crossword puzzle for our centennial issue Dave Trampier Jeff Marsh Tony Moseley DEPARTMENTS Larry Elmore 3 Letters 101 World Gamers Guide 109 Dragonmirth 10 The forum 102 Convention calendar 110 Snarfquest 69 The ARES Section 107 Wormy COVER Its fitting that an issue filled with things weve never done before should start off with a cover thats unlike any of the ninety-nine that preceded it.
    [Show full text]
  • Patriots of Ulek
    by Anthony Pryor Credits Design: Anthony Pryor Editing: Terry Phillips Cover Art: John & Laura Lakey Interior Art: Ken Frank Cartography: John Knecht Typography: Bacey Zamagne Graphic Design: Dee Barnett Production: Paul Hanchette ThbleSample of Contents file Introduction ............................................. 2 Chapter1.ThePrince ..................................... 3 Chapter 2. The Journey North ............................. .5 Chapter 3. Prinzfeld ..................................... .9 Chapter 4. The Grafs Mansion ............................ 13 Chapter 5. The Defense of Prinzfeld ....................... .26 Appendix: BATTLESYSTEM"'Rules Statistics ...............3 1 Copyright 1992 TSR, Inc. Printed in USA. All Rights Reserved. ADVANCED DUNGEONS &DRAGONS,AD&D. and GREYHAWK are registered trademarks owned by TSR. Inc. BATTLESYSTEM and the TSR logo are trademarks owned by TSR, Inc. This material is protected under the copyright laws of the United States of America. Any reproduction or unauthorized use of the material or artwork presented herein is prohibited without the express written consent of TSR. Inc. Random House and its affiliate companies have worldwide distribution rights in the book trade for English language products of TSR, Inc. Distributed to the book and hobby trade in the United Kingdom by TSR, Ltd. Distributed to the toy and hobby trade by regional distributors. 120 Church End, Lake Geneva, Cherry Hinton WI 53147 Cambridge CBI 3LB United Kingdom 9385XXX1401 ISBN 1-56076-4494 1 masters. Boxed text may be read to the play- Introduction ers to give them important information or de- scribe the things they see. DMs are not Darkness has descended upon the world of required to read this text as written if they Greyhawk. All across the Flanaess, the forces wish to change the encounter.
    [Show full text]
  • Dungeons & Dragons (1979) Supplement 1 Greyhawk
    Supplement I G R E Y H A W K BY GARY GYGAX & ROB KUNTZ With Special Thanks to Alan Lucion, Mike Mornard and Jeff Key for Suggestions ILLUSTRATIONS BY GREG BELL 2003 © 1976 — TSR GAMES 12th Printing, November, 1979 Printed in U.S.A. Index MEN & MAGIC Characters. ........................................ 4 Determination of Abilities ............................. 7 Non-Player Characters. ............................... 9 Levels and Number of Experience Points Necessary to Attain Them ..................... 9 Statistics Regarding Classes. ........................... 10 Guidelines for Awarding Experience Points for Monster Slaying. .........................12 Awarding Experience for Non- Player Characters ................................ 13 Alternate Combat System ............................. 13 Damage — Weapon Type .......................... 15 Damage — Monster Type .......................... 16 Spells T a b le........................................ 19 Explanation of Spells.................................21 MONSTERS & TREASURE The Monsters. ......................................33 Monster Descriptions. ................................34 Magical Maps Determination Table. .....................40 Explanation of Magic Items. ...........................46 THE UNDERWORLD & WILDERNESS ADVENTURES Tricks and Traps ................................. 61 Monsterous Tricks and Combination Monsters ........ ....................63 Monster Level Tables. ................................65 Foreword One cannot properly introduce a supplement to an existing
    [Show full text]