Pdf How to Rob Banks (1).Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Pdf How to Rob Banks (1).Pdf THE CHAZ WILLIAMS STORY A TALE OF AMERICA'S GREATEST LIVINGA TALE OF AMERICA'S GREATEST LIVING BANK ROBBER, TOLD IN THREE BANK ROBBER IN THREE PARTS 2 America loves its outlaws – so long as doesn’t love black outlaws. It fears them. they’re white. And what it fears, it locks away. Jesse James – the Robin Hood of the “I’m no marcher,” says Chaz. “You’re not Wild West. He robbed eight banks. And getting me to march down no street just technically, two of them were trains. to take an ass whipping. Now, you want me to run up with some guns, that’s a John Dillinger – the dapper gangster of different story. But I had to resist in my the Great Depression. Robbed 24 banks. own way. My disobedience was not civil.” Bonnie Parker and Clyde Barrow – folk Chaz Williams: How to Rob Banks is a heroes. Robbed 17. documentary event mini-series about race and racism in America. About Charles “Chaz” Williams robbed 63 the prison system. Oppression. Black country promised him freedom but about what’s happening in America right banks. I’ll say it again: Sixty-three. militancy. Shootouts. Jailbreaks. And denied him equality. now. bank robbery. Carried out by a man That makes him the greatest bank robber whose skill elevated the craft to an art It’s a story of the American dream, stolen It’s a story about a man who was in American history. Hands down. form. at gunpoint. Reparations, by any means sentenced to 95 years in prison, robbed necessary. banks while incarcerated, and then But if you’re white, chances are you’ve It’s about crime as a revolutionary convinced the very man who locked him never heard of the man. Because America act, committed by a young man whose It’s a story set in the 1970s. And it’s up to set him free. 3 How to Rob Banks will fuse narrative and an intimate, long-form setting – free documentary filmmaking techniques to from the constraints of a conventional merge the intimacy of the podcast with (adversarial) documentary film interview. the visceral storytelling of the feature From these wide-ranging and free-form film. interviews, we will weave an audio edit of the narrative. The series will be composed of four Chaz Williams himself. Essentially, we’ll of Chaz’s bank robberies – to evoke the primary elements: audio-only voiceover This edit will serve a two-fold purpose: blend the techniques of the dramatist poetry of the time and place in which the interviews from all cast members; on- providing the voiceover narration that Suzan Lori Parks with the “performance stories are set. camera performances of the signature drives the series and building the basis of self” shows pioneered by Spaulding stories by Chaz and his closest partners for the scripted scenes to be culled from Gray and later adopted by Mike Tyson. These four elements – audio interviews; in crime; carefully culled historic archival and based upon this material. scripted original photography; rehearsed materials; and feature-film style original Additionally, we’ll integrate carefully retellings; and curated archival – will photography. The scripted scenes will be composed curated archival materials – ranging then be braided into a singular, cutting- of two separate elements: kinetic narrative from footage of Deep South chain edge nonfiction narrative. The audio interviews with Chaz will scenes like that featured in the gangs, to photographs of lynchings, to be wholly collaborative in approach, presentation reel and rehearsed self-produced documentaries by black This is documentary film as co- conducted over a series of months in retellings of the signature stories by militants of the 1970s, to news coverage conspiracy. 4 BIRTH OF A BANK ROBBER The reality is one cannot want to be gangster. It’s not an occupation, like wanting to become a doctor, lawyer, or fireman. The mental and emotional hardness required of this life is not a choice that anyone would rationally make. Being a gangster is a natural state. You are born into it. SOUTH CAROLINA, 1963 – Born in black men in bondage, white overseers Harlem, Chaz Williams is growing up in on horseback, shotguns over the saddle. the “40 Projects” in Jamaica, Queens. This summer he’s on a father-son road His father was a tank gunner in World trip through the Deep South. Visiting War II. Fought his way through France grandma in Florida. for America. Now he and Chaz sleep in otherwise, ever drag him from the car powers that be had rigged the game, so the car in South Carolina. Motels won’t with intent to harm, Chaz should know I had two choices: follow their playbook, Chaz sees the signs: “White Only,” take their money. White state troopers to aim for center mass, double tap each lay down, and lose. Or make my own “Negro Only.” He sees the chain gangs: pull them over for bullshit, call his father target, and keep pulling the trigger until rules. “Nigger” and “Boy.” the gun clicks empty. Back in New York, Chaz started robbing. The old man keeps his Army .45 in the Chaz is 11 years old. The state branded him “unmanageable.” glove box. He takes Chaz out in the Sent him to a youth prison upstate. Chaz southern pines, teaches him to shoot The Deep South had a profound impact on broke out. Hit the road. it; tells Chaz that if white men, cops or my young psyche. The way I saw it, the 5 CLEVELAND, 1968 — Chaz is on the run They serve a little time in Canada. Get with his best friend and partner in crime, deported. Still a juvenile, Chaz revisits Greg Sewell 1 . They land in Cleveland. the upstate youth prison. One day he Fall in with the Black Nationalists of New jumps off a bus, outruns the guards. Libya. The militants are fresh off the Glenville Shootout. Four hours of gunfire Back on the road, he puts together his with Cleveland P.D. Fifteen people shot. first professional crew. Graduates to Three cops in the morgue. robbing banks. Finds his true passion. Living with the black nationalists, we It’s important to define what type of bank learned about self-defense, community, robber I was. I’m not a note passer, and and resistance. We studied Pan- I’m not a bank burglar. We did broad Africanism and The Art of War by Sun daylight, commando-style robberies, with Tzu. We learned tactics from combat clear objectives and escape options. We veterans. We then traveled from city knew every time we hit a bank it was a to city – taken in, taught, and accepted matter of life, liberty, and death. by the black revolutionary community wherever we went. We understood In 1970, Chaz was arrested for bank ourselves to be a special type of capitalist robbery and conspiracy. Tried, convicted, with revolutionary instincts. sentenced to 15 years in prison. Chaz and Sewell cross into Quebec. Hit Started doing time at the Federal a currency exchange at the Montreal Correctional Institute in Milan, Michigan. airport. Get busted at a shopping mall, trying to convert the foreign cash to That’s when his career as a bank robber dollars. Their descriptions were all over really took off. the radio. But they were unaware. The police bulletins were in French. 1Confirmed Supporting Cast Member 6 LITTLE EGYPT Every step of incarceration for me was another level of technical training. Federal prison was like finishing school for gangsters. Chaz was a skilled cellblock hustler. The documents revealed the program Money and information came his way. would launch in about two years. Like stolen documents outlining the criteria for a Bureau of Prisons pilot Chaz ran a long con. He looped in three program for “promising” inmates – young fellow black inmates, including Herb felons with model behavior, who were Bowman 2. He made sure they all hit taking college courses, demonstrating every item on the program checklist. And “rehabilitative potential.” when the time came, sure enough, they were all invited to be a part of a “new, Under this experimental initiative, a few exciting experiment.” such inmates at Milan FCI would receive unsupervised, full-day passes to study Exciting was right. at Washtenaw Community College and the University of Michigan, both in Ann Between classes, they robbed banks. Arbor, just 14 miles away. 2 Confirmed Supporting Cast Member 7 We beat the system with their own himself and his family. The charges were system. Despite our criminal records, dropped. we were automatically eliminated as suspects, because we were classified Chaz did the rest of his original bid. Got by law enforcement as “currently paroled. And went right back to robbing incarcerated.” The best alibi you can banks. have is to be in prison when the crime is committed. My skills had reached an all-time high. And now I had freedom of movement, Chaz and his crew rented apartments along with the privacy to train and drill in and around Ann Arbor, one for my crew so as to increase our proficiency hiding cash, one for stashing weapons, to near perfection. and one (a penthouse) for socializing – entertaining lady friends with Marvin Gaye and Al Green on the hi-fi. The plan was to open a nightclub in Detroit once they all got out. Little Egypt. Live soul music and fine soul food. A spot for people in the life. Hustlers with money. Then a prison bus driver dimed them out. Chaz and two others were charged with multiple counts of armed bank robbery.
Recommended publications
  • Little White Booklet
    Narcotics Anonymous® Anglicized 1 Foreword This booklet is an introduction to the Fellowship of Narcotics Anonymous. It is written for those men and women who, like ourselves, suffer from a seemingly hopeless addiction to drugs. There is no cure for addiction, but recovery is possible by a programme of simple spiritual principles. This booklet is not meant to be comprehensive, but it contains the essentials that in our personal and group experience we know to be necessary for recovery. Serenity Prayer God, grant me the serenity to accept the things I cannot change, the courage to change the things I can, and the wisdom to know the difference. Who is an addict? Most of us do not have to think twice about this question. We know! Our whole life and thinking was centred in drugs in one form or another – the getting and using and finding ways and means to get more. We lived to use and used to live. Very simply, an addict is a man or woman whose life is controlled by drugs. We are people in the grip of a continuing and progressive illness whose ends are always the same: jails, institutions, and death. 2 Narcotics Anonymous 3 What is the experience that those who keep coming to our meetings Narcotics Anonymous programme? regularly stay clean. NA is a non-profit fellowship or society of men and Why are we here? women for whom drugs had become a major problem. Before coming to the Fellowship of NA, we could not We are recovering addicts who meet regularly to help manage our own lives.
    [Show full text]
  • Walpole Public Library DVD List A
    Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair,
    [Show full text]
  • 30 MINUTES OR LESS Written by Michael Diliberti
    30 MINUTES OR LESS Written by Michael Diliberti & Matthew Sullivan 12- 11-09 The following is very loosely based on some shit that actually happened... OVER BLACK We hear the roar of a V8 engine, piped out through some throaty, fucked up muffler, as EXT. HIGHWAY - DAY An '89 Mustang bursts like a shot over a rise in the highway. It's got a rusted two-tone paint job, Maryland plates, and bald tires that scream as it peels off an exit and into the EXT. SUBURBS - DAY The car fast approaches a stop sign, dangerously blows through the intersection. INT. MUSTANG - DAY - MOVING We don't see the DRIVER, only the redlining RPMs, Vans slip- ons working the pedals, wristwatch being checked. The wheel cranks right as the car turns onto a - One way street. A minivan flies right at us. The Mustang hops up onto the curb to avoid it, clips a trash can and - Garbage explodes like confetti. The wipers engage, brushing the trash aside. The car whips another turn and EXT. SUBURBS - DAY The Mustang fishtails around a corner and skids away. CUT TO: TIRES SCREECH Brake pads smoke. The Mustang stops outside EXT. HOUSE - DAY The Driver jumps out of the car. As he rushes to the front door, we see the urgent package he is delivering. TWO LARGE PIZZAS Before he can ring the bell, the door opens and two smug 15- YEAR-OLDS stare out. 15-YEAR-OLD That's 34 minutes. You're 4 minutes late. Pizza's free. REVEAL our guy staring back at the kids.
    [Show full text]
  • Where Was the Outrage? the Lack of Public Concern for The
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by TopSCHOLAR Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 8-2014 Where Was the Outrage? The Lack of Public Concern for the Increasing Sensationalism in Marvel Comics in a Conservative Era 1978-1993 Robert Joshua Howard Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the United States History Commons Recommended Citation Howard, Robert Joshua, "Where Was the Outrage? The Lack of Public Concern for the Increasing Sensationalism in Marvel Comics in a Conservative Era 1978-1993" (2014). Masters Theses & Specialist Projects. Paper 1406. http://digitalcommons.wku.edu/theses/1406 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. WHERE WAS THE OUTRAGE? THE LACK OF PUBLIC CONCERN FOR THE INCREASING SENSATIONALISM IN MARVEL COMICS IN A CONSERVATIVE ERA 1978-1993 A Thesis Presented to The Faculty of the Department of History Western Kentucky University Bowling Green, Kentucky In Partial Fulfillment Of the Requirements for the Degree Master of Arts By Robert Joshua Howard August 2014 I dedicate this thesis to my wife, Marissa Lynn Howard, who has always been extremely supportive of my pursuits. A wife who chooses to spend our honeymoon fund on a trip to Wyoming, to sit in a stuffy library reading fan mail, all while entertaining two dogs is special indeed.
    [Show full text]
  • Uconn Professor Reveals 'How to Rob the Racetrack' Solidarity Urges Restraint
    85: to c.l Connecticut latlrj (Hamnua Serving Storrs Since 1896 Vol. LXXXV No. 40 University of Connecticut Friday, October 23,1981 Federal Labor board orders PATCO's death WASHINGTON (AP)—The Federal Labor Relations Authority ordered the death of the Professional Air Traffic Controllers Organization on Thursday, declaring PATCO forfeited its right to exist by "willfully and intentionally " violating the law with a strike last August. But hours later, a federal appeals blocked the order. The 2-1 decision by the FLRA marked the first time the government has put a union out of business by stripping it of its bargaining authority. It came as a victory for the Reagan administration, which fired 11,500 striking con- trollers shortly after their Aug. 3 walkout. The dissenting FLRA member declared that he. too, would want the union dissolved if it did not agree to end the illegal strike within five days. Hours after the ruling, it was stayed by a U.S. Court of Appeals order sought by PATCO. Robert Bonner, deputy clerk of the appeals court, said Janet Ackerman (left) enjoys an ice cream cone with her friend Rose Tse Thursday after- the court issued "a temporary stay until it can get a respon- noon outside the Student Union snack bar (Evan Roklen photo). se from the government" which he said was due Monday. In their request for a stay. PATCO attorneys Russ Bailey and Neal Goldfarb told the appeals court in written papers UConn professor reveals that the decision of the authority would bring irreparable harm to PATCO because dues checkoff would be stopped Friday for 2,000 members who continue to work.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • Headline Ideas
    The Ultimate Idea-Inducing, Creativity-Enhancing, SAMPLE HEADLINE COLLECTION Over 600 Examples Of Published Headlines Including Some Of The Best Headlines Ever Written! compiled by Robert D. Boduch The Ultimate Idea-Inducing, Creativity-Enhancing, Sample Headline Collection Over 600 Samples Of Published Headlines Inside Compiled by Robert D. Boduch Copyright © 1999.-2003 The Ultimate Idea-Inducing, Creativity-Enhancing, Sample Headline Collection Jerry Fisher The Three Little-Known Secrets To Bring Out Your Natural Beauty. How To Make Your Stomach Flat And Hard In 30 Days! How Would You Spend An Extra $200,00, Starting Tomorrow? Enjoy The Temptingest, Tastiest Tacos In Town! A Good Reason Not To Settle For A 10% Return. How To Remove Carpet Stains In 10 Minutes. Finally, People & Pet-Friendly Solutions To Pest Control. Slip This Into Your Checkbook And Watch Your Debts Disappear! Police Officers Give Our Donuts A Thumbs Up, And So Will You! Truckers Favorite Fuel! “The Best New Way I’ve Seen To Reach Your Fitness Goals!” Yes You Can Have A Healthy Body… Even If You Don’t Like Exercise! “Deathly” Door Stop. It’s Deafening Alarm Scares Intruders To Death. Revealed… A 20-Year Old Secret To Lowering Your Insurance Premiums. “Whew!” Announcing The Chocolate Pie Diet. “Heeelp!” Is Keeping Your Family Safe Worth 54 Cents A Day? Now YOU Can Skip Any Trade Show And Still Get An Armload Of The Best Exhibitor Hand- outs. Worried That Home Inspection Could Be A Deal Buster? How To Nail Down A 20% Return On How To Nail Down A 20% Return On Your Investment.
    [Show full text]
  • Building a Web Site for Dummies, 2Nd Edition.Pdf
    00a_571443ffirs.qxd 7/1/04 8:27 PM Page i Building a Web Site FOR DUMmIES‰ 2ND EDITION by David A. Crowder 00a_571443ffirs.qxd 7/1/04 8:27 PM Page iv 00a_571443ffirs.qxd 7/1/04 8:27 PM Page i Building a Web Site FOR DUMmIES‰ 2ND EDITION by David A. Crowder 00a_571443ffirs.qxd 7/1/04 8:27 PM Page ii Building a Web Site For Dummies®, 2nd Edition Published by Wiley Publishing, Inc. 111 River Street Hoboken, NJ 07030-5774 Copyright © 2004 by Wiley Publishing, Inc., Indianapolis, Indiana Published by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permis- sion of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, e-mail: [email protected]. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc.
    [Show full text]
  • 'Getting-By', Coping and Resilience in Difficult Times: Final Report
    Recession, Resilience and Rebalancing Social Economies in Northern Ireland's Neighbourhoods: A Research Project funded by the Office for the First Minister and Deputy First Minister 'Getting-by', Coping and Resilience in Difficult Times: Final Report Author(s): Paul Hickman Elaine Batty Chris Dayson John Flint Mike Foden Jenny Muir Aimee Ambrose Steve Green April 2015 Disclaimer: This research forms part of a programme of independent research commissioned by OFMDFM to inform the policy development process and consequently the views expressed and conclusions drawn are those of the author and not necessarily those of OFMDFM. Acknowledgements We would like to thank all the residents who gave up their time to take part in the research. We are grateful to Perceptive Insight, who undertook the household survey of residents, data from which is referred to extensively in this report. We very much appreciate the valuable support and constructive advice from our Research Managers at OFMDFM, Michael Thompson and Janis Scallon. We are also appreciative of the contribution of members of the project steering group who have provided us with really helpful advice. The steering group comprises: Lorraine Lynas (DARD); Richard Irwin (OFMDFM); Graeme Hutchinson (DETI); Alistair Pyper (DETI); Stephen Macdonald (DETI); Paul Nolan (CRC); Joe Reynolds (OFMDFM); Roy McGivern (DSD); Sharon Polson (Invest NI); Stephen Bloomer (NICVA); Dave Rogers (OFMDFM); Kathleen Healy (Community Foundation for Northern Ireland); Jennifer Hawthorne (NIHE); Fiona McCausland (DETI); and Lucy Marten (OFMDFM). We would like to thank our colleagues Sarah Ward, Jess Bamonte and Emma Smith for their help in putting together this report and Martina McKnight and John Bronte for undertaking for undertaking interviewing in Short Strand and Lower Castlereagh.
    [Show full text]
  • Fll 09 Web Final
    1 SEATTLE MYSTERY BOOKSHOP Fall 2009 Newsletter 117 Cherry St. Seattle, WA 98104 Hours: 10-5 Mon – Sat, 12-5 Sun Bill Farley, Founder / JB Dickey, Owner /Fran Fuller, Bookkeeper Janine Wilson, Bookseller / Gretchen Brevoort, Co-op / Marie Ary-Almojuela, Bookseller / Adele Avant, Bookseller [email protected] 206-587-5737 www.seattlemystery.com cops — private eyes — courtroom – thrillers — suspense — espionage — true crime — reference New from the Northwest Marilee Brothers, The Rock & Roll Queen of Bedlam (Oct., Medallion tpo, 15.95). In rural Eastern Washington, Allegra Thome is a statuesque rocker who teaches dysfunctional teens by day and spends her rich boyfriend’s money by night. One day, she’s trapped in a drug bust that goes bad but meets DEA agent Sloan, a rough character who immediately catches her eye. They will both find themselves in the middle of trouble as students disappear, bodies appear and Allegra’s live is threatened. Author lives in Selah, WA. Chelsea Cain, Evil at Heart (Sept., St. Martin’s hc, 24.99). Det. Archie Sheridan and serial killer Gretchen Lowell have reached a balance of a sort: he won’t kill himself and she won’t kill anyone else. But a copy-cat killer wants to step in and play with Archie and things are going to get ugly and bloody. In paper, Sweetheart (Sept., St. Martin’s, 7.99). Jayne Castle, Obsidian Prey (Sept., Jove pbo, 7.99). 6th in Jayne Ann Krentz’s Harmony series of psychic romantic suspense. Signing. Vicki Delany, Winter of Secrets (Nov., Poisoned Pen hc, 24.95). The holidays won’t be quiet for Constables Smith and Evans.
    [Show full text]
  • Welcome to the Candy Shop! Conflicting Representations of Black Masculinity
    Popular Music (2014) Volume 33/2. © Cambridge University Press 2014, pp. 209–224 doi:10.1017/S0261143014000312 Welcome to the candy shop! Conflicting representations of black masculinity MARITA B. DJUPVIK Faculty of Fine Arts, University of Agder, Post Box 422, No- 4604 Kristiansand, Norway E-mail: [email protected] Abstract Mainstream hip hop videos have long been known for their images of scantily clad women, extreme materialism, and misogynist and homophobic lyrics. In this article I focus on how rapper 50 Cent’smas- culinity is constructed and expressed through music, lyrics and images in his video ‘Candy Shop’ from 2005. This is a classically modelled hip hop video, replete with markers of hypermasculinity: fancy cars, ‘bling’, and lots of beautiful, sexually available women. Several scholars have discussed how women are exploited in videos like this and reduced to props for the male star. However, few have explored how this macho masculinity is constructed. Through a close reading of this video, using socio-musicology and audiovisual analysis as my approach, I propose that the macho masculinity presented here is threatened when the male body is on display, but 50 Cent reassures himself (and his audience) through selective framing, involving both other performers and the music. Introduction There is a long tradition in popular music lyrics of using sugar or candy to evoke something desirable, including ‘I Can’t Help Myself (Sugar Pie Honey Bunch)’ by the Four Tops (1965), ‘Sugar, Sugar’ by the Archies (1969), ‘Brown Sugar’ by the Rolling Stones (1971) and ‘Candy Girl’ by New Edition (1983), among others.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist - Human Metallica (I Hate) Everything About You Three Days Grace "Adagio" From The New World Symphony Antonín Dvorák (I Just) Died In Your Arms Cutting Crew "Ah Hello...You Make Trouble For Me?" Broadway (I Know) I'm Losing You The Temptations "All Right, Let's Start Those Trucks"/Honey Bun Broadway (I Love You) For Sentimental Reasons Nat King Cole (Reprise) (I Still Long To Hold You ) Now And Then Reba McEntire "C" Is For Cookie Kids - Sesame Street (I Wanna Give You) Devotion Nomad Feat. MC "H.I.S." Slacks (Radio Spot) Jay And The Mikee Freedom Americans Nomad Featuring MC "Heart Wounds" No. 1 From "Elegiac Melodies", Op. 34 Grieg Mikee Freedom "Hello, Is That A New American Song?" Broadway (I Want To Take You) Higher Sly Stone "Heroes" David Bowie (If You Want It) Do It Yourself (12'') Gloria Gaynor "Heroes" (Single Version) David Bowie (If You're Not In It For Love) I'm Outta Here! Shania Twain "It Is My Great Pleasure To Bring You Our Skipper" Broadway (I'll Be Glad When You're Dead) You Rascal, You Louis Armstrong "One Waits So Long For What Is Good" Broadway (I'll Be With You) In Apple Blossom Time Z:\MUSIC\Andrews "Say, Is That A Boar's Tooth Bracelet On Your Wrist?" Broadway Sisters With The Glenn Miller Orchestra "So Tell Us Nellie, What Did Old Ironbelly Want?" Broadway "So When You Joined The Navy" Broadway (I'll Give You) Money Peter Frampton "Spring" From The Four Seasons Vivaldi (I'm Always Touched By Your) Presence Dear Blondie "Summer" - Finale From The Four Seasons Antonio Vivaldi (I'm Getting) Corns For My Country Z:\MUSIC\Andrews Sisters With The Glenn "Surprise" Symphony No.
    [Show full text]