DOCSLIB.ORG

Vs System 2PCG Rules

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vs System 2PCG Rules Issues and Arcs Star-Lord a player’s hand. This is uncanny. A This 3-issue Arc features the Kitty Pryde becomes Star-Lord couple things about this: battles over the Infinity Gauntlet. when the original Star-Lord is • She can strike any number of 0 Last Issue covered several cosmic otherwise employed. So she has DEF characters (or characters with Avengers, while this Issue focuses s around her name, meaning she * DEF). on the Guardians of the Galaxy, shares the “mantle” with Star-Lord, • She can strike characters who and next Issue details Thanos’s himself. The sharing of the mantle normally couldn’t be struck by her ® quest for the Infinity Gems. means both characters can be on while on a side (like Bulletproof a side at the same time because characters) because those powers Cosmo they’re different beings, just with aren’t active while the character is With All Bark, No Flight each power the same name. So you don’t KO in a hand. ® lost grants 1 XP. So if a character either because of uniqueness rules • It doesn’t matter how much loses three powers, Cosmo gains and they can’t power each other a struck character has, it gets 3 XP.Note: and are both up. discarded. keyword powers. Note that although this card COSMO A character must lose a L1 MAIN CHARACTER represents her joining the power and remain face Guardians of the Galaxy ( ), up in order for Cosmo to she’s still an X-Men ( ) at heart, gain an XP. Losing powers Bad Dog Main : Name a keyword or super power. Until the so she has both team affiliations. start of your next Main Phase, enemy characters lose and can’t gain that power, and enemy characters that appear with that power lose and can’t gain it. because a character turned All Bark, No Flight Level Up (6) - When a face-up enemy character Her Intangibility power lets her loses a keyword or super power, GALACTIC GUARDIANS Cosmo gains an XP. 1 | 6 GAL-004 5 face down doesn’t count. ©2019 UDC. strike characters while they’re in Adam Warlock Nikki Starhawk STARHAWK Angela HARACTER At Level 1, if Adam Mercurial Personality allows At one point 5 SUPPORTING C An Angel From the Heavens makes Warlock gets KO’d L1 A you to Burn an enemy supporting Starhawk was it difficult for Angela to be solo DAM WA MAI RLOC N CH ARA K by getting stunned, CTER character. This means “At the end actually two attacked. An attacker must have Prepare for Rebirth of each of your turns, beings merged or (or both) to solo attack her. osite Being nd other than Comp ers in your ha . hawk charact With Starhawk Star rd have Bond er ies of this ca nerate a pow cop d them to ge ers). ou may discar s super pow NIKKI (Y e of this card’ symbol for on will cause him to stun that character.” 4 SUPPORTING CHARACTER together who took K ER When Angela opens a Bridge to W T s A AC Giver of Light +1/+1 counter H R : Remove all R A Main ters and remove A H my charac ters T G C from ene ers from charac S IN all -1/-1 count Prepa RT . re for Rebir O on your side gain an XP and Level Up ( (Note: “You” refers turns occupying PP 2 Heven, you must put each revealed SU 5 5 -012 inste 1) - th | GAL ad If Adam would be KO’d, ©2019 UDC. he gains heal all wou tur an X nds 5 ned off. P. T from his powe Him, a become Level r can nd to the player who the same space. character onto your side. This may ’t be 5 | 5 GAL-001 2 while in the used Nikki’s effect.) The Starhawk card from way back cause some characters to be KO’d ©2019 UDC. an th k. r r he e ot . d tarhapow w an ers) 1 r h ou With S pow y ond stunned position. A Burn effect has no Mercurial Personality in the Vs. System® 2PCG®:g in B Legacy due to the uniqueness rules. s e er to generates supe ra When Nikki appears, she may pay ct hav ers ra rd e an . If she does, Burn an enemy ha a count k c is c remov s w h /+1 cter 2 supporting character. (Stun it at the ha +1 nd a Compositear of Bei t discardn them ll s a St a er char end of each of your turns.) may ve ct m (If a power like Hex set duration – it expansion represents Stakarcopioesu o a ro Y f ( mbol for oneRe ofm thisha cardr s ’ sy : er unt Giver of Lighenemytco c . Main m /-1 side fro 1 6 | 1 all - your 2 7 GAL-011 2 on 1 prevents him from leveling up, will last until ©2019 UDC. Ogord, but this card brings Aleta GAL-©20190 UDC. 5 SU P AN | PO G 5 RT EL ING C A HA he’ll remain at Level 1 but still heal the character Ogord to the fore. Because they RA C TE his wounds.) leaves play. share the same body, you can’t R have both Starhawks in play at A n Ang Ch ar el acte Fr the same time. However, Aleta’s The r om Jack Flag s with T the At en ou H th th t ea o e R ve r mor sta ealm or ns H rt even. e l of ca oca your n’t Pu (R tions M sol t e eve ain o a the ach a on Phase, i ttack Jack’s grants to grants r cha l the y Follower Leader Composite Being Bond with o 7 only oest u Angel in ract to r s | 8 p to er p ten cide, f the a en your ont ope re . one deck. o ar n ar B yo ds a e n GAL-01 rid ur of Bridge in ge A p sid yo e eac lay e ur from ©2019 UDC.5 e an deck h ga r may d shu a main character he team attacks Starhawk to any Stakar Starhawks m . e.) ffle with. While a Leader is team in your hand. 2 attacking, you choose who the defender strikes back against. Mainframe Nova Corps and a “Wild” Special Location Stationary prevents Mainframe Living Tribunal from their team to pay for them. When the Living Tribunal The Milano from moving even if an enemy In this Arc, we are playing • These cards are neutral, so Balances the Multiverse, player uses a push or pull around with how players can use just like any other neutral he’s removed from the game effect on him or rearranges locations besides super powers. cards they can be in before he actually appears. your formation. In addition to cards like Nikki Loyalty decks. Photographic Universe cards When Mainframe uses Primary (who has a keyword power which • The Special Locations are cards that have don’t count as locations Operating System it applies only L RIBUNA requires spending an ), each ING T CTER LIV HARA RTING C photographic SUPPO to characters that are currently 15 Issue will have a Plot Twist and power symbol (for powers artwork on on your side. It doesn’t apply to Special Location that allow their like Black Widow Main them, from characters that appear on your main characters to have some Character’s Level Up power side later that turn. TV shows and Red in Her Ledger or Zzutak’s of pretty powerful effects on the e ose on erse al, cho Multiv Tribun in the Living the game: alance uit the nd movies. The B ou recr him from ion, a en y locat Wh then remove pment, s, equi Paint to Life). h is face ach KO e er. ment, Equity - equip game. A few things about these ting charact suppor non- acter. 7 - KO each ic NO MA Necessity and supporting char aph HE MILA SU IN other universe location, each Photogr and T P FR - KO TION POR A eance ent, location, SPECIAL LOCA TIN ME Veng equipm . G CH verse er AR Uni ting charact 0 ACT suppor Plot Twists and Special Locations: ER 7 0 | 0 GAL-01 NOV is the Illustrated ©2019 UDC. A CO PLOT T RP W S • They are not super powers. IST Universe, whose • Your main characters must be cards are cards face up to pay for them. (But AKA Vision Stationa with drawn, or Ma ry infra me can’ ip Prima t mov it doesn’t have to be in the Ravager Sh character r e hase, your main Build y Opera . ng your Build P cation ting System Duri rn this lo o : Ot Com . If it does, tu ne less her char illustrated artwork. If bat may pay an +1 counter on each i : su power acte t doe Your . Then put a +1/ nd per power symbol rs on you the s, K main face down hey have a 0 comba O a character our side, and t | 16 this to use r side pay n en cter on y turn th combat to pay for Nova Corps.) t w emy chara . eir fir ith 7 A sup may rn. GAL-01 st T porting pa this tu 6 K y a ©2019 UDC.
Load more

Recommended publications
  • An Analysis of Deixis in Students‟ Writing of Recount Text of the Eighth B Grade of Smp N 1 Jeparain the Academic Year 2012/2013
    REFERENCES Anggraini, F. (2013). An Analysis Of Deixis In Students‟ Writing Of Recount Text Of The Eighth B Grade Of Smp N 1 Jeparain The Academic Year 2012/2013. Thesis. Kudus: Universitas Muira Kudus Arikunto, S. (2002). Prosedur Penelitian. Jakarta: Rineke, Cipta, Croker, R. A. (2009). An Introduction to Qualitative Research. In Juanita. H. and Robert A. C. (Ed), Qualitative Research in Applied Linguistics: A Practical Introduction. (pp. 3-24). New York: Palgrave Macmillan. Cruse, A. (2000). Meaning in Language: An Introduction to Semantics and Pragmatics. Oxford: Oxford University Press ________. (2006). A Glossary of Semantics and Pragmatics. Edinburgh: Edinburgh University Press. Griffiths, L. (2006). An Introduction to English Semantics and Pragmatics. Edinburgh: Edinburgh University Press. Grundy, P. (2000). Doing Pragmatic. New York: Oxford University press, Horn, L. R. & Gregory W. (2006). The Handbook of Pragmatic. United Kingdom: Blackwell Publishing. Jamjuri. (2015). Social Deixis in Elizabeth the Golden Age Movie Script. Thesis. Yogyakarta: Universitas Islam Negri Sunan Kalijaga Kreidler, C. W. (1998). Introducing English semantics. New York: Routeledge. Kurniyati, L. (2011). Deixis Used in the Readers‟ Forum of the Jakarta Post Newspaper. Thesis. Tulungagung: The State College For Islamic Studies (STAIN) Levinson, S. C. (1983). Pragmatics. London: Cambridge University Press, Mayer, C. F. (2009). Introducing English Linguistics. New York: Oxford University Press, Movie Script of “Doctor Strange”. (n.d). Retrieved from https://transcripts.fandom.com/wiki/Doctor_Strange Noviyanti, E. D. (2013). Deixis Types in President Barac Obama‟s Speech in Universitas Indonesia. Thesis. Tulungagung: IAIN Tulungagung. Saeed, J.I. (2003). Semantics 2nd edition. United Kingdom: Blackwell Publishing. 57 Yule, G.
    [Show full text]
  • Earth-717: Avengers Vol 1 Chapter 10: Suicide Mission “My, My, My! to Have So Many of Our Friends Together in the Same Place!
    Earth-717: Avengers Vol 1 Chapter 10: Suicide Mission “My, my, my! To have so many of our friends together in the same place! I know that it is under quite distressing circumstances, but still, it's wonderful to have such a congregation!” Steve, Tasha, Thor, Bruce, Carol, Reed, Susan, Johnny, Ben and Herbie were all in one of the hangars on board the Valiant. The Rogue One had been moved from the Senatorium to the Valiant earlier that day, and Tasha had finished installing her new upgrade to the ship. Hundreds of other Nova pilots and officers were moving around the hangar, preparing for the battle ahead. Herbie bounced up and down as he looked around at the group. “To see the Fantastic Four ready to go into battle alongside such brave and noble heroes like yourselves! It is truly remarkable, is it not, Doctor Richards?” “It sure is,” said Reed. “You've got quite a team.” “Put it together at the last minute,” said Tasha. “Since somebody decided that they wanted an interstellar vacation at the worst possible time.” “Hey!” said Johnny. “Wasn't my fault! Blame these guys! I just went along for the ride!” Ben gave Johnny a light smack on the back of the head. “Nobody asked you, junior.” Johnny grumbled as he tried to fix his hair. Reed laughed before looking back Steve. “Don't suppose you'd like to tell me how I'm standing across from Captain America?” “I guess that a man of science like yourself would be interested in that sort of thing,” said Steve.
    [Show full text]
  • Marvel References in Dc
    Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros.
    [Show full text]
  • A Chilling Look Back at Jeph Loeb and Tim Sale's
    Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch .
    [Show full text]
  • Infinity Gauntlet Free
    FREE INFINITY GAUNTLET PDF Jim Starlin,Ron Lim,George Perez | 256 pages | 15 Sep 2016 | Marvel Comics | 9780785156598 | English | New York, United States Infinity ∞ Gauntlet : 14 Steps (with Pictures) - Instructables Since its initial serialization from July to Decemberthe series has been reprinted in various formats and editions. The series' events are driven by Thanosa nihilist character created for Marvel by Starlin in When Starlin Infinity Gauntlet writing Silver Surfer inhe and Lim began a new plot with Thanos that developed over sixteen monthly issues and a spin-off limited Infinity Gauntlet before concluding in The Infinity Gauntlet. However, after completing three issues and part of the fourth, his own busy schedule and dissatisfaction with the story led to him being replaced by Lim. At the start of The Infinity Gauntletthe character Thanos has collected all six Infinity Gems and attached them to his gauntlet. With their combined power, he becomes " like a god " and sets out to win the affection of Mistress Deaththe living embodiment of death in the Marvel Universe. When Thanos uses his powers to instantly kill half of the living beings in the universe, Adam Warlock leads Earth's remaining heroes against him. After the Infinity Gauntlet is stolen by Thanos' Infinity Gauntlet granddaughter NebulaThanos aids the remaining heroes in defeating her. Warlock ultimately obtains the Infinity Gauntlet Gauntlet and uses its power to undo the death and destruction. The series was a top seller for Marvel during publication and was followed by two immediate sequels, The Infinity War and The Infinity Crusade The story's events continued to be referenced in other Marvel comics for decades.
    [Show full text]
  • Aliens of Marvel Universe
    Index DEM's Foreword: 2 GUNA 42 RIGELLIANS 26 AJM’s Foreword: 2 HERMS 42 R'MALK'I 26 TO THE STARS: 4 HIBERS 16 ROCLITES 26 Building a Starship: 5 HORUSIANS 17 R'ZAHNIANS 27 The Milky Way Galaxy: 8 HUJAH 17 SAGITTARIANS 27 The Races of the Milky Way: 9 INTERDITES 17 SARKS 27 The Andromeda Galaxy: 35 JUDANS 17 Saurids 47 Races of the Skrull Empire: 36 KALLUSIANS 39 sidri 47 Races Opposing the Skrulls: 39 KAMADO 18 SIRIANS 27 Neutral/Noncombatant Races: 41 KAWA 42 SIRIS 28 Races from Other Galaxies 45 KLKLX 18 SIRUSITES 28 Reference points on the net 50 KODABAKS 18 SKRULLS 36 AAKON 9 Korbinites 45 SLIGS 28 A'ASKAVARII 9 KOSMOSIANS 18 S'MGGANI 28 ACHERNONIANS 9 KRONANS 19 SNEEPERS 29 A-CHILTARIANS 9 KRYLORIANS 43 SOLONS 29 ALPHA CENTAURIANS 10 KT'KN 19 SSSTH 29 ARCTURANS 10 KYMELLIANS 19 stenth 29 ASTRANS 10 LANDLAKS 20 STONIANS 30 AUTOCRONS 11 LAXIDAZIANS 20 TAURIANS 30 axi-tun 45 LEM 20 technarchy 30 BA-BANI 11 LEVIANS 20 TEKTONS 38 BADOON 11 LUMINA 21 THUVRIANS 31 BETANS 11 MAKLUANS 21 TRIBBITES 31 CENTAURIANS 12 MANDOS 43 tribunals 48 CENTURII 12 MEGANS 21 TSILN 31 CIEGRIMITES 41 MEKKANS 21 tsyrani 48 CHR’YLITES 45 mephitisoids 46 UL'LULA'NS 32 CLAVIANS 12 m'ndavians 22 VEGANS 32 CONTRAXIANS 12 MOBIANS 43 vorms 49 COURGA 13 MORANI 36 VRELLNEXIANS 32 DAKKAMITES 13 MYNDAI 22 WILAMEANIS 40 DEONISTS 13 nanda 22 WOBBS 44 DIRE WRAITHS 39 NYMENIANS 44 XANDARIANS 40 DRUFFS 41 OVOIDS 23 XANTAREANS 33 ELAN 13 PEGASUSIANS 23 XANTHA 33 ENTEMEN 14 PHANTOMS 23 Xartans 49 ERGONS 14 PHERAGOTS 44 XERONIANS 33 FLB'DBI 14 plodex 46 XIXIX 33 FOMALHAUTI 14 POPPUPIANS 24 YIRBEK 38 FONABI 15 PROCYONITES 24 YRDS 49 FORTESQUIANS 15 QUEEGA 36 ZENN-LAVIANS 34 FROMA 15 QUISTS 24 Z'NOX 38 GEGKU 39 QUONS 25 ZN'RX (Snarks) 34 GLX 16 rajaks 47 ZUNDAMITES 34 GRAMOSIANS 16 REPTOIDS 25 Races Reference Table 51 GRUNDS 16 Rhunians 25 Blank Alien Race Sheet 54 1 The Universe of Marvel: Spacecraft and Aliens for the Marvel Super Heroes Game By David Edward Martin & Andrew James McFayden With help by TY_STATES , Aunt P and the crowd from www.classicmarvel.com .
    [Show full text]
  • Doctor Strange Comics As Post-Fantasy
    Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Karen Swenson, Chair Nancy A. Metz Katrina M. Powell April 15, 2019 Blacksburg, Virginia Keywords: Fantasy, Comics Studies, Postmodernism, Post-Fantasy Copyright 2019, Jessie L. Rogers Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers (ABSTRACT) This thesis demonstrates that Doctor Strange comics incorporate established tropes of the fantastic canon while also incorporating postmodern techniques that modernize the genre. Strange’s debut series, Strange Tales, begins this development of stylistic changes, but it still relies heavily on standard uses of the fantastic. The 2015 series, Doctor Strange, builds on the evolution of the fantastic apparent in its predecessor while evidencing an even stronger presence of the postmodern. Such use of postmodern strategies disrupts the suspension of disbelief on which popular fantasy often relies. To show this disruption and its effects, this thesis examines Strange Tales and Doctor Strange (2015) as they relate to the fantastic cornerstones of Tolkien’s The Hobbit and The Lord of the Rings and Rowling’s Harry Potter series. It begins by defining the genre of fantasy and the tenets of postmodernism, then it combines these definitions to explain the new genre of postmodern fantasy, or post-fantasy, which Doctor Strange comics develop. To show how these comics evolve the fantasy genre through applications of postmodernism, this thesis examines their use of otherworldliness and supernaturalism, as well as their characterization and narrative strategies, examining how these facets subvert our expectations of fantasy texts.
    [Show full text]
  • Naval Reserve Command
    NAVAL RESERVE OFFICER TRAINING CORPS Military Science –1 (MS-1) COURSE ORIENTATION Training Regulation A. Introduction: The conduct of this training program is embodied under the provisions of RA 9163 and RA 7077 and the following regulations shall be implemented to all students enrolled in the Military Science Training to produce quality enlisted and officer reservists for the AFP Reserve Force. B. Attendance: 1. A minimum attendance of nine (9) training days or eighty percent (80%) of the total number of ROTC training days per semester shall be required to pass the course. 2. Absence from instructions maybe excuse for sickness, injury or other exceptional circumstances. 3. A cadet/ cadette (basic/advance) who incurs an unexcused absence of more than three (3) training days or twenty percent (20%) of the total number of training during the semester shall no longer be made to continue the course during the school year. 4. Three (3) consecutive absences will automatically drop the student from the course. C. Grading: 1. The school year which is divided into two (2) semesters must conform to the school calendar as practicable. 2. Cadets/ cadettes shall be given a final grade for every semester, such grade to be computed based on the following weights: a. Attendance - - - - - - - - - - 30 points b. Military Aptitude - - - - - 30 points c. Subject Proficiency - - - - 40 points 3. Subject proficiency is forty percent (40%) apportioned to the different subjects of a course depending on the relative importance of the subject and the number of hours devoted to it. It is the sum of the weighted grades of all subjects.
    [Show full text]
  • Here Back at 2 Sakaarans Disintegrating Them
    83,871 Kills in Guardians of the Galaxy Kills by Character Ronan The Accuser (Lee Pace): 83,241 Peter Jason Quill/Star-Lord (Chris Pratt): 60 Yondu Udonta (Michael Rooker): 28 Groot (Played by Krystian Godlewski/Voiced by Vin Diesel): 24 Subject: 89P13/Rocket Raccoon (Played by Sean Gunn/Voiced by Bradley Cooper): 23 Drax The Destroyer (Dave Bautista): 9 Eson The Searcher (CGI): 7 Denarian Garthan Saal (Peter Serafinowicz): 5 Gamora (Zoe Saldana): 4 Horuz (Tom Proctor): 3 Nebula (Karen Gillan): 1 Kraglin Obfonteri (Sean Gunn): 1 Carina (Ophelia Lovibond): 1 Deaths by Scene Earth 1988: 1 Meredith Quill dies from cancer Morag: 2 Quill kicks the plasma sphere back at 2 Sakaarans disintegrating them The Dark Aster: 1 Ronan crushes a Nova Corps soldiers head with his hammer The Kyln: 1 Gamora cuts a prisoners throat with a knife Sanctuary: 1 Ronan shoots a concussive blast from his hammer breaking The Other's neck Deadline.com Escaping The Kyln: 2 Groot throws the watchtower guard off the balcony to his death Rocket rams the watchtower into a wall blowing up a guard "Cleanse it!": 16 2 guards bodies are seen killed by Sakaaran's 13 prisoners bodies are seen killed by Sakaarans A Sakaaran stabs a guard History of The Infinity Stones: 9 Eson hits his staff into the ground disintegrating 7 people 2 Cosmic Beings are disintegrated by The Power Stone "I will no longer be your slave!": 1 Carina touches The Power Stone causing her to explode Skirmish on Knowhere: 9 A Necrocraft crashes into a hole blowing up a Sakaaran Rocket rams his Industrial
    [Show full text]
  • Avengers Vol 1 Chapter 7: Space Pirates Within Seconds, the Entire
    Earth-717: Avengers Vol 1 Chapter 7: Space Pirates Within seconds, the entire Senatorium was in chaos. The Dark Revenant opened fire on the Nova cruisers surrounding the space station, completely taking them by surprise. The two Pariahs also fired their main laser cannons, and together managed to effortlessly slice apart a Nova warship. The smaller Skrull vessels moved in on the defensive fleet, and the Skrull starfighters began swarming around any targets within range. Adora immediately gathered the Senate members and had them surrounded by Nova guards. The crowds began screaming and panicking, fleeing in all directions. Adora looked at the heroes as the Supreme Intelligence's hologram faded. “I'm getting the Senate out of here! If you want to help . then help.” Before any of the heroes could respond, the Dark Revenant launched multiple interceptor craft. These were cylindrical shuttles that struck the hull of the Senatorium and started drilling through them. While a handful were shot down by the Senatorium's turrets, a few of them still managed to latch on to the exterior of the station. Once holes were pierced by their drills, Skrull and Mekkan troops began flooding inside. Steve turned back to Adora. “We'll help your people fight them off however we can. Get the Senate to safety!” Adora hurriedly nodded before rushing off after the Senate and their guards. Steve held up his shield. Tasha equipped her repulsors and locked her helmet in place. Carol charged both of her hands with energy and started to hover. Thor held his hammer at the ready.
    [Show full text]
  • (“Spider-Man”) Cr
    PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership.
    [Show full text]
  • Winter 2009 (Pdf)
    From the President I just finished reading an extraordinary book. In The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science, Richard Holmes tells a series of rivet- ing stories profiling the eighteenth century pioneers of chemistry, biology, and astronomy. Hol- mes portrays the close interconnection between science and art as intrinsic to the creative process. At the source of scientific discovery is the remarkable quality of wonder—the deep and resilient desire to better understand the origins of life and the cosmos, not just to quench an unrelenting curiosity, but also to learn how to reside well on our remarkable planet. Perhaps this is the holy grail of science education—the inevitable intersection of creativity and analysis. Wonder requires both a poetic sensibil- ity and a rigorous empiricism. This is the heart of At the source of scientific discovery is the remarkable environmental learning as well. At Unity College quality of wonder-the deep and resilient desire to better we strive to provide our students with an empir- ically-based, methodologically rich approach to understand the origins of life and the cosmos, not just field biology and ecology. Our students know that to quench an unrelenting curiosity, but also to learn they belong in the field. Indeed, they thrive there. how to reside well on our remarkable planet. But that is merely the starting point. What ques- tions emerge from their experiences? How might they explore those questions and turn them into sound research? Or interesting works of art? When you spend your time in the field, creative inspiration is directly encountered.
    [Show full text]