Literary Criticism & Collections
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Occupy! Scenes from Occupied America 28 Daily Acadlemsice Bo Ork Reevievwsi Efrowm T Hoe Sfo Cbial Oscoienkcess 2012 Blog Admin
Jul Book Review: Occupy! Scenes from Occupied America 28 daily acadLemSicE bo oRk reevievwsi efrowm t hoe sfo cBial oscoienkcess 2012 Blog Admin Like 19 Tw eet 28 Share 3 In the fall of 2011, a small protest camp in downtown Manhattan exploded into a global uprising, sparked in part by what many saw as the violent overreactions of the police. Occupy! is an unofficial record of the movement and combines first-hand accounts with reflections from activist academics and writers. Jason Hickel finds the book has excellent moments of insight but thought it could benefit from a more lengthy analysis. Occupy! Scenes from Occupied America. Astra Taylor and Keith Gessen (eds). Verso. 2011. Find this book When a small group of activists first occupied Zuccotti Park in Lower Manhattan last September nobody thought it would amount to much. But it wasn’t long before Occupy Wall Street struck a chord with a nation embittered by bank bailouts, plutocracy, and rising social inequalities, galvanized hundreds of thousands of angry protestors, and inspired similar encampments in dozens of cities across the United States and Europe. As a scholar who followed OWS closely with both personal and scholarly interest, I was thrilled to get my hands on Occupy!: Scenes from Occupied America, one of the first book-length texts to have been published on the topic. Occupy! was composed in an unconventional style. It compiles 34 short chapters and dozens of sketches and photographs selected and edited by a team of eight scholar-activists, mostly from radical journals in New York such as n+1 and Dissent, led by Astra Taylor and Keith Gessen. -
Transcultural Express: American and Russian Arts Today Presents a Night of Contemporary Russian Arts at BAM on June 5
TransCultural Express: American and Russian Arts Today presents a night of contemporary Russian arts at BAM on June 5 Visual artist Irina Korina to unveil her first art installation in the US; Authors/journalists Masha Gessen and Keith Gessen to discuss their work at Eat, Drink & Be Literary Brooklyn, NY/May 28, 2013—A site-specific installation by Moscow-based artist Irina Korina and a literary program featuring Masha Gessen and Keith Gessen will bring contemporary Russian culture to Brooklyn Academy of Music (BAM) on June 5, as part of the initial programming of TransCultural Express: American and Russian Arts Today—a collaborative venture between BAM and the Mikhail Prokhorov Fund. Acclaimed Russian literary siblings Masha Gessen (The Unlikely Rise of Vladimir Putin) and Keith Gessen (contributor to The New Yorker, The Atlantic, The New York Review of Books) will discuss their work and lives within two cultures with famed author Phillip Lopate on June 5. This is part of BAM’s popular Eat, Drink & Be Literary series, where audiences wine and dine while hearing leading authors read from their work. Tickets for this program can be purchased by calling BAM Ticket Services at 718.636.4100 or by visiting BAM.org. Tickets also may be purchased in person at the BAM Box Office, Peter Jay Sharp Building, 30 Lafayette Avenue from 10am to 6pm Monday—Friday and 12pm—6pm on Saturday. The evening begins with the work of Russian visual artist Irina Korina, who was selected to represent Russia at the Venice Biennale in 2009. BAM will unveil Korina’s original sculptural installation, created for the lobby of the Peter Jay Sharp Building, and hold a public reception for the artist. -
Intellectual Entrepreneurs Teaches at the New School in New York
MONTAGE “If you prepare material ahead of time, it Then, on Thursday nights, the audiences stream in, the won’t work. The audience can tell.” recording devices roll, and the persiflage flies. It’s much like a tence knowing that I’m ups beforehand, with the pan- conversation among friends— going to need to finish elists kept in the dark. “It’s the panelists all get along and the joke with, say, the like basketball,” Blount like each other. “There’s all name of a movie or a his- explains. “Peter brings sorts of room for per- torical reference that the ball down the court sonality,” Rocca says. I don’t know—but I’m and he will pass off to one “The audience ap- just confident that of us—you can either take preciates the indi- when I get a shot, or dribble and pass vidual quirks of the to the punch it to someone else.” The one panelists. It’s not line, it’ll be segment that allows advance always about a big there.” preparation is the “bluff,” in joke. If you were just Perfor- which one panelist reads a a joke-telling machine without mances run genuine, if bizarre, news story personality, that wouldn’t be for 90 min- and two others invent equally as interesting.” Sagal’s wit is utes or more ridiculous fictional stories on the a sharp as any panelist’s, but and are edited to same topic and try to bluff a listen- he recognizes that “it’s not my 50-minute broad- er on the phone into thinking theirs job to be funny, but to make casts. -
Occupy and the Constitution of Anarchy
Global Constitutionalism (2019), 8:2, 357–390 © Cambridge University Press, 2019. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons. org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/S204538171900008X Occupy and the constitution of anarchy ruth kinna https://www.cambridge.org/core/terms Department of Politics and International Studies, Herbert Manzoni Building, Loughborough University, Leicestershire LE11 3TU Email: [email protected] alex prichard Department of Politics, Amory Building, University of Exeter, Rennes Drive, Exeter EX4 4RJ Email: [email protected] thomas swann Department of Politics and International Studies, Herbert Manzoni Building, Loughborough University, Leicestershire LE11 3TU , subject to the Cambridge Core terms of use, available at Email: [email protected] Abstract: This article provides the first comparative reading of the minutes of the General Assemblies of three iconic Occupy camps: Wall Street, Oakland and London. It challenges detractors who have labelled the Occupy Wall Street movement a flash- 30 Sep 2021 at 22:03:29 in-the-pan protest, and participant-advocates who characterised the movement anti- , on constitutional. Developing new research into anarchist constitutional theory, we construct a typology of anarchist constitutionalising to argue that the camps prefigured a constitutional order for a post-sovereign anarchist politics. We show that the constitutional politics of three key Occupy Wall Street camps had four main aspects: (i) declarative principles, preambles and documents; (ii) complex 170.106.202.226 institutionalisation; (iii) varied democratic decision-making procedures; and (iv) explicit and implicit rule-making processes, premised on unique foundational norms. -
The Bohemian Horizon: 21St-Century Little Magazines and the Limits of the Countercultural Artist-Activist
The Bohemian Horizon: 21st-Century Little Magazines and the Limits of the Countercultural Artist-Activist Travis Mushett Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 ©2016 Travis Mushett All rights reserved ABSTRACT The Bohemian Horizon: 21st-Century Little Magazines and the Limits of the Countercultural Artist-Activist Travis Mushett This dissertation examines the emergence of a cohort of independent literary, intellectual, and political publications—“little magazines”—in New York City over the past decade. Helmed by web-savvy young editors, these publications have cultivated formidable reputations by grasping and capitalizing on a constellation of economic, political, and technological developments. The little magazines understand themselves as a radical alternative both to a journalistic trend toward facile, easily digestible content and to the perceived insularity and exclusivity of academic discourse. However, the bohemian tradition in which they operate predisposes them toward an insularity of their own. Their particular web of allusions, codes, and prerequisite knowledge can render them esoteric beyond the borders of a specific subculture and, in so doing, curtail their political potency and reproduce systems of privilege. This dissertation explores the tensions and limitations of the bohemian artist-activist ideal, and locates instances in which little magazines were able to successfully -
SUMMER READING 2017 11Th and 12Th Grades
SUMMER READING 2017 11th and 12th Grades In this packet, you will find information about Summer Reading for new and returning Commonwealth students. Traditionally, we begin each school with discussions of a book or books that the whole community has read. This year, we will be trying something a bit new—each group will discuss a different book, representing a range of topics and genres, chosen by the faculty member leading the conversation. Please select one book from the “Summer Reading Discussion Groups” list and come to school prepared to share your observations! We hope that you will read every day this summer. We ask that you read a total of 6 to 12 books over the summer vacation, including those that are required. One of these books should come from the “Identity and Diversity” list below; you may also have required reading for one or more of your classes. Beyond that, the balance of your reading may come from recommended books on the school lists or those you choose on your own. If you liked a book in one of your courses last year, you might want to try another by the same author this summer. We encourage you to keep a reading journal, in which you keep track of what you have read and what you thought of it. Jot down favorite quotations and make a note of anything that comes to mind in the course of your reading. When you return to school in the fall, your advisor will be interested to hear what you have read and your responses. -
Literature and the Public Sphere in the Internet Age Daniel James South
Literature and the Public Sphere in the Internet Age Daniel James South PhD University of York English March 2019 Abstract This thesis explores the relationship between literature and the public sphere in the internet age. The introduction identifies gaps on these three topics in current academic work, and outlines the need for clarification of the links between them. The chapters go on to explicate these links with reference to the work of four contemporary authors, namely Jonathan Franzen, Dave Eggers, Zadie Smith, and David Foster Wallace. In their writing, these authors all identify different challenges to the public sphere in the internet age and, in response, ‘model’ alternative modes of being in the public sphere. These modes of being emerge from the particular formal affordances of literature, and are described here as forms of ‘literary publicness.’ The thesis situates these authors on a spectrum of discursive agency, ranging from a view of the public sphere in which writers are seen as authoritative, to a view in which reading processes are prioritised. Each chapter also addresses how these authors have themselves been considered as figures in the public sphere. As such, the story that this thesis tells both helps to clarify the role that culture plays in the public sphere, and reveals the concept of the public sphere itself as a key locus of the relationship between contemporary literature and the internet. 2 List of Contents Abstract ...................................................................................................................... -
International Association for Literary Journalism Studies
LITERARY JOURNALISM STUDIES LITERARY Matthew Ricketson’s IALJS-14 Keynote Address on Book-Length Literary Journalism Return address: Literary Journalism Studies School of Journalism Ryerson University Literary Journalism Studies 350 Victoria Street Vol. 11, No. 2, December 2019 Toronto, Ontario, Canada M5B 2K3 Australian LJ Australian In This Issue Belarusian LJ n James Rogers / Svetlana Alexievich + Capturing What Eludes American LJ Conventional Journalism n Willa McDonald + Bunty Avieson / Australian Colonial Narrative Journalism Database n Hilde Van Belle / Joris Casteren’s Literary Journalism Transgressions n David O. Dowling / Marilynne Robinson’s Radical Environmental Journalism VOL. 11, NO.2, DECEMBER 2019 n Matthew Ricketson / IALJS-14 Keynote / Challenges of Book-Length Literary Journalism n Ryan Marnane / Teaching LJ . Across Media n SPQ+A / Callie Long Interviews Elinor Burkett Dutch LJ Published at the Medill School of Journalism, Northwestern University 1845 Sheridan Road, Evanston, IL 60208, United States The Journal of the International Association for Literary Journalism Studies Literary Journalism Studies The Journal of the International Association for Literary Journalism Studies Vol. 11, No. 2, December 2019 Information for Contributors 4 Note from the Editor 5 Making Space for a New Picture of the World: Boys in Zinc and Chernobyl Prayer by Svetlana Alexievich by James Rodgers 8 Having Your Story and Data Too: The Australian Colonial Narrative Journalism Database by Willa McDonald and Bunty Avieson 32 Marilynne Robinson’s Radical Environmental Journalism by David O. Dowling 56 As If Their Activities Could Explain Something: Joris van Casteren and Het zusje van de bruid by Hilde Van Belle 88 Keynote Address The Challenges ofWriting Book-Length Literary Journalism by Matthew Ricketson 114 Teaching/Digital LJ From Print to 360-Degree Immersive: On Introducing Literary Journalism across Media by Ryan Marnane 136 Scholar–Practitioner Q+A Callie Long: An interviews with Elinor Burkett 158 Book Reviews 173 Mr. -
A Sociological Analysis of Themes in the Occupy! Gazette
A Sociological Analysis of Themes in the Occupy! Gazette Billie Potts Advisor: Professor Shani Evans Swarthmore College Department of Sociology and Anthropology May 2021 Introduction What inspired me to research the Occupy! Gazette? Nearly a decade ago, when I was thirteen years old, Occupy Wall Street began in New York City’s Zuccotti Park. Occupy Wall Street can be considered a reaction to the US political response to the Great Recession. And while I was not consciously following politics at the time, I had already experienced the material impacts of the Great Recession. The Great Recession was the first crisis of capitalism that I was aware of. And understanding it has fundamentally shaped how I see the world. The housing market bubble began to pop at the beginning of 2006 in the United States. Because my dad worked as a foreman in the siding business, his employment was put in jeopardy. My mom worked part-time at the local supermarket deli, but otherwise took care of my sister and me. During my dad’s subsequent time unemployed, and then self-employed, my family struggled to make ends meet. My family nearly lost our home as a result. My aunt, who lived with us, and is a dental hygienist had to step in and take over the mortgage. My mom went to school to become an LPN in 2008, after which our financial situation stabilized. While I was too young to realize that “the banks got bailed out, we got sold out” at the time, my subsequent realization of the socioeconomic conditions that produced my family’s struggle helped shape my worldview. -
Chapaev and His Comrades War and the Russian Literary Hero Across the Twentieth Century Cultural Revolutions: Russia in the Twentieth Century
Chapaev and His Comrades War and the Russian Literary Hero across the Twentieth Century Cultural Revolutions: Russia in the Twentieth Century Editorial Board: Anthony Anemone (Th e New School) Robert Bird (Th e University of Chicago) Eliot Borenstein (New York University) Angela Brintlinger (Th e Ohio State University) Karen Evans-Romaine (Ohio University) Jochen Hellbeck (Rutgers University) Lilya Kaganovsky (University of Illinois, Urbana-Champaign) Christina Kiaer (Northwestern University) Alaina Lemon (University of Michigan) Simon Morrison (Princeton University) Eric Naiman (University of California, Berkeley) Joan Neuberger (University of Texas, Austin) Ludmila Parts (McGill University) Ethan Pollock (Brown University) Cathy Popkin (Columbia University) Stephanie Sandler (Harvard University) Boris Wolfson (Amherst College), Series Editor Chapaev and His Comrades War and the Russian Literary Hero across the Twentieth Century Angela Brintlinger Boston 2012 Library of Congress Cataloging-in-Publication Data: a bibliographic record for this title is available from the Library of Congress. Copyright © 2012 Academic Studies Press All rights reserved ISBN - 978-1-61811-202-6, Hardback ISBN - 978-1-61811-203-3, Electronic Cover design by Ivan Grave On the cover: “Zatishie na perednem krae,” 1942, photograph by Max Alpert. Published by Academic Studies Press in 2012 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. -
Looking for and Mostly Finding the Literary in Contemporary American Nonfiction
Looking For and Mostly Finding the Literary in Contemporary American Nonfiction. By Stephen Andrew Guy A thesis submitted to the Graduate Program in English Language and Literature in conformity with the requirements for the Degree of Doctor of Philosophy Queen's University Kingston, Ontario, Canada November 2013 Copyright © Stephen Andrew Guy Abstract Prose style criticism of literary nonfiction has faded from scholarly popularity since a boom in the 1980s. Recent literary criticism of nonfiction has focused on context while neglecting aesthetics, or left the work of style analysis to composition or rhetoric scholars. I examine the work of Joan Didion, David Foster Wallace, and two writers associated with the literary journal n+1, Keith Gessen and Elif Batuman, to demonstrate the way that prose style analysis is a meaningful critical approach that helps define changing nonfiction genres, including online genres. I read Didion's work across her oeuvre to demonstrate the way her prose style shifts subtly over time and between fiction and nonfiction, memoir and literary journalism. I trace the influence of David Foster Wallace's American postmodern forebears on his fictional and nonfictional prose styles, and follow that line of influence to the nonfiction writing of online genres. I conclude by discussing the way that young writers associated with the journal n+1 regard Wallace's influence on their work and the writing of their generation, and examine Gessen and Batuman's prose style on and offline to find the literary in some unlikely locations. i Acknowledgements It takes a boat load of help to make a dissertation. -
N+1: the Temple University Libraries Interview
Journal of Librarianship and Scholarly Communication Volume 2 | Issue 1 eP1111 n+1: The eT mple University Libraries Interview Fred Rowland, Marco Roth, Keith Gessen, Andrew Lopez Rowland, F, Roth, M, Gessen, K, Lopez, A. (2013). n+1: The eT mple University Libraries Interview. Journal of Librarianship and Scholarly Communication 2(1):eP1111. http://dx.doi.org/10.7710/2162-3309.1111 © 2013 by the author(s). This open access article is distributed under a Creative Commons Attribution License, which allows unrestricted use, distribution, and reproduction in any medium, providing the original author and source are credited. JLSC is a quarterly journal sponsored and published by Pacific nivU ersity Library | ISSN 2162-3309 | http://jlsc-pub.org ISSN 2162-3309 JL SC COMMENTARY n+1: The Temple University Libraries Interview Fred Rowland Reference and Instructional Services Librarian, Temple University Marco Roth, a founding editor of n + 1 Keith Gessen, a founding editor of n + 1 Andrew Lopez Research Support and Instruction Librarian, Connecticut College Editor's Note As library-based publishing services expand, much of the attention is focused on open access digital publishing and online platforms, metrics, and peer review models. However, the publishing ecosystem as a whole is much more diverse. Particularly beyond the bounds of STEM publishing—in which much of the spirited debate and innovation regarding open access publishing is taking place—there are publishing sectors in which subscription models make sense (and work!), and in which print (both for books and journals/magazines) still has a certain cachet. If libraries want to offer publishing services to their whole communities, it is important to understand and to experiment within this broader publishing continuum.