BILL GRIFFITHS COLLECTION: Key Topics Finding Aid
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Naked Lunch for Lawyers: William S. Burroughs on Capital Punishment
Batey: Naked LunchNAKED for Lawyers: LUNCH William FOR S. Burroughs LAWYERS: on Capital Punishme WILLIAM S. BURROUGHS ON CAPITAL PUNISHMENT, PORNOGRAPHY, THE DRUG TRADE, AND THE PREDATORY NATURE OF HUMAN INTERACTION t ROBERT BATEY* At eighty-two, William S. Burroughs has become a literary icon, "arguably the most influential American prose writer of the last 40 years,"' "the rebel spirit who has witch-doctored our culture and consciousness the most."2 In addition to literature, Burroughs' influence is discernible in contemporary music, art, filmmaking, and virtually any other endeavor that represents "what Newt Gingrich-a Burroughsian construct if ever there was one-likes to call the counterculture."3 Though Burroughs has produced a steady stream of books since the 1950's (including, most recently, a recollection of his dreams published in 1995 under the title My Education), Naked Lunch remains his masterpiece, a classic of twentieth century American fiction.4 Published in 1959' to t I would like to thank the students in my spring 1993 Law and Literature Seminar, to whom I assigned Naked Lunch, especially those who actually read it after I succumbed to fears of complaints and made the assignment optional. Their comments, as well as the ideas of Brian Bolton, a student in the spring 1994 seminar who chose Naked Lunch as the subject for his seminar paper, were particularly helpful in the gestation of this essay; I also benefited from the paper written on Naked Lunch by spring 1995 seminar student Christopher Dale. Gary Minda of Brooklyn Law School commented on an early draft of the essay, as did several Stetson University colleagues: John Cooper, Peter Lake, Terrill Poliman (now at Illinois), and Manuel Ramos (now at Tulane) of the College of Law, Michael Raymond of the English Department and Greg McCann of the School of Business Administration. -
Essay by Doug Jones on Bill Griffiths' Poetry
DOUG JONES “I ain’t anyone but you”: On Bill Griffths Bill Griffiths was found dead in bed, aged 59, on September 13, 2007. He had discharged himself from hospital a few days earlier after argu- ing with his doctors. I knew Griffiths from about 1997 to around 2002, a period where I was trying to write a dissertation on his poetry. I spent a lot of time with him then, corresponding and talking to him at length, always keen and pushing to get him to tell me what his poems were about. Of course, he never did. Don’ t think I ever got to know him, really. All this seems a lifetime ago. I’ m now a family physician (a general practitioner in the UK) in a coastal town in England. I’ ve taken a few days off from the COVID calamity and have some time to review the three-volume collection of his work published by Reality Street a few years ago. Volume 1 covers the early years, Volume 2 the 80s, and Volume 3 the period from his move to Seaham, County Durham in northeast England until his death. Here I should attempt do his work some justice, and give an idea, for an American readership, of its worth. Working up to this, I reread much of his poetry, works I hadn’ t properly touched in fifteen years. Going through it again after all that time, I was gobsmacked by its beauty, complexity, and how it continued to burn through a compla- cent and sequestered English poetry scene. -
Download a PDF File of the Index for Volume 40
Aindex to Volume 40 – 2018 Compiled by H.e. Knox Z INDEX Index of Authors: books reviewed are listed by author, with the title in italics and the reviewer’s name in brackets, followed by the issue number. Index of Reviewers: books reviewed are listed by reviewer, with the author’s name after the title. Subject Index: the subject is followed by the title and author of the book discussed, with the reviewer’s name in brackets. ‘Corres.’ refers to letters sent to the editor in response to the article listed, and printed in subsequent issues. Index of Original Contributions: all articles which are not strictly book reviews (features, diaries, poems, short stories) are listed here, as well as appearing in the index of authors. Index of Authors Adam, G.: Dark Side of the Boom: The Excesses of the Art Berlin, L.: Cixin Liu: Market in the 21st Century. (Abrahamian, A.A.) 40.9 Evening in Paradise: More Stories. (Lockwood, P.) 40.23 Translator Liu, K. Adams, M.: Ælfred’s Britain: War and Peace in the Viking Age. Welcome Home: A Memoir with Selected Photographs. The Dark Forest. (Richardson, N.) 40.3 (Shippey, T.) 40.9 (Lockwood, P.) 40.23 Death’s End. (Richardson, N.) 40.3 Ahmed, S.: Living a Feminist Life. (Rose, J.) 40.4 Bermant, A.: Margaret Thatcher and the Middle East. The Three-Body Problem. (Richardson, N.) 40.3 Akomfrah, J.: Mimesis: African Soldier. (Harding, J.) 40.23 (Wheatcroft, G.) 40.17 The Wandering Earth. (Richardson, N.) 40.3 Alderton, D.: Everything I Know about Love. -
165Richard.Pdf
165 165 c2001 Richard Caddel Basil Basil Bunting : An Introduction to to a Northern Modernist Poet : The Interweaving Voices of Oppositional Poetry Richard Richard Caddel I'd I'd like to thank the Institute of Oriental and Occidental Studies for inviting me to give this this presentation, and for their generosity in sustaining me throughout this fellowship. I have have to say that I feel a little intimidated by my task here, which is to present the work of of a poet who is still far from well known in his own country, and who many regard as not not an easy poet (is there such a thing?) in an environment to which both he and I are foreign. foreign. This is my first visit to your country, and Bunting, though he travelled widely throughout throughout his life, never came here. That's a pity, because early in his poetic career he made what I consider to be a very effective English poem out of the Japanese prose classic, classic, Kamo no Chomei's Hojoki (albeit from an Italian tranlation, rather than the original) original) and I think he had the temperament to have enjoyed himself greatly here. I'm I'm going to present him, as much as possible, in his own words, often using recordings of him reading. He read well, and his poetry has a direct physical appeal which makes my task task of presenting it a pleasure, and I hope this approach will be useful for you as well. But first a few introductory words will be necessary. -
Modern and Contemporary Poetry and Poetics
Modern and Contemporary Poetry and Poetics Series Editor Rachel Blau DuPlessis Temple University Philadelphia, Pennsylvania, USA Modern and Contemporary Poetry and Poetics promotes and pursues topics in the burgeoning field of 20th and 21st century poetics. Critical and scholarly work on poetry and poetics of interest to the series includes social location in its relationships to subjectivity, to the construction of authorship, to oeuvres, and to careers; poetic reception and dissemination (groups, movements, formations, institutions); the intersection of poetry and theory; questions about language, poetic authority, and the goals of writing; claims in poetics, impacts of social life, and the dynamics of the poetic career as these are staged and debated by poets and inside poems. More information about this series at http://www.springer.com/series/14799 Luke Roberts Barry MacSweeney and the Politics of Post-War British Poetry Seditious Things Luke Roberts King’s College London London, United Kingdom Modern and Contemporary Poetry and Poetics ISBN 978-3-319-45957-8 ISBN 978-3-319-45958-5 (eBook) DOI 10.1007/978-3-319-45958-5 Library of Congress Control Number: 2017930177 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. -
Real.Izing the Utopian Longing of Experimental Poetry
REAL.IZING THE UTOPIAN LONGING OF EXPERIMENTAL POETRY by Justin Katko Printed version bound in an edition of 20 @ Critical Documents 112 North College #4 Oxford, Ohio 45056 USA http://plantarchy.us REEL EYE SING THO YOU DOH PEON LAWN INC O V.EXPER(T?) I MEANT ALL POET RE: Submitted to the School of Interdisciplinary Studies (Western College Program) in partial fulfillment of the requirements for the degree of Bachelor of Philosophy Interdisciplinary Studies by Justin Katko Miami University Oxford, Ohio April 10, 2006 APPROVED Advisor: _________________ Xiuwu Liu ABSTRACT Capitalist social structure obstructs the potentials of radical subjectivities by over-determining life as a hierarchy of discrete labors. Structural analyses of grammatical syntax reveal the reproduction of capitalist social structure within linguistic structure. Consider how the struggle of articulation is the struggle to make language work.* Assuming an analog mesh between social and docu-textual structures, certain experimental poetries can be read as fractal imaginations of anarcho-Marxist utopianism in their fierce disruption of linguistic convention. An experimental poetry of radical political efficacy must be instantiated by and within micro-social structures negotiated by practically critical attentions to the material conditions of the social web that upholds the writing, starting with writing’s primary dispersion into the social—publishing. There are recent historical moments where such demands were being put into practice. This is a critical supplement to the first issue of Plantarchy, a hand-bound journal of contemporary experimental poetry by American, British, and Canadian practitioners. * Language work you. iii ...as an object of hatred, as the personification of Capital, as the font of the Spectacle. -
John MUCKLE London Brakes
John Muckle was born in the village of Cobham, Surrey, but lived most of his adult life in Essex and London. Amongst other things he has been a copywriter, an editor, a lecturer, a careworker, a book- shop assistant, a library assistant, a freelance writer and a motorcycle courier. In the 1980s he initiated the Paladin Poetry Series and was General Editor of its flagship anthology,The New British Poetry (Paladin, 1988). His previous books include The Cresta Run (short stories), Cyclomotors (a novella with photographic illustrations), and Firewriting and Other Poems (Shearsman Books, 2005). Also by John Muckle Poetry It Is Now As It Was Then (with Ian Davidson) Firewriting and Other Poems Prose The Cresta Run Bikers (with Bill Griffiths) Cyclomotors As General Editor: The New British Poetry (eds., Allnutt, D’Aguiar, Edwards, Mottram) John Muckle London Brakes a novel Shearsman Books Exeter Published in the United Kingdom in 2009 by Shearsman Books 58 Velwell Road Exeter EX4 4LD ISBN 978-1-84861-101-6 First Edition Copyright © John Muckle, 2009. The right of John Muckle to be identified as the author of this work has been asserted by him in accordance with the Copyrights, Designs and Patents Act of 1988. All rights reserved. Acknowledgements Excerpts from this novel were originally published in Bazzin’ (Tony Baker), Infolio (Tom Raworth) and in Bikers (with poems by Bill Griffiths, Amra Imprint, 1990). With thanks to Dave Cook, Tony Frazer, Chris Noble, Martin Stott — and for Robert. I wish to gratefully acknowledge a Hawthornden Fellowship that was helpful in the early stages of writing this novel. -
Collier, Mike (2012) Street Flowers: Urban Survivors of the Privileged Land: Conference Paper and Published Essay
Collier, Mike (2012) Street Flowers: Urban Survivors of the Privileged Land: Conference Paper and Published Essay. In: Tourism, Roads and Cultural Itineraries: Meaning, Memory and Development. Laval University, Quebec. ISBN 978-2-7637-1789-0 (Unpublished) Downloaded from: http://sure.sunderland.ac.uk/id/eprint/3728/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Street Flowers – Urban Survivors of the Privileged Land Dr. Mike Collier, Programme Leader and Principal Investigator for WALK1, University of Sunderland Abstract In this essay, I want to explore the way in which we relate to our environment and its often contested histories through the simple action of taking a meander through an Edgeland2 urban site – a site local to me and the place where I work (Sunderland in the North East of England). It is my contention that the action of moving slowly (or meandering) through an environment affects our experience of that place in ways that are not immediately apparent. Meandering allows the walker to stop whenever and wherever they find something interesting to ‘explore’; and it allows them time to respond to the weather patterns and soundscapes of an environment. This creates an embodied experience which, when meandering in a group, seems to encourage the body and mind to respond by meandering across a range of different areas of thought. In my projects, these have included discussions around natural history, social history, politics and philosophy explored together in non-hierarchical and unstructured ways; ways which create new patterns of interdisciplinary and interconnected thinking. -
Nomad Thought in Peter Reading's Perduta Gente
NOMAD THOUGHT IN PETER READING’S PERDUTA GENTE AND EVAGATORY AND MAGGIE O’SULLIVAN’S IN THE HOUSE OF THE SHAMAN AND PALACE OF REPTILES A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY ÖZLEM TÜRE ABACI IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF ENGLISH LITERATURE DECEMBER 2015 Approval of the Graduate School of Social Sciences ________________________ Prof. Dr. Meliha ALTUNIŞIK Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. ________________________ Assoc. Prof. Dr. Nurten BİRLİK Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. ________________________ Assoc. Prof. Dr. Nurten BİRLİK Supervisor Examining Committee Members Prof. Dr. Nursel İÇÖZ (METU, FLE) ________________________ Assoc. Prof. Dr. Nurten BİRLİK (METU, FLE) ________________________ Prof. Dr. Huriye REİS (H.U., IED) ________________________ Assoc. Prof. Dr. Özlem UZUNDEMİR (Ç.U., ELL) ________________________ Asst. Prof. Dr. Elif ÖZTABAK‐AVCI (METU, FLE) ________________________ PLAGIARISM I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Özlem TÜRE ABACI Signature : iii ABSTRACT NOMAD THOUGHT IN PETER READING’S PERDUTA GENTE AND EVAGATORY AND MAGGIE O’SULLIVAN’S IN THE HOUSE OF THE SHAMAN AND PALACE OF REPTILES Türe Abacı, Özlem Ph.D., Department of English Literature Supervisor: Assoc. -
Sound-Rich Poetry in Geraldine Monk, Bill Griffiths and Maggie O
Sound-Rich Poetry in Geraldine Monk, Bill Griffiths and Maggie O’Sullivan Joanne Ashcroft Edge Hill University In submission Doctor of Philosophy January 2020 1 AKNOWLEDGMENTS I would like to thank my supervisory team at Edge Hill, by whom I have been inspired, and without whom I would not have been able to complete this research. To my Director of Studies, Dr James Byrne, for invaluable guidance and continued support. To Professor Robert Sheppard, for empowering me to start on this journey, for expert and energetic feedback, and encouragement throughout. Thank you to the members of the Edge Hill Poetry and Poetics Group for listening and giving insightful feedback. To my family, Andrew, Bronte and Bexley, it’s been a long journey, thank you for your unconditional patience, understanding and support to finish this. This thesis is for absent family: Mum and Dad who did not see me begin my studies at university, for MJ, and for my sister Janet (finally ‘the work’ is finished). 2 CONTENTS PART ONE INTRODUCTION TO SOUND RICH POETRY 8 CHAPTER ONE: Sound-Rich Poetry as Attention in Geraldine 48 Monk’s ‘Chattox Sings’ CHAPTER TWO: Sound-Rich Poetry as Resistance in Bill Griffiths’ 72 ‘War W/Windsor Text 1 (4 Voices)’ CHAPTER THREE: Sound-Rich Poetry as Healing in Maggie 94 O’Sullivan’s murmur CONCLUSION 125 PART TWO INTRODUCTION TO THE PORTFOLIO AND POETICS 130 PORTFOLIO OF POEMS: What the Ash Tree Said 146 Ten Ash Tree Charms 174 The Book of IKEA 185 Ash Tree Lullaby 207 POETICS: A Slice of the Infinite Sonic Weave 213 BIBLIOGRAPHY 227 AUTHOR PUBLICATIONS, PRESENTATIONS AND READINGS 243 3 PART ONE 4 INTRODUCTION TO SOUND-RICH POETRY This thesis is driven by my creative focus on making an explorative journey in sonically charged language and structures in poetic form. -
Theft of WF's Reputation « Writers Forum Information
Writers Forum Information ambition for the Poetry, not the poet Archive for the ‘Theft of WF’s reputation’ Search Category You are currently browsing the archives for the Theft of WF’s reputation category. Pages The theft of Writers Forum’s name » About Writers Forum Tuesday, August 16th, 2011 » About Writers Forum workshop » Donations to Writers Forum This has been going on for nearly a year and an index to it will be » E-mailing list provided a.s.a.p. » Getting in contact with Writers Forum The following has just been posted on uk.poetry.info where Stephen » Getting to Writers Forum Mooney posted an invitation to our workshops but at an address of his Workshop choosing » Writers Forum magazines » Writers Forum publications in * print » Writers Forum publications in preparation Stephen Mooney has announced a Writers Forum Workshop, yet again » SUBMISSIONS to Writers Forum He is still in no position to do so. Nor to declare a second series. » Interesting links » Writers Forum Workshop It is passing off. It is, as passing off, despite what is said by him and his Schedule herd, illegal under common law, although it is very hard to enforce; Archives beyond that, it is unethical. » February 2019 » July 2018 » May 2018 Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD » April 2018 On July 3rd 2010, after he had already interfered in the administration of » February 2018 WF and only weeks before he, with others, tried even harder to take » December 2017 over, he emailed me — in reply to my accusation that he was – » November 2017 illegitimately — trying to speak for Writers Forum Workshop for his own » October 2017 benefit. -
Small Press Poetry Collection
Small Press Poetry Collection Alphabetical by press UPDATED MARCH 2019 Numbers 20 Pages 1204. Bernstein, Charles and Susan Bee. The nude formalism. Los Angeles: 20 Pages 1989. 811 Books 998. Corless-Smith, Martin. of the Universe The way things are On the Nature of things The Nature of and being by Lucretius: Incorporating marginalia. [Phoenix, Arizona]: 811 Books [1999] A Aard Press 541. Aaboe, Ruth. Zyzh. London: Aard Press 1978. Abbeygate Books 1339. Cooke, David. On the front. Grimsby: Abbeygate Books 2009. 1340. Cooke, David. Bruegel’s dancers. Grimsby: Abbeygate Books 2009. Acadia Press 484. Adam, Helen. Ballads. Illustrated by Jess. New York: Acadia Press 1964. Active in Airtime 1206. Hawkins, Ralph. Pelt. Brightlingsea, Essex: Active in Airtime 2002. 1219. Hawkins, Ralph. Writ. Colchester: Active in Airtime 1993. Actual Size Press 734. Raworth, Tom. Heavy light. New York: Actual Size Press [1984]. 947. Muckle, John and Ian Davidson. It is now as it was then. London: MICA in association with Actual Size 1983. 1228. De Wit, Johan. Rose poems. [London]: Actual Size 1986. Adam McKeown 1375. Intimacy. Edited by Adam McKeown. Maidstone, Kent: Adam McKeown 1992–1998. Volumes 1–3, 5. Adrian Blamires 1358. Blamires, Adrian. Eliza’s entertainments. [Reading: The Author 2015] Adventures in Poetry 100. O’Hara, Frank. Belgrade, November 19, 1963. New York City: Adventures in Poetry [1972 or 1973] 911. Bernheimer, Alan. The Spoonlight Institute. Princeton NJ: Adventures in Poetry 2009. Afterdays Press 1319. Hullah, Paul and Susan Mowatt. Unquenched. [Edinburgh]: Afterdays Press 2002. Aggie Weston’s 201. Mills, Stuart. ‘There is nothing outside the text’.