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Human Rights, Sexual Orientation and Gender Identity in the Commonwealth
Human Rights, Sexual Orientation and Gender Identity in The Commonwealth Struggles for Decriminalisation and Change Edited by Corinne Lennox and Matthew Waites Human Rights, Sexual Orientation and Gender Identity in The Commonwealth: Struggles for Decriminalisation and Change Edited by Corinne Lennox and Matthew Waites © Human Rights Consortium, Institute of Commonwealth Studies, School of Advanced Study, University of London, 2013 This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC BY-NCND 4.0) license. More information regarding CC licenses is available at https:// creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN 978-1-912250-13-4 (2018 PDF edition) DOI 10.14296/518.9781912250134 Institute of Commonwealth Studies School of Advanced Study University of London Senate House Malet Street London WC1E 7HU Cover image: Activists at Pride in Entebbe, Uganda, August 2012. Photo © D. David Robinson 2013. Photo originally published in The Advocate (8 August 2012) with approval of Sexual Minorities Uganda (SMUG) and Freedom and Roam Uganda (FARUG). Approval renewed here from SMUG and FARUG, and PRIDE founder Kasha Jacqueline Nabagesera. Published with direct informed consent of the main pictured activist. Contents Abbreviations vii Contributors xi 1 Human rights, sexual orientation and gender identity in the Commonwealth: from history and law to developing activism and transnational dialogues 1 Corinne Lennox and Matthew Waites 2 -
Duckie Archive
DUCKIE ARCHIVE (DUCKIE) ©Bishopsgate Institute Catalogued by Various, 2018-2019. DUCKIE Duckie Archive 1996-2018 Name of Creator: Duckie Extent: 55 Files Administrative/Biographical History: Amended from the Duckie Website (2020): Duckie are lowbrow live art hawkers, homo-social honky-tonkers and clubrunners for disadvantaged, but dynamically developing authentic British subcultures. Duckie create good nights out and culture clubs that bring communities together. From their legendary 24-year weekly residency at the Royal Vauxhall Tavern to winning Olivier awards at the Barbican, they are purveyors of progressive working class entertainment who mix live art and light entertainment. Duckie combine vintage queer clubbing, LGBTQI+ heritage & social archeology & quirky performance art shows with a trio of socially engaged culture clubs: The Posh Club (our swanky showbiz palais for working class older folk, now regular in five locations), The Slaughterhouse Club (our wellbeing project with homeless Londoners struggling with booze, addiction and mental health issues), Duckie QTIPOC Creatives (our black and brown LGBTQI youth theatre, currently on a pause until we bag a funder). Duckie have long-term relationships with a few major venues including Barbican Centre, Rich Mix, Southbank Centre and the Brighton Dome, but we mostly put on our funny theatre events in pubs, nightclubs, church halls and community centres. They are a National Portfolio Organisation of Arts Council England and revenue funded by the Big Lottery Fund. Duckie produce about 130 events and 130 workshops each year - mostly in London and the South East - and our annual audience is about 30,000 real life punters. Custodial History: Deposited with Bishopsgate Institute by Simon Casson, 2017. -
Global LGBT Rights Subject Specialist: Arabella Lang
DEBATE PACK CDP 2017-0196 | 23 October 2017 Compiled by: Tim Robinson Global LGBT rights Subject specialist: Arabella Lang Contents Main Chamber 1. Summary 2 2. Press Articles 3 Thursday 26 October 2017 3. Gov.uk 5 4. PQs 8 Debate nominated by the Backbench 5. Other Parliamentary Business Committee material 25 5.1 Urgent Questions 25 5.2 Early Day Motions 30 6. Further reading 32 The proceedings of this debate can be viewed on Parliamentlive.tv The House of Commons Library prepares a briefing in hard copy and/or online for most non-legislative debates in the Chamber and Westminster Hall other than half-hour debates. Debate Packs are produced quickly after the announcement of parliamentary business. They are intended to provide a summary or overview of the issue being debated and identify relevant briefings and useful documents, including press and parliamentary material. More detailed briefing can be prepared for Members on request to the Library. www.parliament.uk/commons-library | intranet.parliament.uk/commons-library | [email protected] | @commonslibrary 2 Number 2017-0196, 20 October 2017 1. Summary Human rights of many LGBT people across the globe are being abused, for instance in Egypt, Azerbaijan and Chechnya. Arrests, imprisonment and mistreatment are common examples, and discrimination is even more widespread. LGBT rights are not fully protected in all the British Overseas Territories. Homosexual acts in private between consenting adults were decriminalised under the United Kingdom's Caribbean Territories (Criminal Law) Order 2000. This illustrates that in exceptional circumstances the UK is prepared to impose social reform on the Overseas Territories. -
Back and Welcome to Unity's 2021 Programme of Events
2021 SEASON unitytheatreliverpool.co.uk Welcome back and welcome to Unity’s 2021 programme of events. We are delighted to finally be sharing Showcasing Local Talent with you some of the exciting productions With over 40 events and 100 artists and activities that form a special year already involved, our specially curated of work from Unity. reopening activities are a manifestation of this. Like everyone, our 2020 wasn’t quite the year we had planned. Originally Supporting Artists intended to be a landmark celebration This new season includes 22 of our 40th anniversary, instead we Merseyside-based creatives and found our doors closing indefinitely. companies who feature as part of The implications of the pandemic our Open Call Programme. Created and shutdown of venues across the UK to provide income and performance were serious and far-reaching, but they opportunity to local artists after allowed us to take stock and question a year without both, the Open Call our role as an arts organisation. celebrates these artists, their stories, communities and lives. What has emerged is a renewed commitment for Unity to provide 2021 welcomes a huge-new event space and opportunity for people series as part of our talent development to be creative, enjoy high-quality programme - Creative’pool. This will entertainment and celebrate the provide personalised training, workshops, communities of Liverpool. We want advice, exclusive events and development to continue to inspire creative opportunities to over 200 artists a year. risk and achieve a fairer, more supportive and accessible world. Access for All After a year of such uncertainty some of you may understandably be nervous about venturing into buildings. -
Thesis Submitted for the Degree of Doctor of Philosophy
University of Bath PHD Masculinities, Competition and Friendship in an English Professional Football Academy Adams, Adrian Award date: 2015 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 01. Oct. 2021 Masculinities, Competition and Friendship in an English Professional Football Academy Adrian Mathew Adams A thesis submitted for the degree of Doctor of Philosophy University of Bath Department of Social and Policy Sciences October 2015 COPYRIGHT Attention is drawn to the fact that copyright of this thesis rests with the author. A copy of this thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that they must not copy it or use material from it except as permitted by law or with the consent of the author. -
PRIDE in LONDON CAB ANNUAL REPORT 2017 Page 1 of 9
PRIDE IN LONDON CAB ANNUAL REPORT 2017 PRIDE IN LONDON INDEPENDENT COMMUNITY ADVISORY BOARD ANNUAL REPORT 2017 1. INTRODUCTION 1.1 The Independent Community Advisory Board (CAB) submits its annual report reviewing the 2017 Pride in London (Pride) events. This report reflects issues raised at the CAB private review meeting held on 20 July 2017, which were based on community feedback and matters identified from CAB members’ own experiences. This year, for the first time, the CAB has also sought feedback from a range of major stakeholder organisations within the LGBT+ community. Their comments have been included, but anonymised. 1.2 The CAB is independent from the organisation of Pride. It advises the London LGBT+ Community Pride CIC (LLCP) Board and scrutinises their decisions. It provides guidance on inclusion, governance and other operational issues. Its membership is drawn from different strands of London’s LGBT+ communities with the hope of being broadly representative. The membership of the CAB at the date of this report is: • Chair: Adrian Hyyrylainen-Trett • Arts and Literature: Simon Tarrant (Winter Pride) • Bisexual People's Rep: Edward Lord OBE JP (BiUK) (Deputy Chair) • Black, Asian & Minority Ethnic People's Rep: Ozzy Amir (QMSU) • Campaigning and Political Groups: Tom Wilson (LGBT Labour) • Disabled People's Rep: Vacant • Faith and Belief Groups: Vacant • Health Rep: Eleanor Barnwell (Kings College NHS Foundation Trust) • Local Groups Rep: David Robson (Wandsworth LGBT Forum) • Older People's Rep: Peter Scott-Presland (Opening -
La Biennale Di Venezia Presents a Film by Luke Seomore and Joseph Bull Blood Cells Synopsis
LA BIENNALE DI VENEZIA PRESENTS A FILM BY LUKE SEOMORE AND JOSEPH BULL BLOOD CELLS SYNOPSIS Adam has lived a rootless existence since his family’s farm was destroyed by the Foot & Mouth epidemic of 2001. His life imploded and he abandoned his family after a single devastating incident. He has spent the years since on the nomadic fringes of British society, cycling through transitory jobs and transitory relationships, adrift from his family and past. When his younger brother Aiden reaches out to him to announce the birth of his first child – Adam is about to become an uncle – there is an ultimatum attached: come home now, or never come home again. Adam embarks on a journey home that is at once tortured and exhilarating, a panoramic tour through the broken and beautiful margins of Britain. As eruptions from his secret past begin to emerge, Adam attempts to break free from a self-imposed exile that must now end before it swallows him for good. IN CONVERSATION WITH JOSEPH BULL (WRITER/DIRECTOR) AND LUKE SEOMORE (WRITER/DIRECTOR/COMPOSER) How did the two of you get started as filmmakers? What was the original inspiration for Blood Cells? Joseph Bull: We met at art college and started working together. JB: A strong memory of burning cattle on the news during the Initially it was exploring photography and experimental films which we 2001 Foot and Mouth outbreak in the UK, the pyres against an projected for musicians’ live performances. This led to making more eerie half-light. Fires stretching out across the horizon, it really felt structured social documentaries and writing. -
The Politics of (In)Visibility
The Lesbian Lives Conference 2019: The Politics of (In)Visibility THE POITICS Centre for Transforming Sexuality and Gender & The School of Media University of Brighton 15th - 16th March 2019 Welcome! The organising team would like to welcome you to the 2019 Lesbian Lives conference on the Politics of (In)Visibility. The theme of this year’s conference feels very urgent as attacks on feminism and feminists from both misogynist, homophobic, transphobic and racist quarters are on the rise both here in the UK and elsewhere. It has been thrilling to see the many creative and critical proposals responding to this coming in from academics, students, activists, film-makers, writers artists, and others working in diverse sectors from across many different countries – and now you are here! We are delighted to be hosting the conference in collaboration with feminist scholars from University College Dublin, St Catharine’s College, Cambridge and Maynooth University. It is - what we think - the 24th Lesbian lives conference, although we are getting to the stage where we might start losing count. Let’s just say it is now a conference of some maturity that remains relevant in every age, as the world’s most longstanding academic conference in Lesbian Studies. What we do know is that the first ever Lesbian Lives Conference was held in 1993 in University College Dublin and has been trooping on since, with the dedication of academics and activists and the amazing support from the community. From this comes the unique atmosphere of the Lesbian Lives Conference which is something special – as Katherine O’Donnell, one of the founders of the conference, said: ‘there is a friendliness, a warmth, an excitement, an openness, a bravery and gentleness that every Lesbian Lives Conference has generated’. -
Radio 4 Listings for 1 – 7 February 2020 Page 1 of 14 SATURDAY 01 FEBRUARY 2020 in the Digital Realm
Radio 4 Listings for 1 – 7 February 2020 Page 1 of 14 SATURDAY 01 FEBRUARY 2020 in the digital realm. A Somethin' Else production for BBC Radio 4 SAT 00:00 Midnight News (m000drp6) When Alice's father was diagnosed with cancer, she found National and international news from BBC Radio 4 herself at a loss as to how to communicate with him digitally. SAT 11:00 The Week in Westminster (m000dxqp) One solution was sending more personal objects. But Alice George Parker of the Financial Times looks behind the scenes works in digital communication, and in this talk at the Shambala at Westminster. SAT 00:30 Motherwell (m000drp8) Festival she describes her journey to improve the tools available The UK has left the EU so what happens next? what is the Episode 5 to communicate grief and sadness. negotiating strength of the UK and what can we expect form the hard bargaining ahead? The late journalist Deborah Orr was born and bred in the Producer: Giles Edwards The editor is Marie Jessel Scottish steel town of Motherwell, in the west of Scotland. Growing up the product of a mixed marriage, with an English mother and a Scottish father, she was often a child on the edge SAT 06:00 News and Papers (m000dxq9) SAT 11:30 From Our Own Correspondent (m000dxqr) of her working class community, a 'weird child', who found The latest news headlines. Including the weather and a look at Insight, wit and analysis from BBC correspondents, journalists solace in books, nature and in her mother's company. -
Bυ Mark Ravenhill
BY MARK RAVENHILL Study Guide Written by Sophie Watkiss Edited by Hannah Clifford This programme has been made possible by the generous support of Universal Consolidated Group 1 Contents 1. Cast and Creative Team 2. The work of Mark Ravenhill Key productions Background information 3. Commentary and analysis of THE CUT An introduction to THE CUT Scene One Scene Two Scene Three 4. Ideas for further practical work and study 2 section 1 Cast and Creative Team Cast: John Jimmy Akingbola Mina Emma Beattie Stephen Tom Burke Susan Deborah Findlay Paul Ian McKellen Gita Bindu de Stoppani Creative Team: Director Michael Grandage Designer Paul Wills Lighting Designer Paule Constable Music & Soundscore Adam Cork 3 section 2 The work of Mark Ravenhill Key productions 1993 Close to You London New Play Festival 1994 Fist Part of a season of short plays, Finborough 1996 Shopping and Fucking Out of Joint/Royal Court 1997 Faust is Dead Actors’ Touring Company/Lyric Hammersmith 1998 Handbag Actors’ Touring Company/Lyric Hammersmith 1999 Some Explicit Polaroids Out of Joint/New Ambassadors 2002 Mother Clapp’s Molly House National Theatre (NT) and West End 2003 Totally Over You Shell Connections Festival at the NT 2005 Citizenship Shell Connections Festival at the NT Background information ‘I’ve always thought of myself as someone who makes plays – not a writer as such. I never wrote teenage poetry, novels, short stories. I don’t even write letters. I don’t consider myself to be particularly literary – beyond enjoying reading a good book.’ Mark Ravenhill1 Ten years ago Mark Ravenhill’s play Shopping and Fucking took the theatre by storm. -
Oswestry, Hay-On-Wye and Berwick-Upon-Tweed: Football Fandom, Nationalism and National Identity Across the Celtic Borders
Oswestry, Hay-on-Wye and Berwick-upon-Tweed: Football fandom, nationalism and national identity across the Celtic borders Robert Bevan School of Welsh Cardiff University 2016 This thesis is submitted to the School of Welsh, Cardiff University in partial fulfilment of the requirements for the degree of PhD. All rights reserved. 1 Form: PGR_Submission_2014 NOTICE OF SUBMISSION OF THESIS FORM: POSTGRADUATE RESEARCH APPENDIX 1: Specimen layout for Thesis Summary and Declaration/Statements page to be included in a Thesis DECLARATION This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ………………………… STATEMENT 1 This thesis is being submitted in partial fulfillment of the requirements for the degree of ………………………… ( PhD) Signed ………………………………………… (candidate) Date ………………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ………………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available online in the University’s Open Access repository and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date ………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available online in the University’s Open Access repository and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. -
Backbench Business: Pride Month Number CDP 2021/0099 by Douglas Pyper, Esme Kirk-Wade, Maria Lalic, Sue Holland 18 June 2021
Debate Pack Backbench business: Pride Month Number CDP 2021/0099 By Douglas Pyper, Esme Kirk-Wade, Maria Lalic, Sue Holland 18 June 2021 1 Background 3 1.1 The origins of Pride Month 3 1.2 Statistics on the LGBT population 3 Sexual orientation in the UK 3 The transgender population 4 1.3 The LGBT Action Plan 5 2 Press articles 8 2.1 Press releases 8 2.2 Articles and blogs 8 3 Parliamentary material 11 3.1 Debates 11 3.2 Parliamentary questions 11 3.3 Early Day Motions 15 3.4 Bills 16 3.5 Ministerial Statements 16 Backbench business: Pride Month 3.6 Committee material 16 4 Organisations and further reading 17 2 Commons Library Debate Pack, 18 June 2021 Backbench business: Pride Month 1 Background 1.1 The origins of Pride Month Pride Month is celebrated in June each year by Lesbian, Gay, Bisexual and Transgender (LGBT) communities around the world. The month of June was chosen to commemorate the Stonewall Riots of June 1969, which broke out after police raided the Stonewall Inn - a gay bar in Lower Manhattan, New York City. This prompted a series of spontaneous demonstrations by members of the LGBT community that are widely considered to have triggered the modern LGBT rights movement. The following year, to commemorate the Stonewall Riots, the first gay pride marches were held in New York, Los Angeles, Chicago, and San Francisco. In the UK, the first official Gay Pride Rally took place in London in 1972. Around 2,000 people attended the event.1 The last London Pride that took place in 2019 attracted an estimated 1.5 million attendees, making it the largest yet.2 Pride events take place each year all over the UK.