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Linking Culture and Water Technology in Zimbabwe: Reflections on Ndau Experiences and Implications for Climate Change
Vol. 6(2), pp. 22-28, February 2014 DOI: 10.5897/JASD2013.0266 Journal of African Studies and ISSN 2141 -2189 ©2014 Academic Journals Development http://www.academicjournlas.org/JASD Full Length Research Paper Linking culture and water technology in Zimbabwe: Reflections on Ndau experiences and implications for climate change Tenson Muyambo* and Richard S. Maposa Faculty of Arts, Zimbabwe Ezekiel Guti University, Zimbabwe. Accepted 23 January, 2014 Renaissance studies continue to grow in post-colonial Africa. This study explores the Ndau culture in a bid to assess its vitality and relevance to contemporary society’s water technology in Zimbabwe. The thesis of the study posits that the Ndau people have indigenous knowledge systems (IKS) that can be tapped in the implementation of water resource management. Some Ndau beliefs and practices on water resources can be used as environmental management tools in order to do justice to climate change. These, if blended with western technologies, can be effective intervention strategies to mitigate the challenges posed by climate change. The study adopted a qualitative research design in a case study approach. Purposive sampling was used to select community elders and traditional practitioners who are associated with the in-depth knowledge on traditional beliefs and practices. The data collection techniques included interviews, participant observations and documentary analysis. The study observed that the particular Ndau cultural beliefs and practices that are not only relevant but consistent with water technological changes and these must be strengthened as part of a people’s heritage. Key words: Climate change, climate justice, culture, indigenous knowledge systems, Ndau people, renaissance studies, water technology. -
Mathematics in African History and Cultures
Paulus Gerdes & Ahmed Djebbar MATHEMATICS IN AFRICAN HISTORY AND CULTURES: AN ANNOTATED BIBLIOGRAPHY African Mathematical Union Commission on the History of Mathematics in Africa (AMUCHMA) Mathematics in African History and Cultures Second edition, 2007 First edition: African Mathematical Union, Cape Town, South Africa, 2004 ISBN: 978-1-4303-1537-7 Published by Lulu. Copyright © 2007 by Paulus Gerdes & Ahmed Djebbar Authors Paulus Gerdes Research Centre for Mathematics, Culture and Education, C.P. 915, Maputo, Mozambique E-mail: [email protected] Ahmed Djebbar Département de mathématiques, Bt. M 2, Université de Lille 1, 59655 Villeneuve D’Asq Cedex, France E-mail: [email protected], [email protected] Cover design inspired by a pattern on a mat woven in the 19th century by a Yombe woman from the Lower Congo area (Cf. GER-04b, p. 96). 2 Table of contents page Preface by the President of the African 7 Mathematical Union (Prof. Jan Persens) Introduction 9 Introduction to the new edition 14 Bibliography A 15 B 43 C 65 D 77 E 105 F 115 G 121 H 162 I 173 J 179 K 182 L 194 M 207 N 223 O 228 P 234 R 241 S 252 T 274 U 281 V 283 3 Mathematics in African History and Cultures page W 290 Y 296 Z 298 Appendices 1 On mathematicians of African descent / 307 Diaspora 2 Publications by Africans on the History of 313 Mathematics outside Africa (including reviews of these publications) 3 On Time-reckoning and Astronomy in 317 African History and Cultures 4 String figures in Africa 338 5 Examples of other Mathematical Books and 343 -
Archiving the Cultural Legayc of Mbira Dzavadzimu in the Context of Kuriva Guva and Dandaro Practices
ARCHIVING THE CULTURAL LEGAYC OF MBIRA DZAVADZIMU IN THE CONTEXT OF KURIVA GUVA AND DANDARO PRACTICES By Perminus Matiure A Thesis submitted to The University of KwaZulu-Natal in fulfilment of the requirement of the Degree of Doctor of Philosophy In the Faculty of Humanities, Development and Social Sciences School of Music November 2013 Supervisor: Dr Patricia Opondo ACKNOWLEDGEMENT I am grateful to all participants who provided both data and archival materials for this study. Members from Hwedza District and Gweru urban provided very valuable information which made this thesis a success, I thank them all. I give special thanks to Tichaedza Mauraya, Reverend Basera and Muhwati Chinyanga, who were the major consultants of this study. I would like to extend my profound gratitude to the various mbira ensembles that managed to participate during mbira shows. These include Maungira Enharira, Mhembero Mbira Ensemble, Dzimbabwe Mbira Ensemble, Ras Diva Mbira Ensemble, Senga Primary School, Cecil John Rhodes, Thornhill and United College of Education. Particular mention goes to Mbira Dzenharira for being support in both the Mbira Conference and the Mbira Symposium. I also thank members of the Department of Music and Musicology for supporting me during my research especially members of Zvirimudeze Mbira Ensemble. Not forgetting the Research board of University of Kwa-Zulu Natal and Midlands State University for the unwavering financial support they provided. My supervisor, Dr Patricia Opondo is a supervisor of a class of her own. Her professional wisdom, integrity, collegial and motherly attitude made consultations and supervision easy. I also would like to thank colleagues who provided me with courage and advice who include Sailas Mangwende, Dr Jerry Rutsate, Dr Sheasby Matiure, Richard Muranda and Claudio Chipendo. -
Ethnicity, Development and the Dynamics of Political Domination in Southern Matabeleland
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 19, Issue 4, Ver. III (Apr. 2014), PP 137-149 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Ethnicity, Development and the Dynamics of Political Domination in Southern Matabeleland Clifford Mabhena Institute of Development Studies- National University of Science and Technology-Bulawayo, Zimbabwe Abstract: This article argues that the hegemony of the Shona people in Zimbabwe has been largely influenced by ethnicity and the quest to dominate Matabeleland politically, socially and economically. Development marginalisation of Matabeleland region, I argue has been influenced by ethnicity and politics of revenge. The study used ethnography to collect data and hence in-depth interviews were used as data collection tools. The results of the study indicate that Matabeleland has been largely dominated by the Shona ethnic group, and arguments advanced by scholars for this dominance, it is argued, Ndebele dominated the Shona people in the 19th and 20th centuries. This was due to conquest by the marauding Ndebele warriors under the leadership of King Mzilikazi and latter on King Lobhengula. The ascendance of the Zimbabwe African National Union Patriotic Front (ZANUPF) in the 1980 independence elections opened the gates for the ascendancy of the Shona people as the party was pre-dominantly Shona speaking. The march to state house by the ZANUPF dominated party created a lot of tension between the two ethnic groups; Ndebele and Shona, and hence the lashing out of the fifth brigade in 1983 and 1984 in Matabeleland and Midlands provinces of the country. Key words: Hegemony, ethnicity, internal colonisation, marginalisation I. -
The Role of Migration in the Morphing of Shona Identity
THE ROLE OF MIGRATION IN THE MORPHING OF SHONA IDENTITY by TIRIMBOYI WADZANAI submitted in accordance with the requirements for the degree of MASTER OF VISUAL ARTS at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR NOMBEKO P MPAKO February 2017 DECLARATION I declare that The role of migration in the morphing of Shona identity is my own work and that all the sources that l have used or quoted have been indicated and acknowledged by means of complete referencing. February 2017 i SUMMARY Title: The role of migration in the morphing of Shona identity This dissertation reports on a study, which used story telling through installation art in analysing how migration has affected the identity of Shona people of Zimbabwe resulting in a new hybrid identity. This identity morphing has happened through the increased rate of trans-border mobility for economic survival and development. The research explores reflections associated with the life of individuals through the unfolding of socio-political and economic situations in Zimbabwe focusing on the historical and contemporary social relations of the Shonas (from Zimbabwe). The research in addition speculates as to how this migration creates difficulties with regards to immigrants’ experiences in their new habitats as they enter a state of limbo. It further investigates how the difference in status and the perception of identity affects Zimbabweans in their social inheritance of nomadic characteristics. The main objective of this study is to cast light on how constant migration has affected the constructs of the Shona identity as the people get in contact with various cultures leading to the formation of an intercultural identity. -
FABLES BOOKSHOP Founder Members of 119 High Street, Grahamstown, 6139, SABDA South Africa
Fables Africana Catalogue Q199 file:///E:/q199.html Home | Back to catalogues page | We are FABLES BOOKSHOP Founder Members of 119 High Street, Grahamstown, 6139, SABDA South Africa. Telephone / Facsimile: +27-046-636-1525 Email: Africana Catalogue Q199 August 2008 Items have been sold from this catalogue since its issue. It is an electronic representation of a particular catalogue issued at a particular date. All items listed subject to prior sale. Details elsewhere to subscribe to our email catalogues. All Africana material is issued via catalogue prior to shelving in the shop or uploading online. Notes: Brief Terms and Conditions at the end of this catalogue. Full Terms and Conditions All items subject to prior sale All prices exclude p&p and forex charges Subscribe to our catalogues Abbreviations used in our catalogues Contact: FABLES BOOKSHOP Ian Balchin. Proprietor. Specialists in books from Africa Books mailed worldwide Founder Member of Southern African Book Dealers Association (SABDA) Shop Tel & 24/7 fax: +27-(0)46-636-1525 Office & a/h Tel: +27-(0)46-622-2474 Generally: Email to reserve any item Payment by Visa & Mastercard preferred Prices exclude p&p and forex charges INDEX 1 of 37 2008/09/01 08:35 PM Fables Africana Catalogue Q199 file:///E:/q199.html General Africana Subjects BIOGRAPHIES, AUTOBIOGRAPHIES, DIARIES, GENEALOGICAL. BOTANICAL FICTION, LITERATURE & CREATIVE WRITINGS, MAGAZINES. FINE ARTS, PHOTOGRAPHY, ARCHITECTURE. TRUE CRIME MILITARY NADA ANNUAL NATURAL HISTORY PERIODICALS RHODESIANA MAGAZINE EARLY TRAVEL AND EXPLORATION Africa History / Topography by area EASTERN CAPE MOZAMBIQUE NATAL & EAST GRIQUALAND RHODESIA / ZIMBABWE SOUTH WEST AFRICA / NAMIBIA TRANSVAAL WESTERN CAPE SOUTHERN AFRICA, GENERAL SOUTHERN AFRICAN COASTAL AND THE SOUTHERN OCEAN ISLANDS. -
Rebirth of Bukalanga: a Manifesto for the Liberation of a Great People with a Proud History Part I
THE REBIRTH OF BUKALANGA A Manifesto for the Liberation of a Great People with a Proud History Part I NDZIMU-UNAMI EMMANUEL 2 The Rebirth of Bukalanga: A Manifesto for the Liberation of a Great People with a Proud History Part I ISBN: 978 0 7974 4968 8 ©Ndzimu-unami Emmanuel, 2012 Facebook: Ndzimu-unami Emmanuel Email: [email protected] Twitter: NdzimuEmmanuel Website: http://www.ndzimuunami.blogspot.com Published by Maphungubgwe News Corporation Language Editing and Proof-reading Pathisa Nyathi Bheki J. Ncube Cover Design Greg Sibanda, Tadbagn Designs All rights reserved. Not more than one chapter of this publication maybe reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without prior permission in writing of the author or publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. 3 About the author Born on 29 March 1982 in Bulawayo and raised by his grandparents in the District of Bulilima-Mangwe, Ndzimu-unami Emmanuel Moyo completed his primary and secondary education at Tokwana Primary and Secondary Schools. He later completed a Diploma in Personnel Management graduating with Distinction with the Institute of People Management (IPMZ). Moyo later entered the Theological College of Zimbabwe (TCZ) in Bulawayo where he majored in reading Theology and Philosophy, dropping out of the College after one-and-a-half- years. Between the time of his finishing of the GCE Ordinary Level in 1999 and publishing this book in 2012, Moyo worked for the Zimbabwe postal service, Zimbabwe Posts, and the National Oil Company of Zimbabwe (Noczim) in his home town of Plumtree. -
1 Evaluating Shona Liturgical Music in Localised Practices of Inculturation Within the Catholic Mass in Zimbabwe Submitted by Cr
Evaluating Shona Liturgical Music in Localised Practices of Inculturation within the Catholic Mass in Zimbabwe Submitted by Crispinah Machingura Submitted in partial fulfilment of the requirements for the degree of Master of Arts (Ethnomusicology) in the School of Arts, College of Humanities - University of KwaZulu-Natal, Durban, South Africa. November 2014 Supervisor: Doctor Sazi Dlamini 1 DEDICATION To God the Father our Lord Jesus Christ, be all glory, honour and praise through this work. Vana Vadiki VaMariya Musande, my dearest parents (Baba naMai Muketekesi), my brothers and sisters and all the Machingura grandchildren Nakeisha, Tanaka, Tinomudaishe, Chikomborero and Munashe, all for the love of you. i DECLARATION I declare that this thesis is my own original work. All citations, references, and borrowed ideas have been duly acknowledged. None of the present work has been previously submitted. Student name CRISPINAH MACHINGURA ………………………………………………………………… Date 14 NOVEMBER 2014 …………………………………………………. ii ACKNOWLEDGEMENTS I am most grateful to God for His sustaining treasures of unending mercies that kept me alive when I needed them most. Among the people who assisted me, I would like to express my most sincere gratitude to my supervisor, Dr Sazi Dlamini for his patience, academic prowess and unwavering mentorship. His keen interest in my work and encouragement were invaluable incentives towards the completion of this thesis. I am also indebted to the following people for their meaningful contribution to this study. A research project would never come to completion without information: I earnestly thank Prof David Dargie for directing me to invaluable literature about inculturation and Prof Andrew Tracey who also availed himself for interviews on Shona traditional music. -
Sustaining Afrocentric Spiritual Jazz in 21St Century Chicago
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21St Century Chicago Adam Zanolini The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1617 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SACRED FREEDOM: SUSTAINING AFROCENTRIC SPIRITUAL JAZZ IN 21ST CENTURY CHICAGO by ADAM ZANOLINI A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 ADAM ZANOLINI All Rights Reserved ii Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21st Century Chicago by Adam Zanolini This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. _________________ __________________________________________ DATE David Grubbs Chair of Examining Committee _________________ __________________________________________ DATE Norman Carey Executive Officer Supervisory Committee: _________________ __________________________________________ DATE Jeffrey Taylor _________________ __________________________________________ DATE Fred Moten _________________ __________________________________________ DATE Michele Wallace iii ABSTRACT Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21st Century Chicago by Adam Zanolini Advisor: Jeffrey Taylor This dissertation explores the historical and ideological headwaters of a certain form of Great Black Music that I call Afrocentric spiritual jazz in Chicago. However, that label is quickly expended as the work begins by examining the resistance of these Black musicians to any label. -