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Newsletter / Autumn 2019
NEWSLETTER / AUTUMN 2019 Welcome from our Chairman Adam O'Neill Welcome to the Autumn newsletter... Busy times at BFDG HQ with the management team, supported by the committee, working flat out on bringing you the new the bigger and better BFDG Awards 2019. Lots of work is going on behind the scenes, and members will be able to take part in the first vote from all the entries at the beginning of November. Although the BFDG Awards are an important event with the opportunity to promote and celebrate our members and their work The Guild is much more than just the Awards. There is a steady flow of new members joining us all the time, we have established links with the BECTU Art Department committee (of which I am a member) to discuss the rate card and the IR35/Schedule D liability issue, which will impact us all from April 2020, we continue to run regular events which are open to all members, there will be another Q&A coming up in November, and we are consulting with other Guilds regarding the future direction of the Joint Guild Screenings. Further afield, we are a member of ARTSCENICO and are keeping in touch regarding their recent discussions on sustainability and furthering links to the other European Guilds. Regarding the BFDG committee:- Anyone can become a member of the committee, it is open to all grades, all ages, genders, shade of hair colour, shoe size, etc. A recent point I made regarding this may have been misunderstood, so I would like to clarify: The younger committee members are the future, and are therefore very important, but I don’t want more senior members to feel they are not welcome to contribute, that would be wrong as well. -
Art Department Rate Card 2020
A r t D e p a r t m e n t Art Department Rate Card 2020 This structure is proposed as a guideline and will vary on the number of hours / days working per week, the amount of experience / time held at that position, the size of the project and where it is based. The rates do not include any allowances; the table below indicates which can apply to which grade, in regard to what is required to complete that particular job. When interviewed discuss and negotiate allowancesR one by one, and request your deal memo to be sent before you start the job. Guideline rates shown in GPB and based on a 5 day week in greater london area and include holiday pay. Ratesa have an annual increase of 2.5% from 1 st January. p i u t e Major Motion Picture / Medium Feature / q Small Feature / TV drama Type and size of production n Major International TV Medium International TV e o t r h s e e p i et r l u e a a l i i p Film Budget w 30M + 8.5M to 30M < 8.5M c b t m f e r C o o a o p TV Band c m c s s BAND 3 BAND 2 BAND 1 a From To (+) From To (+) From To (+) Supervising Art Director r £ 2,750 £ 3,500 £ 2,400 £ 2,800 £ 1,700 £ 2,200 Senior Art Director d £ 2,450 £ 2,800 £ 1,950 £ 2,600 £ 1,450 £ 1,900 Art Director 2 £ 2,000 £ 2,500 £ 1,800 £ 2,400 £ 1,200 £ 1,600 Stand-by Art Director 0 £ 1,800 £ 2,300 £ 1,600 £ 2,100 £ 1,100 £ 1,450 Assistant Art Director 2 £ 1,500 £ 2,000 £ 1,400 £ 1,900 £ 950 £ 1,200 Senior Draughtsperson / Set Designer 0 £ 1,450 £ 1,900 £ 1,250 £ 1,650 £ 1,100 £ 1,300 Draughtsperson / Set Designer £ 1,200 £ 1,600 £ 1,100 £ 1,350 £ 875 £ 1,200 -
South Africa's Official Selection for the Foreign Film Oscars 2006
Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos. -
CA Chart of Accts Film
CALIFORNIA CHART OF ACCOUNTS Qualifying and Non-qualifying Accounts Films - Movies of the Week - Mini-Series Effective July 1, 2014 Revised March 2014 The chart below is intended as a helpful guide, and not an exact list of what are considered Qualified Expenditures. Qualified Expenditures are for pre-production, production, and post-production - not for development, marketing, publicity, or distribution . The following listing assumes where "yes" is designated that the service is performed or property is used in the state of California. Items used or personnel services employed both within and outside of California can be qualified only for the prorata portion of costs incurred directly in California. Any expenditures incurred prior to issuance of the tax credit allocation letter are not qualified expenditures. Account # Description Qualified Comments 101-00 STORY & RIGHTS 101-01 Story Rights - Purchase NO 101-02 Acquisition Expenses NO 101-06 Title Report YES If work performed in California. 101-08 Copyright Fee NO 101-99 Fringe Benefits NO 102-00 WRITING 102-01 Writers NO 102-03 Editor and Consultants NO 102-05 Research YES 102-06 Script Timing YES 102-07 Secretaries YES 102-08 Script Duplication YES 102-18 Script Clearance Research YES 102-19 Clearance Fees YES If paid to CA company 102-20 Clearance License Fees NO 102-40 Materials & Supplies YES 102-45 Box Rentals YES On Qualified Labor Only 102-47 Car Allowances, Mileage YES On Qualified Labor Only 102-50 Rentals YES 102-80 Writer Entertainment & Meals YES 102-85 Script Publication -
Techniques and Practical Skills in Scenery, Set Dressing and Decorating for Live-Action Film and Television
International Specialised Skills Institute Inc Techniques and Practical Skills in Scenery, Set Dressing and Decorating for Live-Action Film and Television Julie Belle Skills Victoria/ISS Institute TAFE Fellowship Fellowship funded by Skills Victoria, Department of Innovation, Industry and Regional Development, Victorian Government ISS Institute Inc. APRIL 2010 © International Specialised Skills Institute ISS Institute Suite 101 685 Burke Road Camberwell Vic AUSTRALIA 3124 Telephone 03 9882 0055 Facsimile 03 9882 9866 Email [email protected] Web www.issinstitute.org.au Published by International Specialised Skills Institute, Melbourne. ISS Institute 101/685 Burke Road Camberwell 3124 AUSTRALIA April 2010 Also extract published on www.issinstitute.org.au © Copyright ISS Institute 2010 This publication is copyright. No part may be reproduced by any process except in accordance with the provisions of the Copyright Act 1968. Whilst this report has been accepted by ISS Institute, ISS Institute cannot provide expert peer review of the report, and except as may be required by law no responsibility can be accepted by ISS Institute for the content of the report, or omissions, typographical, print or photographic errors, or inaccuracies that may occur after publication or otherwise. ISS Institute do not accept responsibility for the consequences of any action taken or omitted to be taken by any person as a consequence of anything contained in, or omitted from, this report. Executive Summary In film and television production, the art department operates, under the leadership of the production designer or art director, to create and manipulate the overall ‘look, feel and mood’ of the production. The appearance of sets and locations transports audiences into the world of the story, and is an essential element in making a production convincing and evocative. -
List of Non-Exhaustive Crew Titles That Will Be Considered for Funding
List of non-exhaustive crew titles that will be considered for funding: Director Best boy (lighting) Key make-up artist Producer Lighting technician / Electrics Special make-up effects Artist Line producer Grips (SFX makeup) Production assistant Key grip Make-up supervisor Production managements Best boy/Best Babe (grip) Make-up artist Production manager Dolly grip Key hair Assistant production Production sound Hair stylist manager Production sound mixer Special effects Unit manager Boom operator Special effects supervisor Production coordinator Second assistant sound Stunts First assistant director Art department Stunt coordinator Second assistant director Production designer Film editor Accounting Art director Editorial[edit] Production accountant Line Standby art director Negative cutter Producer Assistant art director Colorist Location manager Set designer Telecine colorist Assistant location manager Illustrator Visual effects[edit] Location scout Graphic artist Visual effects Unit publicist Set decorator Visual effects producer System administrator Buyer Visual effects creative Continuity Leadman director Script supervisor Set dresser Visual effects supervisor Script Writers Greensman Visual effects editor Casting Construction Compositor Casting director Construction coordinator Matte painter Cast PA Head carpenter Sound and music Drivers Carpenters Sound designer Camera and lighting Studio hands Dialogue editor Director of photography Propmaker Sound editor Camera Scenic Re-recording mixer Camera operator Key scenic Music supervisor First assistant camera Property Foley artist Second assistant camera Propmaster Conductor/ orchestrator Film loader Weapons master Score recorder/ mixer Digital imaging technician Costume department Music preparation Steadicam operator Costume supervisor Music editor Motion control Key costumer Previs technician/Operator Breakdown artist Animation Lighting Costume buyer Gaffer Cutter . -
Sampling of Careers Within the Performing Arts
Sampling of Careers within the Performing Arts Performing in categories/places/stages including, but not limited to: Broadway Dance Companies International Theatre Short Films Children’s Theatre Documentaries Music Videos Television Commercials Festivals Off-Broadway Touring Companies Community Theatre Film Opera Web Series Cruise Ships Independent Films Regional Theatre West End London Performing arts jobs* including, but not limited to: Actor (27-2011) Dance Academy Owner (27-2032) Mascot (27-2090) Script Writer (27-3043) Announcer/Host (27-2010) Dance Instructor (25-1121) Model (27-2090) Set Designer (27-1027) Art Director (27-1011) Dancer (27-2031) Music Arranger (27-2041) Singer Songwriter (27-2042) Artistic Director (27-1011) Dialect Coach (25-1121) Music Coach (27-2041) Sound Editor (27-4010) Arts Educator (25-1121) Director (27-2012) Music Director (27-2041) Stage Manager (27-2010) Arts Manager (11-9190) Director’s Assistant (27-2090) Music Producer (27-2012) Talent Agent (27-2012) Ballet (27-2031) Drama Coach (25-1121) Music Teacher (25-1121) Casting Agent (27-2012) Drama Critic (27-3040) Musical Composer (27-2041) Technical Director (27-4010) Casting Director (27-2012) Drama Teacher (25-1121) Musical Theatre Musician (27-2042) Technical Writer (27-3042) Choir Director (27-2040) Event Manager (27-3030) Non-profit Administrator (43-9199) Theatre Company Owner (27-2032) Choir Singer (27-2042) Executive Assistant (43-6011) Opera Singer (27-2042) Tour Guide (39-7011) Choreographer (27-2032) Fashion Model (27-2090) Playwright (27-3043) -
The Production of Tv Commercials and Stills Photography in Cape Town
THE PRODUCTION OF TV COMMERCIALS AND STILLS PHOTOGRAPHY IN CAPE TOWN An overview of the impacts and constraints of the commercial production sector on the Cape Town economy. Martin Cuff, August 4th 2011 Commercial Producers Association SAASP P O Box 413005 PO Box 51649 Craighall Waterfront 2024 8002 Tel: 27 11 673 6809 Tel: 27 21 447 1075 Cell: 27 82 683 0575 Cel: 27 82 403 3661 Fax: 27 86 674 8321 Fax: 27 86 656 9656 E‐mail: [email protected] E‐mail: [email protected] Web: www.Cpasa.tv Web: www.saasp.Co.za DisClaimer: This doCument was assembled from various publiCations and websites between 2005 and 2011. It is intended for general researCh purposes only. Whilst every effort was made to ensure the information herein was CorreCt at time of Compilation, we make no warranties of any kind regarding the Completeness, aCCuraCy, reliability or suitability of the information. Any relianCe you plaCe on suCh is at your own risk, and we will not be liable for any loss or damage whatsoever arising out of, or in ConneCtion with the use of this information. The following doCuments were used as referenCe materials for this doCument: • DACST Cultural Industries Growth Strategy (1998) • Department of Trade & Industry SeCtor Development Strategy for Film and Television (June 2005); • Western Cape ProvinCial Government MiCro EConomiC Development Strategy (MEDS) Report for the Film SeCtor (April 2005) • CommerCial ProduCers AssoCiation Industry Survey (2005 ‐ 2011) • South AfriCan AssoCiation of Stills ProduCers Annual Survey (2005/6, 2009‐11) • Cape Film Commission StrategiC EConomiC Analysis (2006) • Gauteng Film Commission EConomiC review (2007) • The Durban & KZN Film Industry Review (2008) • Eastern Cape Development Corporation Film SeCtor Review (2009) THE PRODUCTION OF TV COMMERCIALS AND STILLS PHOTOGRAPHY IN CAPE TOWN SUMMARY: • Stills and TV Commercials make up 57.7% of the the turnover of production in the Western Cape • The combined value of Stills & TV Commercial Production in the province is R1.53 billion. -
Production Guide A4 2018 ONLINE.Indd
BARRANDOVSTUDIO.COM Production Guide BS 2018 cover CC.indd 1 24.04.18 13:12 CONTENTS 02 BARRANDOV STUDIO 04 CZECH REPUBLIC 14 SUPPORT OF THE FILM INDUSTRY IN THE CZECH REPUBLIC – FILM INCENTIVES 16 CO-PRODUCTION 18 BARRANDOV STUDIO SERVICES 20 STAGES AND BACKLOT 32 SET CONSTRUCTION 36 COSTUMES AND PROPS 40 POST-PRODUCTION 41 DUBBING STUDIOS 42 REFERENCES 44 USEFUL CONTACTS PRODUCTION GUIDE 3 Production Guide BS 2018 cover CC.indd 2 24.04.18 13:12 BARRANDOV STUDIO HISTORY Barrandov Studio is your ideal film and TV production hub in Europe. Barrandov Studio is one of the largest and oldest studio As a key player on the European audio-visual scene, we have all your facilities in Europe. Inspired by the American film indus- film-related fields and services in one convenient location. Barrandov try, Barrandov’s founding fathers, the Havel brothers Studio - we’ve been making your creativity real since 1931! (very much related to our first president Vaclav Havel), built the now legendary studios in the 1930s. Since then, Barrandov Studio is one of the largest and oldest film studios in Europe. the company has held a national monopoly in the pro- For more than eighty-five years, the studios have been the location of duction of full-length feature films and has evolved into choice for the production of close to 5,000 films; both Czech and inter- a modern dynamic company, specializing in a full range national. of services for the production of feature films, television, commercials and other audiovisual works. BASIC SERVICES Barrandov films like The Shop on Main Street (1965, Ján Kadár and Elmar Klos) and Closely Watched Trains ■ Soundstage and backlot rental In the early 1990s, Barrandov Studio started focusing (1966, Jiří Menzel) received Oscars in the Best Foreign on the larger foreign market rather than exclusively on ■ Costume and props rental Language Film category. -
Erin Boyd's Resume
aka Erin Gould 5259 Tendilla Ave Erin Boyd Woodland Hills, Ca. 91364 Set Decorator (818) 231-4838 Cell Employment Position Dept. Head Date "Raising The Bar" Set Decorator Production Designer: Bruce Hill 2008 & 2009 TV. Show Producer: Jesse Bocho Season 1 & 2 "Angels and Demons" Buyer Production Designer: Alan Cameron 2008 Feature Film Set Decorator: Robert Gould "Samantha Who" Set Decorator Production Designer: Jaymes Hinkle 2007 Pilot/ First season Creator: Don Todd "Shoot 'Em up" Set Decorator Production Designer: Jaymes Hinkle 2007 Feature Film add. photography Director: Michael Davis "Beer Fest" Set Decorator Production Designer : Jaymes Hinkle 2006 Feature Film Re-shoots Director : Jay Chandrasekhar " Snakes on a Plane" Set Decorator Production Designer : Jaymes Hinkle 2006 Feature Film add. photography Director : David Ellis "Big Day" Set Decorator Production Designer : Jaymes Hinkle 2006 Pilot Director : Josh Goldsmith "Fred Claus" Set Decorator Production Designer: Bruce Hill 2006 Feature Film Add. Photography Director: David Dobkin " What Love Is" Set Decorator Production Designer : James Hinkle 2005 Feature Film Director: Mars Callahan " In the Land of Women" Set Decorator Production Designer : Bruce Hill 2005 Feature Film re-shoots Director : Jon Kasden " Bar Stars " Set Decorator Production Designer : Bruce Hill 2005 Feature Film Director : Michael Pietrzak "Poseidon" Lead Buyer Set Decorator : Robert Gould 2005 Feature Film Production Designer : William Sandell " Rebound " Lead Buyer Set Decorator : Robert Gould 2004 Feature Film Production Designer : Jaymes Hinkle "Sky High" Lead Buyer Set Decorator : Robert Gould 2004 Feature Film Production Designer : Bruce Hill " The O.C. " Lead buyer Set Decorator : Robert Gould 2003 Pilot Production Designer : Jaymes Hinkle "Cellular" Lead Buyer Set Decorator : Robert Gould 2003 Feature Film Production Designer : Jaymes Hinkle "Master and Commander" Lead Buyer Set Decorator : Robert Gould 2002 Feature Film Production Designer: William Sandell "Dr. -
SETDECOR Online
SSEETTDDEECCOORR OOnnlliinnee www.setdecor.com 1166ttthh AAnnnnuuaall AArrtt DDiirreeccttoorrss GGuuiilldd AAwwaarrddss NNoommiinnaattiioonnss Congratulations to the entire team for each film & television show honored! The SDSA particularly acknowledges the set decorator’s contributions for these outstanding productions and invites you to read our coverage at www.setdecor.com. NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2011: PERIOD FILM THE ARTIST Production Designer: Laurence Bennett Set Decorator: ROBERT GOULD HUGO Production Designer: Dante Ferretti Set Decorator: FRANCESCA LO SCHIAVO SDSA THE HELP Production Designer: Mark Ricker Set Decorator: RENA DE ANGELO SDSA ANONYMOUS Production Designer: Sebastian Krawinkel Set Decorator: SIMON-JULIEN BOUCHERIE TINKER TAYLOR SOLDIER SPY Production Designer: Maria Djurkovic Set Decorator: TATIANA MACDONALD (more) 1 of 8 SSEETTDDEECCOORR OOnnlliinnee www.setdecor.com FANTASY FILM HARRY POTTER AND THE DEATHLY HALLOWS PART 2 Production Designer: Stuart Craig Set Decorator: STEPHENIE MCMILLAN CAPTAIN AMERICA: THE FIRST AVENGER Production Designer: Rick Heinrichs Set Decorator: JOHN BUSH THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN Art Director: Kim Sinclair ANIMATED…NO SET DEC PIRATES OF THE CARIBBEAN: ON STRANGER TIDES Production Designer: John Myhre Set Decorator: GORDON SIM SDSA COWBOYS & ALIENS Production Designer: Scott Chambliss Set Decorator: KAREN MANTHEY SDSA CONTEMPORARY FILM THE GIRL WITH THE DRAGON TATTOO Production Designer: Donald Graham Burt Set Decorator: K.C. FOX SDSA THE DESCENDANTS Production Designer: Jane Anne Stewart Set Decorator: MATT CALLAHAN (more) 2 of 8 SSEETTDDEECCOORR OOnnlliinnee www.setdecor.com EXTREMELY LOUD & INCREDIBLY CLOSE Production Designer: K.K. Barrett Set Decorator: GEORGE DE TITTA, JR. SDSA DRIVE Production Designer: Beth Mickle Set Decorator: LISA K. -
Download and Fill out the PRODUCTION
AN ONLINE E-BOOK WITH 1,000 9,500+ 2,200 PRINTED DIRECTORIES UNIQUE VISITORS ANNUALLY LISTINGS 100+ 284 ADVERTISERS IN THE BOOK & ONLINE PAGES AN ONLINE, SEARCHABLE DATABASE ACCESSED BY VISIT OZONLINE.TV TENS OF THOUSANDS TO GET LISTED ANNUALLY Oz Publishing, Inc - Charlotte Regional Film & Video Guide Media Kit 2018–2019 2 Dear Film & Television Professional: The Charlotte Regional Film & Video Guide and Ozonline.tv showcase the production services and industry professionals that make Charlotte the production and gaming center of the East. The Guide and website are THE ultimate resources for producers and industry decision-makers. Help us present a strong and unified marketplace – and generate business for yourself. Get listed in the Charlotte Regional Film & Video Guide! Gary Powell, Publisher I moved to Charlotte from L.A. I began listing in the Charlotte The Production Guide and in 2002. I use the Charlotte Regional Film and Video Guide a online listings have created an Regional Film and Video Guide to number of years go. Now, I purchase incredible response and interest in hire crew and vendors. The more display advertising in the printed Eagle Eye Productions, more than any people and companies we have and online version of the Guide. I other advertising outlet that we have listed, the more Charlotte will grow have always been pleased with the found anywhere!” as a production destination.” results. Year after year, the Guide has consistenly shown a significant return Rob Fleeger, Owner and President, Jennifer Oates, Production on