Progress 1121

Total Page:16

File Type:pdf, Size:1020Kb

Progress 1121 1121st SHARING THE EARTH SO ALL MAY PROSPER EDITION SPRING 2017 PROPERTY ANOTHER NAME FOR MONOPOLY? Spring 2017 Progress is supported by a grant from the Number 1121 Henry George Foundation of Australia - www.hgfa.org.au First published 1904 ABOUT Editor Prosper Australia is a 126 year old advocacy group. It seeks to move the Karl Fitzgerald base of government revenues from taxing individuals and enterprise to capturing the economic rents of the natural endowment, notably through Publisher land tax and mining tax. Prosper Australia Inc JOIN US Send contributions to: [email protected] Please join our organisation, Prosper Australia. Membership costs PROGRESS is the journal of $30.00. This includes a subscription to Progress. Prosper Australia www.prosper.org.au/join Earthsharing Australia Land Values Research Group Progress subscription only $15 – overseas subscriptions $35.00. Printed by The Print Press - (03) 9569 4412 Contact Prosper Australia ProsperAustraliaInc @Prosper_Oz 64 Harcourt Street, North Melbourne Vic 3051 Earthsharing @earthsharing Tel: +61 (0)3 9328 4792 - [email protected] Realestate4ransom @property4ransom Contact Information Related Organisations: ACT TAS Association for Good Government Prosper Australia (Tas branch) www.associationforgoodgov.com.au [email protected] [email protected] 03 6228 6486 02 6254 1897 8 Rosina Court, Mt Stuart TAS 7000 NSW Useful Websites Association for Good Government www.prosper.org.au [email protected] www.earthsharing.org.au 02 9698 2436 www.lvrg.org.au 122 Little Everleigh Street, Redfern NSW 2016 www.realestate4ransom.com PO Box 251 Ulladulla NSW 2539 www.3cr.org.au/economists www.youtube.com/earthsharing QLD www.grputland.com Site Revenue Society www.thedepression.org.au [email protected] www.hgfa.org.au 07 5574 0755 www.associationforgoodgov.org.au PO Box 8115 www.henrygeorge.org Gold Coast Mail Centre QLD 9726 www.theIU.org www.savingcommunities.org WA www.cooperativeindividualism.org Georgist Education Association www.earthrights.net www.gea.org.au www.progress.org [email protected] www.schalkenback.org 08 9279 5590 www.earthsharing.org 5/20 Old Perth Road, Bassendean WA 6934 PO Box 472 Bassendean WA 6934 Cover image: Matteo Catanese @ unsplash.com Contents Editorial by Karl Fitzgerald ........................................................................................................................4 Who Owns the Earth? by Antonia Malchik .................................................................................5 Clause for Concern by William Payze ..........................................................................................12 The Inquisitive Boy by Spokeshave.............................................................................................14 Property is Another Name for Monopoly by Eric A. Posner and E. Glen Weyl.........16 On Monopoly Labor and Capital - Henry George at the US Senate ............................18 Geoists in History by Karl Williams ...............................................................................................22 “This being the case, in what manner are the Irish people to subsist in future? There is the land and there is labor enough to bring it into cultivation. But such is the state in which the land is placed, that capital cannot be employed upon it. You have tied up the raw material in such a manner -- you have created such a monopoly of land by your laws and by your mode of dealing with it -- as to render it alike a curse to the people and to the owners of it” John Bright, MP [From a Speech in the House of Commons, 2 April, 1849, Speeches, Vol.I, pp. 332 (Edition of 1868)] Editorial by Karl Fitzgerald We’re privatising our way to a real life version of In the past this could have funded two people for Monopoly - the board game we all love to hate. a week to clear ten drains. But few are discussing The irony of the popular game’s history is con- the privatised rents that consultants, multi-na- fronting for many Progress readers. ‘Monopoly’ tionals and insiders bidding for government was originally called The Landlord’s Game. It was contracts can claim. The market is one-eyed designed to teach us about the danger of priva- under today’s neoliberal mantra. tising natural monopolies into a tollbooth society. Quite simply, we have replaced a few pubic Today’s leaders are quite simply puppets for their servants leaning on shovels with executives on a campaign contributors. long Friday lunch. This edition addresses these concerns, beginning The good news is that Prosper is more involved with a storytelling piece on the importance of the than ever in lobbying government for the commons, of the land in our lives. If a place to necessary policy changes. The more our sup- lay down our roots really is so important, why porters write letters, phone into callback radio has society allowed such a Game of Mates to or contact their MP (the core essentials of civic thrive? ‘Who Owns the Earth’ raises awareness of behaviour), the closer we get to meaningful the Charter of the Forest, which is celebrating it’s reform. 800th anniversary this November 6. I’m hoping to bring more academic articles to The satire of the ABC’s popular Utopia series is Progress, and in Property is Only Another Name for raising awareness of the dangers of privatisa- Monopoly, two young academics in Posner and tions. Bloomberg has also been busy on this front, Weyl attempt to describe the need for both alloc- finding recent NSW privatisations dwarfed the ative and investment efficiencies. Whilst raising state’s entire history of sell-offs. With east coast some interesting points, I must ask you to identify states also awash with stamp duty revenues, this their mistake. The next article - a testimony by could be as good as public services get. Henry George to the US Senate, answers their shortcomings. Victoria’s Andrews administration is no different, with the Victorian Land Titles Office tragically up Karl Williams’ Geoists in History takes us into the for sale, so soon after the Port of Melbourne. heart of the zionist movement with a biographi- cal take on Chaim Weizmann, the catalyst behind This same government has placed a ratings cap the creation of Israel. Weizmann too agreed that on local councils, further choking their sovereign- the Palestinians have ‘the same rights to their ty. With so much focus on council revenues, little homes as we have to our national home’. analysis has occurred on the role that 30+ years of privatisations have placed on cost structures. How good intentions turn sour without some form of rent-sharing. Melbourne City Council employs Serco, the world’s largest prison operator, to run our We hope this selection of articles illuminates parks and gardens services. So blind are the the role that unearned incomes play in dividing public that Serco even have the gall to use the society and the necessary reforms needed to slogan ‘bringing service to life’ on their vehicles. harmonise the growth of society with nature, of Meanwhile, Halliburton’s KKR are in charge of incomes with prices, of natural monopolies with tree planting in Adelaide. lowest operating costs. The Maribyrnong City Council pays a private con- tractor $2000 for each and every drain clearance. 4 PROGRESS Spring 2017 PROGRESS Spring 2017 5 Photo by Andrew Loke on Unsplash Who Owns the Earth? by Antonia Malchik Is our attachment to private property the root of our roots are real, and they become stronger and environmental problems? Private land ownership deeper the more closely we belong to a place. is a beautiful dream gone badly wrong. It’s time to reinstate the forgotten ideal of the commons. For people like my great-great-grandparents and Reprinted with permission from Aeon. so many others who had lived under the yoke of tenuous tenancy rights in Europe, the US’s 1862 My mother likes to say she was born out of the Homestead Act promised a sense of freedom back of a ’39 Ford. She wasn’t, actually. She that these days is almost unimaginable: the was born in a hospital in Chicago. But less than freedom to own the land that you worked on, the a year later she and her parents returned to the farm that sustained you, the riverbank where you Montana ranch that her family had homestead- stood to catch your dinner, the trees that shaded ed in the early 1900s, and where they still lived. your house. You could lose it through bankrupt- That is where my mother counts her birth, when cy or by giving up – pioneer life was less the de- she got out of the back of that ’39 Ford and came lightful, rich adventure depicted in Little House home to the prairie, full of meadowlarks and on the Prairie than a stark, cold, lonely, and harsh fragrant soil and a big golden willow. ‘I count how life that drove many off the land within a few God and nature do things,’ she says of her birth. short years – but no capricious lord or absentee ‘People have a home, and they know when they owner could take it from you or demand a per- get there.’ centage of your labour. White Americans who benefited from the opening of the West and the If there is a greater thrill of belonging, of home, brutal, deeply unjust Indian Removal Act, would than turning the key in your first house, it’s land never again be subject to the equivalent of the ownership. The ranch my mother grew up on Highland Clearances. still smells of sweet soil. Its acres roll out under Montana’s big sky, harbouring the prairie’s native For me, like my ancestors, the Montana landscape yellow bells and buttercups. To belong to a place is part of who I am. It’s beyond price. Love is the like that, to know it’s yours to care for and live on, one thing about land that cannot be measured is a powerful and steadying force.
Recommended publications
  • ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
    AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein.
    [Show full text]
  • AC Issue49 March2011.Pdf
    ac_issue#49.indd 1 22/03/11 2:14 PM Complete 35mm Package You thought you couldn’t afford film anymore... ...think again. Complete 35mm is the 35mm film and processing package from FUJIFILM / Awesome Support and Deluxe. Designed to offer the flexibility and logistical benefits of the film origination at a preferential price. The package includes: • 35mm FUJIFILM motion picture film stock • 35mm negative developing at Deluxe 400’ roll* 1000’ roll* $424 ex gst $1060 ex gst *This special package runs from 1st December 2010 to 31st January 2011 and it is open to TVC production companies for TVC / Rock clips / Web idents etc. Package applies to the complete range of FUJIFILM 35mm film in all speeds. No minimum or maximum order. Brought together by AUSTRALIA Contact: Ali Peck at Awesome Support 0411 871 521 [email protected] Jan Thornton at Deluxe Sydney (02) 9429 6500 [email protected] or Ebony Greaves at Deluxe Melbourne (03) 9528 6188 [email protected] ac_issue#49.indd 2 22/03/11 2:15 PM Not your average day at the supermarket. It’s Bait in 3D. Honestly, it would have been very difficult to make this movie without Panavision. Their investment and commitment to 3D technologies is a huge advantage to filmmakers. Without a company the size and stature of Panavision behind these projects they would be very difficult to achieve. Ross Emery ACS Shooting in 3D is a complex and challenging undertaking. It’s amazing how many people talk about being able to do it, but Panavision actually knows how to make it happen.
    [Show full text]
  • Mel Buttle Life Lessons from School Heroin Bust Secret Jungle Operation
    JULY 31-AUGUST 1, 2021 CHIP Mel Buttle Life lessons OFF from school Heroin bust Secret jungle operation THE BLOCK He’s been honing his axe skills since he could walk, now fifth-generation woodchopper Archie Head is eyeing Ekka glory JILL POULSEN FEEDBACK Upfront 28 William McInnes 3 Mel Buttle 3 Ordinary Person 15 You & Me 16 Features Class of their own 4 EDITOR’S NOTE Rock star return 8 Flight of fancy 12 There is plenty of anticipation 18 surrounding this year’s Ekka after it Life&Style became one of the many events of last year that were cancelled or reduced to Culture Club 19 small online affairs. The Cut 19 To welcome the country heroes back into the city, Jill Poulsen meets a few of Fashion 20 those hopeful of victory in three of the 44 Cafe 21 competition sections. Cover star Archie Recipe 22 Head, 9, will compete alongside his parents and two siblings. Reigning Ekka Dining 23 champions, the Iseppi family reveal their Travel 24 preparations ahead of the cattle exhibit, and cake decorator Malcolm Pratt, 73, Books 26 will celebrate his 50th year entering the Weddings 28 cookery section. Big Quiz 30 In these uncertain times, the return of the Ekka is something worth cheering. 21 My Life 31 Cover Archie Head Photography Lachie Millard Editor Natalie Gregg Deputy Editor Alison Walsh Arts Editor Phil Brown Design Sean Thomas Stage 1 Selling Now! At last…Luxury Retirement without leaving the Bayside. Marrying the expertise and vision of two of the most esteemed retirement and aged-care providers, the award-winning Village Retirement Group and Anglicare are thrilled to deliver the best retirement living to the Bay in decades! Call Kath on 3854 3737 to register your interest today! Visit our Information Centre, Tue-Sat 10am-4pm 162 Oceana Terrace, Manly thevillagemanly.com.au 02 QWEEKEND.COM.AU JULY 31-AUGUST 1, 2021 V0 - BCME01Z01QW MEL WILLIAM BUTTLE McINNES “The centre of any tuckshop pie, sausage roll In love with or lasagne will be lava.
    [Show full text]
  • Kitty Flanagan
    KITTY FLANAGAN Ever stood under glaring lights recounting your hopes, dreams, fears and most embarrassing moments to a room full of strangers in a desperate attempt to keep them entertained? Welcome to the terrifying world of stand up, which Kitty Flanagan has spent the past 20 years successfully navigating, proving herself as not only one of Australia’s best, but also most beloved comedians. Since first gracing Australian TV screens in ‘Full Frontal’ during the 90s, Kitty has appeared in numerous productions, performing regularly at comedy venues around Australia and internationally, and appearing on The Project, Have You Been Paying Attention, The Weekly and Utopia. Amanda meets up with Kitty to learn what life’s like under the spotlight (literally), discuss her new book, ‘Bridge Burning And Other Hobbies’, and discover more about this (inaccurately) self described ‘wallflower’. HELLO KITTY After attending Catholic school and developing a healthy disrespect for institutionalised religion, Kitty headed to university where she enjoyed studying a wide range of subjects, none of which had any relation to her current occupation. Once compulsory fee paying was introduced, Kitty flew the tertiary coop, bluffing her way into advertising and working as a copywriter. After her desperate attempts to get fired finally paid off, Kitty began pouring pints, working as a bartender at the Harold Park Hotel, which incidentally happened to run an open mic night. With a backlog of anecdotes and an inexplicable need to vent her deepest, darkest secrets in front of a room full of beer-swilling old men, Kitty spent nights honing her skills, quickly becoming a pub favourite.
    [Show full text]
  • 2019 AACTA AWARDS PRESENTED by FOXTEL All Nominees – by Category FEATURE FILM
    2019 AACTA AWARDS PRESENTED BY FOXTEL All Nominees – by Category FEATURE FILM AACTA AWARD FOR BEST FILM PRESENTED BY FOXTEL HOTEL MUMBAI Basil Iwanyk, Gary Hamilton, Julie Ryan, Jomon Thomas – Hotel Mumbai Double Guess Productions JUDY & PUNCH Michele Bennett, Nash Edgerton, Danny Gabai – Vice Media LLC, Blue-Tongue Films, Pariah Productions THE KING Brad Pitt, Dede Gardner, Jeremy Kleiner, Liz Watts, David Michôd, Joel Edgerton – Plan B Entertainment, Porchlight Films, A Yoki Inc, Blue-Tongue Films THE NIGHTINGALE Kristina Ceyton, Bruna Papandrea, Steve Hutensky, Jennifer Kent – Causeway Films, Made Up Stories RIDE LIKE A GIRL Richard Keddie, Rachel Griffiths, Susie Montague – The Film Company, Magdalene Media TOP END WEDDING Rosemary Blight, Kylie du Fresne, Kate Croser – Goalpost Pictures AACTA AWARD FOR BEST INDIE FILM PRESENTED BY EVENT CINEMAS ACUTE MISFORTUNE Thomas M. Wright, Virginia Kay, Jamie Houge, Liz Kearney – Arenamedia, Plot Media, Blackheath Films BOOK WEEK Heath Davis, Joanne Weatherstone – Crash House Productions BUOYANCY Rodd Rathjen, Samantha Jennings, Kristina Ceyton, Rita Walsh – Causeway Films EMU RUNNER Imogen Thomas, Victor Evatt, Antonia Barnard, John Fink – Emu Runner Film SEQUIN IN A BLUE ROOM Samuel Van Grinsven, Sophie Hattch, Linus Gibson AACTA AWARD FOR BEST DIRECTION HOTEL MUMBAI Anthony Maras – Hotel Mumbai Double Guess Productions JUDY & PUNCH Mirrah Foulkes – Vice Media LLC, Blue-Tongue Films, Pariah Productions THE KING David Michôd – Plan B Entertainment, Porchlight Films, A Yoki Inc,
    [Show full text]
  • The Lost Flowers of Alice Hart by Holly Ringland
    FREE APRIL 2018 The Lost Flowers of Alice Hart by Holly Ringland Read our review on page 8 Growing Up Aboriginal in Australia edited by Anita Heiss Read an extract on page 7 BOOKS MUSIC FILM EVENTS GURRUMUL page 22 BLUE PLANET II JAMILA RIZVI ROBERT HOLLY ANITA HEISS page 21 page 4 HILLMAN RINGLAND page 13 page 8 page 8 CARLTON 309 LYGON ST 9347 6633 KIDS 315 LYGON ST 9341 7730 DONCASTER WESTFIELD DONCASTER, 619 DONCASTER RD 9810 0891 HAWTHORN 701 GLENFERRIE RD 9819 1917 MALVERN 185 GLENFERRIE RD 9509 1952 ST KILDA 112 ACLAND ST 9525 3852 STATE LIBRARY VICTORIA 328 SWANSTON ST 8664 7540 | SEE SHOP OPENING HOURS, BROWSE AND BUY ONLINE AT WWW.READINGS.COM.AU READINGS MONTHLY 3 April 2018 goers can discover the largest collection of April rare, out-of-print and collectable books in The Women’s Prize for Fiction 2018 longlist 25% off a range of Insight & Berlitz travel Australia, go inside heritage buildings, listen The longlist for the Women’s Prize for guides to live music, watch street performers, try Fiction 2018 has been announced. This Throughout April, we’re offering 25% off News their hand in a Scrabble tournament and prize celebrates the best writing from female a select range of Insight & Berlitz travel visit the Readings bookstall at the Festival. authors around the world. This year’s longlist guides. This offer is exclusively available A weekend pass is $10 for adults, and $5 for includes: H(a)ppy by Nicola Barker; The Idiot at our Carlton and Hawthorn stores secondary school students and children.
    [Show full text]
  • ABC TV 2015 Program Guide
    2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS..
    [Show full text]
  • Kitty Flanagan
    Kitty Flanagan Quirky corporate comic & queen of stand up Kitty Flanagan is a comedian who is renowned for her quirky, offbeat observations. Kitty made her comedy television debut as a writer/performer on the popular Australian sketch comedy show Full Frontal. She has also written for and appeared in The Micallef Programme and The Fifty Foot Show. She pops up regularly on Australian television on shows including Good News Week, Rove and Spicks & Specks. In the US, she has appeared on Comedy Central, featuring in several series of The World Stands Up. In the UK, she has been seen on The Comedy Store Live, ITV’s The Sketch Show and The BBC Stand Up Show. A subtle and perceptive performer, she is expert when it comes to understanding her audience and tailoring her material to suit – making her the ideal comedian for your next corporate event, gala, awards night or launch. More about Kitty Flanagan; At school Kitty was a tiny, stick like child with very large front teeth and fuzzy hair. An acutely shy teenager, she spent her adolescent years staying in on Saturday nights watching Eight is Enough and Magnum P.I. Secretly Kitty wanted to be an actor, however she knew she would never survive acting school. Her inner voice wouldn’t shut up long enough to let her do serious things like Shakespeare or mime classes that required you to wave about like a sheaf of wheat in the wind or melt like an ice cream in the sun. She tried to be a P.E teacher for a while, this time ignoring her inner voice which was now screaming: You cannot be serious! (She was really into tennis and her inner voice had started to sound a lot like John McEnroe.) Advertising beckoned next as it seemed like the job that paid the most money for the least amount of qualifications.
    [Show full text]
  • Full List of Nominees for the 52Nd Annual AWGIE Awards
    Full List of Nominees For The 52nd Annual AWGIE Awards FULL LIST OF NOMINEES FOR THE 52nd ANNUAL AWGIE AWARDS FEATURE FILM – ORIGINAL All Is True – Ben Elton Hotel Mumbai – John Collee with Anthony Maras Relic – Christian White and Natalie Erika James Ride Like a Girl – Andrew Knight and Elise McCredie The Favourite – Tony McNamara with Deborah Davis FEATURE FILM – ADAPTATION Miss Fisher and the Crypt of Tears – Deb Cox True History of the Kelly Gang – Shaun Grant SHORT FILM Fitting – Bronwen Noakes with Emily Avila Here There Be Monsters – Drew Macdonald Judas Collar – Alison James Stray – Katherine Chediak Putnam with Dean W Law DOCUMENTARY – PUBLIC BROADCAST (INCLUDING VOD) OR EXHIBITION Ghosthunter – Ben Lawrence The Art of the Game – Matthew Bate The Pacific: In the Wake of Captain Cook with Sam Neill: ‘Endeavour and Tahiti’ – Sally Aitken with Owen Hughes, Meaghan Wilson-Anastasios, David Alrich and Sam Neill DOCUMENTARY – COMMUNITY, EDUCATIONAL AND TRAINING (OR OTHERWISE COMMISSIONED TO A SPECIFIC BRIEF) Only one nomination and the winner will be announced on the night TELEVISION – SERIAL Home and Away: Episode 7073 – Margaret Wilson Neighbours: Episode 8052 – Jason Herbison The Heights: Episode 26 – Hannah Carroll Chapman 1 Full List of Nominees For The 52nd Annual AWGIE Awards TELEVISION – SERIES OR MINISERIES OF MORE THAN 4 HOURS DURATION, INCLUDING ORIGINAL AND ADAPTED WORKS Bloom: ‘The Memory Box’ – Glen Dolman Jack Irish: Season 2, Episode 1 – Andrew Knight Secret City: Under the Eagle: ‘Run Little Rabbit’ – Matt Cameron
    [Show full text]
  • Penny Flanagan Writer
    WRITER, CO-DIRECTOR AND STAR KITTY FLANAGAN BRINGS HER SINGULAR VOICE TO AN HILARIOUS NEW COMEDY THAT AFFECTIONALLY CHANNELS THE QUIRKS OF OFFICE LIFE HD 6 x 30’ Porchlight Films Previously a high-end contracts solicitor, Helen Bereaved relatives, long standing family feuds Tudor-Fisk (Kitty Flanagan) finds herself in the low and petty squabbles over money and inheritance rent world of wills and probate when she takes make this job as much about being a therapist the job at Gruber & Gruber, following a humiliating as a lawyer. marriage breakdown and professional fall from With a diverse supporting cast and stellar line-up grace. Navigating her new ‘career’ proves tricky, of professional comedian ‘special guests’, Fisk as Fisk realises the truth of her misplaced has broad appeal and is the perfect laugh-out-loud assumption: just because her clients are dead, tonic for our times. doesn’t mean she won’t have to deal with people. Fisk has been brought in to replace Roz Gruber (Julia Zemiro), a recently suspended solicitor “Kitty Flanagan is, quite simply, one who has temporarily appointed herself the office manager. No longer allowed to sit in with clients, of the funniest humans alive, and Roz now has nothing else to do but get all up a show created by and starring her in Helen’s business. is long overdue. Ray Gruber, Roz’s brother (Marty Sheargold) hired Every page of these scripts is laugh- Helen in a fit of laziness but also because Helen out-loud funny, and the cast and crew is a ‘mature lady’ which has proven to be the that she’s pulled together guarantee preferred option for clients who are grieving.
    [Show full text]
  • The True Story of Maddie Bright Mary-Rose Maccoll
    AUSTRALIA APRIL 2019 The True Story of Maddie Bright Mary-Rose MacColl The bestselling author of In Falling Snow returns with a spellbinding tale of friendship, love and loyalty Description 'This book has it all: an unforgettable first chapter, a fascinating insight into the Prince of Wales' visit to Australia in 1920 through the eyes of two women who worked for him, and a compelling mystery set in contemporary times, against the backdrop of Princess Diana's death. Truly wonderful storytelling.' - Natasha Lester, bestselling author of The Paris Seamstress In 1920, at seventeen years of age, Maddie Bright takes a job as a serving girl on the Royal Tour of Australia by Edward, Prince of Wales. She meets the prince's young staff - his vivacious press secretary Helen Burns, his most loyal man Rupert Waters - and the prince himself - beautiful, boyish, godlike. Maddie might be on the adventure of a lifetime. Sixty-one years later, Maddie Bright is living a small life in a ramshackle house in Paddington, Brisbane. But an unlooked- for letter has arrived in the mail and there's news on the television from Buckingham Palace that makes her shout back at the screen. Maddie Bright's true story may change. In August 1997, London journalist Victoria Byrd is tasked by her editor with the job of finding the elusive M.A. Bright, author of the classic war novel of ill-fated love, Autumn Leaves. It seems Bright has written a second novel, and Victoria has been handed the scoop. Recently engaged to an American film star, Victoria is horrified by her own sudden celebrity and keen to escape to Australia to follow the story.
    [Show full text]
  • Annual Report 2019/20
    Published by Screen Australia October 2020 ISSN 1837-2740 © Screen Australia 2020 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2019/20. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data; Metropolitan and National market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of RegionalTAM. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from Mystery Road series 2. Back cover image from Total Control. Screen Australia operates within Australia, with its head office located in Sydney at 45 Jones Street, Ultimo, and an office in Melbourne at 290 Coventry Street, South Melbourne.
    [Show full text]