DOCSLIB.ORG

TOCOTRONIC and COSIMA VON BONIN Stiftung Ludwig Wien PRESENTED by Mumok & FM4 Museumsplatz 1 | 1070 Wien

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TOCOTRONIC and COSIMA VON BONIN Stiftung Ludwig Wien PRESENTED by Mumok & FM4 Museumsplatz 1 | 1070 Wien Museum moderner Kunst TOCOTRONIC and COSIMA VON BONIN Stiftung Ludwig Wien PRESENTED BY mumok & FM4 Museumsplatz 1 | 1070 Wien TOCOTRONIC and COSIMA VON BONIN Cosima von Bonin sees sound and music as key components of her works. She is a Presented by mumok & FM4 talented networker and always includes artist friends from other disciplines in her exhibition projects. Her circle of collaborators is continually growing. The kick-off of October 4, 2014, 8.30 pm her retrospective show at mumok will include a band that has been at her side for Sold Out more than ten years now: “the least embarrassing, stylistically most convincing, and Tickets are also valid as entrance tickets most polite of all German bands” (Die Welt) – Tocotronic. to the exhibition COSIMA VON BONIN. HIPPIES USE SIDE DOOR. THE YEAR 2014 HAS LOST THE PLOT. On October 4, 2014, at 8.30 pm, the four musicians that make up Tocotronic will be giving their only concert in Austria in 2014, in Vienna. Ticket sales begin on June 16, Venue: Halle E in the MuseumsQuartier 2014. Tickets can be bought via Ö-Ticket. Concert tickets are also valid as entrance tickets to the exhibition at mumok. The band Tocotronic goes back twenty years, and has made ten albums. In Vienna they will be including songs from their anniversary album, Wie wir leben wollen—How We Want to Live. One of this musical epic’s seventeen songs is Neue Zonen, a homage to Cosima von Bonin. While the self-avowed “plush lovers” pay their respects to the artist, she returns the compliment with the “soft fences” she has erected in her exhibition and the kisses she blows at these young men—even if they have meanwhile grown out of the training jackets of their youth. Since 2000, von Bonin and the head of the Hamburg band, Dirk von Lowtzow, have been exchanging ideas and working together. They frequently refer to each other’s work, quote each other, and produce for each other. Cosima von Bonin had designed several album covers for Dirk von Lowtzow’s second band, Phantom Ghost, one in the shape of a giant mobile entitled Thrown out of Drama School (2008), which was made for the cover of the record of the same name. For Phantom Tocotronic Ghost’s appearance at the Berlin Foreign Affairs festival on July 7, 2014, von Bonin Press accreditation by e-mail to: has designed the stage set. And singer-songwriter von Lowtzow writes texts about [email protected] von Bonin’s realm of stuffed animals, and again and again makes appearances in Press contact different roles in the Cologne artist’s exhibition programs. Karin Bellmann T +43 1 52500-1400 We would like to thank the partners of the concert FM4 and Halle E + G, and our media partners [email protected] Der Standard, Ö1, Falter, and Wien live. Barbara Hammerschmied T +43 1 52500-1450 [email protected] Fax +43 1 52500-1300 [email protected] www.mumok.at 1 Press release, June 16, 2014 On the Exhibition COSIMA VON BONIN. HIPPIES USE SIDE DOOR. THE YEAR 2014 HAS LOST THE PLOT. In the fall of 2014 mumok will present the largest exhibition of works by Cosima von Bonin to date in Austria. Opening on October 4, 2014, this exhibition, HIPPIES USE SIDE DOOR. THE YEAR 2014 HAS LOST THE PLOT., will include more than 100 works by von Bonin, who was born in 1962 in Mombasa, Kenya, ranging from her earliest to completely new works. This retrospective exhibition will also show how von Bonin’s work has moved more and more in the direction of installations that increasingly come to take possession of the space they are placed in. Another typical feature of her work is a complex network of relations between the fine arts and music that she has established, including longstanding colleagues and friends in her exhibition projects. At mumok, Tocotronic and Phantom Ghost will accompany the exhibition with concerts, and two further new formations from von Bonin’s circle of friends and acquaintances, Die 3 Ypsilons and The Ypsilon Five, will perform at the exhibition opening on 3 October. Curated by Karola Kraus For supporting this exhibition, we would like to thank the sponsors Dorotheum, UNIQA, the partners of the concert FM4 and Halle E + G, and our media partners Der Standard, Ö1, Falter, and Wien live. 2 Press release, June 16, 2014 .
Load more

Recommended publications
  • Merlin Carpenter
    MERLIN CARPENTER BIOGRAPHY Born 1967 in Pembury, UK Lives in Shepperton, UK, works in London, UK, and Berlin, Germany EDUCATION 1986-1989 Central Saint Martin’s School of Art, London, UK SELECTED SOLO EXHIBITIONS 2021 Room Based, Guzzler, Rosanna, Victoria, Australia 2020 Paint-It-Yourself, Reena Spaulings, New York, NY Circuits, dépendance, Brussels, Belgium Circuits, Palette Terre, Paris, France archive élastique, Centre d’art contemporain la synagogue de Delme, Delme, France 2019 Merlin Carpenter, Simon Lee Gallery, London, UK 2018 Not Doing a Show in FPÖ Austria, Nousmoules, Vienna, Austria De Streepschilderijen, Overduin & Co., Amsterdam, The Netherlands De Streepschilderijen – L.A. HUB, Overduin & Co., Los Angeles, CA 2017 Do Not Open Until 2081, Simon Lee Gallery, London, UK (exh. cat) Title of Show, Christian Andersen, Copenhagen, Denmark Business Women, Galerie Neu, Berlin, Germany 2016 Blogs of the Near Future, dépendance, Brussels, Belgium 2015 Hands Against Hands, Reena Spaulings, New York, NY MIDCAREER PAINTINGS, Kunsthalle Bern, Bern, Switzerland (exh. cat) Poor Leatherette, MD 72, Berlin, Germany Formalist Sidewalk Poetry Club, Formalist Sidewalk Poetry Club, Miami, FL 2014 DECADES, Simon Lee Gallery, Hong Kong MERLIN, Overduin & Co., Los Angeles, CA 2013 DECADES, Galeria Nuno Centeno, Porto, Portugal Solo Show II - All Power to the Factory Outlets, Temnikova & Kasela Gallery, Tallinn, Estonia Support nightclub experience Nightclub, Uma Certa Falta de Coerência, Porto, Portugal POLICE, dépendance, Brussels, Belgium (exh.
    [Show full text]
  • SC PR Cosima Von Bonin Release 1608
    For Immediate Release COSIMA VON BONIN: WHO’S EXPLOITING WHO IN THE DEEP SEA? Release Date: SCULPTURECENTER PRESENTS THE INFLUENTIAL GERMAN ARTIST’S FIRST SOLO MUSEUM August 22, 2016 EXHIBITION IN NEW YORK CITY, EXAMINING HER FASCINATION WITH THE SEA Long Island City, NY – Who’s Exploiting Who in the Deep Sea?*, Cosima von Bonin’s first solo museum Exhibition: exhibition in New York City—on view September 19, 2016–January 2, 2017—examines the German Cosima von Bonin: Who’s Exploiting artist’s fascination with the sea. Commonly evoked in her works, but rarely made explicit, the ocean is Who in the Deep Sea? an organizing thematic for this show that focuses on a selection of her sculptures from 2000 onwards. Dates: September 19, 2016–January 2, A mysterious underworld with its beaches populated by sun-seeking vacationers, these two opposing 2017 sides of the sea—as sun-filled and leisurely in contrast to the dark, deep, and unknown—operate as a metaphor in much of von Bonin’s work. Manifested through sculptures of creatures like lobsters and Opening Reception: sharks, as well as large bikinis and lifeguard stands, the exhibition investigates this thread through von Sunday, September 18, 2016, Bonin’s work. 5–7pm Von Bonin’s cast of textile characters included in the exhibition present a host of contradictions— Media Contact: approachable creatures that aren’t quite what they seem or behaving as we might expect. Weaving together humor with melancholy, softness with hardness, access and exclusion, von Bonin’s sculptures Ben Whine mix with art history, popular culture, music, and craft, while engaging in feminist destabilizations.
    [Show full text]
  • COSIMA Von BONIN WHAT IF IT BARKS? Featuring AUTHORITY PURÉE
    COSIMA VON BONIN WHAT IF IT BARKS? Featuring AUTHORITY PURÉE February 23 – April 21, 2018 Opening Reception: Friday, February 23rd, 6–8pm 456 West 18th Street After Cosima von Bonin’s extensive European traveling retrospective “The Lazy Susan Series” ended at the Ludwig Museum in Cologne in 2011, the artist went into a self imposed pre- retirement, only to be interrupted by another extensive show at MUMOK, Vienna in 2014. Then she had enough! That is until 2016 when von Bonin’s decades’ long fascination with the deep-sea was brought to the fore in a traveling sculptural show, “Who’s Exploiting Who in the Deep Sea?” From Glasgow International, to New York’s Sculpture Center, and in 2017 Oakville Galleries, Ontario, von Bonin’s cast of oceanographic characters rippled with mystery, fun and contradiction. WHAT IF IT BARKS? featuring AUTHORITY PURÉE, von Bonin’s first full scale installation at Petzel’s 18th Street location (her eighth show with the gallery), is marked by more curious incongruities. The artist’s marine motif is updated and extended in the gallery space to a sweeping fish farm: A group of polyester shark heads lurk in the open tops of wooden barrels— each jaw smirks, gnarling a soft toy rocket. Robed mackerel in synchronized display appear alongside bass-guitar and ukulele toting piscine beings, accented by 1970s-style short-board surfboards. But life is not all aquatic: Suspended from the ceiling an open, oversized cat food can exhales contiguous puffs. Printed on the side in white lettering are the words, “AUTHORITY PURÉE”. Von Bonin’s signature ‘rags’ or cloth paintings dangle from the gallery walls and dive deeper into nautical spheres.
    [Show full text]
  • Gallery Text COSIMA VON BONIN. HIPPIES USE SIDE DOOR
    COSIMA VON BONIN. HIPPIES USE SIDE DOOR. THE YEAR 2014 HAS LOST THE PLOT. 4. 10. 2014 – 18. 1. 2015 English museum moderner kunst stiftung ludwig wien Introduction Imprint Exhibition Publication mumok COSIMA VON BONIN. COSIMA VON BONIN. HIPPIES USE SIDE DOOR. HIPPIES USE SIDE DOOR. MuseumsQuartier THE YEAR 2014 HAS LOST THE PLOT. THE YEAR 2014 HAS LOST THE PLOT. Museumsplatz 1, A-1070 Wien Published by Verlag der Buchhandlung T +43 1 52500 4.10.2014 – 18.1.2015 Walther König, Cologne [email protected], www.mumok.at ISBN 978-3-86335-633-0 (engl.) Curator: Edited by Karola Kraus Director: Karola Kraus Karola Kraus with Cosima von Bonin Produced by Manuel Millautz Curatorial Assistant: Kristina Schrei Exhibition Management: Sibylle Kulterer, Dagmar Steyrer Exhibition Booklet Outside Project: Claudia Dohr Conservation: Christina Hierl Edited by Jörg Wolfert, Kunstvermittlung The injunction “Hippies Use Side Door” stands at the entrance to Cosima von Bonin’s Exhibition Installation: Olli Aigner, Gregor mumok studio in Cologne; it is also the title of her exhibition at mumok. This opening salvo is Neuwirth, Wolfang Moser, Andreas Petz, Text: Jörg Wolfert obviously not meant literally: there is no side door and besides, the time of the hippies is must. museum standards Translations: Alexander Scrimgeour Press: Karin Bellmann, Barbara Wagner Graphic Design: Olaf Osten over. But this phrase, which American store owners originally used to deter an alternative Marketing: Leonhard Oberzaucher Cover: Cosima von Bonin with PURPLE youth culture in the 1960s, communicates key themes of Cosima von Bonin’s work: Events: Maria Fillafer, SLOTH RABBIT in wheelchair Katharina Radmacher Photo: Rudolf Sagmeister insecurity, provocation, ambiguity, and a sly sense of humor.
    [Show full text]
  • Merlin Carpenter
    MERLIN CARPENTER Born 1967 in Pembury, UK Lives and works in London EDUCATION 1986-89 Central Saint Martins School of Art, London SOLO EXHIBITIONS 2019 Simon Lee Gallery, London 2018 Merlin Carpenter: De Streepschilderijen, Overduin & Co, Amsterdam Merlin Carpenter: De Streepschilderijen – L.A. HUB, Overduin & Co, Los Angeles, CA Not Doing a Show in FPÖ Austria, NOUSMOULES, c/o Kunstbüro, Vienna, Austria 2017 Merlin Carpenter: Do Not Open Until 2081, Simon Lee Gallery, London, UK Title of Show, Christian Andersen, Copenhagen Business Women, Galerie Neu, Berlin 2016 Blogs of Near Future, dépendence, Brussels 2015 Hands Against Hands, Reena Spaulings Fine Art, New York MIDCAREER PAINTINGS, Kunsthalle Bern Poor Leatherette, MD 72, Berlin Formalist Sidewalk Poetry Club, Formalist Sidewalk Poetry Club, Miami 2014 DECADES, Simon Lee Gallery, Hong Kong MD 72 booth, ArtORama, Marseille MERLIN, Overduin & Co., Los Angeles 2013 DECADES, Galeria Nuno Centeno, Porto Support nightclub experience Nightclub, Uma Certa Falta de Coerência, Porto Solo Show II - All Power to the Factory Outlets, Temnikova & Kasela Gallery, Tallinn, Estonia POLICE, dépendance, Brussels 2012 funky house, Limazulu Project Space, London Au Café, Bar de la Victoire / Bureau Capan-Bordes, Nice TATE CAFÉ, Reena Spaulings Fine Art, New York 2011 TATE CAFÉ, Simon Lee Gallery, London Heroes, MD 72, Berlin Overduin and Kite, Los Angeles 2010 Solo Show, Formalist Sidewalk Poetry Club, Miami Ballard in Narnia, the interzone, London (with Richard Parry) 2009 The Opening, dépendance, Brussels
    [Show full text]
  • Press Kit Contents
    samedi dimanche lundi mercredi jeudi vendredi samedi dimanche 27 28 29 1 2 3 4 5 27 mardi lundi 30 6 SEPTEMBER mardi samedi dimanche lundi jeudi dimanche 7 11 12 13 16 19 30 mercredi mardi vendredi lundi 8 14 17 20 NOVEMBER jeudi vendredi mercredi samedi mardi 9 10 15 18 21 2014 mercredi vendredi samedi lundi mardi jeudi vendredi samedi Les Ateliers 22 24 25 27 28 30 31 1 jeudi dimanche mercredi dimanche de Rennes 23 26 29 2 lundi jeudi vendredi lundi jeudi vendredi 3 6 7 10 13 14 mardi mercredi samedi dimanche mardi samedi 4 5 8 9 11 15 Biennale d’art mercredi dimanche 12 16 contemporain lundi mardi mercredi vendredi samedi dimanche lundi HALLE DE LA COURROUZE 17 18 19 21 22 23 24 MUSÉE DES BEAUX-ARTS DE RENNES jeudi mardi FRAC BRETAGNE 20 25 mercredi jeudi vendredi samedi dimanche 40mcube • Le Cabinet du livre d’artiste 26 27 28 29 30 La Criée centre d’art contemporain Phakt Centre Culturel Colombier Passerelle (Brest) • Le Quartier (Quimper) www.lesateliersderennes.fr Press kit Contents Foreword by Bruno Caron · 4 01 Les Ateliers de Rennes · 5 > The 4th edition · 6 02 Zoë Gray’s curatorial project: PLAY TIME · 7 > An introduction by the curator · 8 > 3 venues for 3 group exhibitions · 9 > Artistic choices · 10 > The artists of the biennale · 11, 12 03 PLAY TIME at the Halle de la Courrouze The Playground · 13 04 PLAY TIME at the Museum of Fine Arts of Rennes The Right to Laziness · 19 05 PLAY TIME at the Frac Bretagne Work as Play, Art as Thought · 25 PLAY TIME - Image captions · 33, 34 06 Associated exhibitions · 35 > 40mcube · 37
    [Show full text]
  • In the Fall of 2014 Mumok Will Present the Largest Exhibition of Works by Cosima Von Bonin to Date in Austria. Opening on Octobe
    In the fall of 2014 mumok will present the largest exhibition of works by Cosima von Bonin to date in Austria. Opening on October 3, 2014, this exhibition, HIPPIES USE SIDE DOOR. THE YEAR 2014 HAS LOST THE PLOT., will include more than 100 works by von Bonin, who was born in 1962 in Mombasa, Kenya, ranging from her earliest to completely new works. This retrospective exhibition will also show how von Bonin’s work has moved more and more in the direction of installations that increasingly come to take possession of the space they are placed in. Another typical feature of her work is a complex network of relations between the fine arts and music that she has established, including longstanding colleagues and friends in her exhibition projects. At mumok, Tocotronic and Phantom Ghost will accompany the exhibition with concerts, and two further new formations from von Bonin’s circle of friends and acquaintances, Die 3 Ypsilons and The Ypsilon Five, will perform at the exhibition opening on October 3. The mumok facade will gain a new balcony for this exhibition, with a vomiting figure standing on it. On the Exhibition – Inside von Bonin’s Spinning Machine This show is intended as a retrospective in which von Bonin’s oeuvre can be seen as a complex system full of allusions and references. In her works, von Bonin turns on a spinning machine that spits out reference after reference—to pop and high culture, and also to art history. This machine has quite clearly lost the plot. Very personal emotions enter via the side door, and—like ghosts— they play their games with the legacy of other artists.
    [Show full text]
  • Cosima Von Bonin Hippies Use Side Door
    COSIMA VON BONIN HIPPIES USE SIDE DOOR. THE YEAR 2014 HAS LOST THE PLOT. mumok Museum moderner Kunst In the fall of 2014 mumok will present the largest exhibition of works by Cosima von Stiftung Ludwig Wien Museumsplatz 1, 1070 Wien Bonin to date in Austria. Opening on October 3, 2014, this exhibition, HIPPIES USE SIDE DOOR. THE YEAR 2014 HAS LOST THE PLOT., will include more than 100 works Exhibition dates by von Bonin, who was born in 1962 in Mombasa, Kenya, ranging from her earliest October 4, 2014–January 18, 2015 to completely new works. This retrospective exhibition will also show how von Press conference Bonin’s work has moved more and more in the direction of installations that October 2, 2014, 11 am increasingly come to take possession of the space they are placed in. Another typical Opening feature of her work is a complex network of relations between the fine arts and October 3, 2014, 7 pm music that she has established, including longstanding colleagues and friends in her exhibition projects. At mumok, Tocotronic and Phantom Ghost will accompany the exhibition with concerts, and two further new formations from von Bonin’s circle of friends and acquaintances, Die 3 Ypsilons and The Ypsilon Five, will perform at the exhibition opening on October 3. The mumok facade will gain a new balcony for this exhibition, with a vomiting figure standing on it. On the Exhibition – Inside von Bonin’s Spinning Machine This show is intended as a retrospective in which von Bonin’s oeuvre can be seen as Installation view, Kunsthaus Bregenz a complex system full of allusions and references.
    [Show full text]
  • (2015); Cosima Von Bonin. Hippies Use Side Door
    COSIMA VON BONIN Solo shows include: CvB singles uptown remix, Petzel Gallery, New York, USA (2015); COSIMA VON BONIN. HIPPIES USE SIDE DOOR. DAS JAHR 2014 HAT EIN RAD AB, MUMOK, Vienna (2014); Cosima von Bonin/Poul Gernes: Sidekick, Artipelag, Gustavsberg, Sweden (2013); Cosima von Bonin/Poul Gernes, Galleri Bo Bjerggaard, Copenhagen, Denmark (2013); Character Appropriation, Mildred Lane Kemper Art Museum, St. Louis, USA (2011); The Juxtaposition of Nothings, Friedrich Petzel Gallery, New York, USA (2011); Cosima von Bonin’s Bone Idle for Arnolfini’s Sloth Section, Loop #02 of the Lazy Susan Series, A Rotating Exhibition 2010-2012, Arnolfini, Bristol (2011); Cosima von Bonin’s Zermatt! Zermatt! Z…Ermattet! For Mamco’s Sloth Section, Loop #03 of the Lazy Susan Series, A rotating Exhibition 2010-2012, Musée d’Art Moderne et Contemporain, Geneva (2011); Grandville and the Decision at Grandville, Galerie Buchholz, Berlin, Germany (2011); Cosima von Bonin’s Cut! Cut! Cut! For Museum Ludwig’s Sloth Section, Loop #04 of the Lazy Susan Series, A Rotating Exhibition 2010-2012, Museum Ludwig, Cologne (2011); The Fatigue Empire, Kunsthaus Bregenz, Austria (2010); The Idler’s Playground, Sculpture International Rotterdam, Rotterdam (2010); Vertrautes Terrain – Aktuelle Kunst in & über Deutschland, ZKM Museum für Neue Kunst Karlsruhe, Karlsruhe, Germany (2008); If? If? Galerie Daniel Buchholz, Cologne, Germany (2008); The Pierres at the Petzelette, Friedrich Petzel Gallery, New York, USA (2008); Roger & Out, MOCA The Museum of Contemporary Art, Los
    [Show full text]
  • COSIMA VON BONIN WHAT IF IT BARKS Featuring AUTHORITY PURÉE February 23
    COSIMA von BONIN WHAT IF IT BARKS Featuring AUTHORITY PURÉE February 23 – April 28, 2018 Opening Reception: FriDay, February 23rD, 6–8pm 456 West 18th Street After Cosima von Bonin’s extensive European traveling retrospective “The Lazy Susan Series” enDed at the LuDWig Museum in Cologne in 2011, the artist went into a self imposed pre- retirement, only to be interrupted by another extensive show at MUMOK, Vienna in 2014. Then she haD enough! That is until 2016 when von Bonin’s decaDes’ long fascination with the deep-sea was brought to the fore in a traveling sculptural shoW, “Who’s Exploiting Who in the Deep Sea”. From Glasgow International, to New York’s Sculpture Center, and in 2017 Oakville Galleries, Ontario, von Bonin’s cast of oceanographic characters rippled with mystery, fun and contraDiction. WHAT IF IT BARKS featuring AUTHORITY PURÉE, von Bonin’s frst full scale installation at Petzel’s 18th Street location (her eighth show with the gallery), is marked by more curious incongruities. The artist’s marine motif is upDated and extenDed in the gallery space to a sweeping fsh farm: A group of polyester shark heads lurk in the open tops of wooden barrels— each jaw smirks, gnarling a soft toy rocket. Robed mackerel in synchronized display appear alongsiDe bass-guitar and ukulele toting piscine beings, accented by 1970s-style short-board surfboarDs. But life is not all aquatic: SuspenDed from the ceiling an open, oversized cat food can exhales contiguous puffs. Printed on the siDe in white lettering are the worDs, “AUTHORITY PURÉE”. Von Bonin’s signature ‘rags’ or cloth paintings dangle from the gallery walls and dive Deeper into nautical spheres.
    [Show full text]
  • Bortolami Gallery
    BORTOLAMI Tom Burr (b. 1963 in New Haven, Connecticut) Lives and works in New York, NY Education 1987-8 Whitney Independent Study Program, New York, NY 1986 School of Visual Arts, New York, NY Residencies/Teaching 2009-10 Critic in Sculpture, Yale University, New Haven, CT 2010 Artist in Residence, Randolph Cliff, Edinburgh College of Art, Scotland Selected Solo Exhibitions 2019 Hélio-Centricities, Auroras, São Paulo, Brazil Hinged Figures, Wadsworth Atheneum Musuem of Art, Hartford, CT Hélio-Centricities, Escola De Artes Visuais Do Parque Lage, Rio de Janeiro, Brazil (forthcoming) 2018 Sedimental, SCAD Museum of Art, Savannah, GA No Access, SCAD Museum of Art, Savannah, GA 2017 Tom Burr/New Haven, Bortolami Gallery, New Haven, CT Stages, Maureen Paley, London, England Surplus of Myself, Westfälischer Kunstverein, Münster, Germany Abridged, Galerie Neu, Berlin, Germany 2016 Grips, Sommer Contemporary Art, Tel Aviv, Israel Put Down, piece*unique, Cologne, Germany 2015 Circa, Bortolami Gallery, New York, NY Ull Hohn and Tom Burr, Peep-Hole, Milan, Italy 2014 Notes on Camp, curated by vienna: The Century Bed, Vienna, Austria Drunk Emily, Galleria Franco Noero, Torino, Italy Tom Burr. Screen, Center for Curatorial Studies and Hessel Museum of Art at Bard College (CCS Bard), Annandale-on-Hudson, NY 2013 Dressage, Parcours, Art Basel, Basel, Switzerland Stuart Shave/Modern Art, London, United Kingdom 2012 Cloud in Trousers, Citta della Pieve, Umbria, Italy deep wood drive, Bortolami Gallery, New York, NY 39 WALKER STREET NEW YORK NY 10013 T
    [Show full text]
  • On December 20, Marianne Boesky Gallery Will Open Cosima Von Bonin, a Focused Exhibition of Eight Works by the Cologne-Based Conceptual Artist
    On December 20, Marianne Boesky Gallery will open Cosima von Bonin, a focused exhibition of eight works by the Cologne-based conceptual artist. Inspired by popular and vernacular culture, movies, fashion, and music, von Bonin examines cultural phenomena and the contradictions and relationships therein. Her multifaceted practice embraces sculpture, photography, textile paintings which she refers to as "Lappen" (translation "rags"), installation, performance, film, video, and music. For the upcoming exhibition, Marianne Boesky Gallery will present works from across a decade of von Bonin’s career, capturing the dynamic and open approach that has made von Bonin one of the most influential German artists of her generation. The exhibition will remain on view at the gallery’s Aspen location through February 2, 2020. Von Bonin's work touches upon ideas of identity and self-reflection with both absurdity and humor. This can be seen in her recent marine-themed installations, including What If It Barks 3 (Black Ukulele Version with Ghost) (2018), What If It Barks 4 (Black Ukulele Version) (2018), and Au Pairs (2018)—all of which will be on view in the upcoming presentation. In discussing this work with the Brooklyn Rail in 2018, von Bonin said, “I grew up in Kenya by the Indian Ocean…As a kid, I was always a hermit. I think of myself as a hermit crab... One day I walked alone on the beach. I was three years old, and I wore shorts fastened with elastic, and I stuffed everything I found in them—crabs, jelly fish, everything. I never had anything to do with art, it was always the beach and animals, animals, animals.
    [Show full text]