BORTOLAMI
Tom Burr (b. 1963 in New Haven, Connecticut) Lives and works in New York, NY
Education
1987-8 Whitney Independent Study Program, New York, NY 1986 School of Visual Arts, New York, NY
Residencies/Teaching
2009-10 Critic in Sculpture, Yale University, New Haven, CT 2010 Artist in Residence, Randolph Cliff, Edinburgh College of Art, Scotland
Selected Solo Exhibitions
2019 Hélio-Centricities, Auroras, São Paulo, Brazil Hinged Figures, Wadsworth Atheneum Musuem of Art, Hartford, CT Hélio-Centricities, Escola De Artes Visuais Do Parque Lage, Rio de Janeiro, Brazil (forthcoming) 2018 Sedimental, SCAD Museum of Art, Savannah, GA No Access, SCAD Museum of Art, Savannah, GA 2017 Tom Burr/New Haven, Bortolami Gallery, New Haven, CT Stages, Maureen Paley, London, England Surplus of Myself, Westfälischer Kunstverein, Münster, Germany Abridged, Galerie Neu, Berlin, Germany 2016 Grips, Sommer Contemporary Art, Tel Aviv, Israel Put Down, piece*unique, Cologne, Germany 2015 Circa, Bortolami Gallery, New York, NY Ull Hohn and Tom Burr, Peep-Hole, Milan, Italy 2014 Notes on Camp, curated by vienna: The Century Bed, Vienna, Austria Drunk Emily, Galleria Franco Noero, Torino, Italy Tom Burr. Screen, Center for Curatorial Studies and Hessel Museum of Art at Bard College (CCS Bard), Annandale-on-Hudson, NY 2013 Dressage, Parcours, Art Basel, Basel, Switzerland Stuart Shave/Modern Art, London, United Kingdom 2012 Cloud in Trousers, Citta della Pieve, Umbria, Italy deep wood drive, Bortolami Gallery, New York, NY
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BORTOLAMI
Promiscuous Pleats, Galleria Franco Noero, Torino, Italy 2011 Stuart Shave/Modern Art, London, United Kingdom New York, Sommer Gallery, Tel-Aviv, Israel Felt Under Fingers, Almine Rech Galerie, Brussels, Belgium Gravity Moves Me, FRAC Champagne-Ardenne, Reims, France Black Lab, Bortolami Gallery, New York, NY 2010 Murmur, MD72, Berlin, Germany Four Sides to Myself, Bortolami Gallery, New York, NY 2009 Sentence, Bortolami Gallery, New York, NY Bonvicini/Burr, with Monica Bonvicini, Städtische Galerie im Lenbachhaus und Kunstbau, Munich, travelling to Museum für Gegenwartskunst, Basel, Switzerland Head Ache, Stuart Shave/Modern Art, London, United Kingdom 2008 Descending, Galleria Franco Noero, Turin, Italy Addict – Love, Sculpture Center, New York, NY Black and Blue, Galerie Almine Rech, Paris, France 2007 Anxiety – A Showcase, Schinkel Pavillon, Berlin, Germany Swiss Institute with Walter Pfeiffer, New York, NY Moods, Secession, Vienna, Austria 2006 Extrospective, Museé Cantonal des Beaux-Arts de Lausanne, Lausanne, Switzerland Relapse, Stuart Shave/Modern Art, London, United Kingdom Tom Burr & Jack Pierson, Galerie Neu, Berlin, Germany 2005 Complete Breakdown, Galerie Neu, Berlin, Germany Privy, Please, The Norfolk Library, Norfolk, CT The Complete Stories of Truman Capote, romaromaroma, Rome, Italy 2004 Our Lady of the Flowers, Galleria Franco Noero, Turin, Italy 2003 Gone, Gone, American Fine Arts, New York, NY Die Stalle/The Stalls, Galerie Christian Nagel, Cologne, Germany The Screens, Institute for Visual Culture, Cambridge, United Kingdom 2002 Piscine, Galerie Almine Rech, Paris, France Deep Purple, Whitney Museum of American Art, New York, NY Dog Days, Greene Naftali Gallery, New York, NY 2001 Brutalism, Galerie Neu, Berlin, Germany 2000 Low Slung, Kunstverein Braunschweig, Braunschweig, Germany 1999
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BORTOLAMI
Black Box, Artforum Berlin, Galerie Neu, Berlin, Germany Private Property: Anti-Public Sculpture, Galerie Almine Rech, Paris, France 1998 Surface, Galerie Neu, Berlin, Germany The Medical Show, Galeria Marta Cervera, Madrid, Spain 1997 Stainless, American Fine Arts, New York, NY 1995 42nd Street Structures, American Fine Arts, New York, NY 1994 American Fine Arts, New York, NY 1992 White Columns, New York, NY
Group Exhibitions
2019 Queer Spaces: London, 1980s – Today, Whitechapel Gallery, London, United Kingdom Straying from the Line, Schinkel Pavillon, Berlin, Germany Queer Abstraction, Des Moines Art Center, Des Moines, IA Family Ties: The Schröder Donation, Museum Ludwig, Cologne, Gemany Chairs Beyond Right & Wrong, curated by Raquel Cayre, R & Company, New York, NY In Plain Sight, Henry Art Gallery, University of Washington, Seattle, WA (forthcoming) Queer Abstraction, Nerman Museum of Contemporary Art, Overland Park, KS (forthcoming) 2018 Optik Schröder II, MUMOK, Vienna, Austria Noon - One, CANADA, New York, NY Die Zelle, Kunsthalle Bern, Bern, Switzerland The House of Fame, curated by Linder, Nottingham Contemporary, Nottingham, United Kingdom More than mere jelly, Center for Curatorial Studies and Hessel Museum of Art at Bard College (CCS Bard), Annandale-on-Hudson, NY The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co. (1983-2004), Center for Curatorial Studies and Hessel Museum of Art at Bard College (CCS Bard), Annandale-on- Hudson, NY 2017 Maison des ailleurs, Musée Arthur Rimbaud, Charleville-Mezieres, France ENTRE NOUS, Bad Reputation, Los Angeles, CA concrete realities, Bortolami, New York, NY SUR/FACE: Mirrors, Museum Angewandtekunst, Frankfurt, Germany Benz Bonin Burr with Cosima von Bonin, Skulptur Projekte, Münster, Germany 2016 Question the Wall Itself, Walker Art Center, Minneapolis, MN Lost & Found, Galerie Bärbel Grässlin, Frankfurt, Germany I Beam U Channel, Bortolami, New York, NY Béton, Kunsthalle Wien, Vienna, Austria Garden Show, Regards Gallery, Chicago, IL
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BORTOLAMI
Ordinary Pictures, Walker Art Center, Minneapolis, MN Sculpture from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, CA 2015 Body Proxy, Allen Memorial Art Museum, Oberlin, OH To expose, to show, to demonstrate, to inform, to offer, Museum moderner Kunst Stiftung Ludwig Wien, Vienna, Austria Lustwarande ’15 – Rapture & Pain, Parke De Oude Warande, Tilburg, Netherlands Köln Skulptur #8, Skulpturenpark Köln, Cologne, Germany 2014 The Present of Modernism, MUMOK, Vienna, Austria Collection and Contact, deCordova Sculpture Park and Museum, Lincoln, MA Space & Reality: New Acquisitions & Gifts, MUMOK, Vienna, Austria 30/60 Works from the Collection of the FRAC Champagne-Ardenne, Marino Marini Museum, Florence, Italy The Century of the Bed, curated by Kristina Scepanski, Galerie Andreas Huber, Vienna, Austria Klotz am Bein – Sculptures from the Grässlin Collection, Raume für Kunst (Spaces for Art), St. Georgen, Germany Displayed, Anton Kern, New York, NY Galerie Neu at Gladstone, Gladstone Gallery, New York, NY Soft Matter, WALLSPACE, New York, NY Deviance Credits, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY Take It or Leave It: Institution, Image, Ideology, Hammer Museum, Los Angeles, CA Chromatic Loss, curated by Jeffrey Uslip, Bortolami Gallery, New York, NY Galerie Bärbel Grässlin, Frankfurt, Germany 2013 Not Yet Titled, curated by Philip Kaiser, an exhibition displaying the Ludwig Collection, Mueum Ludwig, Köln, Germany Pommery Experience #11: “An odyssey: 30 Years of FRAC Champagne-Ardenne,” curated by Florence Derieux, Pommery Wine Cellars, Reims, France Relocation, Reallocation, Stockholm, curated by Stefania Bortolami, McCabe Fine Art, Stockholm, Sweden Outside the Lines, Contemporary Arts Museum, Houston, TX My Crippled Friend, Columbus College of Art and Design, Columbus, OH Anamericana, curated by Vincenzo de Bellis, co-organized by the Depart Foundation Collection, American Academy, Rome, Italy Notes on Neo-Camp, curated by Chris Sharp, Office Baroque Gallery, Antwerp, Belgium Notes on Neo-Camp, curated by Chris Sharp, Studio Voltaire, London, United Kingdom Pivot Points: 15 Years & Counting, Museum of Contemporary Art, North Miami, FL Open spaces | secret places. Works from the SAMMLUNG VERBUND, MdM MÖNCHSBERG, Salzburg, Austria Catch as Catch Can: Curated by Fionn Meade, Locks Gallery, Philadelphia, PA The Black Mirror, curated by James Welling and Diane Rosenstein, Diane Rosenstein Fine Art, Los Angeles, CA Vertical Club, curated by Will Benedict, Bortolami, New York, NY 2012 No Desaster, Haukbrok Collection at Deichtorhallen, Hamburg, Germany
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BORTOLAMI
Stretching the Limits: Fibers in Contemporary Painting¸ SCAD Museum of Art, Savannah, GA MOCA’s 15th Anniversary Collection, Museum of Contemporary Art, Miami, FL More Light, curated by Alexander Schröder & Thilo Wermke, Avlskarl Gallery, Copenhagen, Denmark Cellblock II, An Essay in Exhibition Form, curated by Robert Hobbs, Andrea Rosen Gallery, New York, NY Only parts of us will ever touch parts of others, curated by Timothée Chaillou, Gallery Thaddeus Ropac, Paris, France Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern, curated by Tom Burr, Bortolami Gallery, New York, NY Drawing a Blank (On Forgetting, Refusal, Censorship and Impotence), curated by Matthew Brannon and Jan Tumlir, David Kordansky Gallery, Los Angeles, CA Migros Meets Museion, curated by Letizia Ragaglia in collaboration with Heike Munder and Judith Welter, Museion, Bolzano, Italy Everyday Abstract – Abstract Everyday, curated by Matthew Higgs, James Cohan Gallery, New York, NY Migros Meets Museion, curated by Letizia Ragaglia in collaboration with Heike Munder and Judith Welter, Museion, Bolzano, Italy The Quality of Presence, curated by Dmitry Komis, The Chelsea Hotel, New York, NY relocated, Galerie Neu, Berlin, Germany Utopia Gesamtkunstwerk, 21er Haus, Belvedere Museum, Vienna, Austria 2011 Verschiebungsersatz, curated by David Rimanelli, Kimmerich, New York, NY December, organized by Howie Chen, Mitchell-Innes & Nash, New York, NY After images, curated by Fionn Meade, Jewish Museum of Belgium, Brussels, Belgium Five Easy Pieces, Galleria Franco Noero, Torino, Italy 12th Istanbul Biennial, Istanbul, Turkey Schnitte im Raum, Sculptural Collagen, Museum Morsbroich, Leverkusen, Germany The Smithson Effect, Utah Museum of Fine Arts, Salt Lake City, UT SHAPES, Sammlung-Haubrok, Berlin, Germany 2010 Missing Beat, Sommer Contemporary Art, Tel-Aviv, Isreal “…”, Galerie Neu, Berlin, Germany ABOUT US, Johann König, Berlin, Germany Cumulus, Blum & Poe, Los Angeles, CA Forced Exposure, Team Gallery, New York, NY The New Décor, The Hayward Gallery, London, UK Mixed Use, Manhattan: Photography and Related Practices 1970s to the Present, Nacional Centro de Arte Reina Sofia, Madrid, Spain The Page, Kimmerich Gallery, New York, NY Light Breaks Where No Sun Shines, Bortolami Gallery at The Webster, Miami Beach, FL Wall & Floor, Galerie Almine Rech, Paris, France The World is Yours, Louisiana Museum, Humlebaek, Denmark 2009 Moby Dick, curated by Jens Hoffman, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
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BORTOLAMI
Rachel Harrison: Consider the Lobster and other Essays, Center for Curatorial Studies and Hessel Museum of Art at Bard College (CCS Bard), Annandale-on-Hudson, NY Saints and Sinners, curated by Laura Hoptman, Rose Art Museum, Brandeis University, Boston, MA The Station, curated by Shamim Momin & Nate Lowman, Miami, FL Abstract America: New Painting and Sculpture, Saatchi Gallery, London, United Kingdom Political/Minimal, curated by Klaus Biesenbach, KW Institute for Contemporary Art, Berlin, Germany Recollection, curated by Gianni Jetzer, Barriera, Turin, Italy La Fête Est Permanente / The Eternal Network, FRAC Champagne-Ardenne, Reims, France 2008 The Eternal Flame. On the Promise of Eternity, Kunsthaus Baselland, Muttenz, Switzerland Not So Subtle Subtitle, Casey Kaplan Gallery, New York, NY Marc Camille Chaimowitz, …In The Cherished Company of Others…, De Appel Arts Centre, Amsterdam, Netherlands, travelled to PMMK, Oostende, Belgium Sammlung/Collection 1978–2008, Migros Museum für Gegenwartskunst, Zurich, Switzerland Fais en sorte que je puisse te parler/Mache, dass ich zu dir sprechen kann/Act so that I can speak to you, Kamm, Berlin, Germany A New High in Getting Low (NYC), John Connelly Presents, New York, NY Photos and Phantasy: Selections from the Frederick R. Weisman Art Foundation, Carnegie Art Museum, Oxnard, CA Une Saison à Bruxelles, Dépendance, Brussels, Belgium 2007 Walk!, Kunstraum Kreuzberg/Bethanien, Berlin, Germany Oh Girl, It’s a Boy!, Munich Kunstverein, Munich, Germany Body Politicx, Witte de With, Rotterdam, Netherlands At Home, curated by Mario Testino, Yvon Lambert Project Space, New York, NY The Happiness of Objects, Sculpture Centre, Long Island, New York, NY Unmonumental: Falling to Pieces in the 21st Century, curated by Richard Flood, Laura Hoptman and Massimiliano Gioni, The New Museum, New York, NY OMNIA VANITAS: VANITY IS ALL, Gavlack Gallery, Los Angeles, CA Pale Carnage, Arnolfini, Bristol; travelled to Dundee Contemporary Arts, Dundee, United Kingdom 2006 Wieder und Wider, performance, MUMOK, Vienna, Austria The Eighth Square, Museum Ludwig, Cologne, Germany The Name of This Show Is Not GAY ART NOW, Curated by Jack Pierson, Paul Kasmin Gallery, New York, NY Warum etwas zeigen, was man sehen kann, Galerie fur Zeitgenossische Kunst, Leipzig, Germany 2005 HaubrokShows. B Sharp, Xantener Strasse 7, Berlin, Germany Down the Garden Path: The Artist’s Garden After Modernism, Queens Museum of Art, New York, NY Nolens Volens, Galerie Neu, Berlin, Germany EXILE New York is a good Hotel, Broadway 1602, New York, NY
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BORTOLAMI
Residence, MICA Foundation, New York, NY 2004 Trafic d’influence: Art & Design, Collection FRAC Nord Pas-de-Calais, Dunkerque, France Election, American Fine Art, Colin de Land Fine Art, New York, NY When the lights go out…, Cohan & Leslie, New York, NY The Future Has a Silver Lining, Migros Museum fur Gegenwartskunst, Zurich, Switzerland Braunschweig Parcours 2004, Braunschweig, Germany Whitney Biennial 2004, Whitney Museum of American Art, New York, NY Beginning Here: 101 Ways, Visual Arts Gallery, New York, NY Strange Weather, Modern Art, London, United Kingdom It’s all an Illusion, Migros Museum fur Gegenwartskunst, Zurich, Switzerland Flowers Observed, Flowers Transformed, The Andy Warhol Museum, Pittsburgh, PA 2003 Le Rayon Noir, Circuit Centre d’Art Contemporain, Lausanne, Switzerland New Space! Group Show!, Galleria Franco Noero, Turin, Italy 2002 Grey Gardens, Michael Kohn Gallery, Los Angeles, CA My Head Is On Fire But My Heart Is Full of Love, Charlottenborg Udstillings-bygning, Copenhagen, Denmark Xeros, Ecole du Magasin, Center National d’Art Contemporain, Grenoble, France 2001 Deliberate Living, Greene Naftali Gallery, New York, NY Parttnerschaften – Unterbrochene Karrieren, Neue Gessellschaft fur Bildende Kunst, Berlin, Germany American Fine Arts, New York, NY 2000 Quiet Life, curated by Michael Neff, Ursula Blickle Stiftung, Kraichtal-Unterowisheim, Germany Sightings, Bard College, curated by Jeffrey Walkowiak, Annandale-on-Hudson, New York, NY Space Open 2000, Space Studios, London, United Kingdom 1998 Model, Galerie Belvedere, Vienna, Austria I Hate Movies, curated by Tom Borgese, Andrew Kreps Gallery, New York, NY Parasite, The Drawing Center, New York, NY 1997 Sans Titre, Froment + Putman, Paris, France 1996 Disappeared, Randolph Street Gallery, Chicago, IL American Fine Arts, New York, NY Ideal Standard Life, Spiral Garden, Tokyo, Japan Gramercy International Art Fair, New York, NY 1995 Birgit Kung, Zurich, Switzerland Architectures of Display with architect Toshiko Mori, organized by Minetta Brook, New York, NY Platzwechsel (with Ursula Biemann, Mark Dion, Christian Philipp Muller), Kunsthalle Zurich und Schweizer Nationalmuseum, Zurich, Switzerland Mapping: A Response to MOMA, American Fine Arts, New York, NY
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BORTOLAMI
1994 Architecture and Display, with Toshiko Mori, Architectural League of New York and Minetta Book, New York, NY Nor Here Neither There, LACE, Los Angeles, CA The New Museum of Contemporary Art, New York, NY 1993 Kontext Kunst, Kunstlerhaus Graz, Austria What Happened to the Institutional Critique, curated by James Meyer, American Fine Arts, New York, NY Social Subjects, YYZ, Toronto, Ontario Sonsbeek 93, Arnheim, Holland Projet Unité, Firminy, France 1992 White Columns, New York, NY (Catalogue) American Fine Arts, New York, NY 1989 Paula Allen Gallery, New York, NY American Fine Arts, New York, NY 1988 Hallwalls Contemporary Arts Center, Buffalo, NY Whitney Independent Study Program, Open Studios, New York, NY
Collections
AÏSHTI Foundation, Beirut, Lebanon Art Institute of Chicago, Chicago, IL Baltimore Museum of Art, Baltimore, MD Berezdivin Collection, Santurce, Puerto Rico Centre Pompidou, Paris, France Collezione La Gaia, Italy Depart Foundation, Italy Enea Righi Collection, Museion Bolzano, Italy FRAC Champagne Ardenne, France FRAC Nord-Pas de Calais, France Hammer Museum, Los Angeles, CA Il Giardino dei Lauri, Italy The Israel Museum, Jerusalem, Israel Lenbachhaus Museum, Munich, Germany Ludwig Museum, Koln, Germany MART Museum, Rovereto, Italy Musée cantonal des Beaux-Arts, Lausanne, Switzerland Museum of Contemporary Art, Miami, FL Institute of Contemporary Art, Miami, FL Migros Museum, Zurich, Switzerland MOCA, Los Angeles, CA MuMOK, Vienna, Austria
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BORTOLAMI
New York Public Library, New York, NY Sammlung Grassin, Germany Sammlung Verbund, Vienna, Austria Walker Art Center, Minneapolis, MN Whitney Museum of American Art, New York, NY
Selected Catalogues and Press
2019 Lescaze, Zöe. “What Happens When Site-Specific Art Outlasts Its Surroundings?”, The New York Times Style Magazine, 13 May 2019 2018 Walsh, Brienne. “If You Love Contemporary Art, Go To Savannah To Visit The Museum of Art at SCAD”, Forbes, February Guilford, Patrick. “Tom Burr creates installations harkening back to age old landscaoes”, District, March Korman, Sam. “Under Construction: The never-ending renovation of Tom Burr”, Art Review, March 2017 “Tom Burr”, Artforum, 500 Words, February Maum, Courtney. “Tom Burr’s Latest Project is Inspired by Iconic Building in New Haven”, Norfolk Now, April Menking, William. “Six can’t-miss sculptures from the Münster Sculpture Project”, The Architect’s Newspaper, June Backes, Phil. “Tom Burr Cultivates Space at Marcel Breuer’s Pirelli Tire Building”, Document, July Appel, Allan. “Pirelli Building Reopens ... To Art,” New Haven Independent, July Fritchey, Sarah. “Placing Pieces of Local History in an Empty Marcel Breuer Building”, Hyperallergic, August Markus, David. “Article Title”, Art in America, October Platonova, Elena. “Pre-Existing Conditions in New Haven”, Art Market Monitor, October Byrnes, Mark. “A Complicated Second Life for a Brutalist Icon, CityLab, October Abrams, Matthew Jeffrey. “Tom Burr | Body/ Building”, Four On The Floor, July Moffitt, Evan. “Tom Burr”, Frieze, October Kino, Carol. “Every Architectural Lover Should Take This Three-Day Road Trip”, Travel + Leisure, October Tarasoff, Sabrine. “Tom Burr ‘Surplus of Myself’ at Westfälischer Kunstverein, Münster”, Mousse Magazine Pasquarella, Sheri. “Panorama: Interview with Artist Tom Burr”, PIN-UP Burr, Tom. “Body/Building”, Yes and No Magazine, Autumn (No. 01:03, p. 6-9) Burr, Tom. “Body/Building”, Yes and No Magazine, Spring (No. 01:01, p. 48-53) Burr, Tom. “Body/Building”, Yes and No Magazine, Summer (No. 01:02, p. 6-11) 2016 Courtney Maum, ‘Tom Burr,’ Interview Magazine, December/January 2016 Alan Feuer, ‘Art Dealers Move Out of the Gallery and Into a Taco Bell,’ The New York Times, October 2016 2015 'Tom Burr Anthology: Writings 1991 – 2015’, Published by FRAC Champagne-Ardenne with Sternberg Press Alan Ruiz, ‘Tom Burr,’ BOMB Magazine 134, winter
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BORTOLAMI
Sabrina Tarasoff, ‘L’esprit De L’escalier: On (Marriage) Affairs of Art and Architecture,’ Mousse Magazine 50, October-November Nicholas Chittenden Morgan, ‘New York: Critics’ Picks,’ Artforum, November Brian Boucher, “Cruising Grounds in Tom Burr’s Bortolami Show,” Artnet, October 29 ‘The Lookout: Tom Burr at Bortolami,’ Art in America, September Scott Indrisek, ‘Cruising and the City: Tom Burr at Bortolami Gallery,’ Artinfo, November The New Yorker, October 28th 2014 Florence Derieux, ‘Parcours,’ Art Basel George Baker, “Notes on Painting in Disguise,” in Take It or Leave It: Institution, Image, Ideology (Hammer Museum: 2014), p. 228 Graham Bader, ‘Outside the Lines,’ Artforum, April Natilee Harren, ‘Take It or Leave It: Institution, Image, Ideology,’ Artforum, June 2013 Fionn Meade, Tom Burr, ‘Restless Painting,’ Mousse Magazine, summer Alexander Scrimgeour, ‘Notes on Neo-Camp,’ Artforum, November 2012 Julie Baumgarden, 'Julie Baumgarden on Bortolami, New York', Paddle8.com, September 20th Jeffrey Kastner, ‘Tom Burr, Bortolami’, Artforum, summer, p. 313 Courtney Fiske, ‘New York: Critics’ Picks,’ Artforum, March Michael Wilson, ‘Tom Burr, ‘Deep Wood Drive,’’ Time Out New York, p. 46 David E. Howe, ‘Tom Burr,’ Art Review n° 59, p. 120 Mariano Mayer, “Tom Burr,” Neo2, April Alissa Bennett, “Tom Burr Interview,” Crush Fanzine, March Dan Duray, “Tom Burr Offers Nostalgia and Blankets at Bortolami,” Gallerist NY, March The New Yorker, April 9th Mara Hoberman, ‘Paris: Critics’ Picks, ‘Seuls quelques fragments de nous toucheront quelques fragments d’autrui,’ Artforum, December 2011 Johnny Misheff, ‘Visiting Artists/Tom Burr’, Tmagazine.blogs.nytimes.com, March 28th Biennale di Venezia, Angel Vergara, Feuilleton, n°54 Aude Launay, ‘Le bûcher des vanités’, n°57, spring ‘After Images…,’ Musée Juif de Belgique, August 28th Rozenn Canevet, ‘Tom Burr, peeping tom’s’, zerodeux.fr Sam Steverlynck, ‘Clothed paintings’, Agenda.be, April 29th Sam Steverlynck, ‘Mondovision Fiac’, November Karen Archey, Lynne Cooke and Douglas Crimp, ‘Bring Home “Mixed Use: Manhattan” in Public Art Fund Talk’, Artinfo, February 11th Tom Burr, ‘Why I’m an Artist’, Corduroy Magazine Tom Burr at FRAC Champagne-Ardenne, Reims, Mousse Magazine, February Clark, Robert and Skye Sherwin, Robert Mapplethorpe: Curated by Scissor Sisters, London, The Guardian, January 15th Ben Street, “Tom Burr,” Art Review, December Isabel Graw, ‘Ecce Homo: Art and Subjecthood,’ Artforum, November Gianni Jetzer, “A Way into the Unconscious of Objects,” Spike 2010 Steven Cairns, ‘Interview: Tom Burr’, MAP Magazine, December Timothy Hull, ‘Deep Histories: Tom Burr’, Art in America, October 1st Tom Burr, ‘Questions of Style: Tom Burr ‘I Built a Dream House,’’ Artforum, September, p. 267 Lynne Cooke, Douglas Crimp and Kristin Poor, ‘Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present’, Museo Nacional Centro De Arte Reina Sofía, Madrid Ralph Rugoff, ‘The New Décor’, Hayward, London ‘Tom Burr: Sentence’, Kaiserin, Premier Semestre
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BORTOLAMI
‘Tom Burr artist’, Crush Fanzine, Auxiliary Issue 1 Daniel Kletke, ‘Galerie Neu: Tom Burr Addict-Love’, Light Cavalry, Artnet Magazine, January Carlos Suarez De Jesus, ‘Two Miami Art Museum exhibits question how we view our surroundings,’ Miami New Times, January 7th 2009 ‘Tom Burr,’ essay by Sabeth Buchmann, published in conjunction with the exhibition "Monica Bonvicini / Tom Burr" at the Städtische Galerie im Lenbachhaus und Kunstbau, Munich, and at the Kunstmuseum Basel Tom Burr, ‘Best of 2009. The Artists’ Artist: RH Quaytman’, Art Forum, December, p. 90 Brian Boucher, ‘Tom Burr’, Bortolami, Art in America, November Michael Wilson, ‘Tom Burr’, Artforum, November, p. 228 Kirsty Bell, ‘Perversly Yours’, Kaleidoscope, November-December, p. 58 Brian Boucher, ‘Review: Tom Burr’, Bortolami, Art in America, November, p. 186 Ruba Katrib, ‘Obstruction, Instance, and Trace’, The Reach of Realism: Uta Barth, Olaf Breuning, Tom Burr, Talia Chetrit, Anetta Mona Chişa and Lucia Tkácová, Phil Collins, Thomas Demand, Alex Hubbard, Matt Keegan, Ragnar Kjartansson, Elad Lassry, Lars Laumann, Adam McEwan, Wilhelm Sasnal, Xaviera Simmons, Martin Soto Climent, Wolfgang Tillmans, Sara VanDerBeek, Emily Wardill, Gillian Wearing, Judi Werthein, and Artur Zmijewski, North Miami, FL: Museum of Contemporary Art Michael Juul Holm, Anders Kold, and Tine Colstrup, ‘Interview with Tom Burr’, Louisiana Museum of Modern Art Tom Burr, ‘Thoughts on a Given Name’, Rachel Harrison: Consider the Lobster and Other Essays (cat). Annandale-on-Hudson: CCS Bard Hessel Museum of Art Melissa Gronlund, ‘Tom Burr’, ‘Vitamin 3-D: New Perspectives in Sculpture and Installation’, London, Phaidon ‘Galleries Chelsea: Tom Burr’, The New Yorker, October Elena Zanichelli, ‘Räume mit Aussicht’, Texte zur Kunst, September, Vol. 19, No. 75, p. 180 – 182 Catrin Lorch, ‘Im Grau der Rigipsplatten’, Süddeutsche Zeitung Feuilleton, June 24th, p. 11-12 ‘Inside the Artist’s Studio: Tom Burr’, The Art Newspaper, April ‘New York Artist’s Dictionary/Part 1: Tom Burr’, Flash Art, January-February 2008 Kyle Bently, ‘Burrs and the Bees’, ArtForum.com, January 16th Krisitin Jones, ‘M. Tom Burr’, ArtForum.com, February 13th ‘Tom Burr: Questionnaire’, Frieze, June-August, p. 252 ‘Tom Burr: Vintage Vinyl’, The Art Newspaper, March 28th Francesco Vezzoli, ‘Tom Burr’, Mousse Magazine, March David Everitt Howe, ‘Unmonumental: The Object in the 21st Century’, Art Review, March Dmitry Komis, ‘Tom Burr’, Sculpture Centre, New York, Flash Art, March-April, p. 146 ‘Political/Minimal’ (cat.), ed. Klaus Biesenbach, Published by Nuremberg: Verlag für modern Kunst Joseph R. Wolin, ‘Unmonumental’, New Museum, New York, Modern Painters, May, p. 88 – 89 Adam E. Mendelsohn, ‘Change is inevitable’, Spike, n°18, winter, p. 24-29 Daniel Kletke, ‘Tom Burr’, abc art berlin contemporary, Berlin Joshua Decter, ‘Tom Burr, Talks about addict-love’, Artforum, February, p. 258 Aude Laynay, ‘Peeping Tom’s’, 02, summer, n°46 Rachel Churner, ‘Tom Burr’, Artforum, January, p.132 2007 ‘Unmonumental: Falling to Pieces in the 21st Century’, exhibition catalogue, published by the New Museum and Phaidon David Shariatmadari, ‘Pale Carnage’, Art Review, May, p. 131 Rike Frank, ‘Déjà vu All Over Again’, Artforum, Issue XLV, p. 113-114 Mark Rappolt, ‘The Man Who Wasn’t There’, Art Review, Issue 10, p. 66-71 Heike Foll, ‘Tom Burr & Jack Pierson’, Artforum.com, December 1st
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George Baker, ‘The Other Side of the Wall’, October Magazine, Issue 120, spring, p. 106-137 Tom Burr, October Magazine, Issue 120, Spring, p. 138–139 Ure Schmitt-Ulms, 'Tom Burr, Moods', April ‘Kunst im öffentlichen raum Wien. Monument for Homosexual and Transgender Victims of the Nazi Regime. Tom Burr’, www.publicartvienna.at Mark Rappolt, ‘Tom Burr – a disappearing act’, ArtReview, April, p.66-71 Tom Burr, ‘Romantic Manifesto’, Text zur Kunst, March Mark Prince, ‘Once more with Feeling’, Art Monthly, March Martin Clark, ‘Pale Carnage’, ed. Arnolfini, Bristol ‘Tom Burr: Moods,’ published in conjunction with the exhibition at Secession, Vienna 2006 ‘Tom Burr: Extrospective, Musée Cantonal des Beaux-Arts de Lausanne’, exhibition catalogue, published by JRP Ringier Sandra Cattini, ‘Tom Burr: Musee Cantonal Des Beaux Arts’, Flash Art, July-September Raphaelle Renken, ‘Quand Deep Purple se joue du Palais de Rumine’, Le Protestant, February 1st, p.6 M. B., ‘L'Americain Tom Burr entre au Musée à Lausanne’, La Tribune des Arts, March 3rd, p.17 Isabelle Bratshi, ‘Une pincée de Sadomaso au musée des Beaux-Arts’, Le Matin Dimanche, April 2nd, p. 84 ‘Au Pied du Mur’, Profil Femme, April 4th, p. 26 ‘Tom Burr’, WOZ Die Wochenzietung, April 6th, p. 22 Philippe Mathonnet, ‘Emprunter Tom Burr? Jamais!’, Sortir, Le Temps, April 6th, p. 17 ‘Lausanne Rétrospective de l'artiste contemporain Tom Burr’, Vtxnet.ch, April 7th Isabelle Vuong, ‘L'Amérique selon Tom Burr’, 24 Heures Lausanne et Région, April 8th, p. 14 Philippe Mathonnet, ‘L'Art, problème de digestion de génération’, Le Temps, April 8th, p. 22 Patricia Gnasso, 'Tom Burr, Fan d'ambuiguïté', Le Matin, April 8th, p. 56 ‘Rétrospective Tom Burr au Musée des Beaux-Arts’, La Côte, April 10th, p.20 ‘Tom Burr, coïncidences fictives’, Le Courrier, April 19th, p. 12 Etienne Dumont, ’Les WC de Tom Burr’, Tribune de Genève week end, April 27th, p. 31 Boris Senff, ‘Un amour de Bourg’, 24 Heures, May 3rd Juliette Soulez, ‘Tom Burr’, Archistorm, May-June Samuel Schellenberg, ‘Les coïncidences fictives de Tom Burr’, La Liberté, June 3rd, p. 43 Sandra Cattini, ‘Reviews’, n°249, Flash Art, July-September, p.122 2005 Simona Cresci, ‘Tom Burr’, Flash Art, n°253, August-September, p.114 Alessandro Rabottini (traduction Judicaël Lavrador), ‘Dossier beyond the dark lines, where pure angles lie’, 02 Revue d'Art contemporain Trimestrielle et gratuite, n°34, summer, p. 16-17. ‘Down The Garden Path: The Artist’s Garden After Modernism’, Queens Museum of Art, New York 2004 Whitney Biennial 2004, exhibition catalogue, Whitney Museum of Art, New York, p.160 ‘The Future Has A Silver Lining- genealogies of Glamour’, Migros Museum Fuer Gegenwartskunst, JRP/Ringier, Zurich 2003 Holland Cotter, ‘Art in review; Tom Burr’, http://query.nytimes.com, November 21st Materials 05, Institute of Visual Culture, Cambridge ‘My Head is on Fire my Heart is Full of Love’, Charlottenborg, Udstillingsbygning, Copenhagen ‘Tom Burr: The Screens’, Art Monthly, June Bruce Hainly, John Waters, ‘Art-A Sex Book’, Thames & Hudson 2002 Texte zur Kunst, December Tema Celeste, n°94, November-December Art in America, November Frieze, n°65, March
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George Baker, ‘Tom Burr: Deep Purple’, The Other Side of the Wall, Whitney Museum of American Art, New York Xeros – Projet mobile et reproductible sur les sexualites et l’espace, Centre National d’Art Contemporain, Grenoble Tom McDonough, ‘Tom Burr at Greene Naftali-New York’, Art in America, November Bruce Hainley, ‘Black Box Recorder’, Frieze, March 2000 Partnerschaften, Neue Gesellschaft Fuer Kunst, Berlin. p. 25-29 ‘Tom Burr: Slow Slung’, Kunstverein Braunschweig exhibition catalogue ‘Quiet Life’ (Catalogue) an exhibition at Ursula Blickle Foundation, Germany, March-May 1999 Jeff Rian, ‘Tom Burr at Galerie Almine Rech’, Artnet.com, July 5th Christian Kravagna, ‘Tom Burr: Eight Renovations: A Constellation of Sites Across Manhattan’, Opening, Vienna Tom Burr, Thomas Trummer, Modelle, Austrian Gallery Belvedere, George Baker, ‘Minimal Memory: Notes on Damaged Sculpture’, Sharawadgi, Walther Koenig, Cologne ‘Special issue: Architecture’, Artforum, November Bill Van Parys, ‘Travel & Leisure’, The New Berlin, January 1998 Tom Burr, ‘Sleazy City: Street Structures and Some Qualities of Life’, October, n°85, summer 1997 Miwon Kwon, ‘One Place After Another: Notes on Site Specificity’, October, n°80, spring Tom Burr, ‘Eight Renovations: a constellation of sites across Manhattan’, Opening, (“Progetto Citta”, Christian Kravagna, ed.) 1996 James Meyer, ‘Der funktionale Art’, Springer, December-February James Meyer, ‘Tom Burr’, Frieze.com, March-April Tom Burr, ‘Circa 1977’, Stud, Princeton University Press Trash, Platzwechsel, Kunsthalle Zurich & Schweizer Nationalmuseum, Zurich Harold Fricke, ‘Berlins groesster Promi als erotische Buehne’, Die Tageszeitung James Meyer, ‘Tom Burr’, Frieze, April Collier Schorr, ‘Tom Burr at American Fine Arts’, New York Fax, March-April Joel Sander, ‘Tom Burr: Circa 77’, Stud, Princeton University Press 1995 ‘Tom Burr: Trash’, Platzwechsel, Ausst. Kat. Kunsthalle Zurich Tom Burr, ‘Unearthing the Public Toile: A series of Ruminations on an American Building Type’, Documents, n°6, spring 1993 James Meyer, What happened to the Institutional Critique? New York: American Fine Arts, Co. and Paula Cooper Gallery. Reprinted in Peter Weibel, ed., Kontext Kunst (Cologne: Dumont, 1993), 239-256. Tom Folland, ‘Social Subjects’, catalogue/essay, YYZ, Toronto ‘Tom Burr: The Storage Project’, Project Unite, Ausst. Kat Firminy Tom Burr, ‘Just outside the Museum’, Kunst & Museum Journaal, vol.4, n°6 Tom Burr, ‘Site Specific’, Metropolis M, May-June Direkt vor dem Museum…, Kontext Kunst, Ausst.Kat. Steirischer Herbst 1992 Hermes, Texte zur Kunst, February Yves Aupetitallot, ‘Passage’, Forum International, January-February 1990 Gretchen Faust, Arts Magazine, March 1989 David Hirsh, New York Native, December
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