CV Di LIA GIANCRISTOFARO Professore Associato Di Antropologia Culturale Dipartimento Di Lettere, Arti E Scienze Sociali Università Degli Studi “G

Total Page:16

File Type:pdf, Size:1020Kb

CV Di LIA GIANCRISTOFARO Professore Associato Di Antropologia Culturale Dipartimento Di Lettere, Arti E Scienze Sociali Università Degli Studi “G CV di LIA GIANCRISTOFARO Professore Associato di Antropologia Culturale Dipartimento di Lettere, Arti e Scienze Sociali Università degli Studi “G. D’Annunzio”, Via dei Vestini 31, 66100 Chieti [email protected] Lia Giancristofaro, docteur d’études approfondies (EHESS, Paris) and PhD (University “G. D’Annunzio”, Chieti-Pescara), is an italian anthropologist. Her researches on folklore, popular religion, "traditional medicines" and cultural ecology of farming were followed by works on anti- semitism, heritage studies, heritage policies and political anthropology. Since 2006, she teaches Cultural Anthropology in Chieti-Pescara University; she has taught in some Phd Courses in Italy and has been visiting professor in France at the Institut of Ethnologie Méditerranéenne, Européenne et Comparative (University of Aix-Marseille) and in Albania (European University of Tirana). She coordinated research projects in Europe, North Africa, Canada, USA, Australia and Argentina. Her publications include more than 150 papers and book chapters, 30 monographs and several edited volumes, published in Italy, France, USA, Argentina. Lia Giancristofaro, docteur d’études approfondies (EHESS, Parigi) e dottore di ricerca (Università degli Studi “G. D’Annunzio” di Chieti), è professore associato in Materie Demo-Etno-Antropologiche presso l’Università di Chieti, dove dal 2006 insegna Antropologia Culturale; dal 2000 dirige la “Rivista Abruzzese”, rassegna di cultura fondata nel 1948. Nel 1980 ha incontrato gli studi folklorici ed etno-antropologici, e nel 1990 gli studi politici e giuridici, configurando così i suoi campi di ricerca: antropologia delle istituzioni politiche e giuridiche; heritage studies; etnologia dell’Europa; rielaborazione dell’approccio demologico italiano; antropologia del patrimonio letterario, delle attività espressive e delle “medicine tradizionali”. Ha coordinato progetti di ricerca per il suo Ateneo e altri Enti, operando in Europa, Nordafrica, Canada e Argentina. È stata visiting professor in Francia presso l’Institut d’Ethnologie Méditerranéenne, Européenne et Comparative dell’Université Aix-Marseille. È membro del Comitato Scientifico di riviste come “LARES” e “DADA” e di reti internazionali di ricerca come Eurethno e la European Association of Social Anthropologists. È membro del direttivo della SIAA (Società Italiana di Antropologia Applicata) e del direttivo della SIMBDEA (Società Italiana per la Museografia DemoEtnoAntropologica). Ha contribuito a fondare il gruppo internazionale di ricerca sul patrimonio culturale nei conflitti armati, Università Ca’ Foscari, CNR, SIMBDEA, Emergency. Fa parte del collegio del Dottorato di ricerca in Studi Storici dal Medioevo all’Età Contemporanea, XXXVI ciclo, Università “G. D’Annunzio” - Università degli Studi di Teramo; ha fatto parte dei collegi del Dottorato di ricerca in Lingue, Letterature e Culture, XXIX ciclo, Università “G. D’Annunzio”, e del Corso di Perfezionamento in Beni Culturali Antropologici, Università Milano Bicocca. Ha prodotto circa duecento articoli scientifici e trenta volumi in Francia, Argentina, Stati Uniti, Slovenia, Polonia e Italia; per divulgare la prospettiva antropologica, partecipa a trasmissioni televisive su RAI 1, RAI 2, RAI 3, RAI International, Rai World, Marcopolo e sull’emittente danese Dk4, cumulando in vent’anni oltre 600 attività di terza missione. FORMAZIONE E QUALIFICHE 1 2016, Professore di seconda fascia nel settore concorsuale 11/A5 - Scienze demoetnoantropologiche, Dipartimento di Lettere, Arti e Scienze Sociali, Università “G. D’Annunzio”, Chieti. 2011, Ricercatore nel settore concorsuale 11/A5 - Scienze demoetnoantropologiche, Facoltà di Scienze Sociali, Università “G. D’Annunzio”, Chieti. 2004, Docteur d’études approfondies (DEA) in Histoire et Civilisation, École des Hautes Études en Sciences Sociales (EHESS, Parigi), con la direzione del prof. Gérard Delille. Tesi: Alfonso M. di Nola, le sens et la signification des animaux sauvages et domestiques dans un milieu culturel italien. 2004, Dottore di Ricerca in “Lingua e Letteratura delle Regioni d’Italia”, XVI ciclo, Dipartimento di Studi Medievali e Moderni, Università degli Studi “G. D’Annunzio”, con la direzione del prof. Giovanni Oliva. Tesi: Per un’antropologia della letteratura. Studi folklorici e prospettive antropologiche nella produzione realista di Giovanni Verga. Dal 2000 al 2010, titolare di Partita Iva come editore, ricercatore e catalogatore di beni culturali. Dal 1999 al 2018, iscritta all’Ordine Nazionale dei Giornalisti, tessera n. 087986. 1999, Master universitario biennale in Giornalismo e comunicazione di massa, For.Com (Università degli Studi di Torino, Università degli Studi di Macerata, Università degli Studi di Salerno, Università degli Studi del Molise). Tesi in Sociologia della Comunicazione, Titolo: Rappresentazioni della disuguaglianza sulle pagine di un quotidiano. 1998, Master universitario biennale in Bioetica, Università Cattolica di Roma, Facoltà di Medicina, Tesi in Filosofia del Diritto, Titolo: L’analisi del genoma umano: privacy e potenziale violazione dei diritti umani. 1998, Abilitata a Revisore Ufficiale dei Conti, L’Aquila-Roma; iscrizione all’Albo Nazionale dei Revisori Ufficiali dei Conti negli anni 1999-2004. Patrocinante Legale nelle Preture e davanti al Giudice di Pace. 1997, Diploma di Specializzazione professionale annuale in Diritto Europeo, Ordine degli Avvocati (L’Aquila-Pescara), Consiglio d’Europa, Regione Abruzzo, Settore Formazione, Fondo Sociale Europeo. 1996, Laurea in Giurisprudenza, Università di Teramo (1994-1996), Tesi in Diritto Internazionale Le armi inumane e la questione umanitaria delle mine antiuomo, relatore prof. Flavia Lattanzi (giudice del Tribunale Internazionale per il Ruanda e per la ex-Jugoslavia). Riconoscimento speciale dal Premio in Diritto Umanitario 1997 (Roma, Comitato Nazionale della Croce Rossa). Ha sostenuto esami di Antropologia Culturale, Diritto e Cultura islamica, Storia delle Religioni, Sociologia, Storia del Pensiero Politico, Storia Contemporanea, Antropologia Giuridica e Woman Studies come studente del Corso di Laurea in Giurisprudenza dell’Università di Bologna (1989-1992), come studente del Corso di Laurea in Scienze Politiche dell’Università di Teramo (1996-1998) e come studente del Corso di Laurea in Antropologia Culturale presso l’Università di Toronto (1999-2000). 1989, Diploma di Maturità Classica con punteggio pieno (60/60). 2 1984-2000, Diplomi di conoscenza eccellente della lingua inglese “Cambridge Assessment English – ESOL”, First (FCE, anno 2000, Cambridge, UK) e della lingua francese “EF - Education First” (1984, Institut de Saint Malo, Bretagne, France). PARTECIPAZIONE A COMITATI E ISTITUZIONI INERENTI GLI STUDI ETNOANTROPOLOGICI E SOCIALI Dal 2020, membro di Eurethno - Ethnologie et Historiographie Européenne (Conseil de l’Europe, Fédération Européenne des Réseaux de Cooperation Scientifique et Technique), Université “Paul Valery”, Montpellier III, Universitè Aix-Marseille. Dal 2020, membro del Gruppo di lavoro sulle Rievocazioni storiche (Mibact/ICPI-SIMBDEA) con Valeria Trupiano (ICPI) Alessia Villanucci (ICPI), Valentina Santonico (Comune di Napoli), Emanuela Rossi (SIMBDEA- UniFi), Vita Santoro (SIMBDEA), Alessandra Broccolini (SIMBDEA- UniRoma1). Dal 2019, membro della Commissione interassociativa di SIAC (Società Italiana degli Antropologi Culturali), SIAA (Società Italiana di Antropologia Applicata) e ANPIA (Associazione Nazionale Precari Italiani dell’Antropologia) per l’elaborazione di linee-guida in merito a “Etnografia e privacy. Elaborazione di deroghe per la espressione scientifica nell’applicazione del Regolamento Ue 2016/679, noto come GDPR (General Data Protection Regulation)”, con Ferdinando Fava, Francesca Declich, Mara Benadusi, Elena Bougleux, Francesca Crivellaro, Stefano Portelli. Dal 2019, membro fondatore del gruppo internazionale di ricerca “Il patrimonio culturale nei conflitti armati”, Università Ca’ Foscari Venezia, CNR, UNESCO (ufficio di Venezia), SIMBDEA, Università “G. D’Annunzio di Chieti-Pescara”, Emergency, IUAV, Fondazione Venezia per la ricerca sulla pace, CESTUDIR, con Lauso Zagato, Katia Ballacchino, Silvia Chiodi, Simona Pinton, www.veripa.org. Dal 2019, membro del Direttivo di SIAA (Società Italiana di Antropologia Applicata) con Mara Benadusi, Roberta Bonetti, Massimo Bressan, Sebastiano Ceschi, Antonino Colajanni, Cecilia Gallotti, Leonardo Piasere, Giovanni Pizza, Bruno Riccio, Massimo Tommasoli, Sabrina Tosi Cambini. Dal 2018, membro del Direttivo di SIMBDEA (Società Italiana per la Museografia e i beni DemoEtnoAntropologici) con Pietro Clemente, Alessandra Broccolini, Claudio Rosati, Emanuela Rossi, Rosario Perricone, Elisa Bellato, Valentina Lapiccirella Zingari, Vita Santoro, Mario Turci. Dal 2018, membro del Comitato Scientifico per l’Elaborazione di linee guida per la tutela dei beni etnoantropologici e immateriali, Servizio VI (“Beni Demoetnoantropologici e Immateriali”) presso la Direzione Generale Archeologia Belle arti e Paesaggio, MiBACT, DG ABAP, Via San Michele 22, Roma. Dal 2018, membro del Comitato Scientifico del MUSEO DELLE GENTI D’ABRUZZO, Via delle Caserme 22, Pescara. 3 Dal 2018, socia di SIAC (Società Italiana degli Antropologi Culturali). Dal 2017, socia di SIAA (Società Italiana di Antropologia Applicata). Dal 2017, socia di SIAM (Società Italiana di Antropologia Medica, Perugia). Dal 2017, membro di NET (Network of Ethnographic Theory), presieduto da Susana Matos Viegas, Institute of Social Sciences,
Recommended publications
  • Cult of Isis
    Interpreting Early Hellenistic Religion PAPERS AND MONOGRAPHS OF THE FINNISH INSTITUTE AT ATHENS VOL. III Petra Pakkanen INTERPRETING EARL Y HELLENISTIC RELIGION A Study Based on the Mystery Cult of Demeter and the Cult of Isis HELSINKI 1996 © Petra Pakkanen and Suomen Ateenan-instituutin saatiO (Foundation of the Finnish Institute at Athens) 1996 ISSN 1237-2684 ISBN 951-95295-4-3 Printed in Greece by D. Layias - E. Souvatzidakis S.A., Athens 1996 Cover: Portrait of a priest of Isis (middle of the 2nd to middle of the 1st cent. BC). American School of Classical Studies at Athens: Agora Excavations. Inv. no. S333. Photograph Craig Mauzy. Sale: Bookstore Tiedekirja, Kirkkokatu 14, FIN-00170 Helsinki, Finland Contents Acknowledgements I. Introduction 1. Problems 1 2. Cults Studied 2 3. Geographical Confines 3 4. Sources and an Evaluation of Sources 5 11. Methodology 1. Methodological Approach to the History of Religions 13 2. Discussion of Tenninology 19 3. Method for Studying Religious and Social Change 20 Ill. The Cults of Demeter and Isis in Early Hellenistic Athens - Changes in Religion 1. General Overview of the Religious Situation in Athens During the Early Hellenistic Period: Typology of Religious Cults 23 2. Cult of Demeter: Eleusinian Great Mysteries 29 3. Cult of Isis 47 Table 1 64 IV. Problem of the Mysteries 1. Definition of the Tenn 'Mysteries' 65 2. Aspects of the Mysteries 68 3. Mysteries in Athens During the Early Hellenistic Period and a Comparison to Those of Rome in the Third Century AD 71 4. Emergence of the Mysteries ofIsis in Greece 78 Table 2 83 V.
    [Show full text]
  • DP Camut Band Cast
    CAMUT BAND SONORITATS Coproducción MERCAT DE LES FLORS Del 27 de diciembre al 4 de enero Horario 20:30h (domingo 12h y 18h; sábados y viernes 3 de enero 18h y 20:30h). Precio 12€ EL ESPECTÁCULO CAMUT BAND, compañía nacida en 1994 de la unión de los coreógrafos y bailarines Rafael y Lluís Méndez y del percusionista Toni Español, ha centrado su actividad artística en la investigación, creación y exhibición de espectáculos interdisciplinarios de autoría propia, modernizando el claqué y mostrando un nuevo lenguaje musical de esta danza. Sonoritats es el nuevo espectáculo de Camut Band , que recrea el mundo mágico de los bailarines que hacen sonidos y música con sus pies mientras bailan. Coreografías “a capella” con efectos sonoros. Interacción entre la música en vivo y los sonidos virtuales. Materiales como la madera, el metal y el plástico serán el hilo conductor y punto de partida de la danza, que expresará el estado emocional y la estética visual de cada momento, creando sensaciones sonoras que llevan al ritmo y al baile. Con este nuevo espectáculo Camut Band se sumerge en la búsqueda de nuevas sonoridades , con materiales que son golpeados por los bailarines de claqué conviven con sonidos virtuales en armonía, ritmo y elegancia. Dentro de la gran diversidad de materiales podremos disfrutar del sonido grave del aluminio, del acero inoxidable, que tiene un sonido muy agudo, y del hierro con un tono medio; también encontraremos un pasillo de hierba artificial, por donde los bailarines se deslizarán produciendo unos sonidos muy cercanos al Sand Dance. La tecnología consigue que cualquier sonido que realicen los bailarines se pueda transformar en sonido de agua, cerámica o en una noche de tormenta.
    [Show full text]
  • Pietro Aaron on Musica Plana: a Translation and Commentary on Book I of the Libri Tres De Institutione Harmonica (1516)
    Pietro Aaron on musica plana: A Translation and Commentary on Book I of the Libri tres de institutione harmonica (1516) Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Joseph Bester, B.A., M.A. Graduate Program in Music The Ohio State University 2013 Dissertation Committee: Graeme M. Boone, Advisor Charles Atkinson Burdette Green Copyright by Matthew Joseph Bester 2013 Abstract Historians of music theory long have recognized the importance of the sixteenth- century Florentine theorist Pietro Aaron for his influential vernacular treatises on practical matters concerning polyphony, most notably his Toscanello in musica (Venice, 1523) and his Trattato della natura et cognitione de tutti gli tuoni di canto figurato (Venice, 1525). Less often discussed is Aaron’s treatment of plainsong, the most complete statement of which occurs in the opening book of his first published treatise, the Libri tres de institutione harmonica (Bologna, 1516). The present dissertation aims to assess and contextualize Aaron’s perspective on the subject with a translation and commentary on the first book of the De institutione harmonica. The extensive commentary endeavors to situate Aaron’s treatment of plainsong more concretely within the history of music theory, with particular focus on some of the most prominent treatises that were circulating in the decades prior to the publication of the De institutione harmonica. This includes works by such well-known theorists as Marchetto da Padova, Johannes Tinctoris, and Franchinus Gaffurius, but equally significant are certain lesser-known practical works on the topic of plainsong from around the turn of the century, some of which are in the vernacular Italian, including Bonaventura da Brescia’s Breviloquium musicale (1497), the anonymous Compendium musices (1499), and the anonymous Quaestiones et solutiones (c.1500).
    [Show full text]
  • Peripheral Nerve Society I
    Peripheral Nerve Society i Officers of the Society Eva L. Feldman, President Douglas W. Zochodne, President-Elect David R. Cornblath, Secretary/Treasurer Amber M. Millen, Executive Secretary Board Members Patricia J. Armati Richard A.C. Hughes Giuseppe Lauria Mary M. Reilly Angelo E. Schenone Michael E. Shy A. Gordon Smith Hugh J. Willison Scientific Program Committee Michael E. Shy, Chair M. Laura Feltri, Co-Chair Wendy M. Campana Angelika F. Hahn Ahmet Höke Jean-Marc Léger Mary M. Reilly James W. Russell Zarife Sahenk J. Robinson Singleton Hugh J. Willison Conference Organizing Committee Local Organizing and Liaison Committees (Universitätsklinikum Würzburg) Klaus V. Toyka, Würzburg, Chair Claudia L. Sommer, Würzburg, Co-Chair Guido Stoll, Würzburg Hans-Peter Hartung, Düsseldorf Rudolf Martini, Würzburg Michael Sendtner, Würzburg CME Joint Sponsorship University of California, San Diego School of Medicine ii The Society The Peripheral Nerve Study Group (PNSG) had its origins in a meeting organized by A. K. Asbury in Carville, Louisiana, in 1974. The success of the meeting led to the formation of the Peripheral Nerve Club, later changing its name to the PNSG, to bring together clinicians and basic scientists interested in peripheral neuropathy and the neurobiology of peripheral nerve. Meetings were held every two years, successively. The Executive Committee consisted of all those who had organized meetings. The PNSG became affiliated to the Research Group on Neuromuscular Diseases (RGND) of the World Federation of Neurology and the members of the Executive Committee of the PNSG were ex- officio members of the Executive Committee of the RGND, responsible for organizing the quadrennial International Congress on Neuromuscular Diseases.
    [Show full text]
  • 1° Responsabilité Titre Principal Genre Editeur Année Édition BONJOUR NOUKY ALBUM BÉBÉ HACHETTE 2007 DANS LE VIEUX CHÂTEAU
    1° responsabilité Titre principal Genre Editeur Année édition BONJOUR NOUKY ALBUM BÉBÉ HACHETTE 2007 DANS LE VIEUX CHÂTEAU... ALBUM NATHAN 1983 ENCORE UNE HISTOIRE ALBUM MILAN POCHE 2004 JOIES DE L'HIVER ALBUM PETITES HISTOIRES DU PÈRE CASTOR POUR FAIRE RIRE LES ALBUM PÈRE CASTOR - 2007 AGOPIAN ANNIE DANS 3500 MERCREDIS ALBUM DU ROUERGUE 1999 ALBON LUCIE CERFS-VOLANTS (LES) ALBUM BÉBÉ L'ÉLAN VERT 2011 ALLANCÉ MIREILLE D' J'AI FAIM ! ALBUM L'ÉCOLE DES LOISIRS 2007 ALLEN JUDY IL ETAIT UNE FOIS... L'ELEPHANT ALBUM GRÜND 1993 ALMÉRAS ARNAUD BIENVENUE CHEZ LES PETITS ! ALBUM GALLIMARD JEUNESSE DL 2 AMIOT KARINE-MARIE MALO APPREND LA POLITESSE ALBUM BÉBÉ FLEURUS 2003 ANTOONAKESON KRINGS CHLOE L'ARAIGNEE ALBUM GALLIMARD JEUNESSE 2008 ANTOONAKESON KRINGS COULEURS DE SIMEON (LES) ALBUM GALLIMARD 2007 ASHBE JEANNE ATTENDS, PETIT ÉLÉPHANT ! ALBUM PASTEL DL 2 ASHBE JEANNE CA VA MIEUX ALBUM BÉBÉ L'ÉCOLE DES LOISIRS 1994 ASHBE JEANNE CHER PÈRE NOËL ALBUM L'ÉCOLE DES LOISIRS 0 ASSOC. MOUTON VILLAGE GUERRE DES MOUTONS (LA) ALBUM 1994 AUBINAIS MARIE PETIT OURS BRUN S'HABILLE TOUT SEUL ALBUM BÉBÉ BAYARD 2005 AUBINAIS MARIE PETIT OURS BRUN VEUT FAIRE COMME PAPA ALBUM BÉBÉ BAYARD JEUNESSE 2008 AUZARY-LUTON SYLVIE SECRET DE L'AFFREUX MÉCHANT (LE) ALBUM MIJADE 2004 BACHELET GILLES DES NOUVELLES DE MON CHAT ALBUM SEUIL JEUNESSE 2009 BÂDESCU RAMONA POMELO RÊVE ALBUM ALBIN MICHEL 2004 BAEK HEE-NA PETITS PAINS AU NUAGE (LES) ALBUM DIDIER JEUNESSE 2006 BAILEY JACQUI FILLES, GARCONS, AMOUR ET SEXUALITE ALBUM GAMMA JEUNESSE 2005 BALPE ANNE-GAËLLE BUREAU DES POIDS
    [Show full text]
  • Currículum Antoni Lluís Reyes
    CURRÍCULUM ANTONI LLUÍS REYES Dades personals. Nom: Antoni Lluís Reyes Data de naixement: 21/03/85 Manacor (Mallorca). Estudis: - Llicenciat en Filologia Catalana per la Universitat de Barcelona (UB). - Llicenciat en Art Dramà(c d'interpretació textual per l'ESADIB (Escola Superior d'Art Dramà(c de les Illes Balears). - Màster en Formació del Professorat per la Universitat de les Illes Balears. Telf i mail: 653.63.60.56. [email protected] Televisió i cinema. 2019. Amor de cans de Nova Televisió per a IB3 Televisió. Actor segona i tercera temporada. 2018-2017. 5 dies de Nova Televisió per a IB3 Televisió. Presentador. 2016. La catedral del mar d’Atresmedia. Antena 3 i TV3. Capitular 2016. Pedralta d’Alexander Manzurov. Pel·lícula produïda per Salamandra Studio. 2016-2015. Palma pam a pam de La Perifèrica Produccions. Emès per IB3 Televisió. 3a temporada. Presentador. 2015. Hotel Bellavista de CEF Produccions. Dir: David Mataró. Emesa per IB3 Televisió. 1a temporada. 2017-2012. La Riera de Produccions de Televisió de Catalunya. Personatge Ax de la 4a, 5a, 6a, 7a i 8a temporada. Dir: Esteve Rovira. 2011-2012. L'Anell de la productora Nova Televisió emesa per IB3 TV (Televisió Autonòmica de les Illes Balears). Personatge Ax, 62 capítols. Dir: Humberto Miró. 2010. Illes de llegenda d’IB3 Televisió. 2010-2015 Curtmetratges: Herencia, de San(ago Vinci estrenada al Cinema Rívoli, Last travel to the moon, La palla, La entrega, Tomates des.no Mallorca, JyJ de Juan Carlos Cobos, Amets d’Irantzu Zugarrondo, Tallar arrels de Jaume Fiol, Que .enen las lavadoras contra los calce.nes de Jasmina González.
    [Show full text]
  • Annual Report 2014/15
    Annual Report 2014/2015 Mission History Colorado inspires generations to find wonder and meaning in our past and to engage in creating a better Colorado. Vision History Colorado leads through accessible, compelling programs in education, preservation, and stewardship; serves Coloradans and enriches communities statewide; connects collections, places, people, and their stories with audiences in meaningful ways; and pursues sustainability through smart planning and sound business practices, while diversifying its financial base. Our Goals To inspire a love of, connection to, and engagement in Colorado and the state’s history To provide excellent stewardship of Colorado’s past through our collections To build an efficient, effective, and financially robust organization to ensure our sustainability into the future All images are from the collections of History Colorado unless otherwise noted. In February 2015, History Colorado Center guests kicked off the opening of The 1968 Exhibit, an award-winning traveling exhibit making stops at some of the nation’s top museums. The 1968 Exhibit brought a pivotal American year to life through photographs, artifacts, vintage pop culture items, and interactives. Letter from the Chair One of the cornerstones of History Colorado’s success has always been, and will continue to be, our partners and supporters. So we’re pleased to present you this report of the highlights and triumphs of our past fiscal year as we continue to inspire generations to find wonder and meaning in our past and to engage in creating a better Colorado. You may have heard about changes at History Colorado’s board, leadership, and staff over this past year.
    [Show full text]
  • Acquisition Research: Creating Synergy for Informed Change
    SYM-AM-16-019 Proceedings of the Thirteenth Annual Acquisition Research Symposium Wednesday Sessions Volume I Acquisition Research: Creating Synergy for Informed Change May 4–5, 2016 Published April 30, 2016 Approved for public release; distribution is unlimited. Prepared for the Naval Postgraduate School, Monterey, CA 93943. Acquisition Research Program Graduate School of Business & Public Policy Naval Postgraduate School The research presented in this report was supported by the Acquisition Research Program of the Graduate School of Business & Public Policy at the Naval Postgraduate School. To request defense acquisition research, to become a research sponsor, or to print additional copies of reports, please contact any of the staff listed on the Acquisition Research Program website (www.acquisitionresearch.net). Acquisition Research Program Graduate School of Business & Public Policy Naval Postgraduate School Table of Contents Keynote: The Honorable Sean Stackley, Assistant Secretary of the Navy for Research, Development, & Acquisition ............................................................... vii Plenary Panel: Weapon Acquisition Program Outcomes and Efforts to Reform DoD’s Acquisition Process ..................................................................................... 1 Panel 2. Applications of Real Options Analysis in Defense Acquisition ............ 3 Acquiring Technical Data With Renewable Real Options ....................................... 5 Incorporation of Outcome-Based Contract Requirements in a Real Options
    [Show full text]
  • Mon Imagier Animé Aller À L'école Pour Quoi Faire 2356 Ackroyd/Grot
    no inventaireAUTEURS titre 12868 :mon imagier animé Aller à l'école pour quoi faire 2356 Ackroyd/Grothusen Tout un hiver avec toi 8760 Adam/Dumait Les Boulzoreilles 5159Afano Laurence Où est-tu parti ? 10736 Ageorges V/Le More A Pin-pon ! 9729 Agostini Sara Dis moi pourquoi nous n'avons pas la même couleur de peau 5506Ahlberg JA Le gentil facteur 8042 Aihara/Adachi Bonjour, Jaki 8043 Aihara/Adachi Bonne journée, Jaki 9435 Aladjidi/Tchoukriel Inventaire de la mer 13484 Alamichel Amandine Thor et le serpent du monde 10741 Albert Adrien Au feu petit Pierre 13526Albert Adrien Henry est en retard 11756 Albert Adrien Train fantôme 11986 Albon Lucie Allez, les poulettes 2286Alençon/Chaplet Une histoire de singe 6724Alfaenger PK Je ne suis pas un monstre 6037Alfaenger PK Le cirque 3646Aliki Un festin au moyen age 13581 Allag M/Devernois Elsa Basile et Zoë pompiers 12103 Allag M/Rouch Sylvie Mon pingouin de Patagonie 12101 Allag M/Villiot Bernard Marie caprice 12520 Allag Mélanie Hugo et Lola découvrent la ferme 5509 Allancé (d') Mireille Petibou :je veux mon doudou 9338 Allen/Allman Petites bêtes 2682Allen/Humphries Es-tu une sauterelle? 10509 Alméras A& Robin Marco et Zélie:l'arrivée du bébé 10510 Alméras A& Robin Marco et Zélie:la princesse et les chevaliers 10511 Alméras A& Robin Marco et Zélie:le trésor du grenier 1359 Andersen/Nyman Le rossignol et l'empereur 5804 Andersen/Vaino Le vilain petit canard 9927 Anderson H/Marnat A Le vilain petit canard 5979 Anderson/Banroque MJ Poucette 7676 Anderson/Bernadette La reine des neiges 1804Anderson/Otto
    [Show full text]
  • Perspectives and Theories of Social Innovation for Ageing Population
    A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Klimczuk, Andrzej; Tomczyk, Łukasz Book — Published Version Perspectives and Theories of Social Innovation for Ageing Population Suggested Citation: Klimczuk, Andrzej; Tomczyk, Łukasz (2020) : Perspectives and Theories of Social Innovation for Ageing Population, Frontiers Media SA, Lausanne, http://dx.doi.org/10.3389/978-2-88963-620-4 This Version is available at: http://hdl.handle.net/10419/226203 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage
    [Show full text]
  • The University of Chicago How to Move a God: Shifting
    THE UNIVERSITY OF CHICAGO HOW TO MOVE A GOD: SHIFTING RELIGION AND IMPERIAL IDENTITIES IN ROMAN ATHENS A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE SOCIAL SCIENCES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF HISTORY BY JOSHUA RAMON VERA CHICAGO, ILLINOIS JUNE 2018 Copyright © 2018 Joshua Ramon Vera All rights reserved. For Katharyn, άγκυρα µου Contents List of Illustrations vi Acknowledgements vii Abstract xi Introduction: Shifting Landscapes, Shifting Identities 1 Between Tradition and Transition 12 Religious Buildings or Building Religions? 22 Peeling back the Palimpsest 27 Chapter I: A Reputation for Piety 32 The Most God-fearing, as They Say: Classical Athenian Piety 33 The Possession of the Gods: The City as a Sacred Landscape 37 Shrines Made by Human Hands: The Early Christian View 41 Greater than Others in Piety: The Second-Century Perspective 47 The Glory of Your Ancestors: Imagining a Landscape 51 Equal or Opposite Reactions? 56 Whose Landscape Is It Anyway? 65 Chapter II: Memorials to Ancient Virtue 72 Imaging Athens 73 The Emergence of a Core 79 The Classical Image 84 The Heart of the City 95 The Hellenistic Image 103 The Roman Image 107 The Emergence of a Double Core 113 The Hadrianic Image 118 The Mark of the City 123 iv Chapter III: By the People, For the People? 132 Reduced, Reused, or Upcycled? 134 The Road to Recovery 137 Old Money, New Men 140 Roman Plans, Roman Hands? 145 Let Slide the Gods of War 149 A Tale of Two Staircases 161 A Tale of Two Streets 166 Office Space 180 By the
    [Show full text]
  • The Representation of Black Women in Toni Morrison's Beloved
    ELZA DE FÁTIMA DISSENHA COSTA UNSPEAKABLE THINGS (UN)SPOKEN: THE REPRESENTATION OF BLACK WOMEN IN TONI MORRISON'S BELOVED Dissertação apresentada como requisito parcial à obtenção do grau de Mestre. Curso de Mes- trado em Letras, área de concentração de Lite- raturas de Língua Inglesa. Setor de Ciências Humanas, Letras e Artes, Universidade Federal do Paraná. Orientadora: Prof.a Dr.° Regina Przybycien CURITIBA 1999 UNIVERSIDADE FEDERAL DO PARANÁ s§ SETOR DE CIÊNCIAS HUMANAS, LETRAS E ARTES R COORDENAÇÃO DO CURSO DE PÓS GRADUAÇÃO EM LETRAS PARECER Defesa de dissertação da Mestranda ELZA DE FÁTIMA DISSENHA COSTA, para obtenção do título de Mestre em Letras. Os abaixo assinados Regina Przybycien, Susana Bornéo Funck e Mail Marques de Azevedo argüíram, nesta data, a candidata, a qual apresentou a dissertação: "UNSPEAKABLE THINGS (UN)SPOKEN: THE REPRESENTATION OF BLACK WOMEN IN TONI MORRISON'S BELOVED" Procedida a argüição segundo o protocolo aprovado pelo Colegiado do Curso, a Banca é de parecer que a candidata está apta ao título de Mestre em Letras, tendo merecido os conceitos abaixo: Banca Assinatura Conceito /O n Regina Przybycien A ^ / Susana Bornéo Funck A Mail Marques de Azevedo ^ ¡OAQ y ¡cit^Ajjj o^ M^at^CÁ-R 1 Curitiba, 15 de março de 1999. Prof. Antonio José Sandmann Coordenador em Exercício li ACKNOWLEDGEMENTS In Beloved, four women and a man are essential to the development of the narrative. In this thesis, four women and a man played a crucial part in its development and I want to thank them with special tenderness. They are: Francine, who, with her ten-year-old knowledge of the world was able not only to realize the importance of this work for me, but also to renounce wonderful moments we could have shared together in favor of my readings and thinking about the subject.
    [Show full text]