Travelers Sunset Affair: Urban Jungle
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Paul's Letters Script
Paul’s Letters Episode 05 Second Thessalonians Script There I was sitting in my frigid house with a bit of a hangover, wrapped in a blanket. It was January, I’d been out all night. I was musing about the month being named after Janus, the two- faced Roman god. It was said that Janus could see the past and the future at the same time. That’d be awesome, because if I could see the future, I would soon be rich enough to buy all the liquor and women I could want! The Apostle Paul had been staying at my house, I wasn’t the best host, being out all night. He had almost convinced me that my Roman gods were not real. I was on the verge of becoming a Christian, but let’s just say I wasn’t quite ready to give up my wild lifestyle. All of a sudden, reverie interrupted. A group of totally out of control dudes burst through my door. Rough dudes. Rougher than me. What could I do but sit there quietly as they ransacked my house looking for Paul and Silas. Finally, I got their attention. “Paul and Silas aren't here,” I shouted. They were out, somewhere. So, they grabbed me instead. They dragged me toward the city officials. And I wasn’t the only one either, they were also dragging a few people I recognized who had become believers in Jesus. At the town center, the officials were in a turmoil. A few Jews and the rough dudes - accused me of hosting someone who opposed the Roman government, someone who followed a king other than Caesar. -
Spoon River Anthology (Abridged by Bill Fellner)
Spoon River Anthology (abridged by Bill Fellner) [The Hill] 4 Where are Elmer, Herman, Bert, Tom and Charley, The weak of will, the strong of arm, the clown, the boozer, the fighter? All, all are sleeping on the hill. One passed in a fever, One was burned in a mine, One was killed in a brawl, One died in a jail, One fell from a bridge toiling for children and wife-- All, all are sleeping, sleeping, sleeping on the hill. Where are Ella, Kate, Mag, Lizzie and Edith, The tender heart, the simple soul, the loud, the proud, the happy one?-- All, all are sleeping on the hill. One died in shameful child-birth, One of a thwarted love, One at the hands of a brute in a brothel, One of a broken pride, in the search for heart's desire; One after life in far-away London and Paris Was brought to her little space by Ella and Kate and Mag-- All, all are sleeping, sleeping, sleeping on the hill. Where are Uncle Isaac and Aunt Emily, And old Towny Kincaid and Sevigne Houghton, And Major Walker who had talked With venerable men of the revolution?-- All, all are sleeping on the hill. They brought them dead sons from the war, And daughters whom life had crushed, And their children fatherless, crying-- All, all are sleeping, sleeping, sleeping on the hill. Where is Old Fiddler Jones Who played with life all his ninety years, Braving the sleet with bared breast, Drinking, rioting, thinking neither of wife nor kin, Nor gold, nor love, nor heaven? Lo! he babbles of the fish-frys of long ago, Of the horse-races of long ago at Clary's Grove, Of what Abe Lincoln said One time at Springfield. -
Qrj[ Oo LL;F 1\
- ~- QrJ[ Oo L L;f 1\ Hills, #3 Peter Altenberg Anselm Hollo Larry Eigner Barrett Watten Steve Hamilton Robert Grenier Fielding Dawson Michael Waltuch Fanny Howe Josephine Clare Kit Robinson Paavo Haavikko Cover by Francis Shaw &John Batki April, 1976 WHAT IS A POEM? A poem is a device designed to create a mood in the reader that is similar to the mood its author was in while composing it. Right- Poem: "Early Spring". Morning temperature on the Hochschneeberg: 34oF. Snow falling, in the form of rain. Damply shimmering whitish gray snowfields. Water level rising steadily in the rivers. Mild, stormy weather. Generally overcast. Continued, tremendous snowfall in the Northern Alpine region. Avalanches have blocked Tunnel No.ll of the mountain railroad. The hotels at Semmering are overflowing with gentry and wealthy bourgeoisie attempting to squeeze in a few more days of toboganning and such. But the Sun is gobbling up the snow. The Earth is saturated, not to say soggy, and that is why the surplus water is rushing into the rivers. The farmer is optimistic. Young Helga, weeping, is scouring the terrain for primroses. Peter Altenberg (Austria) Translated from the Austrian German by Josephine Clare & Anselm Hollo From "March en des Lebens ", 1919 NUMBERS FROM NOVALIS G8. A translation is either Grammatical, Transformative, or 11. Writing is siring: every poem has to be a live individual. Mythic. Mythic translations are of the highest order, representing We are surrounded by an inexhaustible wealth of materials, all the pure and completed character of the original individual work ready for new, singular combinations! Who once discovers this, of art: they do not give us its reality, but its ideal. -
Accessible Arts Calendar Summary 2019 Current Venues and Shows
Accessible Arts Calendar Summary 2019 Current Venues and Shows Updated 9-4-19 – The VSA Minnesota Accessible Arts Calendar lists arts events that proactively offer accessibility accommodations such as: ASL (American Sign Language Interpreting), AD (Audio Description), CC (Closed Captioning), OC (Open or Scripted Captioning), DIS (performers with disabilities), or SENS (Sensory-friendly accommodations) which are inclusive for children on the autism spectrum. The main Accessible Arts Calendar listings (emailed monthly through August 2019 and online at http://vsamn.org/community/calendar) offer descriptions of shows, authors, directors, describer & interpreter names, ticket prices, discounts, dates for Pay What You Can (PWYC), and more. This Current Venues and Shows list supplements the Accessible Arts Calendar. On our website as a Resource under Community (http://vsamn.org/community/resources-community/), it summarizes shows at arts venues across Minnesota: plays, concerts, exhibits, films, storytelling, etc. It’s limited to what we learn about and have time to include. The venues are organized alphabetically by Twin Cities venues and then by Greater Minnesota venues. They may offer accessible performances proactively or upon request. Words in GREEN identify some accessibility accommodations. We assume all auditoriums and bathrooms are wheelchair-accessible and theatres with fixed seating have assistive listening devices, unless noted otherwise. Both calendars will be discontinued after September 2019 when VSA Minnesota ceases operation. -
WINE and WEEKLY: SOME THOUGHTS on the ELEMENTS and FREQUENCY of HOLY COMMUNION Last Revised: 11/19/99
WINE AND WEEKLY: SOME THOUGHTS ON THE ELEMENTS AND FREQUENCY OF HOLY COMMUNION Last Revised: 11/19/99 Introductory Note: This paper is a slightly expanded version of the paper I presented to the elders of Redeemer Presbyterian in April of 1997. By no means do I consider this paper to be the last word on either issue it addresses. I also must beg the reader’s forgiveness for errors yet to be edited, as this is not a final draft. Any feedback would be greatly appreciated, especially concerning exegetical, theological, and historical errors. Several specific changes need to be made in future drafts. In particular, the preliminary section on worship on pages 3-4 needs to be further developed and clarified. Also, the section on Romans 14 and Christian liberty needs to be rewritten. Someday, I would like to brush up the section on symbolism, indicating my more mature views in that area. I would also like to make more clear how the Lord’s Supper “works,” that is, its covenantal efficacy. I have littered the paper with footnotes, primarily to keep the more technical aspects of the paper out of the main body. Several footnotes address the presence of Christ in the Supper because this has been such a controversial point in church history and because I consider a proper understanding of this aspect of the Supper crucial to any sacramental debate. Ultimately, the question of Christ’s presence in the sacraments (and in the worship service as a whole) is intimately bound up with the questions of frequency and the use of wine. -
Stories and Lessons in Feminist Legal Theory, 21 Tex. J. Women & L. 1
UIC School of Law UIC Law Open Access Repository UIC Law Open Access Faculty Scholarship 1-1-2011 Law, Literature, and the Legacy of Virginia Woolf: Stories and Lessons in Feminist Legal Theory, 21 Tex. J. Women & L. 1 (2011) Susan L. Brody John Marshall Law School Follow this and additional works at: https://repository.law.uic.edu/facpubs Part of the Entertainment, Arts, and Sports Law Commons, Law and Gender Commons, and the Law and Society Commons Recommended Citation Susan L. Brody, Law, Literature, and the Legacy of Virginia Woolf: Stories and Lessons in Feminist Legal Theory, 21 Tex. J. Women & L. 1 (2011). https://repository.law.uic.edu/facpubs/16 This Article is brought to you for free and open access by UIC Law Open Access Repository. It has been accepted for inclusion in UIC Law Open Access Faculty Scholarship by an authorized administrator of UIC Law Open Access Repository. For more information, please contact [email protected]. Texas Journal of Women and the Law Volume 21 LAW, LITERATURE, AND THE LEGACY OF VIRGINIA WOOLF: STORIES AND LESSONS IN FEMINIST LEGAL THEORY Susan L. Brody* I. INTRODUCTION .............................................. 2 II. LAW AND LITERATURE AND THE IMPORTANCE OF STORYTELLING FOR THE STUDY OF FEMINIST LEGAL THEORY ................................................ 3 III. VIRGINIA WOOLF'S FEMINISM ..................... ...... 8 A. A Room of One's Own..............................8 B. Mrs. Dalloway .............. ........... 99........ IV. THE HOURS' FEMINISM.................................12 A. The Women and Plot in The Hours: Three female characters relive Mrs. Dalloway's day at different times in the twentieth century. ................................ 12 B. Women's Work and Careers in The Hours: Virginia,Laura, and Clarissashow their work to be valuable and integral to society .............................................................................. -
The Country-Wife, a Comedy, Acted at the Theatre-Royal. Written by Mr
THE Country-Wife, COMEDY. A6ted at the heatre-Rova Written by Mr. Wycherlej. Jndignor quicquam reprekendi, ^ non quia craffe Compofitum iflepideve putetur, fed quia nuper: Nee veniam Antlquls, fed honorem & pnemla pofci. ^ Horat. LONDON: Princed for T. Bring, and fold by R. Bentley, and S, Magnes m Rufel-Jireet in Covent-Garden. 1688, Digitized by the Internet Archive in 2011 with funding from LYRASIS Members and Sloan Foundation So// 1 1 \ http://www.archive.org/details/countrywifecomedOOwych J. .A iir I -.1 ^i n i ^^-^ «^^ . -/ ; ^ . ^ FRO LO CUE, fpoken by Mr. Hart. POets like Cudgetd Bullys^ never io At firflt orfecond hlow^ fuhmk to you; But will provoke you ftill and nere have done^ till you are weary firfly with laying on : the late fo hafled Scrihler of this day^ Though he flands trembling, bids me boldly fay, What we before moft Tlayes are usd io doy For Poets out of fear, firfi draw on you ; In a fierce Prologue^ the Jlill Pit deficy And ere you fpeak, like Caflril, give the lye ; But though our Bayfes Battels oft fve fought And with bruised knuckles^ their dear conquejls bought ; l^ay, never yet feard Odds upon the S^^ge, In Prologue dare not He^or with" the Age^ But won d take Quarter from your faving hands Though Bayie within all yielding Countermands^ Saysyou Confederate Wits no Quarter gtvs, Therfore his Play fhant ask your leave to live : Welly let the vain rdfh Fop^ h ^Hfi^gfiy ' <^ Think to obtain the better terms of you But we the A^ors humbly willfubmit^ Itfow, and at any time to a full Pit i ifay, often we anticipate your rage, And murder Poets youy on our Stage : for ^ ^e fet no Guards upon our Tyring-Room^ ^ut when with flying Colours t there you come^ ^€ patiently you fee, give up toyouy ^ur PoetSy Firgins, nay our Matrons toq. -
Modernist Vintages: the Significance of Wine in Wilde, Richardson, Joyce
Modernist Vintages: The Significance of Wine in Wilde, Richardson, Joyce and Waugh by Laura Waugh A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved March 2013 by the Graduate Supervisory Committee: Mark Lussier, Chair Daniel Bivona Patrick Bixby ARIZONA STATE UNIVERSITY May 2013 ABSTRACT “Modernist Vintages” considers the significance of wine in a selection of modernist texts that includes Oscar Wilde’s Salomé (1891), Dorothy Richardson’s Honeycomb (1917), James Joyce’s Ulysses (1922), and Evelyn Waugh’s Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder (1945). The representations of wine in these fictions respond to the creative and destructive depictions of Wine that have imbued the narratives of myth, religion, and philosophy for thousands of years; simultaneously, these WorKs recreate and reflect on numerous Wine-related events and movements that shaped European discourse in the nineteenth and tWentieth centuries. The modernists use Wine’s conventional associations to diverse and innovative ends: as the playWright August Strindberg Writes, “NeW forms have not been found for the neW content, so that the neW Wine has burst the old bottles.” Wine in these works alternately, and often concurrently, evoKes themes that Were important to the modernists, including notions of indulgence and Waste, pleasure and addiction, experimentation and ritual, tradition and nostalgia, regional distinction and global expansion, wanton intoxication and artistic clarity. -
Sensory Witchcraft in Shakespeare's <I>Antony and Cleopatra</I>
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of Spring 4-20-2020 "You Have Witchcraft in Your Lips": Sensory Witchcraft in Shakespeare's Antony and Cleopatra and Macbeth Hannah Kanninen University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Literature in English, British Isles Commons Kanninen, Hannah, ""You Have Witchcraft in Your Lips": Sensory Witchcraft in Shakespeare's Antony and Cleopatra and Macbeth" (2020). Dissertations, Theses, and Student Research: Department of English. 162. https://digitalcommons.unl.edu/englishdiss/162 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “YOU HAVE WITCHCRAFT IN YOUR LIPS”: SENSORY WITCHCRAFT IN SHAKESPEARE’S ANTONY AND CLEOPATRA AND MACBETH by Hannah Kanninen A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: English Under the Supervision of Professor Julia Schleck Lincoln, Nebraska May, 2020 “YOU HAVE WITCHCRAFT IN YOUR LIPS”: SENSORY WITCHCRAFT IN SHAKESPEARE’S ANTONY AND CLEOPATRA AND MACBETH Hannah Kanninen, M.A. University of Nebraska, 2020 Advisor: Julia Schleck Scholarship on witches and witchcraft within Shakespeare’s plays has been a popular subject for many scholars. But one of Shakespeare’s most famous characters has not yet been integrated into this scholarship: Cleopatra from Antony and Cleopatra. -
Sparks from a Busy Anvil
Marshall University Marshall Digital Scholar Gilpin, John R., 1905-1974 Library of Appalachian Preaching 1937 Sparks from a Busy Anvil John R. Gilpin Follow this and additional works at: https://mds.marshall.edu/gilpin_johnr Part of the Appalachian Studies Commons, Digital Humanities Commons, Other Religion Commons, and the Rhetoric Commons Recommended Citation Gilpin, John R., "Sparks from a Busy Anvil" (1937). Gilpin, John R., 1905-1974. 1. https://mds.marshall.edu/gilpin_johnr/1 This Book is brought to you for free and open access by the Library of Appalachian Preaching at Marshall Digital Scholar. It has been accepted for inclusion in Gilpin, John R., 1905-1974 by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. ''Sparks from Busy Anvil'' ,W By 252 . G489s JOHN R. GILPIN I - ,. I ' ' ., " " • Radio Messages from First Baptist Church Russell, Kentucky MARSHALL UNIVERSITY LIBRARY WEST VIRGINIANA COLLECTION • "Sparks from a Busy Anvil" By JOHN R. GILPIN .. • Radio Messages from First Baptist Church Russel I, Kentucky (From Moy 30, 1937-August 22, 1937 ) • To A glorious Christian cha racter, to whom I owe a debt, which H eaven alone can pay, MY BELOVED WIFE this volume is affectionately dedicat ed . • • • Foreword When I was seventeen years old, I was called into the ministry. For the past fifteen years, I have been trying to preach the Gospel. All of these thirty-two years have been spent in school: grammar, high, college, seminary, and the school of practical experience. Dur ing these years of schooling, I have only learned three lessons that are really worth-while. -
AUCTION Catalog and EVENT Program
Thanks for attending Travelers Sunset Affair: Magnificent Migrations PRODUCED BY COMO FRIENDS, BENEFITTING COMO PARK ZOO AND CONSERVATORY. FREE TO MORE THAN TWO MILLION VISITORS EACH YEAR AUCTION catalog and EVENT program COMO FRIENDS’ ANNUAL SUMMER BENEFIT FOR COMO PARK ZOO AND CONSERVATORY 651-487-8229 | comofriends.org 1225 Estabrook Drive | Saint Paul, MN 55103 THURSDAY, JULY 20, 2017 5:30 PM — 10:00 PM SUPPORT BY $ Buys 100 ears of corn for $30 ComoBuys 100 Zoo’s ears bison of corn for 30 Como Zoo’s bison Como Friends is the nonprofit organization that inspires community generosity to advance Como Park Zoo and Conservatory as a destination where people from all walks of life can gather, learn and enjoy the natural world. Supplies one hundred $ Supplies one hundred $50 bulbs for the Sunken Garden Since forming in 1999, Como Friends has invested more than 50 Flowerbulbs for Show the Sunken Garden Flower Show $37 million to enhance facilities, preserve architecture and develop programs at Como Park Zoo and Conservatory. Como Friends is dedicated to making this free-admission treasure thrive. $ Covers two weeks supply $100 ofCovers frozen two lard, weeks a treat supply for 100 polarof frozen bears lard, Buzz a treatand Neilfor polar bears Buzz and Neil $ Provides free busing and an $250 educationProvides free program busing for and one an 250 secondeducation grade program class for one second grade class $ Gives Como’s animals $500 aGives week Como’s of progressive animals 500 animala week careof progressive by University of Minnesotaanimal -
12.2.20 Title Page for Materials.Pub
Law, Literature, Legal Ethics and Professionalism WEBCAST Judge Tim Baland Judge Tim Baland served as a Minnesota 7th Judicial District Court Judge from April 1984 until April 2006. Judge Baland spent 2.5 years working as an International Judge for the United Nations Mission in Kosovo. From October 2008 until October 2010, he served as President of the Independent Judicial and Prosecutorial Commission. The task of the Commission was to vet, interview and evaluate the qualifications of individuals who sought judicial or and prosecutorial positions in Kosovo. Working together with his colleagues on the Commission, Judge Baland was directly involved in the selection of the new Chief Justice, the new Attorney General and approximately 340 other judges and prosecutors. Over the past 27 years, Judge Baland has facilitated hundreds of law and literature discussion programs for judges, lawyers and other professionals, in Minnesota and in more than a dozen other states. The Project Gutenberg EBook of Colonel Chabert, by Honore de Balzac. This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. Release Date: March 6, 2010 [EBook #1954] Produced by John Bickers, and Dagny, and David Widger COLONEL CHABERT By Honore De Balzac Translated by Ellen Marriage and Clara Bell …………………………………… DEDICATION To Madame la Comtesse Ida de Bocarme nee du Chasteler. …………………………………… "HULLO! There is that old Box-coat again!" This exclamation was made by a lawyer's clerk of the class called in French offices a gutter-jumper—a messenger in fact—who at this moment was eating a piece of dry bread with a hearty appetite.