Parish News Issue 55 21 04 2021
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KRISTIAN NAUPANG MAY 2019 | 1 Editorial HLAWHTLING TÛRIN ZIR RAWH
KRISTIAN NAUPANG MAY 2019 | 1 editorial HLAWHTLING TÛRIN ZIR RAWH School luh a lo hun leh ta. Mahni zirna tûr school hrang hrangah naupangte kan lût leh ta suau suau mai a ni a. Kan uniform te, kan zirlaibu te uluk taka kan enkawl a, fai leh thianghlim, zahawm taka school kan kal theihna tûrin kan nu leh pa, chhûngte chauh ring lo ila, mahni inenkawl rual kan nih tawh phei chuan kan theihtâwpa fai leh nalha school kan kal hian kan taksa mai bakah, rilru \ha leh thianghlim min put tel r thei h hriat tûr a ni. Khawi school-ah nge i kal tiin hmun danga kan \hiante kan zâwt ngai em? Pâwl inang \heuh pawh school kalna azirin kan zir dân kalphung pawh a inang lo deuh mai thei e. Chutih rualin, a pawimawh leh kan tâna \ha ber tûr chu - khawi school-ah pawh kal ila, kan class leh school-ah a ti \ha ber, a thiam ber, fai ber, fel ber nih kan tum tûr a ni. A chhan pawimawh tak pakhat chu KRISTIAN NAUPANG kan nih vâng a ni. Kan zirlai kan tihchhiat te, kan fail fo te hian Kristian nih nên a inhmeh lo va, thiamna hi school kalna hmun avânga awm a ni ber lo va, keimahni kan inpêkna leh kan zir \hat dân azira lo awm a ni zâwk. School \ha leh luh man sâng deuhvah i zir thei lo a ni mai thei; mahse, in school tihming\hatu nih tum la, nangmah avânga miin chu school chu an lo hriat lâr theihna tûrin i theihtâwp chhuah rawh. -
First Presbyterian Church We Rejoice to Be God’S Chosen, Not Through Virtue, Work Or Skill, but Because God’S Love Is Generous Unconformed to Human Will
*Call to Worship from The Iona Abbey Worship Book, pg. 49 First Presbyterian Church We rejoice to be God’s chosen, not through virtue, work or skill, but because God’s love is generous unconformed to human will. Clarksburg, West Virginia And because God’s love is restless like the surging of the sea, Broadcast Live on on WPDX 104.9 FM Rev. John F. Koerner We are pulled by heaven’s dynamic to become, not just to be. We rejoice to be God’s chosen, to be gathered to God’s side May 2, 2021 Ten Forty-Five Not to build a pious shrine or be steeped in selfish pride; but to celebrate the goodness of the One who sets us free CELEBRATING OUR PRESBYTERIAN AND SCOTTISH from the smallness of our vision to become, not just to be. ERITAGE H We rejoice to be God’s chosen, to align with heaven’s intent, The Thirtieth Annual Kirkin’o’the Tartans to await where we are summoned, and accept where we are sent. We rejoice to be God’s chosen and amidst all that we see, to anticipate with wonder that the best is yet to be. If after Kirk ye rise and flee we' all seem cauld and still to ye. The one that's in the seat with ye is stranger here than ye, maybe. All here have got their fears and cares, add ye your soul unto our prayers, Be ye our angel unawares. (Scottish Blessing used for the Kirkin’o’the Tartans) Prelude “Candler” Scottish Melody arr by Shakley The Grand Procession The Crucifer ~ Hannah Burnett The Acolytes ~ Hannah Burnett & Gia Corsini The Ministers ~ The Rev’d. -
Mar 20 Web.Pub
CHALLENGE The Parish Magazine of St Mary Sandbach March 2020 Volume 56 No 655 March 2020 Sunday 1st March 8.00 am Holy Communion Lent 1 10.00 am Morning Worship Sunday 8th March 8.00 am Holy Communion Lent 2 10.00 am Parish Eucharist 6.30 pm Churches Together World Day of Prayer Sunday 15th March 8.00 am Holy Communion Lent 3 10.00 am Parish Eucharist Sunday 22nd March 8.00 am Holy Communion Mothering Sunday 10.00 am Morning Worship Sunday 29th March 2.00 am BRITISH SUMMER TIME BEGINS --- Add 1 hour Sunday 29th March 8.00 am Holy Communion Lent 5 10.00 am Parish Eucharist Sunday 5th April 8.00 am Holy Communion Palm Sunday 10.00 am Parish Eucharist Every Wednesday 11.00 am Holy Communion Holy Eucharist, Parish Eucharist = Order 1 Common Worship Holy Communion = Order 2 Book of Common Prayer 1 A Lenten Letter ent continues throughout the month of March this year as we L look forward to Holy Week and Easter Day which we will celebrate early next month. Lent as many of us know is 40 days long. As Christians we never fast on a Sunday. Each and every Sunday is a feast day, a weekly reminder of the Resurrection and the new life in Christ it brings. S o Sundays this month are “ofof LentLent” but not “inin LentLent” a chance if needed to relax and re-group from whatever Lenten tasks we might be undertaking. Lent probably started as an extended period of preparation for those who would be baptised into the fellowship of the church at the Easter vigil. -
FACULTY and GUEST ARTIST RECITAL Thomas Jaber, Organist
FACULTY AND GUEST ARTIST RECITAL Thomas Jaber, Organist Andrea Jaber, Mezzo-soprano Friday, September 12, 2014 7:30 p.m. Edythe Bates Old Recital Hall and Grand Organ PROGRAM Hymn - The Lord’s My Shepherd, I’ll Not Want (CRIMOND) Please stand as you are able and join in singing. Jessie Seymour Irvine (1836–1887) was the daughter of a Church of Scotland parish minister who served at Dunottar, Pe- terhead, and Crimond in Aberdeenshire, Scotland. She is referred to by Ian Campbell Bradley in his 1997 book Abide with Me: The World of Victorian Hymns as standing "in a strong Scottish tradi- tion of talented amateurs ... who tended to produce metrical psalm tunes rather than the dedicated hymn tunes increasingly composed in England". Her most famous tune is CRIMOND, which is best known as one of the most popular settings for the (paraphrased) words of Psalm 23: “The Lord's my shepherd”. It is believed that Irvine wrote the tune while still in her teens, as an exercise for an organ class she was attending. Prelude and Fugue in C Minor, Johann Sebastian Bach BWV 549 (1685-1750) Stabat Mater Antonio Vivaldi 1. Stabat mater dolorosa (1678-1741) The mother stood sorrowing by the cross, weeping while her Son hung there; 2. Cujus animam gementem Whose soul, lamenting, sorrowing and grieving, has been pierced by the sword. 3. O quam tristis et afflicta O how sad and afflicted was that blessed Mother of her only-begotten Son. Who wept and grieved and trembled to behold the torment of her glorious child. -
Revised Newsletter for Website Dec 2018 Jan 2019
! ST ANDREW’S UNITED REFORMED CHURCH WALTON-ON-THAMES NEWSLETTER Volume 75 No 9 DECEMBER 2018/JANUARY 2019 MINISTER CHURCH SECRETARY The Reverend Michael Hodgson Anna Crawford The Manse 23 Shaldon Way 3 Elgin Road Walton-on-Thames Weybridge KT12 3DJ KT13 8SN Tel: 01932 841382 Tel: 01932 244466 Email: [email protected] Email: [email protected] Website: www.standrewsurc.org © Astrid McGechan “For it is good t be children sometmes, and never beter tan at Christmas, when its might Founder was a child Himself.” Charles Dickens THE MANSE December 2018 The Christmas cards are written. I know which services I’m taking this Christmas and where they are! They’re not all written yet but basically I know what I’m doing which, considering this letter is being written a few days before Remembrance Day, is a nice place to be in. Today the news is full of the American mid-term elections with President Trump claiming,“a tremendous success” yet with the Democrats taking control of the House of Representatives. Yesterday morning, we awoke to the tremendous news that the night before there hadn’t been anyone killed on the streets of London the previous night in a stabbing. Tomorrow we’ll all probably wake to some next Brexit headline and yet as I steel myself to sing “Away in a manger” ad nauseum over the next few weeks, I find myself thinking of one of my favourite carols - “The poor and the humble” (R&S 165) or “All poor men and humble” as it was in older hymnbooks. -
The Reception of Scottish Hymns in Translation
HTS Teologiese Studies/Theological Studies ISSN: (Online) 2072-8050, (Print) 0259-9422 Page 1 of 7 Original Research Hymns across the water … translated and relocated: The reception of Scottish hymns in translation Author: In this article a broad overview of the reception of Scottish hymnody in translation is given. 1 Elsabé Kloppers Considering the pivotal role the metrical Psalms used to play in the Scottish churches, they are Affiliation: considered first. Only one metrical Psalm made it to be translated widely and to be included 1Department of Philosophy, in hymnals over the world. It is the metrical setting of Psalm 23, The Lord’s my Shepherd, Practical and Systematic paired to the tune of Scottish origin, CRIMOND. It is argued that the metrical psalm owes Theology, University of much of its popularity to the tune. A hymn with a text from the Scottish Paraphrases, paired to South Africa, South Africa a Scottish tune, DUNDEE, and for long the only hymn in the Afrikaans churches with a Scottish Corresponding author: connection, is discussed with regard to its reception in these churches. It serves as an example Elsabé Kloppers, of how a hymn could be translated and relocated and function in a new context. In an [email protected] overview of Scottish hymns translated and included in the newest hymnals in other countries, such as the Netherlands and Norway, it is shown that primarily hymns and songs of the Iona Dates: Community are translated and included in the newest hymnals, with John Lamberton Bell Received: 23 Jan. 2017 Accepted: 21 Feb. -
VOLUME 1 Glasgow CM No. 66. This Popular Tune
1 VOLUME 1 Glasgow C.M. No. 66. This popular tune comes from an interesting little book called the 'Psalm-Singers’ Pocket Book' published in 1786, which included tunes already in use in most of Scotland, plus some English ones. They were set in three and four parts. The book was illustrated with various tables to explain some of the basic principles of music. It was published by Thomas Moore, who was engaged by Glasgow Corporation to improve standards of singing in the churches, following a revival of good singing which was taking place in the north-east of the country. Moore became precentor in Blackfriars' Church in Glasgow. Praetorius C.M. No. 101. The composer may have been the great German composer himself, Michael Praetorius (1571-1621), son of a Lutheran Pastor. His influence on the development of musical forms based on Protestant hymns was significant. The source of the tune is given as 'Harmoniae Hymnorum Scholiae Gorliensis', Görlitz 1599. St. Anne C.M. No. 106. This is probably the best known psalm/hymn tune by Dr. William Croft (1678-1727). Many know the tune to the words of Isaac Watts' 'O God our Help in Ages Past'. St. Anne was first published in the English Psalter New Version: Supplement of 1708, the “New Version” being the translations of Tate and Brady. One of Croft's positions was organist at St. Anne’s Church, Soho, London. Later he was joint organist at the Chapel Royal with Jeremiah Clarke. He ended up as organist in Westminster Abbey and was buried there. -
Voices United Licensing Agency Index Licensing Title Acknowledgement 1 © Copyright Agency 2
Voices United Licensing Agency Index Licensing Title Acknowledgement 1 © copyright Agency 2 Hymns 1 O Come, O Come, Emmanuel Words: from the Latin antiphons for Advent, ca. 9th century, trans. Words: Church Pension Fund. Music: Public Domain. N/A O! viens, Jésus, oh! Viens, John Mason Neale 1851, et al.© Church Pension Fund. Used by Arrangement: Concordia Publishing House. Emmanuel permission. Music: 15th century plainsong melody. Arrangement: Translation: AUVIDIS (Fleurus). © Concordia Publishing House, 3558 South Jefferson Ave., St. Louis, MS 63118-3968, USA. Translation: © AUVIDIS (Fleurus), BP 21, 94250 Gentilly Cedex, France. 2 Come, Thou Long-Expected Words: Charles Wesley 1744. Music: Psalmodia Sacra 1715 Public Domain. N/A Jesus 3 Plus de nuit, le jour va naître Words: French para. H. Cousin. Public Domain. N/A 4 God of All Places Words: David Haas © 1988 G.I.A. Publications, Inc. Music: © Words: G.I.A. Publications, Inc. Music: David M. OneLicense.net David M. Young, c/o Jo Young, 26 Glenbrae Avenue, Toronto, Young, c/o Jo Young. Ontario, M4G 3R5. Used by permission. 5 All Earth Is Waiting Words: Catalonian, Alberto Taulé 1972 Music: Alberto Taulé © Words, Music: Oregon Catholic Press. Translation: CCLI, 1993 Centro de Pastoral Liturgica, administered by Oregon Catholic The United Methodist Publishing House. Harmony: OneLicense.net Press. All rights reserved. Used by permission. Translation: © 1989 1989 Skinner Chávez-Melo. Used by permission of The United Methodist Publishing House. Harmony: © 1989 Skinner Juan Francisco Chávez. Chávez-Melo. Used by permission of Juan Francisco Chávez, Arenal 48, Depto. 10, 01050 Mexico (San Angel), D.F. Mexico. -
DOYCD327 Booklet-Pgs12&1 CYAN MAGENTA YELLOW BLACK
CYAN MAGENTA YELLOW BLACK Page 12 Page 1 1. Glemdene © W Paxton and Co John Carr 5.18 2. Overture: Ruy Blas © R Smith and Co Mendelssohn arr. William Rimmer 7.35 3. Kim M/s Allan Street 5.22 Cornet Soloist Richard Marshall 4. Crimond © Rosehill Publishing Irvine arr. Peter Graham 5.26 5. Blue Thunder © Yewden Music Dan Price 4.47 6. Dreams and Dances © Wright & Round Philip Harper 6.14 Flugel Horn Soloist Zoe Hancock 7-9. Suite from Stabat Mater © Boosey & Hawkes Karl Jenkins arr. Wainwright & Childs I. Sancta Mater 2.47 II. Cantus Lacrimosus 3.22 Soloists James McCabe, Zoe Hancock, Jonathan Bates and Gary Curtin III. Paradisi Gloria 2.46 10. Brave © Obrasso-Verlag Alan Fernie 7.14 Trombone Soloist Brett Baker 11. Diversions on a Bass Theme © R.Smith & Co. George Lloyd 11.38 Total CD Playing Time 63.13 DOY CD327 DOYCD327 Booklet-Pgs12&1 CYAN MAGENTA YELLOW BLACK Page 2 Page 11 Programme Notes This is a concert CD and one that all Pondasher at Nottingham College of Education and the fans (Black Dyke Band supporters) look forward MD of a Championship section band. For this to receiving each year. The current Gold series work Allan has written a beautiful original of CDs follows on from the extremely popular melody and adorned it with delicate virtuoso Essential Dyke series and the programme passages, making it a perfect vehicle for this generally reflects the nature of Black Dyke extraordinarily gifted cornetist to display his Band’s many concerts throughout the year. considerable musical and technical virtuosity.