Curtis Fuller Blues-Ette Mp3, Flac, Wma

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Curtis Fuller Blues-ette mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Blues-ette Country: Japan Released: 1991 Style: Hard Bop, Bop MP3 version RAR size: 1717 mb FLAC version RAR size: 1970 mb WMA version RAR size: 1388 mb Rating: 4.1 Votes: 843 Other Formats: AIFF VQF DTS WMA XM AC3 MP1 Tracklist Hide Credits Five Spot After Dark 1 5:18 Written-By – Benny Golson Undecided 2 7:09 Written-By – C. Shavers*, S. Robin* Blues-ette 3 5:31 Written-By – C. Fuller* Minor Vamp 4 5:12 Written-By – Benny Golson Love Your Spell Is Everywhere 5 7:07 Written-By – E. Goulding*, E. Janis* Twelve-Inch 6 6:28 Written-By – C. Fuller* Companies, etc. Manufactured For – BMG Direct Marketing, Inc. – D102419 Phonographic Copyright (p) – Nippon Columbia Co., Ltd. Made By – Nippon Columbia Co., Ltd. Recorded At – Van Gelder Studio, Hackensack, New Jersey Credits Bass – Jimmy Garrison Drums – Al Harewood Liner Notes – H. Alan Stein Photography By [Cover Photo] – Hank Schneider Piano – Tommy Flanagan Recorded By – Rudy Van Gelder Supervised By – Ozzie Cadena Tenor Saxophone – Benny Golson Trombone – Curtis Fuller Notes Recorded on May 21, 1959 Barcode and Other Identifiers Label Code: D102419 Other versions Category Artist Title (Format) Label Category Country Year Curtis Fuller's ST 13006 Blues-ette (LP, Album) Savoy Records ST 13006 US 1959 Quintet Blues-ette (CD, Album, Ltd, CY-78805 Curtis Fuller Savoy Jazz CY-78805 Japan 1996 RE, RM, Pap) Blues-ette (CD, Album, RE, 52nd Street 70144 Curtis Fuller 70144 Spain 2009 RM) Records Curtis Fuller, Curtis Fuller, Curtis 52nd Street FSST 109 Curtis Fuller's Fuller's Quintet - Blues-ette FSST 109 Europe 2009 Records Quintet (LP, Album, RE, 180) Curtis Fuller's SVY16061 Blues-ette (LP, Album, Ltd) Savoy Jazz SVY16061 US 2015 Quintet Related Music albums to Blues-ette by Curtis Fuller Benny Golson - Groovin' With Golson Benny Golson - Time Speaks Benny Golson & The Philadelphians - Benny Golson & The Philadelphians The Curtis Fuller Jazztette With Benny Golson - The Curtis Fuller Jazztette Benny Golson - Take A Number From 1 To 10 Roger Guérin / Benny Golson With Bobby Timmons - Roger Guérin / Benny Golson Benny Golson - One Day, Forever Art Blakey And The Jazz Messengers - Art Blakey And The Jazz Messengers.

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Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67
Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 Marc Howard Medwin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2008 Approved by: David Garcia Allen Anderson Mark Katz Philip Vandermeer Stefan Litwin ©2008 Marc Howard Medwin ALL RIGHTS RESERVED ii ABSTRACT MARC MEDWIN: Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 (Under the direction of David F. Garcia). The music of John Coltrane’s last group—his 1965-67 quintet—has been misrepresented, ignored and reviled by critics, scholars and fans, primarily because it is a music built on a fundamental and very audible disunity that renders a new kind of structural unity. Many of those who study Coltrane’s music have thus far attempted to approach all elements in his last works comparatively, using harmonic and melodic models as is customary regarding more conventional jazz structures. This approach is incomplete and misleading, given the music’s conceptual underpinnings. The present study is meant to provide an analytical model with which listeners and scholars might come to terms with this music’s more radical elements. I use Coltrane’s own observations concerning his final music, Jonathan Kramer’s temporal perception theory, and Evan Parker’s perspectives on atomism and laminarity in mid 1960s British improvised music to analyze and contextualize the symbiotically related temporal disunity and resultant structural unity that typify Coltrane’s 1965-67 works.
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