Town Hall Addresses Campus Construction Nd, Smc Offer Resources For

Total Page:16

File Type:pdf, Size:1020Kb

Town Hall Addresses Campus Construction Nd, Smc Offer Resources For THE INDEPENDENT TO UNCOVER NEWSPAPER SERVING THE TRUTH NOTRE DAME AND AND REPORT SAINT Mary’s IT ACCURATELY VOLUME 48, ISSUE 32 | TUESDAY, OCTOBER 7, 2014 | NDSMCOBSERVER.COM Town hall addresses campus construction Executive VP asks for patience with inconveniences brought about by Campus Crossroads plans By ELENA GACEK heart of our academic enterprise, the anthropology building, imme- News Writer and around that we have our resi- diately after the Louisville game dential zone,” Affleck-Graves said. this year. At Monday’s fall 2014 town hall “Most schools have come to this “Unfortunately, we have to take meeting, University President Fr. conclusion, and taken down the the trees down for the construction John Jenkins congratulated staff stadium and moved it off campus project, but we can save over 100 and faculty on glowing reaccredita- — but I wasn’t brave enough to of them, so we will move them to tion feedback and highlighted the suggest that,” Affleck-Graves said. places where we have lost trees in mission of the recently announced “So why don’t we put [the student storms this past summer and last Keough School of Global Affairs, center] next to the stadium?” winter.” while Executive Vice President Affleck-Graves summarized Affleck-Graves showed a dia- John Affleck-Graves asked for pa- the different facilities that will be gram with temporary fences tience in the face of the inconve- housed in the new setup, empha- immediately surrounding the niences the Campus Crossroads sizing their potential to further in- southern half of the stadium. project will soon bring to campus. crease the University’s academic “We’re going to put up a tempo- “I want to start out just by re- mission and overall excellence. But rary fence so that we can do some minding you of why we’re doing until they’re completed, construc- tree removal and shoring up of the this, because there seems to be a lot tion will restrict access to that area foundation,” he said. “This is going of confusion,” Affleck-Graves said. of campus. to be fairly restrictive. And then, “LaFortune [Student Center] is just “For three years, we’re going to unfortunately, after the Louisville not big enough to accommodate all have a very tough, tough construc- game it’s going to get even worse.” the things we need for students.” tion zone on the south side of cam- Affleck-Graves showed another After analyzing where students pus, and it’s going to impact all of diagram, in which a much larger spend the majority of their time, it us,” Affleck-Graves said. “We will fenced-off area stretched from the CAROLINE GENCO | The Observer became apparent that “that area start work on the east and the west Executive Vice President John Affleck-Graves speaks at the fall town around the stadium is the real building — the student center and see TOWN HALL PAGE 5 hall meeting in Washington Hall on Monday. Forum considers ND, SMC offer resources religious education for mental well-being By EMILY McCONVILLE and treated for a mental health con- illness. RONI DARLING dition in 2012, according to Dr. Bill Stackman, associate vice News Writers the American College Health president for Student Affairs at Association. The 2010 National Notre Dame, said the University’s Editor’s note: This is the second Survey of Counseling Center goal is to provide “holistic care” installment in a five-day series Directors reported counseling that incorporates mental health discussing mental health at centers saw an increase in mental issues into a larger conversation Notre Dame and Saint Mary’s in health issues on campuses. on well-being, including physical recognition of National Mental In an effort to respond to these health and academic success. Health Awareness Week. trends and meet the needs of all “Mental health and emotional students, both Notre Dame and More than 25 percent of Saint Mary’s provide resources American college students were for students experiencing mental see RESOURCES PAGE 4 EMMET FARNAN | The Observer Professor Cyril O’Regan highlights theology as an essential part of a Catholic university education on Monday in a 2014 Forum event. Music professors tour Asia By MADISON JAROS department Catherine Cornille. By JEREMY CAPPELLO LEE of music Peter Smith, assistant this tour not only aims to recruit News Writer O’Regan said although many be- News Writer professional specialist Tricia musically talented students and lieve that theological and secular Park and associate professor of bring attention to Notre Dame’s The second installment of the education cannot coexist, it is not Three Notre Dame music pro- music John Blacklow will visit “outstanding” department of Notre Dame Forum “What do only possible but necessary to in- fessors will spend the next two high schools and various institu- music but also to strengthen con- Notre Dame graduates need to clude both in a Catholic university weeks on a tour of East Asia, of- tions in Seoul, South Korea, and nections with the University’s know?” evaluated the role of the- education. fering performances and infor- in Shanghai and Beijing, China, alumni network in Asia through ology at Catholic universities “There was a sense that all forces mation sessions in an effort to according to a University press a variety of lectures, masterclass- Monday, featuring Huisking pro- secular put pressure on the wheth- recruit prospective students and release. es and recitals. fessor of theology at Notre Dame er and how ‘Catholic’ ... and raise the profile of the depart- Smith, who also chairs the The team will focus its Cyril O’Regan and chairwoman ment of music. department of music and spe- of Boston College’s theology see FORUM PAGE 4 From Oct. 7 to 19, professor cializes in music theory, said see MUSIC PAGE 5 NEWS PAGE 3 VIEWPOINT PAGE 7 SCENE PAGE 8 FOOTBALL PAGE 16 MEN’S SOCCER PAGE 16 2 THE OBSERVER | TUESDAY, OCTOBER 7, 2014 | NDSMCOBSERVER.COM TODAY Have a question you want answered? QUESTION OF THE DAY: Email [email protected] ndsmcobserver.com If you could have any drink with any person, what and who would it be with? P.O. Box 779, Notre Dame, IN 46556 024 South Dining Hall, Notre Dame, IN 46556 Editor-in-Chief Alex Potter Katie Brennan Ann Marie Jakubowski Managing Editor Business Manager senior senior Brian Hartnett Alex Jirschele off-campus Lewis Hall Asst. Managing Editor: Isaac Lorton Asst. Managing Editor: Kevin Song “Coffee with Kurt Cobain.” “Tea with Victor Hugo.” Asst. Managing Editor: Samantha Zuba News Editor: Lesley Stevenson Viewpoint Editor: Gabriela Leskur Sports Editor: Mary Green Scene Editor: Allie Tollaksen Saint Mary’s Editor: Kelly Konya Photo Editor: Wei Lin Cristina Burnett Laura Anderson Graphics Editor: Keri O’Mara Multimedia Editor: Brian Lach freshman junior Advertising Manager: Elaine Yu Ad Design Manager: Jasmine Park McGlinn Hall Welsh Family Hall Controller: Cristina Gutierrez “Shirley Temple with Shirley “Tea with Maya Angelou.” Office Manager & General Info Ph: (574) 631-7471 Temple.” Fax: (574) 631-6927 Advertising (574) 631-6900 [email protected] Editor-in-Chief (574) 631-4542 [email protected] Jen Cimons Rachael Mullin Managing Editor sophomore freshman (574) 631-4542 [email protected] Lyons Hall McGlinn Hall Assistant Managing Editors (574) 631-4541 [email protected] “Tea with J.K. Rowling.” “Hot chocolate with Santa [email protected], [email protected] Business Office Claus.” (574) 631-5313 News Desk (574) 631-5323 [email protected] Viewpoint Desk (574) 631-5303 [email protected] Sports Desk (574) 631-4543 [email protected] Scene Desk (574) 631-4540 [email protected] Saint Mary’s Desk [email protected] Photo Desk (574) 631-8767 [email protected] Systems & Web Administrators (574) 631-8839 Policies The Observer is the independent, daily newspaper published in print and online by the students of the University of Notre Dame du Lac and Saint Mary’s College. Editorial content, including advertisements, is not governed by policies of the administration of either institution. The Observer reserves the right to refuse advertisements based on content. The news is reported as accurately and objectively as possible. Unsigned editorials represent the opinion of the majority of the Editor-in-Chief, Managing Editor, Assistant Managing Editors and department editors. Commentaries, letters and columns present the views of the authors and not necessarily those of The Observer. Viewpoint space is available to all readers. The free expression of all opinions through letters is encouraged. Letters to the Editor must be signed and must include contact information. Questions regarding Observer policies should be directed to Editor-in-Chief Ann Marie Jakubowski. Post Office Information The Observer (USPS 599 2-4000) is published Monday through Friday except during exam and vacation periods. A subscription to The Observer is $130 for one academic year; $75 for one semester. The Observer is published at: 024 South Dining Hall Notre Dame, IN 46556-0779 Periodical postage paid at Notre Dame and additional mailing offices POSTMASTER Send address corrections to: The Observer P.O. Box 779 024 South Dining hall WEI LIN | The Observer Notre Dame, IN 46556-077 The Observer is a member of the Associated Press. All reproduction rights are reserved. Students hand out pamphlets Monday at the Right to Life stand on South Quad. The club puts on more than 100 pro-life events per year, culminating in a student trip to the national March for Life in Washington, D.C. in January. Today’s Staff Want your event included here? News Sports Rebecca O’Neil Greg Hadley Email [email protected] Kayla Mullen Alex Carson THE NEXT FIVE DAYS: Peter Durbin Hunter McDaniel Graphics Scene Sara Shoemake Caelin Miltko Tuesday Wednesday Thursday Friday Saturday Photo Viewpoint Wei Lin Tabitha Ricketts Energy Research Notre Dame Power 14th Annual Blue Mass Pep Rally Notre Dame Football Poster Session Plant Tours Basilica of the Sacred Location TBA Notre Dame Stadium Jordan Hall of Science Power Plant Heart 6 p.m.
Recommended publications
  • 2015 Kaleidoscope
    The faculty advisors wish to give special recognition and thanks to these individuals who also gave of their time and energy to make this edition of the Kaleidoscope possible: Lauren Courtney, Jakob Plotts, and Tracy Snowman. Thank you! 2 Kaleidoscope Journal of Art & Literature -Editor- James Grove -Assistant Editors- Brie Coder Alexa Dailey Georgia Meagher Trista Miller Cameron Phillips -Faculty Advisors- Michael Maher Becca Werland -Cover Art- Brandy Wise 3 Alexa Dailey-17, 25 Alyssa Brown-28 Amber Burnett-8 Annalea Forrest-9, 11, 16, 18, 24 Aubrey Foust-6, 14, 20, 31 Brandy Wise-Cover Brie Coder-29 Cecilia Carrillo-12, 18 Edward Johnson-5, 9, 23, 24, 26, 27, 30 Frances G. Tate-32 Georgia Meagher-13 Jacqueline Westin-6,10, 12, 20, 26 Jakob Plotts-3, 5, 8, 21 James Grove-21, 32 Jed Vaughn-11 Lafe Richardson-10, 19 An Artist’s Still Life Paula Cortes-4 Jakob Plotts Sheretta S Miller-7, 15, 22 4 Letter from the Editor Life is filled with a variety of people; some are good and others bad. We have athletes, scholars, theatre progressives, metal heads, and far too many more to write down in the little space I have. The point is that life is filled with different walks of life, and perhaps that’s what I en- joy most about the Kaleidoscope. Within these pages, you, dear reader, will find people who’ve gained and lost, found joy and pain. You’ll find works of the sur- real, and still ones of reality. I give thanks to those who helped piece together the many to present something whole, for that is the heart of the Kaleidoscope.
    [Show full text]
  • Bob Ellis at 70 PROFILE from the Bank to the Birdcage
    20 12 HONIWeek Eleven October 17 SOIT Senate Results: Writing, women, From the Bank What Senator Pat and wowsers: to the Birdcage: means for you Bob Ellis at 70 Sydney’s drag kings CAMPUS 4 PROFILE 11 FEATURE 12 Contents This Week The Third Drawer SRC Pages 8 Sex, Messages, Reception. 19 Mason McCann roadtests the iPhone 5 The Back Page 23 Presenting the Honi Laureates Spooky Soit for 2012 10 Mariana Podesta-Diverio looks on the bright side of death Editor in Chief: Rosie Marks-Smith Editors: James Alexander, Hannah Bruce, Bebe D’Souza, 11 Profile: Bob Ellis Paul Ellis, Jack Gow, Michael Koziol, James O’Doherty, Michael Koziol talks to one of his Kira Spucys-Tahar, Richard Withers, Connie Ye heroes, Bob Ellis Reporters: Michael Coutts, Fabian Di Lizia, Eleanor Gordon-Smith, Brad Mariano, Virat Nehru, Drag Kings Sean O’Grady, Andrew Passarello, Justin Pen, 12 Lucy Watson walks the streets of Hannah Ryan, Lane Sainty, Lucy Watson, Dan Zwi Newtown to teach us about drag Contributors: Rebecca Allen, Chiarra Dee, John Gooding, kings John Harding-Easson, Joseph Istiphan, Stephanie Langridge, 11 Mason McCann, Mariana Podesta-Diverio, Ben Winsor Culture Vulture 3 Spam 14 Crossword: Paps Dr Phil wrote us a letter! Well, sort of. Where has the real Slim Shady gone? Cover: Angela ‘panz’ Padovan of Panz Photography Asks John Gooding Advertising: Amanda LeMay & Jessica Henderson [email protected] Campus 16 Tech & Online 4 Connie Ye teaches us how to dance Justin Pen runs us through social your PhD media in modern Aussie politics HONISOIT.COM News Review Action-Reaction Disclaimer: 6 17 Honi Soit is published by the Students’ Representative Council, University of Sydney, Level 1 Why are Sydney buses exploding? An open letter to the Australian Rugby Wentworth Building, City Road, University of Sydney, NSW, 2006.
    [Show full text]
  • Icons of Catastrophe: Diagramming Blackness in Until the Quiet Comes
    "U NTIL THE Q U IET C OMES” (D IREC TED BY K AHLIL J OSEPH , 2013, WHAT MATTERS MOST/P U LSE FILMS), FRAME GRAB . Kahlil Joseph’s “Until the Quiet leaning to the right, the camera Comes” is a short film about a series pans to an ambulance parked on the of miraculous and catastrophic street. It is possible the emergency Icons of events. The camera moves gracefully vehicle arrived in response to the through a dreamy Los Angeles dancer’s wounds, but now its red Catastrophe: sunset as black children play and, flashing lights illuminate the entire as if it were predestined, die. Then, neighborhood with a warning signal. without warning, bodies begin to Even as the film fades to black—the move gracefully in reverse while editing transition and color that the world around them continues has become cinema’s definitive Diagramming to move forward. Finally, in the last word—this discontinuous dramatic conclusion of the film, a narrative about black bodies remains man bleeding from bullet wounds incomplete and in suspension. Blackness in Until on the ground miraculously rises and begins to dance. He removes The central conceit of “Until the his bloodstained shirt and, evidently, Quiet Comes” is contradiction. The the Quiet Comes the finality of death. Then, he enters film subjects viewers to violence a car and drives off into the night. that is horrific yet beautifully surreal Lauren M. The film moves effortlessly between and to an unending cycle of death Cramer different settings and times, without and vibrancy. Similarly, we see giving viewers a sense of direction, blackness through the contradictory but this stunning possibility for forces that shape it, boundless change (and even reanimation) possibility and crushing confinement.
    [Show full text]
  • John Forbes's Poetry of Metaphysical Etiquette
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Instruction for an Ideal Australian: John Forbes’s Poetry of Metaphysical Etiquette DUNCAN HOSE University of Melbourne I want to approach the work of John Forbes as being exemplary of a process which combines mythography and mythopoesis, or the constant re-reading and re-writing of the myths one lives by. The articles of concern here are both the personal mythemes that are aggregated by the individual subject in the business of identity construction, and the mass of national mythic capital that continually circulates, wanting to displace difference and coax the subject into a kind of sentimental symbolic citizenship. Forbes took very seriously the poststructuralist revolutions in epistemology and ontology, and his poetry is characterized by an intense scepticism about the capacity of language to represent the world properly, and an allied cynicism toward the products of self- mythologising, preferring the hedonism, and in a strange way the anxiety, of the de- centred subject licensed by postmodernism. I want to read here a few of Forbes’s poems as a possible charter for a new metaphysics, and perhaps a new kind of old-fashioned etiquette. As the title of this paper suggests, there is often some haranguing quality in this poet’s work: one is always being upbraided, or at least addressed; it is immediately a social poetry that does not function as a model of Romantic self-calibration, or subscribe to the self as an economic or philosophical unit, except sarcastically.
    [Show full text]
  • Never Catch Me (Feat. Kendrick Lamar)
    Never Catch Me (feat. Kendrick Lamar) Flying Lotus I can see the darkness in me and it's quite amazing Life and death is no mystery and I wanna taste it Step inside of my mind and you'll find curiosity, animosity High philosophy, hyper prophesied meditation Reminisce on my wonder years and I wonder here Sentiments of my words ain't been so sincere The sentiment of my nerves that I just persevere The big thought of fallin' off disappeared to my fate They say that Heaven's real Analyze my demise, I say I'm super anxious Recognize I deprive this fear and then embrace it Vandalizing these walls only if they could talk Conversations won't contemplate to my dark thoughts Lookin' down on my soul now, tell me I'm in control now Tell me I can live long and I can live wrong and I can live right And I can sing song and I can unite with you that I love You that I like, look at my life and tell me I fight This that final destination, this that find some information This that find some inspiration, this that crack, the instillation This that quantum jump and that fist pump and that bomb detonation Please don't bomb my nation, embalming fluid waiting I got mind control when I'm here, you gon' hate me when I'm gone Ain't no blood pumpin' no fear, I got hope inside of my bones This that life beyond your own life, this ain't physical for mankind This that out-of-body experience, no coincidence you been died Bitch, you're dead! Say you will never ever catch me, no, no, no Say you will never ever catch me, no, no, no Say you will never ever catch me, no, no, no Say you will never ever catch me, no, no, no Song Discussions is protected by U.S.
    [Show full text]
  • Lauren Cramer
    Lauren M. Cramer Curriculum Vitae Department of Film & Screen Studies Pace University 41 Park Row New York, New York 10038 [email protected] PROFESSIONAL EXPERIENCE Sept 2016 - Present Pace University, New York, NY Assistant Professor Film & Screen Studies EDUCATION August 2016 Georgia State University, Atlanta, GA PhD – Communication, Moving Image Studies Dissertation: “A Hip-Hop Joint: Thinking Architecturally About Blackness” Committee: Dr. Alessandra Raengo (Chair); Dr. Jennifer Barker; Dr. Angelo Restivo; Dr. Derek Conrad Murray May 2009 Emory University, Atlanta, GA M.A. – Film Studies May 2007 Villanova University, Villanova, PA B.A. – Communication, Sociology and Africana Studies RESEARCH SPECIALIZATIONS African American Popular Culture Film/Media Studies Architectural Theory/Digital Aesthetics Hip Hop Studies Blackness Visual Culture PUBLICATIONS Peer Reviewed Co-Authored with Alessandra Raengo. “Freeing Black Codes: liquid blackness Plays the Jazz Ensemble.” in "Black Code Studies,” ed. Jessica Marie Johnson and Mark Anthony Neal, special issue, The Black Scholar 47 (Summer 2017). “The Black (Universal) Archive and the Architecture of Black Cinema.” Black Camera 8, no. 1 (Fall 2016). Cramer – Curriculum Vitae 2 “Race at the Interface: Rendering Blackness on WorldStarHipHop.com.” Film Criticism 40, no. 2 (January 2016). doi:10.3998/fc.13761232.0040.205. Book Reviews Invited Review of Pulse of the People: Political Rap Music and Black Politics by Lakeyta M. Bonnette. Journal of African American History 102, (Spring 2016) – Forthcoming
    [Show full text]
  • THE TUFTS DAILY Est
    Where You Mostly Sunny Read It First 58/48 THE TUFTS DAILY Est. 1980 VOLUME LXVIII, NUMBER 28 MONDAY, OCTOBER 20, 2014 TUFTSDAILY.COM Tufts alum examines ZBT hosts annual Get on the Ball career, development of Narratively fundraiser by Melissa Kain by Patrick McGrath Contributing Writer Daily Editorial Board Tufts fraternity Zeta Beta Tau (ZBT)’s Noah Rosenberg (LA ’05), founder, annual “Get on the Ball” philanthropy CEO and editor-in-chief of Narratively, event to raise money for the Boston a web-based, narrative journalism Children’s Hospital kicked off last platform, spoke about his career and Wednesday and will continue through the founding of the platform in a lec- this Friday, according to ZBT President ture titled “Human Stories Will Change Jason Brillon and ZBT Vice President the World,” organized by Friends of Bryan Dumond. Tufts Libraries for Parents and Family Dumond, a senior, explained Weekend in the Hirsh Reading Room of that members of ZBT will be rolling a Tisch Library, on Friday afternoon. ball with a six-foot diameter around Rosenberg was introduced by Laura campus and into Davis Square to collect Wood, director of Tisch Library, who signatures from students, faculty and spoke briefly about his career, dur- passersby on the ball itself. ing which he worked for The New York “We’ve been working with a num- Times, The Wall Street Journal, GQ, ber of partners who have pledged to CBS Channel One News and New York donate a certain amount of money for magazine, among other publications. each signature we get on the ball, so Wood called him an “entrepreneur and the goal is to get as many signatures as storyteller,” noting his contributions to we can and gather as much support as journalistic innovation, and added that we can,” he said.
    [Show full text]
  • THE HIP HOP TURN Contemporary Art’S Love Affair with Hip Hop Culture from Manhattan to Dakar
    1 Dulcie Abrahams Altass THE HIP HOP TURN Contemporary Art’s Love Affair with Hip Hop Culture from Manhattan to Dakar The Dadaist should be a man who has That” was screened at the Fondation Louis fully understood that one is entitled to Vuitton in Paris and at the Los Angeles County have ideas only if one can transform Museum of Art. Hip hop culture seems to be increasingly present in spaces for contem- them into life – the completely active porary art as key figures from both worlds type, who lives only through action, be- collaborate. Beyond the bombastic improb- cause it holds the possibility of achiev- ability and glamour of their fusion, however, ing knowledge. this recent love affair needs to be understood —Richard Huelsenbeck in a nuanced way. It would be short-sighted to ignore the threat of cultural and financial We are not the PDS, not the democrats, appropriation by a majority white art world of we are the PBS, a new party. a multi-facetted culture that was born within Black and Latino communities of the Bronx, —Positive Black Soul at a gaping distance from the white cubes of Manhattan. In 2013, superstar rapper Jay Z teamed up with performance artist Marina Abramovic to Perhaps the clue to understanding this “hip shoot his music video “Picasso Baby” at Pace hop turn” lays in the fact that more than any Gallery in New York during the run of her “The other musical form or cultural genre of the Artist is Present” retrospective at MoMA. The last century, hip hop has shattered the bar- following year artist Kara Walker guest-curat- riers between art and life, fulfilling the aspi- ed Ruffneck Constructivists at the Institute rations of twentieth century avant-gardism.
    [Show full text]
  • Borsuk Spreads 150.Pdf
    AFFECT & AUDIENCE TRANSLATIONAL POETICS curated by AMARANTH BORSUK with an introduction by SARAH DOWLING from a symposium at the University of Washington in January 2016 featuring JORDAN ABEL, AMY SARA CARROLL, LORI EMERSON, KARA KEELING, RODRIGO TOSCANO, & STEPHEN VOYCE with contributions from SCOTT BROWN, FRANCESCA CAPONE, MICHA CÁRDENAS, BRENT COX, LYNNARA FEATHERLY, JULIA FREEMAN, AMANDA HURTADO, CHRISTOPHER PATTON, DEBORAH POE, LISA SAMUELS, KAT SEIDEMANN, CHRISTINE SMITH, BARRETT WHITE, JANE WONG, & MAGED ZAHER #84 ESSAY PRESS LT SERIES CONTENTS In the Essay Press Listening Tour series, we have commissioned some of our favorite conveners of public discussions to curate conversation-based chapbooks. Overhearing such dialogues among poets, prose writers, critics, and artists, we hope Introduction vii to further envision how Essay can emulate by SARAH DOWLING and expand upon recent developments in trans-disciplinary small-press culture. Roundtable Conversation 5 Contributor Bios 59 Series Editors Maria Anderson Andy Fitch Ellen Fogelman Aimee Harrison Courtney Mandryk Victoria A. Sanz Travis A. Sharp Ryan Spooner Series Assistants Cristiana Baik Ryan Ikeda Christopher Liek Emily Pifer Randall Tyrone Cover Image Francesca Capone, Loom of Language Book Design Aimee Harrison INTRODUCTION —Sarah Dowling, Fall 2016 On January 29th, 2016, Amaranth Borsuk (University of Washington, Bothell), micha cárdenas (University of Washington, Bothell), Gregory Laynor (University of Washington, Seattle), Brian Reed (University of Washington, Seattle), and I convened an audience for the one- day symposium Affect & Audience in the Digital Age: Translational Poetics. Building upon a prior conference in 2013, and upon a series of performances and scholarly events during the 2014-2015 academic year, our 2016 symposium sought to investigate contemporary scholarly, aesthetic, and activist projects that engage the processes and thematics of translation.
    [Show full text]
  • From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade Cienna Davis Freie Universitat, Berlin, Germany, [email protected]
    Taboo: The Journal of Culture and Education Volume 16 | Issue 2 Article 4 September 2017 From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade Cienna Davis Freie Universitat, Berlin, Germany, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/taboo Recommended Citation Davis, C. (2018). From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade. Taboo: The Journal of Culture and Education, 16 (2). https://doi.org/10.31390/taboo.16.2.04 Taboo,Cienna Fall Davis 2017 7 From Colorism to Conjurings Tracing the Dust in Beyoncé’s Lemonade Cienna Davis Abstract Colorism creates relentless tension and pressure in the lives of Black women. Pop-star Beyoncé Gisele Knowles-Carter is an interesting case in the discussion of colorism because her career has expressed a rich intimacy to Southern Black cul- ture and female empowerment while also playing into tropes of the mulatta “fancy girl,” whose relative proximity to whiteness adheres social value within mainstream culture. Finding aesthetic and thematic parallels between Beyoncé’s recent project Lemonade (2016) and Julie Dash’s cult-classic film Daughters of the Dust (1991) I draw a critical connection between Yellow Mary Peazant and Beyoncé, the prodigal child and the licentious “post-racial,” pop-star to argue that while Lemonade may not present the same critique of exclusionary Black womanhood present within Daughters of the Dust, reactions to the Beyoncé’s visual album and the “Formation” music video inadvertently demonstrate the longevity of harmful colorist prejudices and the disparaging of Black female sexual and creative agency within the Black community.
    [Show full text]
  • FWWH Revised Songbook ―This Camp Was Built to Music Therefore Built Forever
    FWWH Revised Songbook Revised Summer 2011 ―This camp was built to music therefore built forever‖ These are the songs sung by Four Winds and Westward Ho campers – songs that have expressed their interests and ideals through the years. As you sing the songs again, may they recall memories of sunny days, and some misty and rainy ones too, of sailing on sparkling blue water, of cantering along leafy trails, of exploring the beach when the tide is out. May these songs remind you of unexpected adventure, and of friendships formed through the sharing of Summer days, working and playing together. 1 Index of songs A Gypsy‘s Life…………………………………………………….7 A Junior Song……………………………………………………..7 A Walking Song………………………………….…….………….8 Across A Thousand Miles of Sea…………..………..…………….8 Ah, Lovely Meadows…………………………..……..…………...9 All Hands On Deck……………………………………..……..…10 Another Fall…………………………………...…………………10 The Banks of the Sacramento…………………………………….…….12 Big Foot………………………………………..……….………………13 Bike Song……………………………………………………….…..…..14 Blow the Man Down…………………………………………….……...14 Blowin‘ In the Wind…………………………………………………....15 Boy‘s Grace…………………………………………………………….16 Boxcar……………………………………………………….…..……..16 Canoe Round…………………………………………………...………17 Calling Out To You…………………………………………………….17 Canoe Song……………………………………………………………..18 Canoeing Song………………………………………………………….18 Cape Anne………………………………………………...……………19 Carlyn…………………………………………………………….…….20 Changes………………………………………………………………...20 Christmas Night………………………………………………………...21 Christmas Song…………………………………………………………21 The Circle Game……………………………………………………..…22
    [Show full text]
  • Wallop 10.99
    Recording Artist Recording Title Price !!! (chk Chk Chk) Wallop 10.99 (sandy) Alex G House Of Sugar 10.99 10CC I'm Not In Love - Essential Collection 5.99 1975 A Brief Inquiry Into Online Relationships 7.99 2pac The Best Of Part 1 - Thug 5.99 2pac The Best Of Part 2 - Life 6.99 2Pac Greatest Hits 11.99 2pac Loyal To The Game 6.99 65daysofstatic Replicr 2019 11.99 A Tribe Called Quest The Low End Theory 5.99 A Tribe Called Quest We Got It From Here Thank You 4 Your Service 11.99 A Tribe Called Quest The Best Of 4.99 A Tribe Called Quest Midnight Marauders 5.99 A Tribe Called Quest People's Instinctive Travels... 25th Anniversary 7.99 A Winged Victory For The Sullen The Undivided Five 9.99 Abba Gold - Greatest Hits- Always Oversticker 7.99 ABC The Lexicon Of Love 6.99 AC/DC Highway To Hell 9.99 AC/DC If You Want Blood You've Got It 9.99 AC/DC Stiff Upper Lip 7.99 AC/DC High Voltage 9.99 AC/DC Back In Black 9.99 AC/DC For Those About To Rock ( We Salute You) 9.99 Adele 21 10.99 Adele 25 10.99 Adele 19 7.99 Adrianne Lenker (Big Thief) Abysskiss 8.99 Aerosmith Young Lust - The Anthology 7.99 Agnes Obel Late Night Tales 10.99 Agnes Obel Philharmonics 7.99 Agnes Obel Citizen Of Glass 7.99 Agnes Obel Aventine 9.99 Agnostic Front Fet Loud! 11.99 Ags Connolly Wrong Again 10.99 Ags Connolly Nothin' Unexpected 10.99 A-ha Minor Earth Major Sky 19.99 Airbourne Boneshaker - Deluxe Limited 2cd 12.99 Al Green I'm Still In Love With You 8.99 Alanis Morissette The Collection 5.99 Albert King The Very Best Of 6.99 Albert King Born Under A Bad Sign 6.99 Aldous
    [Show full text]