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Film Studies and a Programme of Activities and Resources to Prepare You to Start an a Level in Film Studies in September
A Level FilmA LevelStudies Geography Transition Booklet Transition Booklet 2021 This pack contains information about A Level Film Studies and a programme of activities and resources to prepare you to start an A Level in Film Studies in September. Please use this during the summer term and the summer holidays to prepare for your A Level course. 1 Please note the compulsory summer work which starts on page 3 About the course: The specification we teach is produced by Eduqas. The unit code is A670QS A (A level) and a full copy of this specification and other useful information is available at: https://www.eduqas.co.uk/qualifications/film-studies-as-a-level/#tab_overview The course consists of the study of eleven films over three components: Component 1: Varieties of Film Making Component 2: Global Filmmaking Perspectives Component 3: Non-examination assessment Films: Bonnie and Clyde (Penn, 1967) Vertigo (Hitchcock, 1958) The films of Buster Keaton (Keaton, 1915-1930) La La Land (Chazelle, 2016) Beasts of the Southern Wild (Zeitlin, 2012) Stories we Tell (Polly, 2012) This is England (Meadows, 2006) Trainspotting (Boyle, 1996) Pan’s Labyrinth (Del Toro, 2006) City of God (Mereilles, 2002) Pulp Fiction (Tarantino, 1994) Learners will study all of their chosen films in relation to the following core study areas. Area 1. The key elements of film form: cinematography, mise-en-scène, editing, sound and performance Area 2. Meaning and response: how film functions as both a medium of representation and as an aesthetic medium Area 3. The contexts of film: social, cultural, political, historical and institutional, including production. -
This Is England Brochure
oiengland_brochure 5/6/05 9:42 AM Page 2 OI THIS IS ENGLAND THE NEW FILM FROM SHANE MEADOWS PRODUCED BY - WARP FILMS EXECUTED PRODUCED / UK DISTRIBUTION- OPTIMUM RELEASING FINANCE - FILM FOUR oiengland_brochure 5/6/05 9:42 AM Page 3 KNIGHT NICK BY SKINHEAD FROM SOURCED PHOTOS DIRECTED BY SHANE MEADOWS (Dead Man’s Shoes, Once Upon A Time In The Midlands, A Room For Romeo Brass, 24/7) Credits not contractual oiengland_brochure 5/6/05 9:42 AM Page 4 SYNOPSIS 1983 WAS A TIME BEFORE MTV, BEFORE GAMEBOY, AND BEFORE 2.4 CHILDREN. UNLIKE OUR CURRENT COUCH POTATO CULTURE, IN THE EARLY EIGHTIES THERE WAS VERY LITTLE TO KEEP THE DISENCHANTED YOUTH ANESTHETISED INDOORS, SO AS UNEMPLOYMENT FIGURES ROSE AND THE YTS SCHEMES FELL, THE KIDS REFUSED TO TOE THE FACTORY LINE AND SPILLED OUT ONTO THE STREETS. THE STAGE WAS SET FOR A REVOLUTION. Rockers, New Romantics, Mods, Punks, Casuals, Smoothies, Ska kids and Skinheads stood shoulder to shoulder, hissing and spitting in the discos, precincts and subways of the working class towns across the nation. Oi! This is England tells the story of SHAUN, an 11-year-old kid growing up without a father in the north of England. Set during the summer holidays of 1983, we chart his rites of passage from a shaggy haired ruffian grieving the loss of his father into a shaven headed thug whose anger and pain are embraced by the local skinhead fraternity and ultimately the National Front. With a shell of a mother and no father to guide him, Shaun seems set for certain destruction. -
Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan
FOR IMMEDIATE RELEASE Media Contact: November 1, 2013 Casey De La Rosa 310.360.1981 [email protected] Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan Led By The Royal Film Commission-Jordan in Consultation with Sundance Institute, Lab Supports Emerging Filmmakers in Egypt, Jordan, Lebanon and Palestine Los Angeles, CA — Screenwriting fellows for the ninth edition of the Rawi Screenwriters Lab (November 1-5) were announced today by The Royal Film Commission-Jordan and Sundance Institute. The Lab is an example of Sundance Institute’s longstanding work to support emerging filmmakers around the world. Former Rawi Fellows include Cherien Dabis (Amreeka), Mohammed Al Daradji (Son of Babylon), Sally El Hosaini (My Brother The Devil) and Haifaa Al Mansour (Wadjda). Launched in 2005, the Lab is led by the Royal Film Commission of Jordan (RFC) and managed by Deema Azar, in consultation with Sundance Institute’s Feature Film Program, under the direction of Michelle Satter. The Lab provides an opportunity for filmmakers from the region to develop their work under the guidance of accomplished Creative Advisors—this year including Jeremy Pikser (Bulworth), Najwa Najjar (Pomegranates & Myrrh), Mo Ogrodnick (Deep Powder). Aseel Mansour (Line Of Sight), Rose Troche (The L Word, The Safety Of Objects) and Jerome Boivin (La cloche a sonné)—in an environment that encourages storytelling at the highest level. George David, General Manager of the RFC, said, “For the ninth consecutive year, RAWI continues to unveil the regions’ exceptional talent and narratives as part of the RFC’s goal to champion a new generation of Arab film professionals who will represent our noble culture and values, our triumphs and struggles and our hopes and dreams through their films.” Paul Federbush, International Director of the Sundance Institute Feature Film Program, said, “We’ve had the privilege to help give voice to some extraordinary new filmmakers in the region over our nine-year partnership with the RFC. -
Channel Four Television Corporation Report and Financial Statements 2008 Channel Four Television Corporation Report and Financial Statements 2008
Channel Four Television Corporation Report and Financial Statements 2008 Channel Four Television Corporation Report and Financial Statements 2008 Broadcasting Act 1990 Presented to Parliament pursuant to Paragraph 13(1) of Schedule 3 to the Broadcasting Act 1990 Contents Introduction Scale and impact Chairman’s introduction 04 Viewer impact 60 Chief Executive’s introduction 06 Top tens 64 Output and spend 66 Channel 4’s public impact 08 Creative economy impact 68 Talent ladder 70 Nurture Partnerships 71 Awards 72 Film4 Productions and Slumdog Millionaire 12 Comedy Lab 14 Final comments on public impact report 76 The Devil’s Whore 16 Assurance statement 77 City of Vice 18 Key measures 20 Finance Challenge Operating and financial review 80 Report of the members 84 Saving Africa’s Witch Children 24 Report of the auditors 86 Dispatches and Unreported World 26 Consolidated income statement 88 Channel 4 News 28 Balance sheets 89 The Family 30 Cashflow statements 90 Key measures 32 Significant accounting policies 91 Notes to the financial statements 95 Champion Corporate governance 121 Members 127 Islam Unveiled 36 Report on members’ remuneration 128 Big Brother 38 Programmes and the licence 132 Hunger 40 Historical record 134 Disarming Britain 42 Key measures 44 Inspire Secret Millionaire 48 Embarrassing Bodies and The Sex Education Show 50 Big Food Fight 52 Battlefront 54 Key measures 56 Chairman’s introduction Luke Johnson Chairman The media establishment is undergoing its most violent In recent months, Channel 4 has demonstrated its creative upheaval since Channel 4 was founded 26 years ago. The credentials in spades. With Slumdog Millionaire, Film4 won digital revolution, combined with a severe economic downturn, a spectacular array of Oscars and BAFTAs, and enjoyed a true means all commercial broadcasters are under significant international box office smash. -
Floreat Domus 2011
ISSUE NO.17 april 2011 Floreat Domus BALLIOL COLLEGE NEWS Special Feature: More than money Three Balliol Old Members talk about aid work People-powered politics Master on the move Stop Press: Election of New Master Balliol College is very pleased to announce that it has offered Contents the Mastership of the College Welcome to the 2011 to Professor Sir Drummond Bone (1968), MA DLitt DUniv edition of Floreat Domus. (Glas) FRSE FRSA, and he has accepted. The formal election will be in Trinity Term. contents page 28 Putting Margate Professor Bone will take up the back on the map post this October. For more page 1 College news The new Turner Contemporary information, go to www.balliol. page 6 Women at Balliol gallery, involving three Old Members ox.ac.uk/news/2011/march/ election-of-new-master page 8 College success page 30 In the dark without page 9 Student news nuclear power? Roger Cashmore and David Lucas page 10 Student success discuss the future of nuclear power Special feature Page 20–23 Page 39 A map of the heart page 12 page 32 Great adventurers 50th anniversary of Denis Noble’s The amazing trips made by Sir ground-breaking paper Adam Roberts and Anthony Smith Talking science page 13 page 33 Bookshelf in the centre of Oxford A selection of books published page 14 The Oxford by Balliol Old Members Student Consultancy page 34 Master on the move: page 15 The Oxford conversations around the world Microfinance Initiative Andrew and Peggotty Graham talk about their round-the-world trip Features Development news page 16 People-powered politics -
Completeandleft Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,F
MEN WOMEN 1. FA Frankie Avalon=Singer, actor=18,169=39 Fiona Apple=Singer-songwriter, musician=49,834=26 Fred Astaire=Dancer, actor=30,877=25 Faune A.+Chambers=American actress=7,433=137 Ferman Akgül=Musician=2,512=194 Farrah Abraham=American, Reality TV=15,972=77 Flex Alexander=Actor, dancer, Freema Agyeman=English actress=35,934=36 comedian=2,401=201 Filiz Ahmet=Turkish, Actress=68,355=18 Freddy Adu=Footballer=10,606=74 Filiz Akin=Turkish, Actress=2,064=265 Frank Agnello=American, TV Faria Alam=Football Association secretary=11,226=108 Personality=3,111=165 Flávia Alessandra=Brazilian, Actress=16,503=74 Faiz Ahmad=Afghan communist leader=3,510=150 Fauzia Ali=British, Homemaker=17,028=72 Fu'ad Aït+Aattou=French actor=8,799=87 Filiz Alpgezmen=Writer=2,276=251 Frank Aletter=Actor=1,210=289 Frances Anderson=American, Actress=1,818=279 Francis Alexander+Shields= =1,653=246 Fernanda Andrade=Brazilian, Actress=5,654=166 Fernando Alonso=Spanish Formula One Fernanda Andrande= =1,680=292 driver.=63,949=10 France Anglade=French, Actress=2,977=227 Federico Amador=Argentinean, Actor=14,526=48 Francesca Annis=Actress=28,385=45 Fabrizio Ambroso= =2,936=175 Fanny Ardant=French actress=87,411=13 Franco Amurri=Italian, Writer=2,144=209 Firoozeh Athari=Iranian=1,617=298 Fedor Andreev=Figure skater=3,368=159 ………… Facundo Arana=Argentinean, Actor=59,952=11 Frickin' A Francesco Arca=Italian, Model=2,917=177 Fred Armisen=Actor=11,503=68 Frank ,Abagnale ,Criminal ,Catch Me If You Can François Arnaud=French Canadian actor=9,058=86 Ferhat ,Abbas ,Head of State ,President of Algeria, 1962-63 Fábio Assunção=Brazilian actor=6,802=99 Floyd ,Abrams ,Attorney ,First Amendment lawyer COMPLETEandLEFT Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,F. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Radio 4 Listings for 1 – 7 February 2020 Page 1 of 14 SATURDAY 01 FEBRUARY 2020 in the Digital Realm
Radio 4 Listings for 1 – 7 February 2020 Page 1 of 14 SATURDAY 01 FEBRUARY 2020 in the digital realm. A Somethin' Else production for BBC Radio 4 SAT 00:00 Midnight News (m000drp6) When Alice's father was diagnosed with cancer, she found National and international news from BBC Radio 4 herself at a loss as to how to communicate with him digitally. SAT 11:00 The Week in Westminster (m000dxqp) One solution was sending more personal objects. But Alice George Parker of the Financial Times looks behind the scenes works in digital communication, and in this talk at the Shambala at Westminster. SAT 00:30 Motherwell (m000drp8) Festival she describes her journey to improve the tools available The UK has left the EU so what happens next? what is the Episode 5 to communicate grief and sadness. negotiating strength of the UK and what can we expect form the hard bargaining ahead? The late journalist Deborah Orr was born and bred in the Producer: Giles Edwards The editor is Marie Jessel Scottish steel town of Motherwell, in the west of Scotland. Growing up the product of a mixed marriage, with an English mother and a Scottish father, she was often a child on the edge SAT 06:00 News and Papers (m000dxq9) SAT 11:30 From Our Own Correspondent (m000dxqr) of her working class community, a 'weird child', who found The latest news headlines. Including the weather and a look at Insight, wit and analysis from BBC correspondents, journalists solace in books, nature and in her mother's company. -
Bob Ellis at 70 PROFILE from the Bank to the Birdcage
20 12 HONIWeek Eleven October 17 SOIT Senate Results: Writing, women, From the Bank What Senator Pat and wowsers: to the Birdcage: means for you Bob Ellis at 70 Sydney’s drag kings CAMPUS 4 PROFILE 11 FEATURE 12 Contents This Week The Third Drawer SRC Pages 8 Sex, Messages, Reception. 19 Mason McCann roadtests the iPhone 5 The Back Page 23 Presenting the Honi Laureates Spooky Soit for 2012 10 Mariana Podesta-Diverio looks on the bright side of death Editor in Chief: Rosie Marks-Smith Editors: James Alexander, Hannah Bruce, Bebe D’Souza, 11 Profile: Bob Ellis Paul Ellis, Jack Gow, Michael Koziol, James O’Doherty, Michael Koziol talks to one of his Kira Spucys-Tahar, Richard Withers, Connie Ye heroes, Bob Ellis Reporters: Michael Coutts, Fabian Di Lizia, Eleanor Gordon-Smith, Brad Mariano, Virat Nehru, Drag Kings Sean O’Grady, Andrew Passarello, Justin Pen, 12 Lucy Watson walks the streets of Hannah Ryan, Lane Sainty, Lucy Watson, Dan Zwi Newtown to teach us about drag Contributors: Rebecca Allen, Chiarra Dee, John Gooding, kings John Harding-Easson, Joseph Istiphan, Stephanie Langridge, 11 Mason McCann, Mariana Podesta-Diverio, Ben Winsor Culture Vulture 3 Spam 14 Crossword: Paps Dr Phil wrote us a letter! Well, sort of. Where has the real Slim Shady gone? Cover: Angela ‘panz’ Padovan of Panz Photography Asks John Gooding Advertising: Amanda LeMay & Jessica Henderson [email protected] Campus 16 Tech & Online 4 Connie Ye teaches us how to dance Justin Pen runs us through social your PhD media in modern Aussie politics HONISOIT.COM News Review Action-Reaction Disclaimer: 6 17 Honi Soit is published by the Students’ Representative Council, University of Sydney, Level 1 Why are Sydney buses exploding? An open letter to the Australian Rugby Wentworth Building, City Road, University of Sydney, NSW, 2006. -
Special Events: Film and Television Programme
Left to right: Show Me Love, Gas Food Lodging, My Own Private Idaho, Do the Right Thing Wednesday 12 June 2019, London. Throughout July and August BFI Southbank will host a two month exploration of explosive, transformative and challenging cinema and TV made from 1989-1999 – the 1990s broke all the rules and kick-started the careers of some of the most celebrated filmmakers working today, from Quentin Tarantino and Richard Linklater to Gurinder Chadha and Takeshi Kitano. NINETIES: YOUNG SOUL REBELS will explore work that dared to be different, bold and exciting filmmaking that had a profound effect on pop culture and everyday life. The influence of these titles can still be felt today – from the explosive energy of Do the Right Thing (Spike Lee, 1989) through to the transformative style of The Blair Witch Project (1999) and The Matrix (The Wachowskis, 1999). Special events during the season will include a 90s film quiz, an event celebrating classic 90s children’s TV, black cinema throughout the decade and the world cinema that made waves. Special guests attending for Q&As and introductions will include Isaac Julien (Young Soul Rebels), Russell T Davies (Queer as Folk) and Amy Jenkins (This Life). SPECIAL EVENTS: - The season will kick off with a special screening Do the Right Thing (Spike Lee, 1989) on Friday 5 July, presented in partnership with We Are Parable; Spike Lee’s astute, funny and moving film stars out with a spat in an Italian restaurant in Brooklyn, before things escalate to a tragic event taking place in the neighbourhood. -
Icons of Catastrophe: Diagramming Blackness in Until the Quiet Comes
"U NTIL THE Q U IET C OMES” (D IREC TED BY K AHLIL J OSEPH , 2013, WHAT MATTERS MOST/P U LSE FILMS), FRAME GRAB . Kahlil Joseph’s “Until the Quiet leaning to the right, the camera Comes” is a short film about a series pans to an ambulance parked on the of miraculous and catastrophic street. It is possible the emergency Icons of events. The camera moves gracefully vehicle arrived in response to the through a dreamy Los Angeles dancer’s wounds, but now its red Catastrophe: sunset as black children play and, flashing lights illuminate the entire as if it were predestined, die. Then, neighborhood with a warning signal. without warning, bodies begin to Even as the film fades to black—the move gracefully in reverse while editing transition and color that the world around them continues has become cinema’s definitive Diagramming to move forward. Finally, in the last word—this discontinuous dramatic conclusion of the film, a narrative about black bodies remains man bleeding from bullet wounds incomplete and in suspension. Blackness in Until on the ground miraculously rises and begins to dance. He removes The central conceit of “Until the his bloodstained shirt and, evidently, Quiet Comes” is contradiction. The the Quiet Comes the finality of death. Then, he enters film subjects viewers to violence a car and drives off into the night. that is horrific yet beautifully surreal Lauren M. The film moves effortlessly between and to an unending cycle of death Cramer different settings and times, without and vibrancy. Similarly, we see giving viewers a sense of direction, blackness through the contradictory but this stunning possibility for forces that shape it, boundless change (and even reanimation) possibility and crushing confinement. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing