Extreme Make-Over Johan De Meij 15 16 17 18 19 20 21 22 23 24 25 26 Sop

Total Page:16

File Type:pdf, Size:1020Kb

Extreme Make-Over Johan De Meij 15 16 17 18 19 20 21 22 23 24 25 26 Sop 2 Extreme Make-over Johan de Meij 15 16 17 18 19 20 21 22 23 24 25 26 Sop. Cnt. Metamorphoses on a Theme by Tchaikovsky for Brass Band Andante cantabile (q = 60 - 63) 2 3 4 5 6 7 8 9 10 11 12 13 14 1st & 2nd Solo Cnt. Soprano Cornet p pp mp one solo 3rd & 4th Solo Cnt. 1st & 2nd Solo Cornet p pp mp mp (semplice) one solo 3rd & 4th Solo Cornet Rep. Cnt. (semplice) mp Repieno Cornet 2nd Cnt. 2nd Cornet 3rd Cnt. 3rd Cornet Flüg. Flügelhorn Solo Hn. Solo Horn p pp mp mp (semplice) 1st Hn. 1st Horn 2nd Horn 2nd Hn. 1st Baritone 1st Bar. 2nd Baritone 2nd. Bar. 1st Trombone 1st Tbn. 2nd Trombone 2nd Tbn. Bass Trombone 1st Euphonium Bass Tbn. mp (semplice) 2nd Euphonium 1st Euph. p mp Eb Bass 2nd Euph. Bb Bass Eb Bass Vibraphone & Marimba Bb Bass Tubular Bells & Xylophone Timpani Vibr./Marimba Percussion I Percussion II Tub. Bells/Xylo. Copyright © 2004 Amstel Music - Amsterdam/The Netherlands 3 4 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 bucket mute 44 45 46 Sop. Cnt. Sop. Cnt. ppp 1st & 2nd Solo Cnt. 1st & 2nd Solo Cnt. p pp mp pp 3rd & 4th Solo Cnt. 3rd & 4th Solo Cnt. pp mp p pp bucket mute Rep. Cnt. Rep. Cnt. ppp ppp ppp bucket mute 2nd Cnt. 2nd Cnt. ppp (in stand, almost inaudible) ppp bucket mute ppp 3rd Cnt. 3rd Cnt. ppp (in stand, almost inaudible) ppp bucket mute Flüg. Flüg. ppp Solo Hn. Solo Hn. p mp pp 1st Hn. 1st Hn. 2nd Hn. 2nd Hn. 1st Bar. 1st Bar. 2nd. Bar. 2nd. Bar. 1st Tbn. 1st Tbn. 2nd Tbn. 2nd Tbn. Bass Tbn. Bass Tbn. 1st Euph. 1st Euph. p pp mp pp 2nd Euph. 2nd Euph. Eb Bass Eb Bass Bb Bass Bb Bass Vibr./Marimba Vibr./Marimba Tub. Bells/Xylo. Tub. Bells/Xylo. 5 6 * all entrances as soft as possible; no attacks - breaths ad lib. (stagger) fade out Poco più animato (q = 72) Accel...... 58 Vivace (q = 156) 47 48 49 50 51 52 53 54 55 56 57 59 60 61 62 63 64 65 66 67 68 69 Sop. Cnt. Sop. Cnt. open ppp 1st & 2nd Solo Cnt. 1st & 2nd Solo Cnt. ppp ppp 3rd & 4th Solo Cnt. 3rd & 4th Solo Cnt. ppp ppp open Rep. Cnt. Rep. Cnt. ppp possible open 2nd Cnt. 2nd Cnt. a2 2nd open 1st open 3rd Cnt. 3rd Cnt. ppp a2 open Flüg. Flüg. ppp possible Solo Hn. Solo Hn. ppp 1st Hn. 1st Hn. ppp possible 2nd Hn. 2nd Hn. ppp possible muted open 3 3 1st Bar. 1st Bar. ppp p pp muted open 3 3 2nd. Bar. 2nd. Bar. ppp p pp 1st Tbn. 1st Tbn. ppp 2nd Tbn. 2nd Tbn. ppp Bass Tbn. Bass Tbn. ppp 2nd Baritone open 3 3 1st Euph. 1st Euph. ppp p muted pp muted open 2nd Euph. 2nd Euph. ppp ppp Eb Bass Eb Bass ppp ppp Bb Bass Bb Bass ppp a2 Vibraphone to soft mallets Vibr./Marimba Vibr./Marimba pp (create overtones with thumb) p with cello- or bass bow no accents Tub. Bells/Xylo. Tub. Bells/Xylo. 7 8 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 Sop. Cnt. Sop. Cnt. ff ppp 1st & 2nd Solo Cnt. 1st & 2nd Solo Cnt. ff ppp ppp 3rd & 4th Solo Cnt. 3rd & 4th Solo Cnt. ff ppp ppp Rep. Cnt. Rep. Cnt. ff ppp ppp 2nd Cnt. 2nd Cnt. ff bucket mutes open 3rd Cnt. 3rd Cnt. ppp ppp ppp Flüg. Flüg. ff pp ppp Solo Hn. Solo Hn. ff pp ppp 1st Hn. 1st Hn. ff pp ppp 2nd Hn. 2nd Hn. ff pp ppp 1st Bar. 1st Bar. ff ppp 2nd. Bar. 2nd. Bar. ff ppp 1st Tbn. 1st Tbn. ff ppp 2nd Tbn. 2nd Tbn. ff ppp Bass Tbn. Bass Tbn. ff ppp 1st Euph. 1st Euph. ff ppp 2nd Euph. 2nd Euph. ff ppp Eb Bass Eb Bass ff ppp a2 Bb Bass Bb Bass ff bowed to mallets no attacks Vibr./Marimba Vibr./Marimba ff pp p Tubular Bells Tub. Bells/Xylo. Tub. Bells/Xylo. ff 9 10 91 106 107 110 3 92 93 94 95 96 97 98 99 100 101 102 103 104 105 108 109 111 112 Sop. Cnt. Sop. Cnt. ff ff fp ff 3 1st & 2nd Solo Cnt. 1st & 2nd Solo Cnt. ff fp fp ff ff 3 3rd & 4th Solo Cnt. 3rd & 4th Solo Cnt. .
Recommended publications
  • Wind Symphony School of Music Illinois State University
    Illinois State University ISU ReD: Research and eData School of Music Programs Music 4-29-2012 Student Ensemble: Wind Symphony School of Music Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation School of Music, "Student Ensemble: Wind Symphony" (2012). School of Music Programs. 611. https://ir.library.illinoisstate.edu/somp/611 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University College of Fine Arts School of Music WIND SYMPHONY Stephen K. Steele, Conductor James F. Keene, Guest Conductor Carl Schimmel, Guest Composer Thomas Giles, Concerto Winner The Illinois State University Bands dedicate this concert and future performances to Allison Christine Zak Center for the Performing Arts Sunday Afternoon April 29, 2012 3:00 p.m. This is the two hundred and fourteenth program of the 2011-2012 Season. Program Carl Schimmel Oulipian Episodes (2012) (born 1975) I. Mots-Croisés II. "Intermezzo" from Orlando III. Malakhités IV. “Laborynthus” from Suite Sérielle 94 V. “Entr’acte” from This Golden Sickle in the Field of Stars VI. Incertum, op. 74 VII. La Toupie Premiere Performance Ingolf Dahl Concerto for Alto Saxophone (1912-1970) and Wind Orchestra (1949) I. Recitative II. Adagio (Passacaglia) III. Rondo alla marcia: Allegro Thomas Giles, Concerto Competition Winner Intermission Award Ceremony Percy Grainger Lincolnshire Posy (1937) (1882-1961) I.
    [Show full text]
  • Unifying Elements of Paul Lansky's Threads Gordon Hicken
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Unifying Elements of Paul Lansky's Threads Gordon Hicken Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC UNIFYING ELEMENTS OF PAUL LANSKY’S THREADS By GORDON HICKEN A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Summer Semester, 2013 Gordon Hicken defended this treatise on June 24, 2013. The members of the supervisory committee were: John W. Parks IV Professor Directing Treatise Richard Clary University Representative John Drew Committee Member Christopher Moore Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS This document, and this degree, would not have been possible without the help, guidance, and support of numerous remarkable individuals: Dr. John W. Parks IV, my major professor, for taking a chance on me and pushing me to be the best musician and teacher I can be. Professor Richard Clary, Dr. John Drew, and Dr. Christopher Moore, my committee members. Dr. Scott Herring, Dr. John Beckford, Professor Jim Hall, and Mr. Ron Schwartz, my major professors throughout my collegiate career. Dr. Scott Weiss, Dr. Rebecca Phillips, Mr. Jayme Taylor, Mrs. Andrea Pouncey, and Dr. Scott Herring, my colleagues at the University of South Carolina, for supporting me throughout my first year on the faculty at South Carolina.
    [Show full text]
  • Salt Lake City August 1­—4, 2019 Nfac Discover 18 Ad OL.Pdf 1 6/13/19 8:29 PM
    47th Annual National Flute Association Convention Salt Lake City August 1 —4, 2019 NFAc_Discover_18_Ad_OL.pdf 1 6/13/19 8:29 PM C M Y CM MY CY CMY K Custom Handmade Since 1888 Booth 110 wmshaynes.com Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. schmittmusic.com/f lutegallery Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 214 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2019, Salt available in Carbon Fibre. Lake City! Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. 00 44 (0)20 8778 0752 [email protected] schmittmusic.com/f lutegallery www.wisemanlondon.com TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ...............................................................
    [Show full text]
  • Dictionary of Music.Pdf
    The FACTS ON FILE Dictionary of Music The FACTS ON FILE Dictionary of Music Christine Ammer The Facts On File Dictionary of Music, Fourth Edition Copyright © 2004 by the Christine Ammer 1992 Trust All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Ammer, Christine The Facts On File dictionary of music / Christine Ammer.—4th ed. p. cm. Includes index. Rev. ed. of: The HarperCollins dictionary of music. 3rd ed. c1995. ISBN 0-8160-5266-2 (Facts On File : alk paper) ISBN 978-1-4381-3009-5 (e-book) 1. Music—Dictionaries. 2. Music—Bio-bibliography. I. Title: Dictionary of music. II. Ammer, Christine. HarperCollins dictionary of music. III. Facts On File, Inc. IV. Title. ML100.A48 2004 780'.3—dc22 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by James Scotto-Lavino Cover design by Semadar Megged Illustrations by Carmela M. Ciampa and Kenneth L. Donlan Grateful acknowledgment is made for permission to reprint an excerpt from Cornelius Cardew’s “Treatise.” Copyright © 1960 Hinrichsen Edition, Peters Edition Limited, London.
    [Show full text]
  • Kombiständer
    50 JAHRE KOMBISTÄNDER 50 YEARS OF COMBINATION STANDS KOMBISTÄNDER 50 COMBINATION STANDS 50 JAHRE 50 YEARS OF INHALTSVERZEICHNIS KOLBERG KOMBISTÄNDER KOLBERG COMBINATION STANDS TABLE OF CONTENT In meiner eigenen Laufbahn als Orchesterschlagzeuger, aber auch schon In my career as an orchestra percussionist and, even before that, during my Generationen Generations ........................................................................................................................................... 4 während des Musikstudiums von 1962 bis 1965, machte ich immer wieder die studies from 1962 to 1965 it came to my notice that even excellent percussion Erfahrung, dass selbst ausgezeichnete Schlaginstrumente auf „tönernen instruments stood on “feet of clay”. Little thought had been given for example Wir über uns About us .................................................................................................................................................. 6 Füßen“ standen. Häufig waren z. B. die Höhenverstellbarkeit oder die to features such as height adjustment, adaptability to uneven surfaces and the Unter die Lupe genommen Examined closely ......................................................................................................... 7 Anpassung an kleine Bodenunebenheiten ebenso unvollkommen gelöst wie possibility to dismantle stands quickly so that they take up less space. Neuheiten Innovations .................................................................................................................................................
    [Show full text]
  • PERCUSSIONI Storia E Tecnica Esecutiva Nella Musica Classica, Contemporanea, Etnica E D’Avanguardia Indice
    GUIDO FACCHIN LE PERCUSSIONI storia e tecnica esecutiva nella musica classica, contemporanea, etnica e d’avanguardia Indice Presentazione di CLAUDIO AMBROSINI ............................ XXI CAMPANELLE A MANO O DA MESSA . 14 Notizie storiche, morfologia ................................. 14 Presentazione di GIACOMO MANZONI ............................. XXIII CAMPANELLE A VENTO CINESI (FENG SHUI). 15 Presentazione di CRISTIANO CHIAROT ............................. XXV Notizie storiche, morfologia ................................. 15 Tecnica di impiego ....................................... 15 Ringraziamenti ............................................ XXVII CAMPANELLE DA ELEFANTE INDIANE TIBETANE . 16 Nota dell’autore all’edizione 2014 ............................... XXIX Notizie storiche, morfologia ................................. 16 CASTAGNETTE DI METALLO, NACCHERE DI METALLO. 17 Classificazione degli strumenti a percussione in base al loro registro e al Notizie storiche.......................................... 17 mezzo di produzione del suono ................................. XXV Morfologia ............................................. 17 CATENE . 18 Notizie, morfologia ....................................... 18 CAVIGLIERE INDIANE GHUNGROO, NASTRO A SONAGLI. 19 1. STRUMENTI A PERCUSSIONE DI METALLO............... 1 Notizie ................................................ 19 Morfologia ............................................. 20 Le danze .............................................. 20 Metalli a suono indeterminato................................
    [Show full text]
  • Proquest Dissertations
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will Indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" t>lack and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and teaming 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI* CHAMBER MUSIC WITH BASS CLARINET: A BIBLIOGRAPHY OF WORKS AND A CORRELATION WITH THE EMERGENCE OF THE VIRTUOSIC ORCHESTRAL BASS CLARINET DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Daniel Arthur Paprocki.
    [Show full text]
  • Bedford: Sun Paints Rainbows on the Vast Waves - a Historical and Analytical Perspective
    Columbus State University CSU ePress Theses and Dissertations Student Publications 4-2010 Bedford: Sun Paints Rainbows on the Vast Waves - A Historical And Analytical Perspective Christian Eden Merchant Columbus State University, [email protected] Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Education Commons Recommended Citation Merchant, Christian Eden, "Bedford: Sun Paints Rainbows on the Vast Waves - A Historical And Analytical Perspective" (2010). Theses and Dissertations. 19. https://csuepress.columbusstate.edu/theses_dissertations/19 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/bedfordsunpaintsOOmerc The undersigned, appointed by the Schwob School of Music at Columbus State University, have examined the Graduate Music Project titled BEDFORD: SUN PAINTS RAINBOWS ON THE VAST WAVES A HISTORICAL AND ANALYTICAL PERSPECTIVE presented by Christian Eden Merchant a candidate for the degree of Master of Music in Music Education and hereby certify that in their opinion it is worthy of acceptance. :> (Project Advisor) Lk /,-y- Columbus State University BEDFORD: THE SUN PAINTS RAINBOWS ON THE VAST WAVES A HISTORICAL AND ANALYTICAL PERSPECTIVE By Christian Eden Merchant A MASTERS THESIS Submitted to the Faculty of Columbus State University in partial fulfillment of the requirements for the degree of Master of Music Education Columbus, Georgia April 2010 II ABSTRACT This thesis will investigate "The Sun Paints Rainbows on the Vast Waves" by David Bedford with consideration given to analysis of the work itself, historical perspectives, and educational conceptions.
    [Show full text]
  • An Annotated Bibliography of Symphonies for Wind Band
    An Annotated Bibliography of Symphonies for Wind Band by Andrew Donald Pease A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved March 2015 by the Graduate Supervisory Committee: Gary W. Hill, Chair Wayne Bailey William Reber Rodney Rogers Catherine Saucier ARIZONA STATE UNIVERSITY May 2015 ABSTRACT This study catalogues symphonies for wind band from the origin of the genre in the late eighteenth century through 2014. Wind bands include any mixed wind group of eight or more players. Works using the word “symphony” or its derivatives in the title are included in the study. A total of 1342 works that fit these criteria were identified. An annotated bibliography (Appendix A) includes detailed information about 695 of these works. Such information was not available for an additional 621 wind band symphonies; consequently, these works are listed in a second appendix that includes a list of sources for each work so that future researchers might investigate them further. The final appendix lists 26 wind band symphonies that are no longer available based on the author’s current sources. The titles included in this study were found by examining many repertoire resources for the wind band, including previous studies of wind band symphonies and more comprehensive repertoire resources like the Heritage Encyclopedia of Band Music and the website “The Wind Repertory Project.” Details of each piece in the annotated bibliography were found in their scores whenever possible. Contact with composers and publishers, through both their websites and direct correspondence, played a major role in this part of the study.
    [Show full text]
  • Erik Satie's Ballet Parade: an Arrangement for Woodwind Quintet and Percussion with Historical Summary Tracy A
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Erik Satie's ballet Parade: an arrangement for woodwind quintet and percussion with historical summary Tracy A. Doyle Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Doyle, Tracy A., "Erik Satie's ballet Parade: an arrangement for woodwind quintet and percussion with historical summary" (2005). LSU Doctoral Dissertations. 3389. https://digitalcommons.lsu.edu/gradschool_dissertations/3389 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. ERIK SATIE’S BALLET PARADE: AN ARRANGEMENT FOR WOODWIND QUINTET AND PERCUSSION WITH HISTORICAL SUMMARY A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music By Tracy A. Doyle B.M., University of Massachusetts, Amherst, 1994 M.M., University of Massachusetts, Amherst, 1998 August 2005 TABLE OF CONTENTS ABSTRACT………………………………………………………………………….......iii CHAPTER 1. INTRODUCTION………………………………………………………...1 CHAPTER 2. POPULAR ENTERTAIMENT IN PARIS: 1885-1917………..…………4 CHAPTER 3. JEAN COCTEAU (1889-1963)………………………………...………..13 CHAPTER 4. PABLO PICASSO (1881-1973)……………………………..…….…….16 CHAPTER 5. ERIK SATIE (1866-1925)...……………………………………………..19 CHAPTER 6. THE GENESIS OF PARADE……………………………………………29 CHAPTER 7. THE SCORE ……………..……………………………………………...33 CHAPTER 8. THE CHARACTERS……………..……………………………………..39 CHAPTER 9.
    [Show full text]
  • Combination Stands Kombiständer 50 Combination Stands 50 Jahre 50 Years of Inhaltsverzeichnis Kolberg Kombiständer Kolberg Combination Stands Table of Content
    50 JAHRE KOMBISTÄNDER 50 YEARS OF COMBINATION STANDS KOMBISTÄNDER 50 COMBINATION STANDS 50 JAHRE 50 YEARS OF INHALTSVERZEICHNIS KOLBERG KOMBISTÄNDER KOLBERG COMBINATION STANDS TABLE OF CONTENT In meiner eigenen Laufbahn als Orchesterschlagzeuger, aber auch schon In my career as an orchestra percussionist and, even before that, during my Generationen Generations ........................................................................................................................................... 4 während des Musikstudiums von 1962 bis 1965, machte ich immer wieder die studies from 1962 to 1965 it came to my notice that even excellent percussion Erfahrung, dass selbst ausgezeichnete Schlaginstrumente auf „tönernen instruments stood on “feet of clay”. Little thought had been given for example Wir über uns About us .................................................................................................................................................. 6 Füßen“ standen. Häufig waren z. B. die Höhenverstellbarkeit oder die to features such as height adjustment, adaptability to uneven surfaces and the Unter die Lupe genommen Examined closely ......................................................................................................... 7 Anpassung an kleine Bodenunebenheiten ebenso unvollkommen gelöst wie possibility to dismantle stands quickly so that they take up less space. Neuheiten Innovations .................................................................................................................................................
    [Show full text]
  • Unifying Elements of Paul Lansky's Threads Gordon Benjamin Hicken the Florida State University
    The Florida State University DigiNole Commons Electronic Theses, Treatises and Dissertations The Graduate School 7-9-2013 Unifying Elements Of Paul Lansky's threads Gordon Benjamin Hicken The Florida State University Follow this and additional works at: http://diginole.lib.fsu.edu/etd Recommended Citation Hicken, Gordon Benjamin, "Unifying Elements Of Paul Lansky's threads" (2013). Electronic Theses, Treatises and Dissertations. Paper 7421. This Dissertation - Open Access is brought to you for free and open access by the The Graduate School at DigiNole Commons. It has been accepted for inclusion in Electronic Theses, Treatises and Dissertations by an authorized administrator of DigiNole Commons. For more information, please contact [email protected]. THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC UNIFYING ELEMENTS OF PAUL LANSKY’S THREADS By GORDON HICKEN A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Summer Semester, 2013 Gordon Hicken defended this treatise on June 24, 2013. The members of the supervisory committee were: John W. Parks IV Professor Directing Treatise Richard Clary University Representative John Drew Committee Member Christopher Moore Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS This document, and this degree, would not have been possible without the help, guidance, and support of numerous remarkable individuals: Dr. John W. Parks IV, my major professor, for taking a chance on me and pushing me to be the best musician and teacher I can be.
    [Show full text]