THE ENGLISH REVIEW JULY 1911 the Spectator
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A STUDY of COHTEMPORAHY VERSE DRAMA Uith ESPECIAL Mprasis
A study of contemporary verse drama with especial emphasis on Maxwell Anderson Item Type text; Thesis-Reproduction (electronic) Authors Reveaux, Edward Charles, 1910- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 05:10:21 Link to Item http://hdl.handle.net/10150/553386 A STUDY OF COHTEMPORAHY VERSE DRAMA uITH ESPECIAL mPRASIS OH HAXV/ELL A1IBERSOII Dy Edr/ard Rcvcaux A The3la submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 1 9 3 8 Approved: (e Major Professor ate i/BR a BI £ 9 7 9 J ■'93X S 3 d2^> „ 2- TABLE OF CONTENTS Page INTRODUCTION ....................................... ill Chapter I. A BRIEF SUI'VLY OF VERSE DRAMA IN AMERICA AND, TO SOMi EXTENT, ENGLAND FROM 1767-1930 1 II. THE VERSE PLAYS OF MAXWELL ANDERSON . 18 III. THE VERSE PLAYS OF T. S. ELIOT AND ARCHIBALD NACBBISH .................... 80 CONCLUSION................................... 100 BIBLIOGRAPHY................................. 102 xitiviu ii INTRODUCTION In 1935 Clayton Hamilton writes, "If any actor in a contemporary play speaks a line which falls easily into a pattern of verse, or even into a pattern of formal prose, and if the audience detects any ’literary* intention In the writing of the dialogue, this audience will grow ' . -
List of Recommended Great War Websites – 18 December 2020
CEF Study Group Recommended Great War Websites - 18 D e c e m b e r 2020 - http://cefresearch.ca/phpBB3/ Dwight G Mercer /aka Borden Battery – R e g i n a , C a n a d a © Canadian Expeditionary Force Study Group – Recommended Great War Websites – December 2020 he 18 December 2020 edition of the Recommended Great War Websites by the Canadian Expeditionary Force Study Group is part of the CEF Study Group internet T discussion forum dedicated to the study, sharing of information and discussion related to the Canadian Expeditionary Force (CEF) in the Great War – in an “Open Source” mode. This List is intended to assist the reader in their research of a specific Great War theme with emphasis on the Canadian experience. Further, this recommended List of Great War websites is intended to compliment the active discourse on the Forum by its members. The function of the CEF Study Group List of Recommended Great War Websites (circa 2005) is to serve as a directory for the reader of the Great War. These websites have been vetted and grouped into logical sections. Each abstract, in general, attempts to provide a "key word" search to find websites of immediate interest. Surfing this List is one of the objectives. All aspects of the Canadian Expeditionary Force are open to examination. Emphasis is on coordinated study, information exchange, civil and constructive critiquing of postings and general mutual support in the research and study of the CEF. Wherever possible, we ask that members provide a reference source for any information posted. -
N!8L.\ Proquest Number: 10107276
SIR WILLIAM WATSON s A CRITICAL BIOGRAPHY by Jean Moorcroft Wilson A Thesis submitted for the degree of Doctor of Philosophy London University 1969 /n!8L.\ ProQuest Number: 10107276 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10107276 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT In this thesis I attempt to give a full account of Watson's life, since neither of his previous biographers have done so; Walter Swayze ends his examination thirty years before Watson's death and James Nelson deals mainly with his work. But I find his whole life significant, particularly in view of the new material I have discovered. Watson's teenage years in Liverpool, for instance, give an interesting picture of a group of provincial writers who later became famous. His previously unpublished letters to Professor Dowden, his next main influence, are full of useful information on the eighties, and the relative success of his early work reveals more about its prevalent attitudes, especially his political sonnets, which raise the question of nineteenth century political poetry in general. -
A STUDY of COHTEMPORAHY VERSE DRAMA Uith ESPECIAL Mprasis
A study of contemporary verse drama with especial emphasis on Maxwell Anderson Item Type text; Thesis-Reproduction (electronic) Authors Reveaux, Edward Charles, 1910- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 02:44:03 Link to Item http://hdl.handle.net/10150/553386 A STUDY OF COHTEMPORAHY VERSE DRAMA uITH ESPECIAL mPRASIS OH HAXV/ELL A1IBERSOII Dy Edr/ard Rcvcaux A The3la submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 1 9 3 8 Approved: (e Major Professor ate i/BR a BI £ 9 7 9 J ■'93X S 3 d2^> „ 2- TABLE OF CONTENTS Page INTRODUCTION ....................................... ill Chapter I. A BRIEF SUI'VLY OF VERSE DRAMA IN AMERICA AND, TO SOMi EXTENT, ENGLAND FROM 1767-1930 1 II. THE VERSE PLAYS OF MAXWELL ANDERSON . 18 III. THE VERSE PLAYS OF T. S. ELIOT AND ARCHIBALD NACBBISH .................... 80 CONCLUSION................................... 100 BIBLIOGRAPHY................................. 102 xitiviu ii INTRODUCTION In 1935 Clayton Hamilton writes, "If any actor in a contemporary play speaks a line which falls easily into a pattern of verse, or even into a pattern of formal prose, and if the audience detects any ’literary* intention In the writing of the dialogue, this audience will grow ' . -
ACTOR SOLDIER - POET- by R
ACTOR SOLDIER - POET- By R. HENDERSON-BLAND Captain, Late GJouceslenhire Regim~m Part II of "Actor - Soldier - Poet ~ PDF version prepared by Robert David Hyde (pseudonym - David de la Hyde) - July 2019. R. Henderson-Bland was married to my father's (Lieut. Graham Clarendon-Hyde) half sister - Maud Hyde. Creative Commons Auribution-NonCommercial-ShareAlike 4.0 International License. PHASE II The Af/",. All the world's Sl stage, And all the men and women metcly players: They m.ve their exits and their emmncea, And one man in his rime plays many parts, His aeu being &eVen ages. $KAKESPURP;'S AJ YDIilLih II. OiAPTER I A[y EartJ DtryJ With T rn o make cJ~ r , thus far, the Story of my life, it will now be necessary to lum back Ihe tunds of Time, in Torder to explain certain dungs in detail. I musl perforce do this 10 justify myself in the eyes of the reader, p:micubrly insofar as my work was concerned in con· nection wilh the making of the greal Biblieal film, From tbt Mallger to the Cr(lU, which has a1rea.dy been fully des cribed in the preceding pages_ It will be obvious to all that no man would have been selected to penn.y a rOle of such magnitude as that of thc OIrisrus, unless he were thought to be in every U":ly suilable for it. E."(perience of a very special and peculiar type ....."2.5 obviously Ihe first essential; experience not so much of the screen-for at the time I had no knowledge of that kind of work al all-but rather of stage-enft, and the ;tbility to characterise. -
Britain's Tribute to Dante in Literature and Art
yCrNRLF 6 ^ OME flflfl ''' ill, "^ '/ '-U." ' ^ 'i^i'$''^i0':;!'-' ^;?;!;: "'v^^ i'W ?•-'" '1 WIS*. THE BRITISH ACADEMY {Dante Commemoration 1921) Britain's Tribute to Dante in Literature and Art A Chronological Record of 540 Years (c. 1380—1920) By Paget Toynbee, D.Litt. Fellow of the Academy London Published for the British Academy By Humphrey Milford, Oxford University Press Amen Corner, E.G. J ' He who labours for Dante, labours to serve : Italy, Christianity, the World.' {W. E. Gladstone to G. B. Giuliani.) ALL' ITALIA NEL SESTO CENTENARIO DELLA MORTE DELL' ALTISSIMO POETA DANTE ALIGHIERI ' UI CUI LA FAMA ANCOR NEL MOXDO DURA, ' E DURERA QUANTO IL MOTO LON'JANA TRIBUTO DI RICONOSCENZA ^ P P^ f^ Q TABLE OF CONTENTS PAGE Prefatory Note V Leading Dates ix Chronological Record : Cent. XIV 1 Cent. XV . 2 Cent. XVI 2 Cent. XVII 10 Cent. XVIII 22 Cent. XIX " . 39 Cent. XX . 161 Addenda .... 190 Index : 1. Literature (Authors, &c.) 197 2. Art (Artists, &c.) 210 :; PREFATORY NOTE This Record is the outcome of notes taken during the last five-and-twenty years, primarily for the purposes of several projected works, of which the following have been published Chronological List of English Translations from Dante, from Chaucer to the Present Day (Boston, U.S.A., 1906); Dante in English Literature from Chaucer to Cary (2 vols., London, 1909) and Dante in English Art : A Chronological Record of Representa- tions by English Artists of Subjects from the Works of Dante, or connected with Dante (Boston, U.S.A., 1920) ; besides sundry articles in various English and foreign periodicals. -
FRANCESCA DARIMINI in DRA~Ffitic Litepjiture a Thesis
Francesca da Rimini in dramatic literature Item Type Thesis Authors Lattin, Bill Download date 03/10/2021 21:07:25 Link to Item http://hdl.handle.net/10484/5006 " FRANCESCA DARIMINI IN DRA~ffiTIC LITEPJiTURE A Thesis Presented to the Faculty of the Department of Speech Indiana State Teachers College In Partial Fulfillment of the Requirements for the Degree Master of Science by Bill Lattin JUly 1957 THESIS APPROVAL SHEET The thesis of Bill Lattin, Contribution of the Graduate Division, Indiana state Teachers College, Number 776, under the title Frencesca da Rimini ill Dramatic Literature, is hereby approved as counting toward the completion of the Master's Degree of 8 hours' credit. Approval of Thesis Committee: Approval of English Dep~~tment Representative: 1q.,t'JJ7 tk._Date) Approval of Director of Q·raduate Studies: TABLE OF CONTENTS CHAPTER PAGE I. THE HISTORICAL BACKGROlli'JD •••••••••.••••.••••••• 1 ~ II .. TIlE PLAYS 0 • 0 10 0 '6 0 Col). It 'i) ,f) 't 6 $" '4 " III 'I> oft '" '" 1ft • I'> dJ '" 0 0 @ til' <t> '" (t 0 10 Franceska da Rimino (Uhland) ••••••••••••••••• 10 Francesca da Rimini (~ellico) ••••••••••••••• 10 Francesca da Rimini {Boker) •••••••••••.•••••• 14 Francesca da Rimini {Greif) ••••••.••••.•••••• 28 Paolo and Fr<;tnce sea. (Phillips) e ., • II 29 Francesea da-Rimini (d 1 Annunzio) ••••••••••••• 38 Franeesca da Rimini (Crawford~o•••••••••••••• 49 Francesca da Rimini (Cesareo) •••••••••••••••• 53 III.. 'QONCLUSION •••••••••••••••••••••••••••••••••••• , ~5 ~ ~ ~ ~ ~ ~ ~ ,A.F PEN·nIX 4) " 0 ... $ .... " ... " jlj •• '" ........ e .... '!l of.! .. '" IJ 9 e $ II t) 4lo \9 () 0> & ,g '" 57 ~ ~ ~ ~ ~ BIBLIOGRAPHY .. 0 • 9 .0 4) •• 'It it • e 0 0 " .. '!) -I) iI!I .. ill' • j(\ 0 • If) ... -
German Influences on the British Stage, 1890-1918
THE MODERN CATALYST: GERMAN INFLUENCES ON THE BRITISH STAGE, 1890-1918 A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas John Dekker, M.A. ***** The Ohio State University 2007 Doctoral Examination Committee: Approved by Dr. Thomas Postlewait, Adviser Dr. Lesley Ferris __________________________________ Adviser Dr. Joy Reilly Graduate Program in Theatre ABSTRACT This dissertation examines the role of German culture – theatre, music, opera, politics, and philosophy – as a catalyst to the modernist transformations of London theatre between 1890 and 1918. It explores the ways British theatre engaged German culture, whether by emulation, adaptation, or resistance, and focuses on four major figures in the Edwardian Theatre: J. T. Grein, William Archer, Bernard Shaw, and Harley Granville Barker. Impresario J. T. Grein (1862-1935) established German theatre companies in London to introduce British theatre to the works of great German writers, actors, and directors. Scottish critic William Archer (1856-1924) used Germany as a model for his campaign to translate and produce the plays of Henrik Ibsen in London. He also advocated the formation of England’s National Theatre, using German examples of state- funded repertory theatres. Bernard Shaw (1856-1950) introduced English audiences to Richard Wagner’s operas, ideas, and productions. Shaw’s plays also enjoyed a rich production history in Germany through his working relationship with his translator, Siegfried Trebitsch. Director Harley Granville Barker (1877-1946) closely followed the careers of German directors Max Behrend and Max Reinhardt. In 1912 and 1914, Barker produced three of Shakespeare’s plays, The Winter’s Tale, Twelfth Night, and A Midsummer Night’s Dream, in which audiences and critics quickly noticed German ii influences. -
Herod; a Tragedy
Gift of Mrs. Leonora B. Lucas HEROD A TRAGEDY HEROD A TRAGEDY BY STEPHEN PHILLIPS JOHN LANE LONDON AND NEW YORK 1901 J i i « • • • * .1 , > J :>r^; Copyright, 1900, by JOHN LANE FIFTH EDITION UNITERSITY PRESS • JOHN WILSON AND SON • CAMBRIDGE, U.S.A. • "^ ' . .• . » e » c t. »• • • ' • • • . • • t e « * t 1. • • c If « t. *. t ^ • • • •• * ••• '.i*- ••• • • ••• • • • • V v: ft V' « , » « • • * k ^ t TO HERBERT BEERBOHM TREE IN LIFE A TRUE FRIEND, AND ON THE STAGE THE HEROD OF MY DREAMS I DEDICATE THIS TRAGEDY ^ 456534 This play is published in its present form to meet the demand which has arisen in con- nection with its production at Her Majesty''s Theatre. The text has received such revision as was possible in the time; but the author hopes at some future day to return to the theme. Characters of the Play As produced at Her Majesty's Theatre, London, England, October jl, igoo Herod Mr. Tree. King of the Jews. Aristobulus Mr. Norman Sharp. High Priest and Brother of Mariamne. Gadias Mr. C. W. Somerset. Chief Councillor. SoHEMUs Mr. F. H. Macklin. A Gaul. Pheroras Mr. F. Percival Stevens. Brother of Herod. A Priest Mr. S. A. Cookson. A Physician Mr. Charles Fulton. Syll«us Mr. J. Fisher White A Blind Man. A Captain Mr. James Smythe. Envoy from Rome . Mr. C. F. Collings. Cup-bearer Mr. L'Estrange. Servant Mr. Cavendish Morton. Mariamne Miss Maud Jeffries. Queen and Wife of Herod. 6 CHARACTERS Cypros Miss Bateman (Mrs. Crowe). Mother of Herod. Bathsheba Miss Rosalie Jacobi. Maid to Mariamne. Hagar Miss Lillian Moubrey.