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Lascelles Abercrombie: a Checklist © Jeff Cooper 1
Lascelles Abercrombie: A Checklist © Jeff Cooper LASCELLES ABERCROMBIE Towards a complete checklist of his published writings Compiled by Jeff Cooper First published in Great Britain in 2004 by White Sheep Press Second edition published on-line in 2013; third edition, 2017 © 2013, 2017 Jeff Cooper All rights reserved. No part of this publication may be copied or reproduced for publication or transmitted in any form or by any means, electronic, mechanical, or otherwise stored in a retrieval system, without the prior permission of the copyright owner. The rights of Jeff Cooper to be identified as the author of this work has been asserted by him in accordance with the UK Copyright, Designs and Patents Act 1988. PREFACE This is the third edition, with additions and amendments (and a renumbering), of the edition originally published in 2004 by White Sheep Press. The intention of this checklist is to list all of the writings published by Abercrombie (although there are almost certainly a large number of book reviews and articles for the Nation that have not been traced). However, without this essential building block, which puts his works into context, meaningful analysis and criticism of his work is difficult. This is a working document, and if you would like to help make it a definitive list, please send any amendments and additions to me at [email protected]. They will be incorporated in the list and acknowledged. The format of the checklist is chronological, in order of first publication in periodical and book form. It should be borne in mind that there is a bibliographical hierarchy: contributions to periodicals, then contributions to books, and finally principal books. -
The Medieval Manuscripts in Leeds University Library
The Medieval Manuscripts in Leeds University Library Oliver Pickering and Katja Airaksinen The online publication in September 2008 of some 685 images of illuminated pages in Leeds manuscripts, opening the collection to the world, has prompted this wider survey of the University Library’s medieval holdings. Twenty-seven manuscripts qualified for the digitisation project in containing illumination. There are as many manuscripts again in terms of codices, along with a considerable number of documents and fragments.1 The most important items came to the Library in 1936 as part of the Brotherton Collection, the private library amassed in the 1920s by the Yorkshire industrialist Sir Edward Allen Brotherton, who was ennobled shortly before his death in 1930 as Baron Brotherton of Wakefield. But this event will be treated here as the main highlight in a broader account of benefaction to and acquisition by Leeds University Library. Lord Brotherton’s collection, when it arrived, gave the Library’s medieval holdings both coherence and substance, but he had earlier joined with other local benefactors in 1925 in presenting a single medieval manuscript, a copy of the Anglo-Norman didactic verse treatise, Le Manuel des péchés, counted amongst the general run of the Library’s manuscripts (MS 1).2 This is a relatively modest production of the early fourteenth century, having a two- column layout typical of vernacular verse manuscripts of that date, with the initial letters of each line slightly offset and picked out in red. There are significant omissions from the text, which the scribe is said to have treated ‘fort librement’.3 However, the Library first acquired a medieval manuscript, a copy of Juvenal’s Satires (MS 4), in October 1921, a purchase (for five guineas) from a bookseller’s catalogue. -
A STUDY of COHTEMPORAHY VERSE DRAMA Uith ESPECIAL Mprasis
A study of contemporary verse drama with especial emphasis on Maxwell Anderson Item Type text; Thesis-Reproduction (electronic) Authors Reveaux, Edward Charles, 1910- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 05:10:21 Link to Item http://hdl.handle.net/10150/553386 A STUDY OF COHTEMPORAHY VERSE DRAMA uITH ESPECIAL mPRASIS OH HAXV/ELL A1IBERSOII Dy Edr/ard Rcvcaux A The3la submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 1 9 3 8 Approved: (e Major Professor ate i/BR a BI £ 9 7 9 J ■'93X S 3 d2^> „ 2- TABLE OF CONTENTS Page INTRODUCTION ....................................... ill Chapter I. A BRIEF SUI'VLY OF VERSE DRAMA IN AMERICA AND, TO SOMi EXTENT, ENGLAND FROM 1767-1930 1 II. THE VERSE PLAYS OF MAXWELL ANDERSON . 18 III. THE VERSE PLAYS OF T. S. ELIOT AND ARCHIBALD NACBBISH .................... 80 CONCLUSION................................... 100 BIBLIOGRAPHY................................. 102 xitiviu ii INTRODUCTION In 1935 Clayton Hamilton writes, "If any actor in a contemporary play speaks a line which falls easily into a pattern of verse, or even into a pattern of formal prose, and if the audience detects any ’literary* intention In the writing of the dialogue, this audience will grow ' . -
List of Recommended Great War Websites – 18 December 2020
CEF Study Group Recommended Great War Websites - 18 D e c e m b e r 2020 - http://cefresearch.ca/phpBB3/ Dwight G Mercer /aka Borden Battery – R e g i n a , C a n a d a © Canadian Expeditionary Force Study Group – Recommended Great War Websites – December 2020 he 18 December 2020 edition of the Recommended Great War Websites by the Canadian Expeditionary Force Study Group is part of the CEF Study Group internet T discussion forum dedicated to the study, sharing of information and discussion related to the Canadian Expeditionary Force (CEF) in the Great War – in an “Open Source” mode. This List is intended to assist the reader in their research of a specific Great War theme with emphasis on the Canadian experience. Further, this recommended List of Great War websites is intended to compliment the active discourse on the Forum by its members. The function of the CEF Study Group List of Recommended Great War Websites (circa 2005) is to serve as a directory for the reader of the Great War. These websites have been vetted and grouped into logical sections. Each abstract, in general, attempts to provide a "key word" search to find websites of immediate interest. Surfing this List is one of the objectives. All aspects of the Canadian Expeditionary Force are open to examination. Emphasis is on coordinated study, information exchange, civil and constructive critiquing of postings and general mutual support in the research and study of the CEF. Wherever possible, we ask that members provide a reference source for any information posted. -
University of Bradford Ethesis
Self, Society and the Second World War. The Negotiation of Self on the Home Front by Diarist and Keighley Schoolmaster Kenneth Preston 1941-1945 Item Type Thesis Authors Krutko, Lauren K. Rights <a rel="license" href="http://creativecommons.org/licenses/ by-nc-nd/3.0/"><img alt="Creative Commons License" style="border-width:0" src="http://i.creativecommons.org/l/by- nc-nd/3.0/88x31.png" /></a><br />The University of Bradford theses are licenced under a <a rel="license" href="http:// creativecommons.org/licenses/by-nc-nd/3.0/">Creative Commons Licence</a>. Download date 28/09/2021 06:01:59 Link to Item http://hdl.handle.net/10454/14631 University of Bradford eThesis This thesis is hosted in Bradford Scholars – The University of Bradford Open Access repository. Visit the repository for full metadata or to contact the repository team © University of Bradford. This work is licenced for reuse under a Creative Commons Licence. SELF, SOCIETY AND THE SECOND WORLD WAR L.K. KRUTKO PHD 2016 SELF, SOCIETY AND THE SECOND WORLD WAR The Negotiation of Self on the Home Front by Diarist and Keighley Schoolmaster Kenneth Preston 1941-1945 Lauren Kristina KRUTKO Submitted for the Degree of Doctor of Philosophy School of Archaeological Sciences Faculty of Life Sciences University of Bradford 2016 Abstract Lauren K. Krutko Self, Society and the Second World War The Negotiation of Self on the Home Front by Diarist and Keighley Schoolmaster Kenneth Preston 1941-1945 Keywords: self, community, Second World War, citizenship, masculinity, twentieth century modernity, civilian defence, voluntarism, religion, Keighley This study examines the interaction of the Second World War with the selfhood of Kenneth Preston, a Keighley schoolmaster, using primarily the exceptionally rich content of Preston’s Diary, maintained 1941-1945. -
Collections Development Policy
Leeds Museums & Galleries Collections Development Policy Contents 1. Statement of Purpose ............................................................................................................................3 2. Existing Collections ...............................................................................................................................3 3. Legal Framework ..................................................................................................................................4 4. Due Diligence ........................................................................................................................................4 5. Ethical Framework ................................................................................................................................4 6. Codes of practice ................................................................................................................................. 4 7. Collections Development ......................................................................................................................5 7.1 Acquiring ..........................................................................................................................................5 7.2 Lending & Borrowing ........................................................................................................................6 7.3 Rationalising ....................................................................................................................................6 -
TRUST NEW ART PRESS INFORMATION Dorothy Una Ratcliffe Artist/Illustration Fellowship at Acorn Bank (Cumbria) Continuing a Tradit
TRUST NEW ART PRESS INFORMATION Dorothy Una Ratcliffe Artist/Illustration Fellowship at Acorn Bank (Cumbria) Spring 2016 Continuing a tradition of artistic production at Acorn Bank Freya Pocklington’s artist residency will celebrate Beatrix Potter in 150th anniversary of her birth Courtesy the artist. Courtesy Dolce, Wears2014. Janice Pocklington, Freya Following a tradition of patronage of the arts started by writer and traveler Dorothy Una Ratcliffe, Acorn Bank continues a programme of activities with contemporary artists to continue Dorothy’s legacy, bringing her story to life. Now in its second year, the 2016 Dorothy Una Ratcliffe fellowship has been awarded to artist Freya Pocklington. The three month residency will start in late February and is part of a larger programme of activities across National Trust properties that celebrate the legacy of Beatrix Potter, marking the 150th anniversary of her birth in 1866. Freya Pocklington is a London based artist who grew up in the South Lakes. Often working on a large scale, her drawings combine layered ink and pastel to give them a distinctly painterly finish. Freya depicts largely female characters set against fantastical and domestic backdrops that examine our increasingly distant relationship to nature. Her subjects vary from live sitters to images found online and are accompanied by an array of animals including cats, hares, foxes and rams, loading the images with narrative. Freya re-contextualises her characters to unpick the societal role of pets and our urge to humanize animals. During the residency she will explore the notion of the physical archive in an increasingly digital world through a new series of drawings and audio recording. -
HISTORIC LIBRARIES FORUM BULLETIN NO. 33 February 2016
HISTORIC LIBRARIES FORUM BULLETIN NO. 33 February 2016 A number of successful events have taken place since the last Bulletin. In November we held our annual conference at UCL, entitled ‘Practicalities, pleasures and pitfalls: uncovering digitisation projects’. This looked at a wide range of issues surrounding digitisation, and speakers included a company who specialise in the digitisation of heritage materials, someone from the Wellcome Library (which works with many other partners on several large-scale projects) and case studies on digitisation projects including glass-plate negatives and the afterlife of the ‘Parker on the Web’ project in Cambridge. During the conference we gained our 1000th Twitter follower, which was excellent news. In December another workshop on practical conservation was held, this time at Christ’s College Cambridge, led by Caroline Bendix. And in September a workshop on cataloguing antiquarian and early printed collections was held at Pusey House in Oxford. Write-ups of these events can be found below. We will soon be advertising a visit to the Royal College of Physicians in London, for a look at their exhibition on the life and work of the Elizabethan polymath John Dee, led by its curator, Katie Birkwood. Places will be limited so watch this space! We have also begun to think about this year’s conference and – as usual – we welcome suggestions of topics. This will likely be held in Cambridge in November. Leaflets on cataloguing books in Greek and Hebrew, and one on cataloguing incunabula, will be added to our website in the coming months. As ever, do please let us know if there is a particular topic you would like to be addressed by such an introductory leaflet. -
Leeds Arts Calendar
LEEDS ARTS CALENDAR MP intra C.rrel~lettZc7i / Wlc7ttrc" ( Cttte a/l /tlCClf/ nmntcre nett'e let/e artt'n'otto ct"Pfirc/zero zl /a valirr <ir ~attaPirazcrsi DDD. "WC c~ ~ 1 r wr 'f ctQf f rnzimdntr antzrc'trovizt'ra lr riant ai nn Sq', /rro su//i lza fppza vzrczzo a Capo aiszlozr nrlli ivono rrnrz Qzzrsto mrincmrntr nr'szirc efgizcrr di 'thnia maairr r rzvrz cia szi i trrma Ala vr i si rrccdr)mrtzrotzrr/ra nilcz /iso = radrrnat. tzcatzvr/ahd'intact/z c ~ c 'srrvi rgnmcolinrcdc'ptr/cr arnz'dc'c/zcrstogrnrrr. frzn/'ra r/cr pcrstr n irJ~r rJsrrrstit rrrir. »ri ichor ri l rnrrir do//'' i c re''z/ ziz, lrrn...., mos'+tc'difervo natz zn rasa dillydronr linzrr rare rr, r c z'r sc rclr vcr rtnllz nrmc zsc zzrnr /r8arucs, n'i .l'z z c'cr /nr /s a/trc antw cubi da/d zlcctovr /'rnrrz'crier/'z uc''c/zcn'cn/z<z/ .renti' rcnoznztr nrlsitr z~rlscsra /'csrrczcazzr LEGACIES TO THE LEEDS ART COLI ECTIONS FUND The LACF depends forits income entirely on members and supporters. Please consider leaving the I Ac F a legacy in your will: it is a charitable organization and all legacies to it are exempt from Capital Transfer Tax and aggregation without limit. Bequests can take the form of a lump sum or the residue or a fraction of your estate. Some members might prefer to consider leaving works of fine or decorative art but if you contemplate doing this it would be helpful if you could please seek the advice of the Secretary who can let you know if any item will fit into the permanent collection of the Leeds City Art Galleries. -
A Recuperative Study
Georgianism Then and Now A Recuperative Study James Richard Bridges A thesis submitted to the University of Gloucestershire in accordance with the requirements of the degree of Doctor of Philosophy in the Faculty of Arts and Humanities September 2001 Abstract The thesis attempts to revise our view of Georgian poetry, and thus to rescue it from the critical disregard and disdain it has suffered since the 1930s. Georgian poetry will be redefined as a strong traditional poetry contemporaneous with, and yet different from, literary Modernism. An historical overview of the critical literature from the 1920s onwards will reveal the original co-existence of those now known as 'Georgians' and 'Modernists', stress their mutual break with Edwardian conventions, and will sketch the process by which Georgianism and Modernism became oppositional. Georgianism will be re-evaluated as a brave and creditable attempt to continue the Romantic and humanistic impulse in poetry at a time when younger and ostensibly more radical writers were forsaking it for the values of Modernism. The thesis will further suggest that the Georgian poets had a rather more socially aware and progressive agenda than many of the fledgling Modernists. Georgian poetry is reread, therefore, in order to bring out, as major themes, its concern with the poor and with work, with the changing environment of the nation, with the position of women in Georgian society, and with its response to the First World War. This reappraisal will lead to the contention that Georgianism should not be viewed as a low point in British poetry, but instead as supplying the formal foundations and political sensibility which mark the achievement of Great War poetry. -
The Nineteenth Century (1800- 1900)
THE NINETEENTH CENTURY (1800- 1900) HlSTORIES AND STUDIES BATHO,EDITH CLARA,and DOBREE,BONAMY The Victorians and after, 1830-1914. Cresset Press, 1938 (T ntroductions to English literature, v.4) BOWRA,SIR CECILMAURICE Tireromantic imagination. Oxford U.P., 1950 CECIL,LORDDAVID Early Victorian novelists: essays ill revaluation. Constable, 1934 CUNNINGTON,CECILWILLETT Feminine attitudes ill the nineteenth century. Heinemann, 1935 DRINKWATER,JOliN Victorian poetry. Hodder and Stoughton, [1923] (Hodder and Stoughton's people's library) EVANS,SIR BENJAMIN[FOR Ellglish poetry in the later nineteenth century. Methuen, 1933 HERFORD,CHARLESHAROLD The age 0/ Wordsworth. 3rd ed. G. Bell, 1899 (1930 reprint) (Handbooks of English literature) LUCAS,FRANKLAURENce Tell Victorian poets. Cambridge U.P., 1940 MACLIse,DANIEL The Maclise portrait-gallery of 'illustrious literary characters'. With memoirs by William Bates. Chauo and Wind us, 1883 OMOND,THOMASSTEWART The romantic triumph, Edinburgh, William Blackwood, 1923 (Periods of European literature, II) QUILLEn-CouCH, Sm ARTHURTHOMAS Charles Dickens & other Victorians. Cambridge U.P., 1927 ROYALSOCIETYOF LITERATURe The etghteen-sixties: essays. By Fellows of the Royal Society of Literature. Ed. John Drinkwater. Cambridge U.P., 1932 The eighteen-seventies: essays. By Fellows of the Royal Society of Literature. Ed. Harley Granville-Barker. Cambridge U.P., 1929 The eighteen-eighties: essays. By Fellows of the Royal Society of Literature. Ed. Walter de la Marc. Cambridge U.P., 1930 SAINTSBURY,GEORGEEDWARD BATEMAN A history of nineteenth century literature (1780- 1900). Macmillan, 1929 The later nineteenth century, Edinburgh, William Blackwood, 1923 (Periods of European literature, 12) WALKEJ.l,HUGI-I The age of Tennyson, G. Bell, 1897 (1932 reprint) (Handbooks of English literature) ANTHOLOGIES (1800-1900) AII allthology of .Nineties' verse. -
A STUDY of COHTEMPORAHY VERSE DRAMA Uith ESPECIAL Mprasis
A study of contemporary verse drama with especial emphasis on Maxwell Anderson Item Type text; Thesis-Reproduction (electronic) Authors Reveaux, Edward Charles, 1910- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 02:44:03 Link to Item http://hdl.handle.net/10150/553386 A STUDY OF COHTEMPORAHY VERSE DRAMA uITH ESPECIAL mPRASIS OH HAXV/ELL A1IBERSOII Dy Edr/ard Rcvcaux A The3la submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 1 9 3 8 Approved: (e Major Professor ate i/BR a BI £ 9 7 9 J ■'93X S 3 d2^> „ 2- TABLE OF CONTENTS Page INTRODUCTION ....................................... ill Chapter I. A BRIEF SUI'VLY OF VERSE DRAMA IN AMERICA AND, TO SOMi EXTENT, ENGLAND FROM 1767-1930 1 II. THE VERSE PLAYS OF MAXWELL ANDERSON . 18 III. THE VERSE PLAYS OF T. S. ELIOT AND ARCHIBALD NACBBISH .................... 80 CONCLUSION................................... 100 BIBLIOGRAPHY................................. 102 xitiviu ii INTRODUCTION In 1935 Clayton Hamilton writes, "If any actor in a contemporary play speaks a line which falls easily into a pattern of verse, or even into a pattern of formal prose, and if the audience detects any ’literary* intention In the writing of the dialogue, this audience will grow ' .