List of Recommended Great War Websites – 18 December 2020
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1 Old, Unhappy, Far-Off Things a Little Learning
1 Old, Unhappy, Far-off Things A Little Learning I have not been in a battle; not near one, nor heard one from afar, nor seen the aftermath. I have questioned people who have been in battle - my father and father-in-law among them; have walked over battlefields, here in England, in Belgium, in France and in America; have often turned up small relics of the fighting - a slab of German 5.9 howitzer shell on the roadside by Polygon Wood at Ypres, a rusted anti-tank projectile in the orchard hedge at Gavrus in Normandy, left there in June 1944 by some highlander of the 2nd Argyll and Sutherlands; and have sometimes brought my more portable finds home with me (a Minie bullet from Shiloh and a shrapnel ball from Hill 60 lie among the cotton-reels in a painted papier-mache box on my drawing-room mantelpiece). I have read about battles, of course, have talked about battles, have been lectured about battles and, in the last four or five years, have watched battles in progress, or apparently in progress, on the television screen. I have seen a good deal of other, earlier battles of this century on newsreel, some of them convincingly authentic, as well as much dramatized feature film and countless static images of battle: photographs and paintings and sculpture of a varying degree of realism. But I have never been in a battle. And I grow increasingly convinced that I have very little idea of what a battle can be like. Neither of these statements and none of this experience is in the least remarkable. -
Plot and Poison: a Guidebook to Drow Matthew Sernett 2002
Plot and Poison: A Guidebook to Drow Matthew Sernett 2002 2002 0972359923, 9780972359924 Plot and Poison: A Guidebook to Drow Green Ronin Publishing, 2002 160 pages Matthew Sernett Descend into the depths and learn the secrets of the wickedest race in the Underdark, the drow. Third in Green Ronin's Races of Renown series, Plot and Poison is a rules toolkit for players and gamemasters alike. Dragon Magazine editor Matthew Sernett delves deep into the heart of the drow, providing a book packed with new options. In addition to Races of Renown essentials like new spells, domains, prestige classes, magic items, and feats, Plot and Poison adds four new subraces, a complete drow pantheon, and power components, a new way to enhance spells. From the gorgeous cover from 3E concept artist Todd Lockwood to the detailed NPC stats of the appendix, Plot and Poison is your indispensable guide to elves you love to hate. file download fabyhoh.pdf 2009 Jason Bulmahn 560 pages ISBN:1601251505 Core Rulebook Games Pathfinder Roleplaying Game Become a brave adventurer exploring treacherous ruins, battling fearsome monsters, and making a name for yourself in a world beset by magic and evil! This Core Rulebook ISBN:0972675604 112 pages Bastards and Bloodlines Games Owen K. C. Stephens A Guidebook to Half-breeds Dec 1, 2002 Fantasirollespil Guidebook Extinction Fiction ISBN:9780786935963 The New York Times best-seller is now in paperback! Now available in paperback, Extinction is the fourth title in the epic Forgotten Realms series about one of the most popular Lisa Smedman Feb 1, 2005 371 pages Plot and Poison: A Guidebook to Drow pdf 80 pages Unholy Warrior's Handbook A Master Class Sourcebook for the D20 System Apr 1, 2003 Robert J. -
Dragon #366.Pdf
ISSU E 366 | AU G U ST 2008 TM A D ungeons® R oleplaying & D ragons Game Supplement Contents FEATURES 5 MITHRENDAIN, CITADEL OF THE FEYWILD By Rodney Thompson 5 The eladrin are some of the least understood creatures in the world, yet their culture is as deep and storied as any. Get a glimpse into an eladrin city with Mithrendain. 17 WISH UPON A STAR By Bruce R. Cordell Warlocks are a mysterious bunch, but few are as misunderstood as those of the Star Pact. 26 RITUALLY SPEAKING 26 By Peter Schaefer What caster wouldn’t want more rituals? Dig into this feature and discover a number of new ritual options. 34 TRAPPED! By Matthew Sernett What dungeon doesn’t need a good trap or three? In addition to new traps, check out the advice and information on using traps in your game. 34 41 ROSE KEEP: A RED WIZARD ENCLAVE By Bruce R. Cordell The Red Wizards were once a highly coordinated group, but those days are gone. Look inside one of the new Red Wizard enclaves here. 50 GONTAL 41 By Bruce R. Cordell and Ed Greenwood COLUMNS The Realms of 4th Edition have new life this month. The region of Gontal, previously unexplored, is detailed here. 53 CHARACTERS OF WAR 4 EDITORIAL By David Noonan Looking to start up your Scales of War 78 DESIGN & DEVELOPMENT: THE 100 YEAR LEAP campaign? Consider offering these backgrounds By Phil Athens and Bruce R. Cordell to your players for their new characters. Phil and Bruce discuss the philosophy behind the 53 Forgotten Realms timeline shift, as well as other critical 63 THE BLOODGHOST SYNDICATE decisions regarding the new Realms. -
The History/Literature Problem in First World War Studies Nicholas Milne-Walasek Thesis Submitted to the Faculty of Graduate
The History/Literature Problem in First World War Studies Nicholas Milne-Walasek Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for a doctoral degree in English Literature Department of English Faculty of Arts University of Ottawa © Nicholas Milne-Walasek, Ottawa, Canada, 2016 ii ABSTRACT In a cultural context, the First World War has come to occupy an unusual existential point half- way between history and art. Modris Eksteins has described it as being “more a matter of art than of history;” Samuel Hynes calls it “a gap in history;” Paul Fussell has exclaimed “Oh what a literary war!” and placed it outside of the bounds of conventional history. The primary artistic mode through which the war continues to be encountered and remembered is that of literature—and yet the war is also a fact of history, an event, a happening. Because of this complex and often confounding mixture of history and literature, the joint roles of historiography and literary scholarship in understanding both the war and the literature it occasioned demand to be acknowledged. Novels, poems, and memoirs may be understood as engagements with and accounts of history as much as they may be understood as literary artifacts; the war and its culture have in turn generated an idiosyncratic poetics. It has conventionally been argued that the dawn of the war's modern literary scholarship and historiography can be traced back to the late 1960s and early 1970s—a period which the cultural historian Jay Winter has described as the “Vietnam Generation” of scholarship. -
Thri-Kreen of Athas
Official Game Accessory Tkri-Kreen of Athas by Tim Beach and Don Hein Credits Sourceboolc Design: Tim Beach Adventure Design: Don Jean Hein Editing: Jon Pickens Cover Art: Ned Dameron Interior Art: John Dollar Art Coordination: Peggy Cooper Graphics Coordination: Sarah Feggestad CartographySample: Diese filel Typography: Angelika Lokotz Thank T(ou: Tom FVusa, Kari Landsverk, Wolfgang Baur, Bill Slavicsek, Rich Baker, Kim Baker, Michele Carter, William W Connors, Colin McComb, Skip Williams, Lisa Smedman, Andria Hayday, Tim Brown, and Bruce Heard. TSR, Inc. TSR Ltd. 201 Sheridan Springs Rd. 120 Church End Lake Geneva Cherry Hinton WI53147 Cambridge CB13LB U.SA United Kingdom 2437 ADVANCED DUNGEONS & DRAGONS, AD&D, DUNGEON MASTER, DARK SUN, GREYHAWK, FORGOTTEN REALMS, DRAGONLANCE, SPELUAMMER, RAVENLOFT, ALQADIM, DRAGONS CROWN, and MONSTROUS COMPENDIUM are registered trademarks owned by TSR, Inc. PLANESCAPE, MONSTROUS MANUAL, RED STEEL, MYSTARA, DM, and tke TSR logo are trademarks owned by TSR, Inc. All TSR characters, character names, and the distinctive likenesses thereof are trademarks owned by TSR, Inc. Random House and its affiliate companies have worldwide distribution rights in the book trade for English-language products of TSR, Inc. Distributed to the book and hobby trade in the United Kingdom by TSR Ltd. Distributed to the toy and hobby trade by regional distributors. This product is protected by the copyright laws of the United States of America. Any reproduction or unauthorized use of the material or artwork contained herein -
The Awakening Relies Heavily on the Use of Sarcophagi, the Masonry of Their Curses
Map I: Noua Uaasa Scale: 1.5 inches = 10 miles Castle Faerhaaven Briarweed Forest .4 THE SHADOW RIFT - <- Sample file Sample file -m* Credits Design: Lisa Smedman Editing: Richard Pike-Brown Review: David Wise Project Coordination: Dori Jean Hein Graphics Coordination: Sarah Feggestad Art Coordination: Peggy Cooper Cover Art: Sam Rakeland Interior Art: Mark Nelson Cartography: David C. Sutherland III Electronic Prepress Coordination: Tim Coumbe Production: Nancy J. Kerkstra Sample file TSR, Inc. TSR Ltd. POB 756 120 Church End Lake Geneva Cherry Hinton WI 53147 Cambridge CB1 3LB CJ.S.A. United Kingdom 94^2 ADVANCED DUNGEONS & DRAGONS, AD&D, RAVENLOFT, MONSTROUS COMPENDIUM, and DUNGEON MASTER are registered trademarks owned by TSR, Inc. The TSR logo is a trademark owned by TSR, Inc. All TSR characters, charac- ter names, and the distinctive likenesses thereof are trademarks owned by TSR, Inc. © 1994 TSR, Inc. All Rights Reserved. Printed in the U.S.A. Random House and its affiliate companies have worldwide distribution rights in the book trade for English-language prod- ucts of TSR, Inc. Distributed to the book and hobby trade in the United Kingdom by TSR Ltd. Distributed to the book and hobby trade by regional distributors. This material is protected under the copyright laws of the United States of America. Any reproduction or unauthorized use of the material or art work contained herein is prohibited without the express written consent of TSR, Inc. Introduction 4 For the Dungeon Master 4 Story Background 4 The Domain of Nova Vaasa 6 -
A History of 119 Infantry Brigade in the Great War with Special Reference To
The History of 119 Infantry Brigade in the Great War with Special Reference to the Command of Brigadier-General Frank Percy Crozier by Michael Anthony Taylor A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History School of History and Cultures College of Arts and Law University of Birmingham September 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract 119 Brigade, 40th Division, had an unusual origin as a ‘left-over’ brigade of the Welsh Army Corps and was the only completely bantam formation outside 35th Division. This study investigates the formation’s national identity and demonstrates that it was indeed strongly ‘Welsh’ in more than name until 1918. New data on the social background of men and officers is added to that generated by earlier studies. The examination of the brigade’s actions on the Western Front challenges the widely held belief that there was an inherent problem with this and other bantam formations. The original make-up of the brigade is compared with its later forms when new and less efficient units were introduced. -
First World War Poems Free
FREE FIRST WORLD WAR POEMS PDF Sir Andrew Motion | 192 pages | 07 Oct 2004 | FABER & FABER | 9780571221202 | English | London, United Kingdom First World - Prose & Poetry To commemorate the centennial of World War I, we present a selection of poets who served as soldiers, medical staff, journalists, or volunteers. Some poets glorified the cause patriotically—trumpeting the older, traditional notions of duty and honor, while mourning the millions of dead. Our list—sorted by country, then alphabetically—is not comprehensive, but it serves as a starting point for readers interested in exploring the Great War from many perspectives. We'll be adding more poets to this list periodically. Also be sure to take a First World War Poems at our sampler First World War Poems the Poetry First World War Poems World War I. Prose Home Harriet Blog. Visit Home Events Exhibitions First World War Poems. Newsletter Subscribe Give. Poetry Foundation. Back to Previous. World War I Poets. From Apollinaire to Rilke, and from Brooke to Sassoon: a sampling of war poets. Rainer Maria Rilke. Georg Trakl. Franz Werfel. John McCrae. Robert W. Richard Aldington. Laurence Binyon. Edmund Blunden. Vera Mary Brittain. Rupert Brooke. Margaret Postgate Cole. May Wedderburn Cannan. Ford Madox Ford. Wilfrid Wilson Gibson. Robert Graves. Julian Grenfell. Ivor Gurney. Robert Nichols. Wilfred Owen. Herbert Read. Edgell Rickword. Isaac Rosenberg. Siegfried Sassoon. May Sinclair. Edward Thomas. Arthur Graeme West. Guillaume Apollinaire. Jean Cocteau. Gottfried Benn. Wilhelm Klemm. August Stramm. Francis Ledwidge. Eugenio Montale. Giuseppe Ungaretti. Alexandr Blok. Nikolai Gumilev. Sergei Yesenin. Hugh MacDiarmid. Charles Hamilton Sorley. Hervey Allen. John Peale Bishop. -
The Blue Cap Journal of the Royal Dublin Fusiliers Association Vol
THE BLUE CAP JOURNAL OF THE ROYAL DUBLIN FUSILIERS ASSOCIATION VOL. 23. DECEMBER 2018 Reflections on 1918 Tom Burke On 11 November 1917, at a meeting between Ludendorff and a select group of his advisers in Mons where the British and Germans had clashed back in August 1914, it was decided to knock Britain out of the war before any American entry into the war with decisive numbers of boots on the ground.1 As 1918 opened, the Western, Italian, Salonica and Turkish fronts were each the scene of no large-scale offensives but of sporadic fighting characterised by repeated raids and counter-raids.2 In terms of the eastern front, the German defeat of Russia and her consequential withdrawal from the war, presented Ludendorff and his commanders with a window of opportunity to end the war in the west. One result of Russia’s defeat was the accumulation of munition stocks and the release of large numbers of German troops for an offensive in the west.3 One estimate of the number of German troops available for transfer from east to west was put at 900,000 men.4 According to Gary Sheffield, ‘in the spring of 1918 the Germans could deploy 192 divisions, while the French and British could only muster 156.’ 5 However, according to John Keegan, the Allies had superior stocks of war material. For example, 4,500 Allied aircraft against 3,670 German; 18,500 Allied artillery weapons against 14,000 Germans and 800 Allied tanks against ten German.6 Yet despite this imbalance in material, the combination of a feeling of military superiority, and, acting before the Allies could grow in strength through an American entry along with rising economic and domestic challenges in Germany, all combined to prompt Ludendorff to use the opportunity of that open window and attack the British as they had planned to do back in Mons on 11 November 1917 at a suitable date in the spring of 1918. -
Modem Women's Poetry 1910—1929
Modem Women’s Poetry 1910—1929 Jane Dowson Submitted for the degree of Doctor of Philosophy at the University of Leicester. 1998 UMI Number: U117004 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U117004 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Modern Women9s Poetry 1910-1929 Jane Dowson Abstract In tracing the publications and publishing initiatives of early twentieth-century women poets in Britain, this thesis reviews their work in the context of a male-dominated literary environment and the cultural shifts relating to the First World War, women’s suffrage and the growth of popular culture. The first two chapters outline a climate of new rights and opportunities in which women became public poets for the first time. They ran printing presses and bookshops, edited magazines and wrote criticism. They aimed to align themselves with a male tradition which excluded them and insisted upon their difference. Defining themselves antithetically to the mythologised poetess of the nineteenth century and popular verse, they developed strategies for disguising their gender through indeterminate speakers, fictional dramatisations or anti-realist subversions. -
War Poetry: Impacts on British Understanding of World War One
Central Washington University ScholarWorks@CWU All Undergraduate Projects Undergraduate Student Projects Spring 2019 War Poetry: Impacts on British Understanding of World War One Holly Fleshman Central Washington University, [email protected] Follow this and additional works at: https://digitalcommons.cwu.edu/undergradproj Part of the European History Commons, Military History Commons, and the Social History Commons Recommended Citation Fleshman, Holly, "War Poetry: Impacts on British Understanding of World War One" (2019). All Undergraduate Projects. 104. https://digitalcommons.cwu.edu/undergradproj/104 This Undergraduate Project is brought to you for free and open access by the Undergraduate Student Projects at ScholarWorks@CWU. It has been accepted for inclusion in All Undergraduate Projects by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. Table of Contents Abstract……………………………………………………………………….. 2 Body………..………………………………………………………………….. 3 Conclusion ……………………………………………………………………. 20 Bibliography ………………………………………………………………….. 24 End Notes ……………………………………………………………………... 28 1 Abstract The military and technological innovations deployed during World War I ushered in a new phase of modern warfare. Newly developed technologies and weapons created an environment which no one had seen before, and as a result, an entire generation of soldiers and their families had to learn to cope with new conditions of shell shock. For many of those affected, poetry offered an outlet to express their thoughts, feelings and experiences. For Great Britain, the work of Rupert Brooke, Siegfried Sassoon, Wilfred Owen and Robert Graves have been highly recognized, both at the time and in the present. Newspaper articles and reviews published by prominent companies of the time make it clear that each of these poets, who expressed strong opinions and feelings toward the war, deeply influenced public opinion. -
Independent Student Research Catalogue
Independent Student Research Catalogue The Winston School History Department Spring 2021 World History Japer C - America’s Forgotten Tragedy Cynthia C - For the Fallen, by Laurence Binyon Thomas G - Home, by Edward Thomas Alexander H - War Girls, by Jessie Pope Yvette I - Song for Doomed Youth, by Wilfred Owen Liam J - Break of Day in the Trenches, by Issac Rosenberg Armando J - Grass, by Carl Sandburg Kiran M - Absolution, by Siegfried Sassoon Molly O - Perhaps, by Vera Britain Laird “Hootie” B - Dead Man’s Dump, by Issac Rosenberg Jacob L - The Messages, by Wilfid WIlson Gibson Ian L - Rain, by Edward Thomas Kailash R - Such, Such is Death, by Charles Sorley Danny T - The Dead, by Rupert Brooke Michael W - Into Battle, by Julian Grenfell U.S. History Connor - A Turning Point in the Pacific; The Attack on Pearl Harbor Ella DF - Before the Final Solution; Nazi Engineered Terror Luke F - The Life of Adolf Hitler Sammy M - The LGBTQ+ Experience During WWII Estefany GP - Bombsights and Radar; Technological Advances of World War II Ryan Sa - But at What Cost; An Overview of the Use of Atomic Weapons in World War II Ryan Se - The Role of Animals in WWII First Period America’s Forgotten Tragedy During the late 1910’s, most people associate the greatest conflict of this time to be the First World War. They wouldn’t be far off, as the Great War, as it was called at the time, killed just over 40 million people by the time it had ended. But what if I told you there was something much bigger and more disastrous than the entirety of the first World War? That’s right, in the late between the years 1918 and 1919 a disease known as the Spanish flu wiped out over an estimated 50 million people.