DOCSLIB.ORG

Chinati Foundation Newsletter Vol19

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chinati Foundation Newsletter Vol19 Chinati Foundation newsletter vol19 1 ZOE LEONARD, 100 NORTH NEVILL STREET, 2013. INSTALLATION VIEW, DETAIL. CHINATI FOUNDATION, MARA, TEXAS. FRONT AND BACK COVER PHOTOS BY FREDRIK NILSEN. THIS PAGE PHOTO BY ROSA BARBA. 2 Contenido Contents 83 83 82 80 78 74 74 69 66 66 65 54 50 49 47 45 38 34 30 14 2 4 4 2 LETTER FROM THE DIRECTOR 84 COMO SE SIENTE Contents CARTA DE LA DIRECTORA Richard Shiff Jenny Moore Contenido 87 LARRY BELL EN CHINATI 4 DONALD JUDD AND ALBRECHT DÜRER: PRINTS 88 CHINATI BENEFIT EDITION: 4 Donald Judd: Some Aspects of His Prints EDICIÓN BENÉFICA DE CHINATI: Brenda Danilowitz Matthew Day Jackson 14 Old Masters in the Desert Francesca Consagra 89 ARTISTS IN RESIDENCE ARTISTAS EN RESIDENCIA 30 Zoe Leonard’s 90 Sasha Pirker 100 NORTH NEVILL STREET 92 Ryan Sullivan 34 Sunset Limited 94 Rosa Barba David Tompkins 96 Nikolas Gambaroff 38 Notes on Nevill Street 98 Andy Coolquitt Matthew S. Witkovsky 100 Jessica Wozny 45 MPA 47 Katherine Hubbard 104 CHINATI PRESENTS 49 Carrie Yamaoka CHINATI PRESENTA 50 Rosa Barba Roni Horn The xx 54 AS IT FEELS Sounds Modern Richard Shiff World Monuments Fund Watch Day 65 LARRY BELL AT CHINATI 107 STAFF NEWS NOTICIAS DE NUESTRO PERSONAL 66 DONALD JUDD Y ALBERTO DURERO: GRABADOS 109 Internship Program 66 Donald Judd: Algunos aspectos de sus grabados Programa de becarios Brenda Danilowitz 69 Maestros Antiguos en el desierto 110 Funding Francesca Consagra Financiación 74 100 NORTH NEVILL STREET, 114 Visitor Information DE ZOE LEONARD Información para visitantes 74 Sunset Limited David Tompkins 78 Notas sobre Nevill Street 115 Staff/Board Matthew S. Witkovsky Personal/Consejo Credits/Colophon 80 MPA Reconocimiento/Colofón 82 Katherine Hubbard 83 Carrie Yamaoka 83 Rosa Barba Marfa and watching the discussion 100 obras de aluminio con acabado de stream live on Chinati’s website— molino de Donald Judd y los antiguos and we will continue to keep you in- cobertizos de artillería en los que están formed about our work in this area. instaladas, durante una mesa redon- Concurrent with our preservation ef- da celebrada en el Teatro Crowley de forts is the endeavor to fulfill the vi- Marfa el 2 de agosto. Varios expertos sion of what Chinati could be, first presentaron información sobre la histo- outlined by Judd in his Statement for ria, la instalación y el estado actual de the Chinati Foundation and devel- los edificios y las esculturas, además de oped over the following decades. As abordar la clase de decisiones que se we announced last year, Chinati is han de tomar para preservar Chinati adding a major permanent installa- para las generaciones venideras (véase El pasado octubre, tres días antes de tion by Robert Irwin to its collection. la página XX). Fue una oportunidad ma- que empezáramos a dar la bienvenida We are at the beginning of the fund- ravillosa de compartir esta información a amigos, invitados, la comunidad del raising campaign for this project and con la comunidad –en Marfa y viendo oeste de Texas y a los visitantes a Marfa are extremely grateful to our board la mesa redonda transmitida en directo para el Fin de Semana de Chinati, re- and early donors who have already en la página web de Chinati– y segui- cibimos la noticia de que la Fundación generously committed to the Irwin remos manteniéndole informado acerca Chinati había sido nominada para la project in the hopes of making it a de nuestro trabajo en este campo. lista destacada del Fondo Mundial de reality. The fundraising campaign to Paralelamente a nuestros esfuerzos de preservación está el esfuerzo para cum- plir con la visión de lo que podría ser Chinati, primero esbozada por Judd en su Declaración para la Fundación China- ti y desarrollada a lo largo de las déca- Last October, three days before we das siguientes. Tal y como anunciamos began welcoming friends, guests, el año pasado, Chinati está añadiendo a the West Texas community, and su colección una importante instalación visitors to Marfa for Chinati Week- permanente de Robert Irwin. Estamos end, we received the news that the al comienzo de la campaña de recau- Chinati Foundation had been nomi- dación de fondos para este proyecto nated to the World Monuments Fund y estamos muy agradecidos a nuestro 2014 Watch list. The Watch list consejo directivo y primeros donantes draws attention to sites of cultural que, de manera generosa, ya se han heritage that face particular preser- comprometido con el proyecto Irwin vation challenges. Chinati is deeply con la esperanza de hacerlo realidad. honored to be included on the list, La campaña de recaudación de fondos whose distinction draws attention not para apoyar el proyecto continúa a only to the museum’s preservation buen ritmo y durante el próximo año needs but also to the approaches we nos dirigiremos a los partidarios de are taking to address those needs. Chinati y a aquellos que creen en la Preservation of its art, architecture, importancia de la obra de Irwin para and land has been a central tenet que contribuyan a la campaña. Espera- of the Chinati Foundation since its mos comenzar con la construcción en el founding. In addition to its ongoing emplazamiento a principios de 2015 y conservation projects, Chinati has Monumentos de 2014. La lista destaca support the project continues apace abrir la instalación en 2016. been working diligently for several los lugares del patrimonio cultural que and over the next year we will be La instalación de Irwin en Chinati honra years to gather information and con- se enfrentan a desafíos particulares de reaching out to Chinati’s supporters un deseo que Judd expresó de ver el sider options for preservation, reno- preservación. Chinati se siente profun- and those who believe in the impor- arte de Irwin aquí en la colección. Ubi- vation, and restoration of the works damente honrada de ser incluida en la tance of Irwin’s work to contribute to cada en el emplazamiento del antiguo in the collection, the buildings and lista, cuya distinción llama la atención the campaign. We expect to break hospital del Fuerte D.A. Russell, la spaces that house them, and the no sólo a las necesidades de conser- ground on the site in early 2015 and obra será una de las más grandes ins- land in which they are situated. We vación del museo, sino también a las open the installation in 2016. talaciones permanentes de la singular shared aspects of this work, with a estrategias que estamos tomando para Irwin’s installation at Chinati hon- formación de la luz y el espacio que focus on Donald Judd’s 100 works hacer frente a esas necesidades. ors a desire Judd expressed to see hace Irwin. Su arquitectura, siguiendo in mill aluminum and the former La preservación de su arte, arquitectura Irwin’s art in the collection here. Situ- la huella de la estructura existente y artillery sheds in which they are in- y tierra ha sido un principio central de ated on the site of the former hospital la preservación de los elementos par- stalled, at a panel discussion held la Fundación Chinati desde su creación. for Fort D.A. Russell, the work will be ticulares de ella, será el único edificio at the Crowley Theater in Marfa on Además de sus proyectos de conserva- one of the largest permanent instal- diseñado por Irwin dedicado exclusiva- August 2. Several experts presented ción en curso, Chinati ha estado tra- lations of Irwin’s singular shaping mente a su obra. A Chinati le enorgu- information about the history, instal- bajando diligentemente durante varios of light and space. Its architecture, llece poder realizar este proyecto para lation, and current state of the build- años para recopilar información y estu- following the footprint of the existing Robert Irwin, en un lugar que tanto le ings and sculptures, as well as ad- diar las opciones para la preservación, structure and preserving elements ha inspirado y que sitúa su obra entre dressed the kinds of decisions to be renovación y restauración de las obras particular to it, will be the only build- sus primeros coetáneos, estableciendo made to preserve Chinati for genera- en la colección, los edificios y espacios ing designed by Irwin devoted exclu- un vínculo importante entre la obra de tions to come (see page 105). It was que las albergan y la tierra en que es- sively to his work. Chinati is proud to Judd, Flavin y Chamberlain y otros artis- a wonderful opportunity to share this tán ubicadas. Compartimos aspectos de realize this project for Robert Irwin, tas de la costa este que expandieron sus information with the community—in este trabajo, con especial atención a las in a place that has so inspired him ideas de lo que el arte podría ser, y la 2 and that situates his work among his de la generación de artistas de la costa hibition in the Ice Plant. Within this un año en la Planta de Hielo. Dentro de earliest peers, establishing an impor- oeste que les siguió directamente. Entre old industrial structure, Leonard has esta vieja estructura industrial, Leonard tant link between the work of Judd, esos artistas se encuentra Larry Bell, created a camera obscura, among ha creado una cámara oscura, entre las Flavin, and Chamberlain and other cuya instalación de obras de vidrio a the last in a series of cameras she últimas de una serie de cámaras que East Coast artists who expanded gran escala, no vistas desde hace más has built in spaces around the world. ha construido en espacios de todo el ideas of what art could be, and that de dos décadas, inaugurará el Fin de The building (by virtue of a lens set mundo.
Load more

Recommended publications
  • Curriculum Vitae of John Eusebio Klingemann
    CURRICULUM VITAE OF JOHN EUSEBIO KLINGEMANN ASU Station #10897 San Angelo, Texas 76909 325-942-2114 Work [email protected] Education Ph.D. University of Arizona, Tucson, Arizona, 2008 B.A. Sul Ross State University, Alpine, Texas, 1997 M.A. Sul Ross State University, Alpine, Texas, 2002 Teaching Experience Department of History – Angelo State University (Associate Professor) HIST 6350 Contemporary Mexico HIST 6351 U.S.-Mexico Borderlands (online) HIST 4370 Capstone: Historical Research and Methodology HIST 4360 Slavery in Latin America HIST 4351 Mexico Since Independence HIST 4313 U.S. – Mexico Borderlands HIST 3355 Latin America to 1800 HIST 3356 Latin America Since 1800 MAS 2301 Introduction to Mexican American Studies HIST 1302 United States History 1865 to the Present (face-to-face and online) HIST 1301 United States History to 1865 USTD 1201 Critical Thinking GS 1181 United States History on Film (Signature Course Freshman College) Department of History – University of Texas Permian Basin (Guest Assistant Professor) HIST 6314 Latin America Department of History – University of Arizona HIST 369 Mexico Since Independence (Teaching Assistant) HIST 361 The U.S.-Mexico Border Region (Instructor) Borderlinks – Tucson, Arizona HISTORY History of Mexico (Instructor) Department of Behavioral and Social Sciences – Sul Ross State University 3309 History of Texas (Instructor) 1 Work Experience 2019-Present Dean, College of Arts and Humanities, Angelo State University 2014-2019 Department Chair, Department of History, Angelo State University 2015-2016 Interim Department Chair, Department of Communication and Mass Media, Angelo State University 2019-Present Professor, Department of History, Angelo State University 2015-2019 Associate Professor, Department of History, Angelo State University 2008-2015 Assistant Professor, Department of History, Angelo State University 2007-2008 Professional Specialist in History, Department of History, Angelo State University Languages Proficient in English and Spanish.
    [Show full text]
  • This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
    “This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more.
    [Show full text]
  • Ian Siegal Wire the Crazy World of Arthur Brown
    OCTOBER 2013 SEPTEMBER 2013 LIVE IN LEICESTER PRESENTS... MAGIC TEAPOT PRESENTS... FRI 4 TUE 3 THE CRAZY WORLD OF ARTHUR BROWN JOHN MURRY £16adv - plus support £10adv - plus Liam Dullaghan The source of Arthur Brown’s music lies beyond both the spiritual Hailing from Tupelo, Mississippi; John Murry’s solo debut album and the material. His first album The Crazy World of Arthur Brown ‘The Graceless Age’ is imbued with the ghosts of the Southern was his theatrical statement of this. It, and the single Fire! - which states and the personal demons that have haunted him throughout came from it - were both a hit on the two sides of the Atlantic. his life. He has described himself as more absorbed in the world He is a performance artist who also became a rock icon and his of literature than in the day-to-day concerns of the modern world, influence was felt through his theatrical musical style, his theatrical and for good reason: he’s second cousin to William Faulkner and presentation, his dancing, and his vocal ability. His voice has been has spent much time with his second cousin’s work. Throughout described as “one of the most beautiful voices in rock music” and his songs in the key of heartbreak, there is nonetheless a strong his presentation is second to none! Recently he won Classic Rock’s and abiding sense of salvation and reconciliation. Showman of the Year Award. www.arthur-brown.com www.johnmurry.com TUE 15 XANDER PROMOTIONS PRESENTS... ROACHFORD THU 12 £12adv £14door KATHRYN WILLIAMS Ever since bulldozing his way onto the scene with unforgettable £12adv £14door - plus Alex Cornish tracks like ‘Cuddly Toy’ and ‘Family Man’ in the late 80s, Andrew Kathryn Williams’ artful and soulful compositions and sweet Roachford’s maverick take on music has spread far and wide.
    [Show full text]
  • Tom Mahoney Research Materials on Pancho Villa and the Mexican Revolution, 1890-1981
    http://oac.cdlib.org/findaid/ark:/13030/c81g0rs2 No online items Finding Aid for the Tom Mahoney research materials on Pancho Villa and the Mexican Revolution, 1890-1981 Beth Ann Guynn Finding Aid for the Tom Mahoney 2001.M.20 1 research materials on Pancho Villa and the Mexican Revolut... Descriptive Summary Title: Tom Mahoney research materials on Pancho Villa and the Mexican Revolution Date (inclusive): 1890-1981 Number: 2001.M.20 Creator/Collector: Mahoney, Tom Physical Description: 6.74 Linear Feet(8 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: The Tom Mahoney Research Materials on Pancho Villa and the Mexican Revolution comprises materials related to an unpublished book by Mahoney with the working title "P-a-n-c-h-o V-i-l-l-a: Bandit...Rebel...Patriot...Satyr," which he began working on in the late 1920s. Included is a partial typescript for the book and a paste-up of photographic illustrations. Research materials include hand- or type-written notes and transcriptions; extensive files of clippings from revolution-era and post-revolution Mexican and American newspapers; related manuscripts and publications and research-related correspondence. Also included are research files on topics of interest to Mahoney, many of which relate to his book and magazine publications, such as The Great Merchants and The Story of Jewelry. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection.
    [Show full text]
  • Bonanza Society
    MAY 2021 • VOLUME TWENTY-ONE • NUMBER 5 AMERICAN BONANZA SOCIETY The Official Publication for Bonanza, Debonair, Baron & Travel Air Operators and Enthusiasts We’d Just Like to Say… Thanks Falcon Insurance and the American Bonanza Society For over 20 years, Falcon Insurance and the American Bonanza Society have worked together toward a common goal of promoting the safe enjoyment of all Beechcraft airplanes. Your Beechcraft. Nothing brings us greater joy than working with such enthusiastic owner-pilots and finding the best prices for your aviation needs, and knowing that in doing so, we are encouraging safe flying by supporting ABS’ development of new and improved flight safety training programs. And for that, we say thanks. Thanks for letting us be a part of the for single engine aircraft – to major airports – and everything in between American Bonanza Society and the Air Safety Foundation… and thanks for trusting us with your insurance needs. Barry Dowlen Henry Abdullah President Vice President & ABS Program Director If you’d like to learn how Falcon Insurance can help you, Falcon Insurance Agency please call 1-800-259-4ABS, or visit http:/falcon.villagepress is the Insurance Program Manager for the ABS Insurance Program .com/promo/signup to obtain your free quote. When you do, we’ll make a $5 donation to ABS’ Air Safety Foundation. Falcon2 Insurance Agency • P.O. Box 291388, Kerrville,AMERICAN TX BONANZA 78029 SOCIETY • www.falconinsurance.com • Phone: 1-800-259-4227May 2021 We’d Just Like to Say… CONTENTS May 2021 AMERICA N Thanks BONANZA SOCIETY 2 President's Comments: Cultivating Passion Falcon Insurance and the American Bonanza Society May 2021 • Volume 21 • Number 5 By Paul Lilly For over 20 years, Falcon Insurance and the American Bonanza Society ABS Executive Director J.
    [Show full text]
  • PANCHO VILLA's ARMY in REVOLUTIONARY MEXICO By
    Triumph of the Vanquished: Pancho Villa's Army in Revolutionary Mexico Item Type text; Electronic Dissertation Authors Klingemann, John Eusebio Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 11:49:29 Link to Item http://hdl.handle.net/10150/193696 TRIUMPH OF THE VANQUISHED: PANCHO VILLA’S ARMY IN REVOLUTIONARY MEXICO by JOHN EUSEBIO KLINGEMANN _____________________ A Dissertation Submitted to the Faculty of the DEPARTMENT OF HISTORY In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2008 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by John Eusebio Klingemann entitled Triumph of the Vanquished: Pancho Villa’s Army in Revolutionary Mexico and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy ____________________________________________________________Date: 11/03/08 Oscar Martínez ____________________________________________________________Date: 11/03/08 Kevin Gosner ____________________________________________________________Date: 11/03/08 Katherine Morrissey ___________________________________________________________Date:
    [Show full text]
  • Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C
    DOCUMENT RESUME ED 301 906 C3 506 492 AUTHOR Newsom, Iris, Ed. TITLE Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C. REPORT NO ISBN-0-8444-0570-1; ISBN-0887-8234 PUB DATE 87 NOTE 189p. AVAILABLE FROMSuperintendent of Documents, U.S. Government Printing Office, Washington, DC 20402 (Ztock No. 030-001-00120-2, $21.00). PUB TYPE Collected Works - General (020) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Cultural Activities; *Dance; *Film Industry; *Films; Music; *Television; *Theater Arts IDENTIFIERS *Library of Congress; *Screenwriters ABSTRACT Liberally illustrated with photographs and drawings, this book is comprised of articles on the history of the performing arts at the Library of Congress. The articles, listed with their authors, are (1) "Stranger in Paradise: The Writer in Hollywood" (Virginia M. Clark); (2) "Live Television Is Alive and Well at the Library of Congress" (Robert Saudek); (3) "Color and Music and Movement: The Federal Theatre Project Lives on in the Pages of Its Production Bulletins" (Ruth B. Kerns);(4) "A Gift of Love through Music: The Legacy of Elizabeth Sprague Coolidge" (Elise K. Kirk); (5) "Ballet for Martha: The Commissioning of 'Appalachian Spring" (Wayne D. Shirley); (6) "With Villa North of the Border--On Location" (Aurelio de los Reyes); and (7) "All the Presidents' Movies" (Karen Jaehne). Performances at the library during the 1986-87season, research facilities, and performing arts publications of the library are also covered. (MS) * Reproductions supplied by EDRS are the best that can be made * from the original document. 1 U $ DEPARTMENT OP EDUCATION Office of Educational Research and Improvement 411.111....
    [Show full text]
  • Book Reviews
    East Texas Historical Journal Volume 31 Issue 1 Article 9 3-1993 Book Reviews Follow this and additional works at: https://scholarworks.sfasu.edu/ethj Part of the United States History Commons Tell us how this article helped you. Recommended Citation (1993) "Book Reviews," East Texas Historical Journal: Vol. 31 : Iss. 1 , Article 9. Available at: https://scholarworks.sfasu.edu/ethj/vol31/iss1/9 This Book Review is brought to you for free and open access by the History at SFA ScholarWorks. It has been accepted for inclusion in East Texas Historical Journal by an authorized editor of SFA ScholarWorks. For more information, please contact [email protected]. EAST TEXAS HISTORICAL ASSOCIATION 71 BOOK REVIEWS .,. 1992-93 Texas Almanac & State Industrial Guide. The Dallas Morning News (A.H. Bela Corp., P.O. Box 655237, Communications Center, Dallas, TX 76265; Distributed by Gulf Publishing Co., Box 2608, Houston, TX 77252-2608) 1991. Illustrations. Index. P. 656. $10.95. For more than 130 years, Texans have had valuable and up-to-date information on their state easily available in the Texas Almanac. From election returns to educational statistics, cotton production to stream flows, population to highway mileage - it's all there. Especially in recent years, under the editorship of Mike Kingston, new features seem to appear each year. The 1992-93 edition is no exception. The editor himself prepared .. two of these - a brief history of Spain in commemoration of the SOOth anniversary of Colombus's voyage and a breakdown of the political lean­ ings of the state's counties based on their voting records since 1968.
    [Show full text]
  • (Bass & Vocals), Bruce Gilbert
    WIRE 1977–1980 Wire were formed by Colin Newman (guitar & vocals), Graham Lewis (bass & vocals), Bruce Gilbert (guitar) and Robert Grey (drums). The band subjected themselves to a lengthy period of intense, 12-hour rehearsals, honing their (admittedly basic) musical skills until razor-sharp. What emerged was a version of rock shorn of all ornamentation and showbusiness. Newman and Gilbert’s chord sequences often took unexpected turns, Graham Lewis’s unique lyrics were vivid but oblique, and Grey’s drumming was minimal and metronomic. They may have arrived at the same time as punk and drawn on its initial burst of energy, but Wire’s forward-looking attitude meant they always stood apart from it. In fact, Wire could easily lay claim to having been the very first post- punk band. And yet, it’s equally true to say they could be viewed as part of the British tradition of left-field art-school bands that includes Roxy Music and The Pink Floyd. Wire played their debut proper at London’s Roxy club on 1 April, 1977. The band were immediately picked up by prodigious EMI offshoot label Harvest, and their debut album Pink Flag was released in December of the same year. The album was a collection of 21 songs, many of them sharp, abrasive and extremely short – six didn’t even make the one-minute mark. Yet many tracks, such as ‘12XU’ and ‘Ex-Lion Tamer’, are now rightly regarded as classics. Pink Flag received near universal acclaim and would be cited as a major influence on a panoramic range of artists, including Big Black, My Bloody Valentine, Blur, Henry Rollins, Joy Division and R.E.M.
    [Show full text]
  • Paolo Riguzzi Patricia De Los Ríos Las Relaciones México-Estados Unidos, 1756-2010
    Paolo Riguzzi Patricia De los Ríos Las relaciones México-Estados Unidos, 1756-2010. Volumen II. ¿Destino no manifiesto? 1867-2010 México Universidad Nacional Autónoma de México, Instituto de Investigaciones Históricas, Centro de Investigaciones sobre América del Norte/Secretaría de Relaciones Exteriores 2012 739 p. Ilustraciones, mapas (Historia Moderna y Contemporánea, 58) ISBN 978-607-02-3465-1 (obra completa) ISBN 978-607-02-3469-9 (volumen 2) Formato: PDF Publicado en línea: 2 de agosto de 2016 Disponible en: http://www.historicas.unam.mx/publicaciones/publicadigital/libros /mexusa/v2destino.html DR © 2016, Universidad Nacional Autónoma de México-Instituto de Investigaciones Históricas. Se autoriza la reproducción sin fines lucrativos, siempre y cuando no se mutile o altere; se debe citar la fuente completa y su dirección electrónica. De otra forma, requiere permiso previo por escrito de la institución. Dirección: Circuito Mtro. Mario de la Cueva s/n, Ciudad Universitaria, Coyoacán, 04510. Ciudad de México FUENTES Abbott, Gorham, Mexico and the United States, Their Mutual Relations and Com- mon Interests, Nueva York, G. P. Putnam’s Sons, 1869. Abella Armengol, Gloria, “La política exterior en la administración de Carlos Sali- nas de Gortari: la propuesta del cambio estructural”, Relaciones Internacio- nales, México, Facultad de Ciencias Políticas y Sociales, n. 62, abril-junio, 1994, p. 53-70. Aboites, Luis, Norte precario: poblamiento y colonización en México, 1760-1940, México, El Colegio de México/Centro de Investigaciones y Estudios Supe- riores en Antropología Social, 1995. ————, “Optimismo nacional: geografía, ingeniería hidráulica y política en México (1926-1976)”, en Brígida von Mentz (coord.), Identidades, Estado nacional y globalidad.
    [Show full text]
  • Forgotten Reach of the Rio Grande, Fort Quitman to Presidio, Texas Section 729 January 2008
    Forgotten Reach of the Rio Grande, Fort Quitman To Presidio, Texas Section 729 January 2008 Prepared by: US Army Corps of Engineers for the Albuquerque District i This page left intentionally blank Table of Contents Chapter 1 – Overview.................................................................................................................. 1 1.1 Study Authority and Reconnaissance Study ................................................................. 3 1.2 Feasibility Study................................................................................................................. 3 1.3 Local Sponsor’s Support................................................................................................... 5 1.4 Watershed Planning Goals, Methods, Objectives and Constraints........................... 5 1.4.1 Planning Goals ........................................................................................................... 5 1.4.2 Planning Methods ...................................................................................................... 5 1.4.3 Planning Objectives ................................................................................................... 6 1.4.4 Planning Constraints.................................................................................................. 6 1.5 Existing Studies.................................................................................................................. 7 Chapter 2 – Study Area Description.........................................................................................
    [Show full text]
  • Fort Leaton State Park
    TEXAS STATE PARKS Fort Leaton STATE HISTORIC SITE BIG BEND COUNTRY Fort Leaton STATE HISTORIC SITE Fort Leaton was established in 1848 as a border trading post by former Indian bounty hunter Benjamin Leaton. Located next to the Rio Grande on the Chihuahua Trail near Presidio, the massive adobe fortress protected his family and employees from Indian raids. Leaton was known for shadowy dealings and died in 1851. His widow, Juana Pedrasa, married Edward Hall, who was later murdered for failing to repay a debt. In 1875, Hall’s stepson (Leaton’s son) murdered his stepfather’s killer, who in the meantime had moved into Fort Leaton. Today, Fort Leaton State Historic Site preserves the structure’s colorful past and also the area’s cultural history. It serves as the western entrance into Big Bend Ranch State Park and the River Road FM 170. Historic Structure: One of the largest and best- preserved adobe structures in Texas. Self guided tours and, on weekends, volunteer-led guided tours. Interpretive Exhibits: Prehistory and history of the area. Battle of Ojinaga and Pancho Villa exhibit. Picnicking: Picnic sites for day use. Short nature trail. Information Center: Permits for Big Bend Ranch State Park. Texas State Parks Store: Unique gifts, books, etc. Marfa Alpine Marathon 90 67 118 385 Presidio Fort Leaton MEXICO State Historic Site 170 Rio GrandeTerlingua MEXICO Located in Presidio County, three miles southeast of Presidio on the River Road (F.M. 170) west of the Big Bend. www.texasstateparks.org Rates and reservations, (512) 389-8900. For information only, (800) 792-1112.
    [Show full text]