Mick Hucknall Gastiert Mit SIMPLY RED Im Juli 2016 Im Mainzer Volkspark

Total Page:16

File Type:pdf, Size:1020Kb

Mick Hucknall Gastiert Mit SIMPLY RED Im Juli 2016 Im Mainzer Volkspark 26. Oktober 2015 Mick Hucknall gastiert mit SIMPLY RED im Juli 2016 im Mainzer Volkspark (rap) „Big Love Tour“: Kartenvorverkauf ab 31.10. / Mick Hucknall: „Genau der richtige Moment“ / Mit den größten Hits auf Tour: Mainz am 29. Juli 2016 eine von acht Stationen Die „Big Love Tour“ von Simply Red wird von den Fans mit Begeisterung aufgenommen. Nach der enormen Resonanz auf die Hallentournee mit mehr als 100.000 Besuchern geben Mick Hucknall und seine Band im Sommer 2016 acht Open Air-Konzerte. Vom 22. bis 31. Juli präsentieren Simply Red ihren perfekten Mix aus Soul, Funk und Reggae sowie ihre geballten Greatest Hits. Die Band bringt am Freitag, 29. Juli 2016 einen von insgesamt acht Open-Air-Auftritten in Deutschland im Mainzer Volkspark auf die Bühne. Kulturdezernentin Marianne Grosse zeigte sich begeistert über diese hochkarätige Verpflichtung: „Simply Red ist eine jener Bands, die mich über Jahrzehnte begleitet hat - ich denke, da stehe ich nicht allein. Die unverwechselbare Stimme von Mick Hucknall ist unzähligen Menschen bestens vertraut. Simply Red ist eine musikalische Instanz und hat in der über 30jährigen Bandgeschichte zahllose Hits aus dem Hut gezaubert, die bleiben werden. Mir bedeutet Simply Red immens viel, da ich mit ihren Songs zahlreiche Erinnerungen verbinde. Ich habe so ziemlich alle Alben daheim im CD-Regal stehen und werde die Gelegenheit nutzen, Hucknall und Band auf der Bühne zu sehen, gerade da ihm der Ruf vorauseilt, live ein Naturerlebnis zu sein.“ Rund 30 Jahre nachdem sie begannen, Generationen mit ihrem unwiderstehlichen Soul zu faszinieren, hatten sich Simply Red zurückgemeldet. Rotschopf Mick Hucknall verspürte die Lust, dieses Jubiläum live mit einer Welttour zu zelebrieren. In seinen Worten war es „genau der richtige Moment für unsere Rückkehr“. Ihre Musik zeichnete sich stets durch eine eindrucksvolle, zeitlose Qualität aus, die der Band eine Vielzahl von Top 20-Hits in den Achtzigern, Neunzigern und nach 2000 bescherte. Gemeinsam mit den langjährigen Gefährten Ian Kirkham (Saxophon), Gitarrist Kenji Suziku, Bassist Steve Lewinson und Trompeter Kevin Robinson sowie weiteren Mitstreitern beendeten Simply Red ihre temporäre Auszeit. Sie wollen ihren loyalen Anhängern wieder das geben, worauf sie sehnsüchtig warten: Die Power des „Blue-Eyed Soul“. Simply Red haben mit ihrer mitreißenden Mischung aus Soul und Pop, ebenso eleganten wie einfühlsamen Balladen einen emotionalen Soundtrack ihrer Zeit geliefert. Ihre über 100 Single- und Album-Charterfolge erreichten eine Gesamtauflage von mehr als 55 Millionen Exemplaren. Dutzende von Gold- und Platinauszeichnungen pflasterten ihre erstaunliche Karriere. In über 1.200 Konzerten bejubelten 12 Millionen Fans musikalisch brillante Auftritte. Ihr Debutalbum „Picture Book“ und die Single „Money\'s Too Tight (To Mention)“ brachte 1985 mit einem R&B-Groove den Durchbruch. Der Millionenseller „Men And Women“ (1987) driftete treffsicher hin zum Funk und die überwältigenden Welterfolge „A New Flame“ (1989) und „Stars“ (1991) fanden eine genaue Balance zwischen den Genres. Auch als Simply Red mit dem globalen Nr. 1 Hit „Fairground“ und dem Album „Life“ 1995 Referenzen an die Modern Dance Music lieferten, blieben sie dennoch ihrem unverwechselbaren Sound treu. Mit „Blue“ (1998), „Love In The Russian Winter“ (1999), „Home“ (2003) und „Simplified“ (2005) knüpften Simply Red an die Tradition der Vorgänger-CDs an, reihten weiterhin Erfolg an Erfolg, bis hin zum 10. Studioalbum „Stay“ (2007). Sein besonderes Gespür für Soul-Klassiker und seine einzigartige Vokalqualität bewies Mick Hucknall immer wieder. So lieferte er beispielsweise bemerkenswerte Interpretationen wie „You Make Me Feel Brand New“ und „If You Don\'t Know Me By Now“ sowie seine Hommage an den einflussreichen Bobby ‚Blue‘ Bland oder sein American Soul Album. Immer wieder gelangen Mick Hucknall und Simply Red die perfekte Verschmelzung von Soul und Pop, wobei der Studiosound authentisch über die Rampe gebracht wurde. Selten hat sich ein britischer Sänger Technik und Resonanz der amerikanischen Soulstars so angenähert, wie dies Hucknall scheinbar mühelos schafft. Seine Songs „Holding Back The Years”, „The Right Thing”, „A New Flame”, „Stars” oder „You\'ve Got It” sind Glanzpunkte eines wahrlich außergewöhnlichen Jubiläums. Allgemeiner Vorverkaufsstart: Samstag, 31.10.2015, 09.00 Uhr Ticketpreis inkl. aller Gebühren 72,65 Euro Tickets und Infos: www.frankfurter-hof-mainz.de Tourist Service Center Mainz: Tel. 06131 – 242 888 Powered by TCPDF (www.tcpdf.org).
Recommended publications
  • L'osservatore Cult L'osservatore Cult
    L’osservatore cult Numero 3- 1 giugno 2008 Musica classica: georg friedrich HANDEL MUSIC for the royal fireworks Musika klassik: george friedrich handel music for the royal fireworks In questo numero voglio presentare una delle composizioni di uno dei musicisti simbolo della prima metà del XVIII secolo. Sto parlando di Georg Friedrich Handel e della Musica per i fuochi d'artificio reali. Handel naque ad Halle, in Germania, nelle vicinanze di Lipsia nel 1685 (lo stesso anno di nascita di Bach e Domenico Scarlatti). Si dedicò alla musica invece di intraprendere, come voleva il padre, la carriera di giurista. La sua carriera da musicista comincia nel 1702 presso la cattedrale di Halle, incarico che però dopo un anno abbandona per andare ad Amburgo. La sua prima opera lirica è del 1705, l'Almira, che riscuote un grande successo. In seguito a questo successo, Handel viene invitato alla corte dei Medici, a Firenze, dove si reca nel 1706, e da dove si sposta a Roma nel 1707, nella quale ha modo di conoscere Corelli, Caldara e Alessandro Scarlatti. La svolta avviene nel 1710 quando diviene maestro di cappella presso la corte inglese. E' in questo ambiente che Handel scrive l'opera che presento in questo numero. Nel 1748 viene firmata la pace di Aquisgrana, che mette fine alla guerra di successione austriaca, e l'avvenimento viene celebrato con grandi festeggiamenti, che prevedono anche i fuochi d'artificio, per cui Handel è incaricato di scrivere una compiosizione. Nasce in questo modo la Music of the royal fireworks, che all'inizio non prevede gli archi, su richiesta del maestro delle cerimonie reali.
    [Show full text]
  • Arguelles Climbs to Victory In2.70 'Mech Everest'
    MIT's The Weather Oldest and Largest Today: Cloudy, 62°F (17°C) Tonight: Cloudy, misty, 52°F (11°C) Newspaper Tomorrow: Scattered rain, 63°F (17°C) Details, Page 2 Volume 119, Number 25 Cambridge, Massachusetts 02139 Friday, May 7, 1999 Arguelles Climbs to Victory In 2.70 'Mech Everest' Contest By Karen E. Robinson and lubricant. will travel to Japan next year to ,SS!)( '1.1fr: .vOl'S UHI! JR The ramps were divided into compete in an international design After six rounds of competition, three segments at IS, 30, and 4S competition. Two additional stu- D~vid Arguelles '01 beat out over degree inclines with a hole at the dents who will later be selected will 130 students to become the champi- end of each incline. Robots scored compete as well. on of "Mech Everest," this year's points by dropping the pucks into 2.;0 Design Competition. these holes and scored more points Last-minute addition brings victory The contest is the culmination of for pucks dropped into higher holes. Each robot could carry up to ten the Des ign and Engineering 1 The course was designed by Roger pucks to drop in the holes. Students (2,.007) taught by Professor S. Cortesi '99, a student of Slocum. could request an additional ten Alexander H. Slocum '82. Some robots used suction to pucks which could not be carried in Kurtis G. McKenney '01, who keep their treads from slipping the robot body. Arguelles put these finished in second place, and third down the table, some clung to the in a light wire contraption pulled by p\~ce finisher Christopher K.
    [Show full text]
  • Download File
    Spectatrices: Moviegoing and Women’s Writing, 1925-1945 Nolan Gear Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2021 © 2021 Nolan Gear All Rights Reserved Abstract Spectatrices: Moviegoing and Women’s Writing, 1925-1945 Nolan Gear How did cinema influence the many writers who also constituted the first generation of moviegoers? In Spectatrices, I argue that early moviegoing was a rich imaginative reservoir for anglophone writers on both sides of the Atlantic. Coming to cinema from the vantage of the audience, I suggest that women of the 1920s found in moviegoing a practice of experimentation, aesthetic inquiry, and social critique. My project is focused on women writers not only as a means of reclaiming the femininized passivity of the audience, but because moviegoing offered novel opportunities for women to gather publicly. It was, for this reason, a profoundly political endeavor in the first decades of the 20th century. At the movies, writers such as Jessie Redmon Fauset, Zora Neale Hurston, H.D., Dorothy Richardson, and Virginia Woolf developed concepts of temporary community, alternative desire, and discontinuous form that they then incorporated into their literary practice. Where most scholarship assessing cinema’s influence on literature is governed by the medium-specificity of film, my project emphasizes the public dimension of the movies, the fleeting and semi-anonymous intimacy of the moviegoing audience. In turning to moviegoing, Spectatrices opens new methods of comparison and cross-canonical reorganization, focusing on the weak social ties typified by moviegoing audiences, the libidinal permissiveness of fantasy and diva-worship, the worshipful rhetoric by which some writers transformed the theater into a church, and most significantly, the creation of new public formations for women across different axes of class, gender, and race.
    [Show full text]
  • De Classic Album Collection
    DE CLASSIC ALBUM COLLECTION EDITIE 2013 Album 1 U2 ‐ The Joshua Tree 2 Michael Jackson ‐ Thriller 3 Dire Straits ‐ Brothers in arms 4 Bruce Springsteen ‐ Born in the USA 5 Fleetwood Mac ‐ Rumours 6 Bryan Adams ‐ Reckless 7 Pink Floyd ‐ Dark side of the moon 8 Eagles ‐ Hotel California 9 Adele ‐ 21 10 Beatles ‐ Sgt. Pepper's Lonely Hearts Club Band 11 Prince ‐ Purple Rain 12 Paul Simon ‐ Graceland 13 Meat Loaf ‐ Bat out of hell 14 Coldplay ‐ A rush of blood to the head 15 U2 ‐ The unforgetable Fire 16 Queen ‐ A night at the opera 17 Madonna ‐ Like a prayer 18 Simple Minds ‐ New gold dream (81‐82‐83‐84) 19 Pink Floyd ‐ The wall 20 R.E.M. ‐ Automatic for the people 21 Rolling Stones ‐ Beggar's Banquet 22 Michael Jackson ‐ Bad 23 Police ‐ Outlandos d'Amour 24 Tina Turner ‐ Private dancer 25 Beatles ‐ Beatles (White album) 26 David Bowie ‐ Let's dance 27 Simply Red ‐ Picture Book 28 Nirvana ‐ Nevermind 29 Simon & Garfunkel ‐ Bridge over troubled water 30 Beach Boys ‐ Pet Sounds 31 George Michael ‐ Faith 32 Phil Collins ‐ Face Value 33 Bruce Springsteen ‐ Born to run 34 Fleetwood Mac ‐ Tango in the night 35 Prince ‐ Sign O'the times 36 Lou Reed ‐ Transformer 37 Simple Minds ‐ Once upon a time 38 U2 ‐ Achtung baby 39 Doors ‐ Doors 40 Clouseau ‐ Oker 41 Bruce Springsteen ‐ The River 42 Queen ‐ News of the world 43 Sting ‐ Nothing like the sun 44 Guns N Roses ‐ Appetite for destruction 45 David Bowie ‐ Heroes 46 Eurythmics ‐ Sweet dreams 47 Oasis ‐ What's the story morning glory 48 Dire Straits ‐ Love over gold 49 Stevie Wonder ‐ Songs in the key of life 50 Roxy Music ‐ Avalon 51 Lionel Richie ‐ Can't Slow Down 52 Supertramp ‐ Breakfast in America 53 Talking Heads ‐ Stop making sense (live) 54 Amy Winehouse ‐ Back to black 55 John Lennon ‐ Imagine 56 Whitney Houston ‐ Whitney 57 Elton John ‐ Goodbye Yellow Brick Road 58 Bon Jovi ‐ Slippery when wet 59 Neil Young ‐ Harvest 60 R.E.M.
    [Show full text]
  • Bubbles S4,4 Vili Hr ' Still Seeks 874ßnshernmoroed ' Ilu G-Tr Damages"
    Park studies alternati ,Library hoard reviews to soariñginsurance rates annexation defeat atpolls Eileen Hlrschfeld . by Sylvia Dalrysnpie Because of the soaring cooto ofssronce crises. "We must find,tionto the park diatrictforany in- Reporting on the Nov. 5 cIen- According to the attorney, liabifity insurance, park districtwayn to cat awsaace (liability) jsryelaisn,"hesaid. lino at the Niles Library Board precinct 74 in half io and 1mB out' Commissioners are considering claims because ifJfr risk factors Berrafato àdmitted'it's ost on Meeting, the library attorneyof the District hut residents adopting a program waiverinvolved in:,recrealional "ahoolatesolution"tothe said the annexation referendum there, regardless of where they classeforparticipantsin programo," he naid. liability insurance problem, hot it 'failed io two areas fo be annexed lived, voted for alt three itesss. recreational activitien. 1f the meansre io adopted, it is o step in the right directiso. hut was passed io the Nites He 'said there was a According to board attorney wonld meanallporlicipanlu in Programs cited which hove a Public Library District. By law,."mathematical posaibility" the - Gabriel Berrofoto, the park programo must sign a waiver in certain degree of rink were the referendum would have to referendûmcoutd have passed district, like other governmentot an activity which conld result in volleyball, softball, ice skating, pass in areas to be annexed as, and booed members could decide bodies, is facing o sermon in- injury.This wosld give prnlec- Continsedsa Page 43 wellasthe District. - Csntirnied an Page 43 - Bubbles s4,4 Vili hr ' still seeks 874ßNShernmoRoed ' iLu g-tr damages" ' 25° per copy VOL 29, NO.
    [Show full text]
  • Engaging Stories
    ENGAGING STORIES: MEANINGS, GOODNESS, AND IDENTITY IN DAILY LIFE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by John Adam Armstrong August 2015 © 2015 John Adam Armstrong ENGAGING STORIES: MEANINGS, GOODNESS, AND IDENTITY IN DAILY LIFE John Adam Armstrong, Ph. D. Cornell University 2015 With this dissertation I’ve attempted to encircle the idea of engagement—a term that's becoming more and more popular of late as public institutions attempt to frame how exactly they work with, for, or on, the public. In this work, I address four questions. What is engagement, institutionally speaking? How might institutions need to reconsider engagement? What is engagement for me? And ultimately, so what? The short answer is that engagement is a story. It's a story we tell ourselves about how people (should) interact with one another to make the world as it is, the way it should be. That being said, there are many different stories of engagement that fit this rubric—from unjust wars to happy marriages. They develop different characters, different settings, and different meanings, and in the end these stories have different morals with different consequences. These differences matter. With this dissertation I try to do away with some of the muddle between these different stories. I am not trying to do away with difference—just trying to give difference fair play. I also tell a very different story of engagement gleaned from my own experience and the experiences of a number of others in Tompkins County, NY.
    [Show full text]
  • 2 CD (1 CD 29.01 Perc ; 2
    C 20 The Christmas Sing-a-long Collection . — [s.l.] : Play 24-7 Limited, cop. 2008 . — 2 CD (1 CD_ 29.01 perc ; 2. CD: 29.33 perc) Komolyzene, könnyűzene, tradicionális, karácsony 5051503901429 : 990,- Ft komolyzene, könnyűzene, tradicionális, karácsony Példány adatok: CD6153.1 C 20 Fz (KÜLFÖLDI KÖNNYŰ) 19 CD6153.2 C 20 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- E 35 Electro Jazz Crooners Vol. 1. — [s.l.] : Wagram Music, 2006 . — 1 CD (75.51 perc) Könnyűzene, Elektronikus, Nujazz, Headz, Groove 3113632 : 4649,- Ft Könnyűzene, Elektronikus, Nujazz, Headz, Groove Példány adatok: CD4062 E 35 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- I 52 In bed with nova : Deuxiéme nuit . — Paris : Nova Records, 2006 . — 1 CD (71.58 perc) Könnyűzene, Elektronikus 3112262/WAG 331 : 3799,- Ft Könnyűzene, Elektronikus Példány adatok: CD4055 I 52 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- J 63 Jive : Ouvrir Nos Coeurs : Crazy Love : Just For You . — [s.l.] : Azzura Music Srl, [cop. 2007] . — 1 CD (32.39 perc) . — (Ballroom Music Series ; CD 10) Könnyűzene, Pop, Táncoktatás TBPB1009 . 1005 : 624,- Ft Könnyűzene, Pop, Táncoktatás Példány adatok: CD4904 J 63 Fz (KÜLFÖLDI KÖNNYŰ) 11 ------------------------------------------------- L 71 Listening Pearls Vol. 3. — [s.l.] : InterGroove, 2001 . — 1 CD (62.46 perc) Könnyűzene, Elektronikus Mole cd 042-2 : 3488,- Ft Könnyűzene, Elektronikus Példány adatok: CD4054 L 71 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- P 39 Paso Doble : Spetacular : El Beso : Pasolindo . — [s.l.] : Azzura Music Srl, cop. 2007 . — 1 CD (38.14 perc) . — (Ballroom Music Series ; CD 7) Könnyűzene, Pop, Táncoktatás TBPB1006 : 624,- Ft Könnyűzene, Pop, Táncoktatás Példány adatok: CD4912 P 39 Fz (KÜLFÖLDI KÖNNYŰ) 11 ------------------------------------------------- Q 50 Quick Step - Fox Trot : This Can't Be Love : Lullaby of Broadway : Mrs Robinson .
    [Show full text]
  • The “Pop Pacific” Japanese-American Sojourners and the Development of Japanese Popular Music
    The “Pop Pacific” Japanese-American Sojourners and the Development of Japanese Popular Music By Jayson Makoto Chun The year 2013 proved a record-setting year in Japanese popular music. The male idol group Arashi occupied the spot for the top-selling album for the fourth year in a row, matching the record set by female singer Utada Hikaru. Arashi, managed by Johnny & Associates, a talent management agency specializing in male idol groups, also occupied the top spot for artist total sales while seven of the top twenty-five singles (and twenty of the top fifty) that year also came from Johnny & Associates groups (Oricon 2013b).1 With Japan as the world’s second largest music market at US$3.01 billion in sales in 2013, trailing only the United States (RIAJ 2014), this talent management agency has been one of the most profitable in the world. Across several decades, Johnny Hiromu Kitagawa (born 1931), the brains behind this agency, produced more than 232 chart-topping singles from forty acts and 8,419 concerts (between 2010 and 2012), the most by any individual in history, according to Guinness World Records, which presented two awards to Kitagawa in 2010 (Schwartz 2013), and a third award for the most number-one acts (thirty-five) produced by an individual (Guinness World Record News 2012). Beginning with the debut album of his first group, Johnnys in 1964, Kitagawa has presided over a hit-making factory. One should also look at R&B (Rhythm and Blues) singer Utada Hikaru (born 1983), whose record of four number one albums of the year Arashi matched.
    [Show full text]
  • Simply Red Er Tilbage, "Big Love" Udkommer Den 1. Juni
    2015-04-20 11:47 CEST SIMPLY RED ER TILBAGE, "BIG LOVE" UDKOMMER DEN 1. JUNI Simply Red release their first new studio album in eight years with ‘Big Love’ out June 1st on East West Records. When the band announced a massive world tour to celebrate their 30th anniversary last autumn, main man Mick Hucknall started thinking about recording again. “Once I began wondering how Simply Red were going to sound, I started writing songs,” says Mick. And once he started, he couldn’t stop. ‘Big Love’ is the first Simply Red album to feature only original compositions since 1995’s ‘Life’. All twelve tracks are written by Mick Hucknall and produced by Andy Wright. Highlights include the celebratory first single ‘Shine On’ driven by their trademark blue-eyed soul sound and ‘The Ghost Of Love’, a big soul song punctuated by wah-wah guitar and the kind of bold orchestral strokes that once powered Barry White and his Love Unlimited. The break has done Mick Hucknall a power of good, newly refreshed he now has a much clearer appreciation of Simply Red’s considerable legacy. He admits that the band’s last studio album in 2007, ‘Stay’, was an attempt to pull away from their sound. “With ‘Stay’ I was running away from Simply Red,” Mick admits. “But now I’m comfortable with the notion of us as a blue-eyed soul group. I had to stop myself fighting that idea. Our sound is original too. I honestly don’t know of another band that has pulled so many musical strands together.” Quite simply, ‘Big Love’ is Simply Red at their best, 12 tracks to cherish.
    [Show full text]
  • Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 109 CONGRESS, FIRSTSESSION
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 109 CONGRESS, FIRSTSESSION Vol. 151 WASHINGTON, TUESDAY, MARCH 15, 2005 No. 31 House of Representatives The House met at 9 a.m. and was in a global war against terrorism, we possible leadership, the finest training, called to order by the Speaker pro tem- have military forces deployed around and up-to-date and working equipment, pore (Mr. PORTER). the world, and we are involved in two protective armor body, and vehicle f shooting wars in Iraq and in Afghani- armor. We in Congress have a duty to stan. These deployments and these con- ensure that they have all the tools DESIGNATION OF THE SPEAKER flicts are putting a terrible strain on they need to succeed on the battlefield. PRO TEMPORE our military, on our troops, on our We also have a duty to provide for The SPEAKER pro tempore laid be- equipment, on our military families, their families while they are deployed fore the House the following commu- on our defense budget, and on our na- in service to our great Nation. We have nication from the Speaker: tional economy. a duty to take care of the families of WASHINGTON, DC, I believe we will overcome these those who are killed and those who are March 15, 2005. challenges because we have the great- wounded. I hereby appoint the Honorable JON C. POR- est treasure in the world, our service Mr. Speaker, we also have a duty to TER to act as Speaker pro tempore on this men and women, who are selflessly our citizen soldiers, members of the day.
    [Show full text]
  • Simply Red Pubblicano, Lunedì 1 Giugno "Big Love" Il Nuovo Album in Studio
    VENERDì 29 MAGGIO 2015 Dopo 8 anni I Simply Red pubblicano, lunedì 1 giugno "Big Love" il nuovo album in studio. Quando, lo scorso autunno, la band annunciò l'imponente world tour per celebrare il 30° anniversario, Mick Hucknall Simply Red: esce l'1 giugno 'Big iniziò a pensare ad un nuovo disco. Love' "Appena mi sono chiesto che suono avremmo avuto, ho iniziato a Il nuovo album a 8 anni dal precedente lavoro scrivere nuovi brani", dice Mick. E una volta iniziato, non si è più fermato. in studio "Big Love" è il primo album contenente nuove canzoni originali dopo "Life" del 1995. Tutti I 12 brani sono stati scritti da Mick Hucknall e prodotti da Andy Wright. LUCIA SAVINO I punti di forza del disco sono i singoli "Shine On", trainato dal classico "blue-eyed soul", marchio di fabbrica della band e "The Ghost Of Love" (secondo singolo in radio dal 29 giugno), brano molto soul punteggiato dal wah-wah della chitarra e dal coraggioso arrangiamento orchestrale dello stesso tipo di quello che un tempo ha caratterizzato il suono di Barry White e della sua Love Unlimited Orchestra. [email protected] SPETTACOLINEWS.IT La pausa ha fatto un gran bene a Mick Hucknall; rigenerato e in forma ora Mick apprezza molto più consapevolmente la consistente eredità sonora dei Simply Red e ammette che "Stay" del 2007 fu un tentativo di allontanamento dal loro classico sound. "Con "Stay" stavo cercando di scappare dai Simply Red," ammette. "Ora mi sento a mio agio con la nozione di noi come band di "blue-eyed soul".
    [Show full text]
  • Vol 30, Number 2 Spring 1988.Pdf
    N O V A S C O T I A B I R D S A Publication of the Nova Scotia Bird Society Volume 30 Number 2 April 1988 EDITORIAL BOARD Editor-in-Chief Shirley Cohrs Records Editor Bob Dickie Photographic Editor Ian McLaren Christmas Counts Mary and Ross Anderson Seasonal Bird Reports R. G. B. Brown Shirley Cohrs David Currie Cover: Red-tailed Hawk Ian McLaren caught in a leg-hold Peter Payzant trap--by Elaine Kew Francis Spalding Keith Keddy TABLE OF CONTENTS SANCTUARY & SCHOLARSHIP TRUST FUND 1 Bird Reports - Winter Birds 1987-88 23 Upcoming Field Trips 42 A Closer Look at the Song Sparrow - c. Naugler 44 Birding Etiquette 47 Eurasian Kestrel - E.L. Mills 49 Nova Scotia Christmas Counts 1987/88 Ross & Mary Anderson 55 Christmas Count Summary 63 Use of photographs from NOVA SCOTIA BIRDS requires written permission from the photographer. Cost of the publication of this periodical is partially born by the Nova Scotia Museum. ISSN 0383-9567 Second Class Mail Reg. No. 4628 1 THE SANCTUARY & SCHOLARSHIP TRUST FUND In this edition of Nova Scotia Birds, we hope to make our members more familiar with the activities of the Sanctuary and Scholarship Trust Fund from the time of its formation up to the present. 1988 Directors of the Sanctuary and Scholarship Trust Fund. Left to right: Peter Payzant, Bob Dickie, Shirley Cohrs (Chairman), Milton Gregg, Don Purchase, Dave Currie. LET US BEGIN WITH ITS HISTORY, WRITTEN BY C.R.K. ALLEN FOR THE ANNIVERSARY ISSUE IN 1980. 2 *********************** 45- THE HISTORY -1 OF THE I SANCTUARY AND SCHOLARSHIP * TRUST FUND I t********************** c.
    [Show full text]