Annual Report 2016-2017
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Network Films: a Global Genre?
Network Films: a Global Genre? Vivien Claire Silvey December 2012 A thesis submitted for the degree of Doctor of Philosophy of The Australian National University. ii This thesis is solely my original work, except where due reference is given. iii Acknowledgements I am extremely grateful for all the time and effort my dear supervisor Cathie Summerhayes has invested throughout this project. Her constant support, encouragement, advice and wisdom have been absolutely indispensable. To that master of words, puns and keeping his hat on during the toughest times of semester, Roger Hillman, I extend profound gratitude. Roger‟s generosity with opportunities for co-publishing, lecturing and tutoring, and enthusiasm for all things Turkish German, musical and filmic has been invaluable. For all our conversations and film-loans, I warmly say to Gino Moliterno grazie mille! I am indebted to Gaik Cheng Khoo, Russell Smith and Fiona Jenkins, who have provided valuable information, lecturing and tutoring roles. I am also grateful for the APA scholarship and for all the helpful administration staff in the School of Cultural Inquiry. At the heart of this thesis lies the influence of my mother Elizabeth, who has taken me to see scores of “foreign” and “art” films over the years, and my father Jerry, with whom I have watched countless Hollywood movies. Thank you for instilling in me a fascination for all things “world cinema”, for your help, and for providing a caring home. To my gorgeous Dave, thank you for all your love, motivation, cooking and advice. I am enormously honoured to have you by my side. -
1St Filmfare Awards 1953
FILMFARE NOMINEES AND WINNER FILMFARE NOMINEES AND WINNER................................................................................ 1 1st Filmfare Awards 1953.......................................................................................................... 3 2nd Filmfare Awards 1954......................................................................................................... 3 3rd Filmfare Awards 1955 ......................................................................................................... 4 4th Filmfare Awards 1956.......................................................................................................... 5 5th Filmfare Awards 1957.......................................................................................................... 6 6th Filmfare Awards 1958.......................................................................................................... 7 7th Filmfare Awards 1959.......................................................................................................... 9 8th Filmfare Awards 1960........................................................................................................ 11 9th Filmfare Awards 1961........................................................................................................ 13 10th Filmfare Awards 1962...................................................................................................... 15 11st Filmfare Awards 1963..................................................................................................... -
School of Filmmaking
VISION To create a state-of-the-art institution that sets new standards of world-class education in film, media and entertainment. MISSION Benchmarking quality, inspiring innovation, encouraging creativity & moulding minds, by leading from the front in the field of film, media and entertainment education. ONE OF THE TEN BEST FILM SCHOOLS IN THE WORLD ~ THE HOLLYWOOD REPORTER Degree courses in partnership 1100+ Media with Media and Studies Space Film Industry Curriculum for TISS Alumni CBSE MUMBAI 5.5 700 8 Acre Campus Students Schools SCHOOL OF FILMMAKING SCHOOL OF ANIMATION ACTORS’ STUDIO SCHOOL OF MEDIA & COMMUNICATION SCHOOL OF FASHION SCHOOL OF MUSIC SHORT COURSE UNIT VIRTUAL ACADEMY Subhash Ghai Chairman Founder & Chairman, Whistling Woods International Chairman, Mukta Arts Limited Member, Executive Committee Film & Television Producers Guild of India Member, United Producers Forum Education Evangelist Karmaveer Chakra Awardee Subhash Ghai is a globally renowned filmmaker having directed 18 films over a three decade career, with 14 of them being blockbusters. Recipient of many national and international awards; he has also been honoured by the United States Senate. He was the former Chairman of the Entertainment Committee of the trade body CII and a member of FICCI, NASSCOM and TIE Global & its alliances. He has been invited to address various forums and seminars on corporate governance and the growth of the Media & Entertainment industry globally & in India. Film school was a key phase of my life and possibly the best decision I have ever made. That said, my idea of KNOWLEDGE, film education changed significantly before, during and after my schooling. -
Nandita Das & Maithili Rao Join Eminent Film Writers on the Advisory
PRESS RELEASE Nandita Das & Maithili Rao join eminent film writers on the Advisory Council for New Voices Fellowship for Screenwriters, a program launched by Asia Society July 11, 2011, Mumbai: Nandita Das and Maithili Rao unite with Dev Benegal, Saket Chaudhary and Jaideep Sahni as a part of the Advisory Council led by Anjum Rajabali for the New Voices Fellowship for Screenwriters initiated by Asia Society. Bunty Chand and Rachel Cooper of Asia Society are also members of the Advisory Council. It is a program to identify and support a group of six talented independent screenwriters to develop their feature film scripts by working in a dynamic and innovative environment with guidance from eminent filmmakers and screenwriters. The project mentors are the likes of Ashwini Malik, Sriram Raghavan and Vinay Shukla. Screenwriters, existing and aspiring, from across the country can feel free to submit an original story for consideration between July 11 and August 31, 2011. Time Warner is the Founding Sponsor of the New Voices Fellowship for Screenwriters. “We are delighted to launch the New Voices Fellowship for Screenwriters. This initiative, coordinated by Asia Society’s offices in New York and India, represents Asia Society’s commitment to fostering creativity and nurturing new talent whether it be Asia Society’s commitment to young leaders, women or in this instance, New Voices in Screen Writing, ” says Bunty Chand, Executive Director of Asia Society India Centre. This fellowship is an opportunity for screenwriters who are seeking to write powerful, nuanced and well-crafted scripts and at the same time trying to explore new approaches to the art of writing for cinema. -
Indian New Zealand’S Frst Indian Weekend Magazine for Free Distribution
Spm 7, 2012 Vlm 4, N. 10 .k.c.nz Indian New Zealand’s frst Indian weekend magazine For Free diStributioN The Pulse of Kiwi Indians • Money Transfers • Money Exchange • Wire Transfers Ph: 0508 411111 Keep Watching for Promotions on Our Website Email: [email protected] | www.relianzforex.com facebook.com/relianz 632 Dominion Rd | 195 New Windsor Rd, Avondale | 541B Sandringham Rd | 32 Queen Street | Unit 19, 185 Great South Road, Manurewa xtt SSiinn gaa poorree’’ s nnee P Pgg 5 5 Pg13 P Pgg 3 3 Change Pg21 Pg19 for the better at SAVE ON > MORTGAGE INTEREST > INSURANCE PREMIUM Talk to us & we will show you how... Call now on 255 5500 Indian Ne Zeaan Same-se marriage bi passed, FIANZ t register cncern ArwA JANJAli In the wake of vehement protests from several Indian and religious organisations (especially Muslim associations), the Mortgage Brokers | Insurance Brokers | Financial Advisers | Tax Consultants Marriage Amendment Bill proposed by Professional Financial Solutions provides the best advice on all financial matters Labour Party MP Louisa Wall passed its rst reading in Parliament on September 4. Our new Insurance Advisers Overjoyed with the unexpected 80 Call our votes instead of 61, Wall must have won the rst step of her battle to secure equal Insurance Advisers marriage rights for couples of the same- sex but the bill still remains a grave concern for the ones who have been op- for any posing it from the time of its inception. Anwar Ghani, president of The Fed- Vishal Jain Tarundeep Chadha Insurance Advice eration of Islamic Associations of New 022 043 0336 022 043 0337 Zealand (FIANZ) told Indian Weekender Ravi Mehta is an Authorised Financial Adviser who can offer you Financial Planning Services that now that the bill has passed the rst stage in Parliament, the people who are FEATURES SERVICES against it will stick to their guns too and -- Upto 95% Home Loans Accredited member of go ahead and do what it takes to register -- Business Loans their concerns. -
Sports and Indian Culture in Popular Film
Sports, Culture, and Asia Sports and Indian Culture in Popular Film By Coonoor Kripalani ndia is more likely to be associated with Bollywood film culture than sports. So what does the largest film industry in the world, in terms of output, tell us about sports? And what is the place of sports in the national culture? Of the six films selected here I(available through online retail stores such as Amazon) to answer these questions, two deal with cricket, two are biopics about Olympian athletes in track and field and boxing, and the other two deal with hockey and soccer. Half these films are about women athletes, which helps reveal how women are treated in sports. The films provide a commentary on the uphill task of becoming a champion, the par- Sania Mirza. Source: Robbie Mendelson on Wikimedia Commons ticular difficulties of women athletes in a conservative society, and the particularly Indian at http://tinyurl.com/z7hbdd4. viewpoint on this subject. Films both reflect and shape viewers’ attitudes toward sporting culture. To accommodate these attitudes and enhance the achievements of the sporting champions, the biopics reviewed here do not necessarily faithfully recount every event in the lives of their subjects. They are highly dramatized accounts that may gloss over cer- tain facts and present certain inaccuracies. This in itself indicates the mythmaking around sports personalities, with their narratives that create undisputed, larger-than-life heroes for the national polity. Milkha Singh as a young man. Milkha Singh today. P. T. Usha. Source: IndiaWest.com at http://tinyurl.com/jhurmt3. Source: Alchetron website at http://tinyurl.com/gsvcslb. -
CATALOGO FILM.Pdf
DVD Poster Genere - Anno - Paese Lingua Cast Sceneggiatura Invent. COLL. Regia Titolo Trailer Durata Marina Golbahari Arif V.O. pashtu Lungometraggio Herati Zubaida Sahar Afghanistan Siddiq Barmak sott. italiano 2003 Siddiq Barmak DO 10147 af1 Osama Khwaja Nader dop. italiano 83 min Hamida Refah Syngué sabour, Afghanistan Golshifteh Farahani V.O. pharsi Lungometraggio Atiq Rahimi Francia pierre de patience Hamid Djavadan Atiq Rahimi sott. italiano 2012 Jean-Claude af2 Massi Mrowat Germania Come pietra dop. italiano 102 min Carrière Hassina Burgan UK paziente Waad Mohammed V.O. arabo Lungometraggio Wadjda Reem Abdullah Haifaa Al- Arabia Saudita Haifaa Al-Mansour sott. italiano 2012 19071 ksa1 Abdullrahman Al Mansour La bicicletta verde dop. italiano 98 min Gohani | V.O. Documentario Austria Michael Michael Glawogger multilingua sott 2005 12522 a1 Workingman's Death Glawogger Germania italiano 122 min Mirjana Karanovic Lungometraggio Zrinka Cvitesic Bosnia Na putu V.O. bosniaco 2005 Jasna Beri Jasmila Žbanić 12577 bih1 Jasmila Zbanic sott. italiano Erzegovina Il sentiero 96 min Leon Lucev Mirvad Kuric Yosif Sarchadzhiev Georgi Danailov Lungometraggio Rusi Chanev Vreme na nasilie da un racconto Bulgaria Ludmil Staikov dop. italiano 1988 Ivan Krystev 12496 bg1 di Anton In nome della fede 288 min Anya Pencheva Donchev Valter Toski Sana Alaoui Marzia Tedeschi Rachid Benhadj Algeria Italia Lungometraggio El khoubz el hafi David Halevim da un racconto Francia Rachid Benhadj dop. italiano 2005 DO 10195 dz1 Karim Benhadj di Mohammed Il pane nudo 96 min Marocco Rachid Benhadj Choukri Ahmed El Kouriachi Kim Thida Le papier ne peut Documentario Kim Phirom Cambogia V.O. khmer 2007 Kim Sarcth Rithy Panh DO 10382 misc1 Rithy Panh pas envelopper la sott. -
Lifting the Veil on Hindi Film Song Sequences: an Approach to Analysis
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2015 Lifting the Veil on Hindi Film Song Sequences: An Approach to Analysis Maria A. Souliotis University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Asian Studies Commons, Ethnomusicology Commons, and the Film and Media Studies Commons Recommended Citation Souliotis, Maria A., "Lifting the Veil on Hindi Film Song Sequences: An Approach to Analysis" (2015). Electronic Theses and Dissertations. 1067. https://digitalcommons.du.edu/etd/1067 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. LIFTING THE VEIL ON HINDI FILM SONG SEQUENCES: AN APPROACH TO ANALYSIS __________ A Thesis Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Master of Arts __________ by Maria A. Souliotis November 2015 Advisor: Dr. John J. Sheinbaum ©Copyright by Maria A. Souliotis 2015 All Rights Reserved Author: Maria A. Souliotis Title: LIFTING THE VEIL ON HINDI FILM SONG SEQUENCES: AN APPROACH TO ANALYSIS Advisor: Dr. John J. Sheinbaum Degree Date: November 2015 Abstract This thesis seeks to augment previous scholarly research on Hindi film song through the presentation of a multivalent approach to thoroughly understanding and interpreting Hindi film song sequences. In a case study of the song sequence “Pard ā Haı ̃ Pard ā” (“There Is a Veil,” from Manmohan Desai’s 1977 film Amar Akbar Anthony ), the three essential elements of these sequences (on-screen visuals, text, and music) are connected to the context of South Asian history and culture to demonstrate how scholarly approaches to music, film, and cultural studies can be united to create a more interdisciplinary approach to analysis.