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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Futureworks Delivers Quality Remote Colour Grading for Amazon Prime's
COLOUR GRADING RAHUL PURAV FUTUREWORKS DELIVERS QUALITY REMOTE COLOUR GRADING FOR AMAZON PRIME’S TANDAV WEB SERIES Remote Production is increasingly becoming prevalent in the post- production business. Tandav, an Amazon web series relied on FutureWorks Media to deliver remote production. Rahul Purav, Senior Colourist & Director of Imaging at FutureWorks Media Ltd and the team of artists delivered the colour grading for Tandav using FilmLight’s Baselight grading software and the monitoring was done using Dolby PRM 4200 monitor. BROADCAST AND FILM 15 JANUARY - FEBRUARY 2021 COLOUR GRADING Tandav is an Indian web series on Amazon Prime Video, directed by Ali Abbas Zafar. Saif Ali Khan portrays the role of a powerful politician in the series that started streaming from 15 January 2021 on Amazon Prime Video. This nine-episode series features Sunil Grover, Tigmanshu Dhulia, Dimple Kapadia, Mohammed Zeeshan Ayyub, Dino Morea, and Anup Soni. Rahul Purav, Senior Colourist & Director of Imaging at Future Works Media Ltd shares his insight on the challenges he faced on the colour grading Tandav and how he executed a seamless look for the whole series. “It was a challenging project with a specific teal and orange palette, travelling through elegant palaces down to the rustic dark neighbourhood exposing various environments and situations. Tandav depicts a strong visual language directed by Ali Abbas Zafar and captured by Karol Stadnik. One of the most notable feature of this project was that the entire grading was done remotely... Karol was in Warsaw and Ali was in his hometown. We could only achieve this with a carefully crafted and aligned visual workflow. -
FICCI FRAMES: a Brief Introduction the FICCI Media & Entertainment
FICCI FRAMES: A Brief Introduction The FICCI Media & Entertainment Committee, headed by the legendary Late Yash Chopra, one of the prominent film producers in India, comprising visionary thought leaders of the Indian entertainment industry, first met in 1999. An idea was born which crystallized into the first FICCI FRAMES, a platform and a voice for the entire Indian media and entertainment industry. The first ever industry report giving numbers to this industry was brought out by FICCI and is updated every year. Over the last 19 years, FICCI FRAMES, the most definitive annual global convention on the entertainment business in Asia, has grown in strength, stature and horizon. FRAMES not only facilitates communication and exchange between key industry figures, influencers and policy makers, it is also an unparalleled platform for the exchange of ideas and knowledge between individuals, countries and conglomerates. FRAMES has brought together more the 400,000 professionals from India and abroad representing the various sectors of the industry. The three eventful days of FRAMES are pulsating with activity – sessions, keynotes, workshops, masterclasses, policy roundtables, B2B meetings, exhibition, cultural evening, networking events and a meeting of the best minds in the business under a single umbrella. 20 th Edition of FICCI FRAMES: March 12 th -14 th , 2019 FRAMES 2019 will be the landmark 20 th Edition of FRAMES reflecting the richness of the platform which it has acquired over the years. Like every year, the world’s media and entertainment industry will be in attendance at FRAMES 2019, with nearly 2,000 Indian and over 600 foreign delegates representing the entire gamut of the sector, including Film, Broadcast (TV & Radio), Digital Entertainment, Animation, Gaming, VFX, etc. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Hindu Patrika
Board of Trustees C HINDU PATRIKAC Term Name Published 2009-2011 Vishal Adma Chairman Bimonthly 2010-2012 Deb Bhaduri Vice Chair DECEMBER/JANUARY 2012 Vol 17/2011 2009-2011 Sanjeev Goyal 2009-2011 Mahendra Sheth 2010-2012 Sadhana Bisarya 2010-2012 Sanjay Mishra 2009-2011 Vishal Adma 2010-2012 Manu Rattan 2011-2013 Mohan Gupta 2011-2013 Priti Mohan 2011-2013 Govind Patel 2011-2013 Mana Pattanayak 2011-2013 Eashwer Reddy 2011 Neelam Kumar 2011 Sridhar Harohalli Vision of HTCC To promote Hinduism’s spiritual and cultural legacy of inspiration and optimism for the larger Kansas City community. Mission of HTCC • Create an environment of worship that enables people to say “yes” to the love of God. • Cultivate a community that nurtures spiritual growth. • Commission every devotee to serve the creation through their unique talents and gifts. • Coach our youth with the spiritual and cultural richness and the diversity they are endowed with • Communicate Hinduism – A way of life to everyone we can and promote inter-faith activities with equal veneration Hindu Temple & Cultural Center of Kansas Hindu Temple Wishes a Very Happy New Year to all the City Members A NON-PROFIT TEMPLE HOURS Day Time Aarti ORGANIZATION Mon - Fri 10:00am-12:00pm 11:00am Please remember to renew your annual membership which runs from January to 6330 Lackman Road Mon - Fri 5:00pm-8:00pm 7:30pm Shawnee, KS 66217-9739 Sat & Sun 9:00am-8:00pm 12:00pm December. Sat & Sun 7:30pm http://www.htccofkc.org Your Current membership status is printed on the mailing label. -
Subhash Ghai
SUBHASH GHAI Filmmaker and Educationist Mumbai – India 1. Chairman - Mukta Arts Ltd. 2. Founder & Chairman - Whistling Woods International – Institute for Film, Communication & Media Arts, Filmcity, Mumbai. Websites: www.muktaarts.com / www.whistlingwoods.net PROFILE Born in Nagpur, a commerce graduate from Punjab University and graduate in Cinema from the Film & Television Institute of India, Pune, Subhash Ghai is known as celebrated Filmmaker of India with 14 blockbusters in Hindi cinema as writer and director and 40 feature films as producer of 40 feature films under his corporate film company MUKTA ARTS LTD. - India’s first Film industry corporate, which is in the active business of Film Production, Distribution, EXhibition and Education in Films, TV and Media Arts. He is the Founder and Chairman of World Class Institute in Cinema, Communication and Media Arts known as Whistling Woods International, Mumbai. Asia’s largest Institute for Film, Television, Animation & Media Arts, the first-ever privately setup world-class media institute in India, ensuring imparting of quality education to the neXt generation of film-makers. Today Whistling Woods International has been rated as One of The Ten Best Film Schools in the World by ‘The Hollywood Reporter’. Having achieved hundreds of laurels, Awards and Honors, Subhash Ghai played the role of the Chairman of CII (in Media and Entertainment Sector) in 2004 to 2006. He is a member of executive committee of Producers Guild of India and a member of United Producers forum. Subhash Ghai has been appointed as a member of the Steering Committee of the 50th International Film Festival of India 2019 (IFFI) by Ministry of Information & Broadcast. -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
The Country and the City the Perception of the Nri in Indian Cinema
INTERNATIONAL JOURNAL OF ENGLISH LANGUAGE, LITERATURE AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in (Impact Factor : 5.9745 (ICI) KY PUBLICATIONS REVIEW ARTICLE ARTICLE Vol. 5. Issue.2., 2018 (April-June) THE COUNTRY AND THE CITY THE PERCEPTION OF THE NRI IN INDIAN CINEMA NAYANA GEORGE MA English (2017-2019) The English and Foreign Languages University, Hyderabad Email: [email protected] ABSTRACT This paper seeks to explore and relate the notions of the country and the city as given in the works of Raymond Williams, particularly The Country and the City and Keywords, to the Bollywood film Dilwale Dulhaniya Le Jayenge (Aditya Chopra, 1995), among a few others. This film marked a turning point in Bollywood on a variety of fronts, but especially in the way the Non-Resident Indian came to be perceived and understood. The ideas elaborated in the twenty-fourth chapter, “The New Metropolis”, of The Country and the City resonates in the way the distinctions between the country and the city are expanded on a global scale when the underdeveloped countries— which in this particular case, is restricted to India— are seen as the countryside to the city that is the developed countries. Keywords: Raymond Williams, The Country and the City, Keywords, Dilwale Dulhaniya Le Jayenge, Bollywood, Indian Cinema.. Introduction Who is the NRI in Bollywood? The term “Non-resident Indian” or NRI is commonly used to describe people of Indian origin living overseas. In India, the NRI, like the Indian film industry, has made a marked transition in the past two decades from “being configured as an errant native seduced by the wealth and glamour of the West, at the expense of Indian values, to being an icon of the desirable cosmopolitan Indian citizen straddling the globe”. -
Annual Report 2016-2017
FOREWORD It gives me great pleasure to present the Annual Report for the year 2016 -2017. The year was eventful with many new partnerships being forged. In partnership with IAA we were able to take the Laadli Media Awards to the South Asia Region. Winners from Pakistan, Srilanka, Nepal and Mauritius were felicitated at the National Laadli Media Awards event on Friday, May 12, 2017, at the Tata Theatre, NCPA. We also had Sahachari Foundation and NCPA joining together to organize a fundraiser for Laadli, titled ‗The Bard of Bengal‘ with Ms. Jaya Bachchan and Mr. Gulzar reciting Tagore‘s poetry in Bangla and Hindi. Tech Mahindra Foundation came forward to support three posts of the core staff of Population First, who are providing technical support to the various initiatives of Tech Mahindra Foundation. As we always say, Laadli is not a project but a movement and we hope more and more people and organisations join hands with us to fight the malaise of gender inequality, injustice and violence. When it comes to community mobilization and women empowerment at grass root level, AMCHI has been consistent in its achievements. Our team is being recognised as a reliable partner for the Government and we have been co-opted into the block and district level programme monitoring committees. We are happy to share that close to 5.5 crore Government funding was mobilised by the people for village level development programmes through the support of AMCHI. We hope we facilitate more communities to work for their rights while discharging their responsibilities as concerned citizens. -
Gangs of Wasseypur As an Active Archive of Popular Cinema
M A D H U J A M U K H E R J E E Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema This paper studies Gangs of Wasseypur (Parts 1 and 2, 2012) as a definitive text via which Anurag Kashyap’s style became particularly provocative and pointed. While a range of films (both directed and produced by Kashyap) seemingly bear a certain ‘Kashyap mark’ in the manner in which they tackle subjects of violence and belligerent speech with an unpredictable comic sense, I argue that, more importantly, these films work within a particular visual framework with regard to its mise-en- scène (including the play of light, camera movement, modes of performance), as well as produce recognisable plot structures (involving capricious and realistic events), settings and locations (like the city’s underbelly, police stations, etc.), and so on. Indeed, Kashyap has made a set of films—including Paanch (unreleased), No Smoking (2007) and Ugly (2014)—which deal with similar issues, and explore contemporary cityscapes, especially Mumbai, with fervidness, thereby commenting on urban dystopia.1 Furthermore, these films speak to what has been analysed as the ‘Bombay noir’ mode by Lalitha Gopalan, by means of thoughtful art and set design, engaging (and often hand-held) camera movements and swish-pans, uses of blue or yellow filters, character prototypes, and reflective performances, which generate a world that is engulfed by a deep sense of disquiet and distress. This paper draws attention to such stylistic explorations, especially JOURNAL OF THE MOVING IMAGE 91 to the ways in which it has developed through Kashyap’s recent films. -
UTV Announces Release Dates for Joker
UTV announces release dates for Joker Shirish Kunder directed Akshay Kumar starrer to hit cinemas worldwide on August 30th 2012 Mumbai, 1 November 2011: UTV Motion Pictures today announced the release date for Joker as August 30, 2012. A madcap comedy directed by Shirish Kunder and featuring Akshay Kumar and Sonakshi Sinha, this film promises an out-of-this-world experience. Quite literally so! Akshay Kumar returns to his hometown, a place that's so remote and crazy that it’s not even on the map. And then what follows puts this forgotten little town not just on the country's map, but makes it the focus of the entire globe! Aliens! Is the town really the site of an alien invasion? Will Akshay manage to change the game - just like the joker does in a pack of cards? Get set for India's coolest (and first ever) comedy starring aliens! In 3D! About UTV Motion Pictures: The Motion Pictures division of UTV, established in 2004, is an integrated studio model in the Indian film industry as well as in the whole of South Asia region. The activities of the studio span across creative development, production, marketing, distribution, licensing, merchandising and syndication of films worldwide. UTV has a library of over 50 films including Hindi, Regional, Animation and International Productions. The last decade in Indian cinema has seen UTV delivering some of the most iconic films including Swades, Rang De Basanti, Jodhaa Akbar, A Wednesday, Dev D, Khosla Ka Ghosla, The Namesake, Life in a Metro, Oye Lucky! Lucky Oye!, Kaminey and more recently Raajneeti, Udaan and Peepli [Live]. -
One True Thing You May Expect a Favourable Week As Far As Your Profession Is Ganesha Foresees That This Is Going to Be an Extremely Hec- Concerned
SUNDAY, OCTOBER 13, 2013 (PAGE-2) THIS WEEK FOR YOU 13th Oct to 19th Oct 1. ARIES: 7. LIBRA One True Thing You may expect a favourable week as far as your profession is Ganesha foresees that this is going to be an extremely hec- concerned. You may be required to assist senior col- tic week for you, both in your personal life as What do Yuvraj Singh, Monisha Koirala, Lisa Ray, Anurag Basu, Barbara Mori, and others leagues with important tasks of the company, well as in your professional life. Since you are something that is going to prove to be a very likely to be in a generous frame of mind, you may decide to render social service, perhaps edifying experience for you. It shall not only by donating some money to a charitable have in common beside the fact that they are celebrities? They are gritty, fearless and fighting give you immense job satisfaction, but even organisation or by running errands for them. your prospects of making faster progress You need to make the best use of your vast expe- shall increase. Something unexpected could rience by sharing it with others and offering guidance to crusaders. They fought the biggest battle of their lives - death by cancer. Shoma A. Chatterji happen this week, so while planning make sure you arrange people who may be either at a crossroad in their lives or may your activities in a very flexible way, leaving enough scope for be going off-track. You may come across the misdeeds of tries to find out what keeps their spirits up and how they inspire those affected by the disease.