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Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Artemis Fowl! 00:00:04 Elliott Kalan Host the Movie That Dares to Raise
00:00:00 Dan McCoy Host On this episode, we discuss: Artemis Fowl! 00:00:04 Elliott Kalan Host The movie that dares to raise the question—why is this movie named after an entirely nondescript, personality-less cipher who spends the entire movie inside his own house? 00:00:13 Music Music Light, up-tempo, electric guitar with synth instruments. 00:00:40 Dan Host Hey, everyone, and welcome to The Flop House! I’m Dan McCoy. 00:00:43 Stuart Host Hey, Dan! It’s me! Stuart Wellington! Wellington 00:00:45 Dan Host Oh hi! [Laughs.] 00:00:47 Elliott Host Guys, guys! What a coincidence! I’m Elliott Kalan and I’m here! All three hosts of The Flop House! We’re here! Together! On The Flop House! 00:00:53 Stuart Host Uh-huh. 00:00:54 Elliott Host But—we’re not alone, are we, Dan? 00:00:55 Stuart Host Uh-uh. 00:00:56 Dan Host No we’re not. We are joined by our guest Scott Weinberg, whom I did not write down how he wanted to be introduced— 00:01:05 Crosstalk Crosstalk Dan: —because I thought you were doing it, Elliott. Elliott: Oh, boy. Oh, wow. Stuart: He said it three or four times! 00:01:07 Elliott Host He said it twice, Dan. I’ll say it. Film critic. Filmmaker. Podcaster. Cat lover. Horror nerd. Scott Weinberg—and I will add in a personal—personal endorsement of his podcast, Science vs. Fiction, in which they talk about the real-life science—or fake-life science and quality—of your favorite science fiction films. -
Gospel with a Groove
Southeastern University FireScholars Selected Honors Theses Spring 4-28-2017 Gospel with a Groove: A Historical Perspective on the Marketing Strategies of Contemporary Christian Music in Relation to its Evangelistic Purpose with Recommendations for Future Outreach Autumn E. Gillen Southeastern University - Lakeland Follow this and additional works at: http://firescholars.seu.edu/honors Part of the Christianity Commons, Liturgy and Worship Commons, Marketing Commons, Music Commons, and the Practical Theology Commons Recommended Citation Gillen, Autumn E., "Gospel with a Groove: A Historical Perspective on the Marketing Strategies of Contemporary Christian Music in Relation to its Evangelistic Purpose with Recommendations for Future Outreach" (2017). Selected Honors Theses. 76. http://firescholars.seu.edu/honors/76 This Thesis is brought to you for free and open access by FireScholars. It has been accepted for inclusion in Selected Honors Theses by an authorized administrator of FireScholars. For more information, please contact [email protected]. GOSPEL WITH A GROOVE: A HISTORICAL PERSPECTIVE ON THE MARKETING STRATEGIES OF CONTEMPORARY CHRISTIAN MUSIC IN RELATION TO ITS EVANGELISTIC PURPOSE WITH RECOMMENDATIONS FOR FUTURE OUTREACH by Autumn Elizabeth Gillen Submitted to the Honors Program Committee in partial fulfillment of the requirements for University Honors Scholars Southeastern University 2017 GOSPEL WITH A GROOVE 2 Copyright by Autumn Elizabeth Gillen 2017 GOSPEL WITH A GROOVE 3 Abstract Contemporary Christian Music (CCM) is an effective tool for the evangelism of Christianity. With its origins dating back to the late 1960s, CCM resembles musical styles of popular-secular culture while retaining fundamental Christian values in lyrical content. This historical perspective of CCM marketing strategies, CCM music television, CCM and secular music, arts worlds within CCM, and the science of storytelling in CCM aims to provide readers with the context and understanding of the significant role that CCM plays in modern-day evangelism. -
The Ithacan, 2001-03-01
Ithaca College Digital Commons @ IC The thI acan, 2000-01 The thI acan: 2000/01 to 2009/2010 3-1-2001 The thI acan, 2001-03-01 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_2000-01 Recommended Citation Ithaca College, "The thI acan, 2001-03-01" (2001). The Ithacan, 2000-01. 21. http://digitalcommons.ithaca.edu/ithacan_2000-01/21 This Newspaper is brought to you for free and open access by the The thI acan: 2000/01 to 2009/2010 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 2000-01 by an authorized administrator of Digital Commons @ IC. Sports Accenu: South Hill celebration Anime hooks students Accent 15 Classified 13 Three Bomber squads win state Club gathers to watch Japanese Comics 22 titles Saturday. Page 23 animation. Page 15 , ,...~ Opinion 10 ' . Sports 23 ., __________;_/ '•"'l:\ --- \\ - -- -----· - ------- ------ -------. - - Ji> The \} VoL· 68, No. 20 THURSDAY -ITH~CA, N.Y. MARCH ·1, 2001 :- . '.~'~ittP.f~S, FREE www.ithaca.edu/ithacan --::, ''.:;"-..,- ' . , The Newspaper for the Ithaca College Community Cost to attend rises by $1,243 · Trustees approve 4.75 percent tuition increase for 2001-2002 BY ROBERT e·. BLUEY from the campus community to create~ Senior Writer LGBT resource center and hiring a co ordinator in that area was the first step. f IVE YEARS OF CREE Pl NG COSTS Students will pay nearly $29,000 next The coordinator will work under the Of year to attend the college, following t_he fice of Multicultural Affairs. Ithaca College Board of Trustees' deci The college will embark on renova sion to hike the cost by $1,243. -
An Experimental Study of Listener Responses to Localism in Radio Programming and Ownership
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2008 Interest, Convenience, or Necessity? An Experimental Study of Listener Responses to Localism in Radio Programming and Ownership Glenn Thomas Hubbard University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Communication Commons Recommended Citation Hubbard, Glenn Thomas, "Interest, Convenience, or Necessity? An Experimental Study of Listener Responses to Localism in Radio Programming and Ownership. " PhD diss., University of Tennessee, 2008. https://trace.tennessee.edu/utk_graddiss/551 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Glenn Thomas Hubbard entitled "Interest, Convenience, or Necessity? An Experimental Study of Listener Responses to Localism in Radio Programming and Ownership." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Communication and Information. Benjamin J. Bates, Major Professor We have read this -
Volume 78, Issue 14 (The Hornet, 1923
Actor's showcase presented at Campus welcomes four Valentines Day: Bronwyn Dodson Theatre new instructors Love and romance Page 5 Page 2 Page 3 FULLERTON r College Established 1923 Wednesday February 10, 1999. Vol. 78 Num. 14 Ex-president files $3 million claim Robyn Bryson president," said Senate President Joe money requested, negotiate for a Features Editor Carrithers. smaller settlement, or let her take 'Tell them to not give her Most on campus seemed certain them to court. a dime.' Vera Martinez filed a $3 million the board would reject Martinez' The origin of the controversy claim against the college district claim at a meeting last night. between Martinez and the Faculty -United Faculty Rep charging defamation. "It seems to me that she's just Senate stems in part from a differ- Fullerton College's former presi- coming back after us, and I would ence of opinion regarding the inter- Phil Mayfield dent claims faculty and administra- say ... to the Board, 'tell them to not pretation of the Shared Governance tors "communicated, orally and in give her a dime.' They should fight Law, pursuant to the California Code Martinez' Claim alleges that "the writing, on an ongoing basis, with this as much as they can, they'll sure of Regulations, according to the dismissal was in retaliation." malice, false and derogatory infor- have our support," said United claim. The claim charges that when the mation about Claimant's job perfor- Faculty Senate Representative, Phil "There's some ambiguity in the board of trustees approved the deci- mance, skill level, conduct, honesty, Mayfield. -
Music Collection
collection! 2573 songs, 6:19:50:59 total time, 9.72 GB Artist Album # Songs Total Time The Arcade Fire 2001 Demos 10 51:06 Arcade Fire EP 7 32:52 Funeral 14 1:06:04 The Arcade Fire/David Bowie Live EP 3 14:28 Audioslave Audioslave 9 39:54 Out of Exile 16 1:10:20 The Beatles A Hard Day's Night 13 30:30 Abbey Road 17 47:22 Alternate Abbey Road 7 25:44 Beatles For Sale 14 34:13 Help 15 37:30 Let It Be 10 28:15 Magical Mystery Tour 10 32:51 Past Masters - Volume One 18 42:28 Past Masters - Volume Two 13 40:02 Please Please Me 13 30:23 Revolver 13 32:19 Rubber Soul 14 35:48 Sgt. Pepper's Lonely Hearts Club Band 13 39:50 The White Album CD1 17 46:21 The White Album CD2 14 54:17 With The Beatles 14 33:24 Yellow Submarine 13 40:07 Bob Dylan Blood On The Tracks 10 51:53 Bob Dylan 14 41:07 Highway 61 Revisited 8 45:24 Love And Theft 8 36:34 Nashville 1 2:17 Shot of Love 10 44:55 The Best of Bob Dylan 6 31:31 The Essential Bob Dylan 26 1:47:02 The Freewheeling Bob Dylan 13 50:07 The Rolling Thunder Revue CD1 11 51:02 The Rolling Thunder Revue CD2 11 51:12 Bob Dylan/Johnny Cash Nashville 20 59:45 Buffalo Springfield Retrospective: The Best of Buffalo Springfield 12 40:21 The Cardigans First Band on the Moon 11 39:06 Life 14 48:07 Super Extra Gravity 14 47:57 Clap Your Hands Say Yeah Clap Your Hands Say Yeah 12 38:41 Coldplay A Rush of Blood To The Head 12 58:47 Live 2003 14 1:17:35 Live at Glastonbury 2005 15 1:17:26 Parachutes 10 35:51 X&Y 14 1:05:53 Danny Elfman Big Fish OST 22 57:39 Dave Matthews Band Before These Crowed Streets 11 1:10:21 Busted -
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00:00:00 John Host Hey, everyone! It's your judge, John Hodgman. As you know—or Hodgman maybe you don't—it's MaxFunDrive! Specifically, the second and final week of #MaxFundDrive. These are the two weeks—this is the second one!—in which we come to you and ask for your support for the community of artist-owned, listener-supported podcasts that make up Maximum Fun. You know, membership support is so important for this show. And all the shows on the Maximum Fun network! And this is the best time to join if you're not already a member—or if you are a member, to upgrade your membership to the next level, or just boost your membership by a dollar or two. All of it goes to get us closer to the goal of making Maximum Fun a sustaining community of great podcasts for you. Now, we'll talk more about this later in the show. But why not just get it outta the way now? Go to MaximumFun.org/join. You'll feel better. I'll feel better. MaximumFun.org/join. Okay. Now here's the show. 00:00:57 Sound Effect Transition [Three gavel bangs.] 00:00:59 Jesse Thorn Host Welcome to the Judge John Hodgman podcast. I'm Bailiff Jesse Thorn. This week: "Amicus Beef." Casey files suit against his friend Sean. They go to baseball games together a lot. Casey says that Sean’s antics at the games cause him stress. One of the more appalling antics, says Casey, is the time Sean brought his own hot dogs into the stadium. -
Muslim Students Face Future Move Terrapins Too Tough
March 19, 1999 & THE TORCH Volume 91, Issue 20 JAi JL J. M^Jk JL V^ A m.^»^ A. A "OlJR LIBERTY DEPENDS ON THE FREEDOM OF THE PRESS, AND THAT CANNOT BE LIMITED WITHOUT BEING LOST" - THOMAS JEFFERSON THIS WEEK Muslim students face future move Current Brandt prayer room guaranteed for two years before group must find new space Live: In Concert Dustin Wunderlich Muslim students. "Now at least find a new place to worship for tions around the world to help SENIOR NEWS EDITOR we can practice our religion the third time in five years. It is raise the money." there for the two years and find a expected to be a facility similar MSA member Quitaibah new space." to St. Teresa's Catholic Student Al-Rahmani said while a place Muslim students who want The Campus Planning and Center. off campus could be a good idea, to practice their faith at Space Allocation Committee "We're suggesting they finding a large enough space Valparaiso University will be decided to reserve until the Fall look for a facility off campus," close to campus may present able to keep their current prayer 2001 semester the current space said committee chairman Gerald problems. room in Brandt Hall for two used by the MSA for worship Seeley. Seeley said Muslim stu "We've always had space The world of more years, but may have to and construct a permanent, dents will have to raise money to for Muslim students to pray," Valparaiso move off campus after that peri soundproof wall to separate the buy or rent the space off campus said Hugh McGuigan, Director University recitals od. -
About Somafm
About SomaFM SomaFM is a listener-supported, commercial-free internet radio station. Launched in February 2000 from a warehouse in San Francisco, we started with just one channel, playing “ambient” music, and developed a small but dedicated audience. By 2001, we’d increased the number of channels to seven. Our audience was small by broadcast standards – our AQH ratings were under a few hundred. Interest in our station continued to grow and we now have over 16 channels – all focusing on niche genres rarely if ever heard on commercial radio. !anks to the hard work of our dedicated music directors and the generous support of our listen- ers, our high-quality MP3 and aacPlus internet broadcasts are now enjoyed by people all around the world. With over 5 million “listener hours” a month, SomaFM is one of the larger independent in- ternet-only broadcasters. Groove Salad, our most popular ambient/chill channel is the most listened to “chill out” station on the internet, with over 600,000 listener hours a week. At any given time, our station has between 5500 and 13,000 listeners, with an AQH of 7500. We have over 500,000 unique listeners a month. SomaFM plays music for a huge, previously ignored audience. Over-the-air commercial radio, now dominated by just a few corporations, plays formats geared towards mass appeal. With limited play lists, and limited genres, they seek to reach the most people with the least e"ort and risk. !is model assumes an unsophisticated and captive listener. Today’s listeners are neither. !e real listener has internet access, wildly eclectic taste, and is eager to discover new music. -
Wonderful! 84: Boomer at the Bat Published May 15, 2019 Listen Here on Themcelroy.Family
Wonderful! 84: Boomer at the Bat Published May 15, 2019 Listen here on themcelroy.family [theme music plays] Rachel: Hi, this is Rachel McElroy. Griffin: Hel lo, this is Griffin McElroy. Rachel: And this is Wonderful! Griffin: [thick southern drawl] Let's kick the tires and light the fires, baby! Come on! Let's get it... Let's spin 'er up! Come on baby, kick them tires! Rachel: What's the name of this charac ter? Griffin: Jeff... ro. Jeffro. Rachel: Is the last name... Ro? Griffin: No, Jeffro is a first name. Rachel: Okay. Griffin: And the last name — I don't have a last name, kick them tires baby, go on! I asked you real nice! Rachel: Have you ever kicke d a tire? Griffin: I have, out of frustration, when my... when my team lost. Rachel: [laughs] Griffin: The game, I needed them to win! Rachel: And you were like, "Oh, shucks." And you kicked that tire. Griffin: No, I said shit. Rachel: Whoa. Griff in: Yeah, I said shit and I kicked my tire so hard that the car exploded, um, and I regret that. Like, I know that anger i - is regressive. It doesn't get you what you actually want. It only makes... It digs the hole even deeper. I think that's an ancient pr overb. Rachel: Let me tell you something that might be useful for you. Griffin: Okay. Rachel: When you feel so mad and you want to roar... Griffin: Oh. Rachel: Just take a deep breath and count to four.