They're Just Like Us

Total Page:16

File Type:pdf, Size:1020Kb

They're Just Like Us ECO-FRIENDLY INNOVATIONS In honor of Earth Day, far-out and forward- HIGH, LOW + EVERYTHING IN BETWEEN Culture thinking sustainability innovations. » P.46 FILM They’re Just Like Us James Cameron’s Secrets of the Whales reveals an Avatar-like realization VISITING NOMADS Sperm whales often travel great distances, stopping along the way to interact with local whales. Whales are social creatures, so if one “gets LUIS LAMAR/NATIONAL GEOGRAPHIC FOR DISNEY+; TOP RIGHT: COURTETSY OF PLENTY COURTETSY RIGHT: TOP GEOGRAPHIC FOR DISNEY+; LAMAR/NATIONAL LUIS stranded, the others go to help.” 40 NEWSWEEK.COM APRIl 30, 2021 NEWSWEEK.COM 41 Culture FILM They have singing compeTi- 12 countries and six continents, CAST AND CREW Clockwise from left: James Cameron exits the Deepsea tions, isolate themselves by dia- including both polar regions, to show Challenger after a dive; breaching lects, stick to unique food preferences, us their complex lives that few have humpback whale calf off Vava’u, Tonga; are led by generations of older, wiser witnessed so intimately until now. Brian Skerry prepares to freedive and photograph sperm whales off the coast of matriarchs, celebrate their tribe’s These close encounters are the Dominica; and a humpback whale shows identity, choose different parenting work of underwater photographer, its fluke before a deep dive in Antarctica. techniques, and gracefully mourn National Geographic Explorer at their dead. Large Brian Skerry, as he tells the sto- They’re just like us. ries of the creatures he’s been docu- in perfect coordination—almost like As generations of fans eagerly await menting, and even been accepted by, a dance.” a sequel to the biggest box-office hit for over 40 years. The biggest secret about whales? in history, Avatar, its Hollywood Although he might be best known They have complex lives, families and heavyweight director James Cam- for his Oscar-winning films such as culture, much like humans, says Skerry, eron reveals some big secrets about Titanic and Avatar and science fiction adding he thinks of it like “the neigh- another mysterious world he’s putting blockbusters such as Aliens and Ter- borhoods of New York City at the turn on screen. This world is also inhabited minator, Cameron is also a National of the last century with many enclaves by a highly cognitive, sentient species Geographic sea explorer and conser- of different cultures and languages. with huge brains, intricate social vationist. In his documentary Deep- Orca have a preference for ‘interna- structures and complex communica- sea Challenge, the film director made tional cuisine.’ The orca in New Zea- tions skills. a record-breaking solo dive to the land prefer sting rays, while the orca This is another threatened “Pan- Earth’s deepest point. in Norway like herring.” dora” that needs to be understood Merging his passions for cut- “Moms teach their calves the skills in order to be protected, ting-edge technology they will need to survive, but they’re but this world isn’t from and ocean exploration, also teaching them their cultural one of Cameron’s science B Y Cameron teams up with traditions. Humpbacks have ‘singing fiction blockbusters. It’s Skerry, who won an competitions.’ Beluga whales visit a right here on Earth, and KATHLEEN RELLIHAN “Underwater Oscar” in ‘summer resort’ each year and play the magical beings that @k_rellihan 2019 from the Academy games. Whales celebrate their identity roam and rule this world of Underwater Arts and and grieve for the dead. They are an are cetaceans—or as they’re more Sciences, to uncover the secret world alien intelligence sharing this planet commonly referred to, whales. of whales, with the help of advanced with us.” Secrets of the Whales, National Geo- underwater technology. It gives us difficult hardship at sea, in very hard when a beluga pod adopts a narwhal.. They’re Just Like Us graphic’s new Disney+ documentary insight into their way of life, and the diving conditions. A lot of stuff I “How do you get close to these big When a group of humpback whales The Harm of Humans series premiering on April 22, is pro- extraordinary culture of five different wouldn’t know how to do, so I get to animals and document them in such that are not related to each other So while Cameron was filming the duced by Cameron and narrated by whale species: orcas, humpbacks, belu- celebrate his [Skerry’s] artistry and his a dramatic and intimate way?” asks come together from various places Avatar sequel, Skerry was doing the his longtime sci-fi film partner,Avatar gas, narwhals and sperm whales. craftsmanship,” says Cameron, who is Cameron. “[Skerry] got them to trust around the world, Cameron describes fieldwork and capturing intimate and Avatar 2 award-winning actress also a free diver and a scuba diver. him. They allowed him to get close.” it as “a bit like an annual gathering of whale encounters on film—including and conservationist Sigourney Weaver. Getting Close to the Whales Skerry tells Newsweek the chal- In the first episode, an orca even friends that get together to hang out some nail-biting ones, “You’re not out “I’ve been fascinated for years by Cameron shares in the foreword to lenges of filming underwater offers to share his meal with Sher- and have a beer” but instead “do their there observing whales for very long whales, and this was an opportunity Skerry’s Secrets of the Whales compan- included bad weather and finding ry—a bloody stingray that he politely bubble net feeding strategy together before you see the stress and injuries for me to follow my curious nose into ion photobook (National Geographic, elusive whales on the open sea, “We declines. impacts of human civilization have on an area that’s not my area of expertise April 6) that the two men share a sim- can go weeks or months with no “We have fantasies that they have them,” Cameron tells Newsweek, not- but certainly an area of curiosity and ilar drive to explore and create in the sightings.” these very complex, emotional lives ing a rescue filmed when a National fascination, and bring a kind of story- ocean depths: “We both grew up in “So while three years sounds like and intelligence, but now we’re see- “The great whales—the Geographic diver intervened to assist teller’s perspective to it,” Cameron tells landlocked, working-class towns, but a lot of time, in the world of filming ing the evidence of what we kind of other sentient beings an orca entangled in a fisherman’s Newsweek via Zoom video. were drawn to the sea,” writes Cam- whales, it is barely enough.” SOTW hoped and instinctually believed to that have the misfortune rope and in danger of drowning. Filmed over three years, this epic eron, adding that they both got their filming captured many firsts though: be true about them,” says Cameron, As Weaver narrates this harrowing four-part docuseries follows the mys- scuba certifications in YMCA pools. a sperm whale calf feeding, and even adding that Skerry now has the foot- of sharing this big moment, she adds that nearly a thou- CLOCKWISE FROM TOP LEFT: HAYES BAXLEY/NATIONAL GEOGRAPHIC FOR DISNEY+; MARK MARK GEOGRAPHIC FOR DISNEY+; BAXLEY/NATIONAL HAYES LEFT: TOP FROM CLOCKWISE terious creatures across every ocean, “It was three years of painstakingly a cross-species adoption is recorded DE NEEF STEVE BRIAN SKERRY; COLLECTION; GEOGRAPHIC IMAGE THIESSEN/NATIONAL age to prove it. spaceship with us.” sand of these air-breathing mammals 42 NEWSWEEK.COM APRIl 30, 2021 NEWSWEEK.COM 43 Culture FILM die every day tied up in fishing lines. the war between the takers and the and that they pass on ancestral tradi- “The big male orca could easily kill the caretakers,” Cameron continues.”The tions, we can begin to understand how diver, but he seems to understand…” takers see nature is that which we very special the natural world is, and says the Avatar actress in her iconic exploit, and that which we can make that we are not alone.” otherworldly voice. a profit from.” “Pretty much everything we’re doing “So ask yourself, are you a taker or a The Avatar Touch as a civilization is injurious to them,” caretaker? Are you voting for a taker Cameron’s Avatar was referred to as Cameron says, from toxic water pol- or a caretaker?” Cameron adds that “the most epic piece of environmental lutants to sound pollution—from seis- answers aren’t always black and white, advocacy ever captured on celluloid.” mic testing to military sonar—that’s and are perhaps a “bit gray.” And he uses the same power of sto- highly toxic to whales who see their “If you use that sort of litmus test as rytelling to not hit us over the head world by sound and use echolocation a way to guide yourself through deci- with advocacy in Secrets of the Whales. to hunt their prey. sions, then you’re a responsible citizen Instead, he invites us into their world This sound pollution is related to a of the planet and you’re taking care of to see how similar we are to these crea- lot of whale stranding, says Cameron, the other citizens on the planet, which tures, in the hopes that if we can relate explaining that when a whale’s hear- are the great whales—the other sen- to and also be awed by them, we will ing is damaged, it can’t hunt or see tient beings that have the misfortune care about saving their homes and pre- properly, so it gets stranded.
Recommended publications
  • The Urban Weird
    OPEN GRAVES, OPEN MINDS & SUPERNATURAL CITIES PRESENT: THE URBAN WEIRD Conference 6-7 April Schedule 2018 University of Hertfordshire www.opengravesopenminds.com www.supernaturalcities.co.uk Open Graves, GA17515_DS_03/18 Open Minds Conference Schedule 06 April 2018 Registration Coffee and Chair: Carina Hart 09:00 - 09:45 Atrium 4 China Mieville pastries Seminar Room M015 Dr Sam George, Dr Karl Bell, Dr Kaja The space out of joint: haunted urban 09:45 - 10:00 Welcome Lecture Hall 9 András Fodor (University of Szeged, Hungary) Franck spaces in China Miéville’s Un Lun Dun 10:00 - 11:00 Boggart Workshop Dr Ceri Houlbrook Lecture Hall N003 ‘Up’s no longer out of bounds, and down’s 11:00 - 12:20 Parallel Session 1 30 nothing to fear’: Verticality and Locomotion Sarah Neef (TU Dortmund University, Germany) in China Miéville’s Urban Fantasy Chair: Ceri Houlbrook 1 Urban Myths and Fairy Tales Chair: Kaja Franck Seminar Room M015 5 The Virtual Weird Seminar Room M021 Fairy Tales of the Neoliberal Gothic City: Dr Carina Hart (University of Nottingham Malaysia 14 Michael Cunningham’s The Snow Queen Campus) “Welcome Home, Good Hunter”: 17 The Gothic and Environmental Storytelling Dr Madelon Hoedt (University of South Wales) Mind the doors! Folk horror on the London 35 David Powell (University of Birmingham) in From Software’s Bloodborne Underground Ghosts of the Shadow City: adventures in Hell Finding Cabs Round Here: Taxi Rides 20 Debbie Kent (Goldsmiths, University of London) 36 Dr William Redwood (Supernatural Cities) the CGI dreamscapes of urban development through the Urban Weird “Everything is True” A Weird Tale: Urban 21 Gothic meets Urban Myth in Multiplayer Prof.
    [Show full text]
  • Annual Report 2019/20
    Annual Report 2019 – 2020 TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 G19 REPORT OF THE NEW ZEALAND FILM COMMISSION for the year ended 30 June 2020 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2020. Kerry Prendergast David Wright CHAIR BOARD MEMBER Image: Daniel Cover Image: Bellbird TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 NEW ZEALAND FILM COMMISSION ANNUAL REPORT 2019/20 CONTENTS INTRODUCTION COVID-19 Our Year in Review ••••••••••••••••••••••••••••••••••••••••••••••••••••• 4 The screen industry faced unprecedented disruption in 2020 as a result of COVID-19. At the time the country moved to Alert Level 4, 47 New Zealand screen productions were in various stages Chair’s Introduction •••••••••••••••••••••••••••••••••••••••••••••••••••• 6 of production: some were near completion and already scheduled for theatrical release, some in post-production, many in production itself and several with offers of finance gearing up for CEO Report •••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 7 pre-production. Work on these projects was largely suspended during the lockdown. There were also thousands of New Zealand crew working on international productions who found themselves NZFC Objectives/Medium Term Goals •••••••••••••••••••••••••••••••••••••••••• 8 without work while waiting for production to recommence. NZFC's Performance Framework ••••••••••••••••••••••••••••••••••••••• 8 COVID-19 also significantly impacted the domestic box office with cinema closures during Levels Vision, Values and Goals ••••••••••••••••••••••••••••••••••••••••••••• 9 3 and 4 disrupting the release schedule and curtailing the length of time several local features Activate high impact, authentic and culturally significant Screen Stories ••••••••••••• 11 played in cinemas.
    [Show full text]
  • Avatar, Hillary: the Movie, Citizens United, and How Birds of the Same Feather Flock Together
    Mississippi College School of Law MC Law Digital Commons Journal Articles Faculty Publications 2013 Using Feathery Birds to Disguise Hateful Speech: Avatar, Hillary: The oM vie, Citizens United, and How Birds of the Same Feather Flock Together Angela Mae Kupenda Mississippi College School of Law, [email protected] Follow this and additional works at: http://dc.law.mc.edu/faculty-journals Part of the Constitutional Law Commons, and the First Amendment Commons Recommended Citation 49 Gonz. L. Rev. 1 (2013-14). This Article is brought to you for free and open access by the Faculty Publications at MC Law Digital Commons. It has been accepted for inclusion in Journal Articles by an authorized administrator of MC Law Digital Commons. For more information, please contact [email protected]. Using Feathery Birds to Disguise Hateful Speech: Avatar, Hillary: The Movie, Citizens United, and How Birds of the Same Feather Flock Together By Angela Mae Kupenda* TABLE OF CONTENTS I. INTRODUCTION .............................................. 2 II. HATEFUL INFLUENCES FROM COMMERCIAL AND ENTERTAINMENT MEDIA, DERAILING THE TRUTH IN THE MARKETPLACE OF IDEAS...........7 A. Exploring the Marketplace Through Class Exercises.................. 8 B. Exploring the Marketplace Through Film ........................... 11 Ill. THE LIKELY, OR FEARED, IMPACT OF CITIZENS UNITED AND How IT RELATES TO A VA TAR .................................. ........ 15 IV. CONCLUSION............................................... 20 * Professor of Law, Mississippi College School of Law. I greatly appreciate this opportunity to publish my ongoing work and to respond additionally through this essay to presentations made at the Pursuit of Justice Conference, a collaborative event organized by the Gonzaga University School of Law, the Gonzaga Institute for Hate Studies, and the Washington State Task Force on Race and the Criminal Justice System.
    [Show full text]
  • Yahoo! Movies: Brown Sugar
    TWENTIETH CENTURY FOX LINE-UP Date Titre Genre Réalisateur Cast 2019 Matt Bettinelli-Olpin Samara Weaving, Andie MacDowell, Mark O'Brien, Adam 28-août-19 WEDDING NIGHTMARE Horreur Tyler Gillett Brody Thriller Brad Pitt, Tommy Lee Jones, Donald Sutherland, 2-oct.-19 AD ASTRA James Gray Science Fiction Ruth Negga 23-oct.-19 TERMINATOR : DARK FATE Science-Fiction Tim Miller Linda Hamilton, Arnold Schwarzenegger, Gabriel Luna Comédie 30-oct.-19 STUBER Michael Dowse Dave Bautista, Kumail Nanjiani Action LE MANS 66 Action, 13-nov.-19 James Mangold Matt Damon, Christian Bale (FORD V FERRARI) Biographie 27-nov.-19 THE WOMAN IN THE WINDOW Drame/ Thriller Joe Wright Amy Adams, Julianne Moore, Wyatt Russell, Gary Oldman 4-déc.-19 THE ART OF RACING IN THE RAIN Drame Simon Curtis Amanda Seyfield, Milo Ventimiglia, Gary Cole LES INCOGNITOS Nick Bruno 25-déc.-19 Animation (Spies in Disguise) & Troy Quane Date Titre Genre Réalisateur Cast 2020 8-janv.-20 UNDERWATER Action/Drame William Eubank Kristen Stewart, T.J. Miller, Vincent Cassel Roman Griffin Davis, Thomasin McKenzie, Taika Waititi, Sam 22-janv.-20 JOJO RABBIT Drame Taika Waititi Rockwell, Scarlett Johansson 12-févr.-20 KING'S MAN Action/Aventure Matthew Vaughn 19-févr.-20 THE CALL OF THE WILD Aventure/Drame Chris Sanders Harrison Ford, Dan Stevens, Colin Woodell, Omar Sy Blu Hunt, Charlie Heaton, Maisie Williams,Henry Zaga, 1-avr.-20 NEW MUTANTS Action/ Aventure Josh Boone Anya Taylor-Joy 1-juil.-20 FREE GUY Action/ Aventure Shawn Levy Ryan Reynolds 22-juil.-20 BOB'S BURGER Animation 7-oct.-20 DEATH ON THE NILE Drame/Thriller Kenneth Branagh Kenneth Branagh 28-oct.-20 RON'S GONE WRONG Animation 16-déc.-20 WEST SIDE STORY Musical Steven Spielberg Ansel Elgort, Rita Moreno, Corey Stoll 2021 3-mars-21 NIMONA Animation 15-déc.-21 AVATAR 2 - 3D James Cameron 2023 20-déc.-23 AVATAR 3 - 3D James Cameron 2025 17-déc.-25 AVATAR 4 -3D James Cameron 2027 15-déc.-27 AVATAR 5 - 3D James Cameron A DATER A DATER GAMBIT Action/ Aventure Channing Tatum A DATER FOSTER Animation.
    [Show full text]
  • Monitor 1St Quarter 2019
    THE ACADEMY MONITOR VOLUME 13 ISSUE 1 1 GREETINGS FROM THE GREAT HALLS OF LEARNING, S STARFLEET ACADEMY!!! T Q U A R IN THIS ISSUE: T Commandant Article 2 E Academy Information 3-5 Around the Academy R Outstanding Students 6 Academic Excellence Awards 7 Graduates 8-13 Academy Degree Program 14&15 2 Bridge Officers Cert Awards 16 0 Vessel Readiness Cert Program 17 Boothby 18-22 1 Miscellaneous 23-34 Editor Comments 35 9 FROM THE ACTING COMMANDANT The first Quarter of 2019 was insanely busy, as Academy continued to recover from the passing of Glen Diebold on September 26, 2018. We also migrated Academy from its separate server into SFI.org, so that the STARFLEET branding could be applied to Academy, and to eliminate the costs of an extra domain and web hosting. We had to close Glen’s unfinished projects that he left behind, and audit and retire those colleges that were not performing at minimum standards. We were not lacking in volunteers to direct those that were left. Survival Studies (COSS), a favorite among many students, was taken over by myself, the author of the first version of the college. The COSS has gone through a major rewrite and reformat. Long exams were divided into 25-point multiple choice or True and False exams. Three of the four schools are reopened, and the fourth will be open soon, with more exams to be added. Wherever an exam was split into 2 or more exams, the existing graduates was copied over with their grades and completion dates.
    [Show full text]
  • Evacuation Lifted Following Bomb Scare
    Vol. 91 Issue 48 May 2, 2012 Bomb scare spurs shopping center evacuation The Orange County Sheriff’s Bomb Squad was called in to investigate a suspicious vehicle parked at a shopping Watch the Daily Titan News in 3 center in Fullerton. Get up- Scan to view Scan to view ONLINE dailytitan. EXCLUSIVES to-date com/?p=55429 coverage on dailytitan.com/?p=55416 top campus news stories. dailytitan.com The Student Voice of California State University, Fullerton LA MAY DAY PROTEST CALMS AFTER CLASH WITH POLICE May Day protesters marched successfully around Los Angeles, breaking from their designated routes numerous times and coming into brief physical contact with police on West 4th and South Hill streets. Four major groups — the East, West, North and South Winds — were scheduled to converge at West 6th and South Main streets, See story on LOCAL MAY DAY PROTESTS, page 2 where they proceeded to Pershing Square. Photos by William Camargo (top left), David Le (top right and bottom left) and Anibal Ortiz (bottom right). Evacuation lifted following bomb scare Police clear shopping The car’s owner, a male Fullerton of the scene, which is standard center after suspicious resident, was arrested by police practice for situations of this nature, device found in car and is being held for a 72-hour Stuart said, while Fullerton and psychological evaluation, Stuart said. University Police Departments ALVAN UNG & IAN WHEELER “They’re not sure of his mental guarded the perimeter. Daily Titan capacity or what his condition was, or The bomb squad mobilized a why he did that.
    [Show full text]
  • Bessemer School Officials Delighted with Bond Approval by P.J
    Call (906) 932-4449 Ironwood, MI Basketball Michigan high school districts Redsautosales.com look toward seeding teams SPORTS • 9 DAILY GLOBE Thursday, May 9, 2019 Rain likely yourdailyglobe.com | High: 38 | Low: 30 | Details, page 2 Bessemer school officials delighted with bond approval By P.J. GLISSON mills, which will make possible measure next to 88 who did “We need to get our roofs He expects members to be in a [email protected] $1.3 million in funds that the not. fixed at Washington School,” said more definitive position by then BESSEMER – Officials of the board expects to share fairly Bessemer City Hall collected Berg regarding the first priority to share initial plans with the Bessemer Area School District are evenly between Washington Ele- 327 votes to approve versus 221 of board members. public. thrilled that voters passed a con- mentary School and A.D. John- votes against the bond. According to Berg, the board Prior to the vote, superinten- tinuing millage rate for the city’s ston Junior and Senior High Berg said he wished more peo- will meet in a 4:30 p.m. work- dent Dave Wineburner had said two schools in a dedicated elec- School, both in Bessemer. ple had voted, but added that shop today, wherein members that he hoped all work funded by tion Tuesday. “It was pretty exciting last “the right people voted.” may discuss various priorities the bond would be complete by In the words of Bob Berg, pres- night at 8:30 p.m.,” Berg told the The board promoted the bond in relation to millage funds.
    [Show full text]
  • All but War Is Simulation: the Military Entertainment Complex
    1 THEATERS OF WAR: THE MILITARY-ENTERTAINMENT COMPLEX Tim Lenoir and Henry Lowood Stanford University To appear in Jan Lazardzig, Helmar Schramm, Ludger Schwarte, eds., Kunstkammer, Laboratorium, Bühne--Schauplätze des Wissens im 17. Jahrhundert/ Collection, Laboratory, Theater, Berlin; Walter de Gruyter Publishers, 2003 in both German and in English War games are simulations combining game, experiment and performance. The U.S. Department of Defense (DoD) has been the primary proponent of war game design since the 1950s. Yet, commercial game designers produced many of the ideas shaping the design of military simulations, both before and after the advent of computer-based games. By the 1980s, the seeds of a deeper collaboration among military, commercial designers, the entertainment industry, and academic researchers in the development of high-end computer simulations for military training had been planted. They built “distributed interactive simulations” (DIS) such as SIMNET that created virtual theaters of war by linking participants interacting with distributed software or hardware simulators in real time. The simulators themselves presented synthetic environments—virtual worlds—by utilizing advances in computer graphics and virtual reality research. With the rapid development of DIS technology during the 1990s, content and compelling story development became increasingly important. The necessity of realistic scenarios and backstory in military simulations led designers to build databases of historical, geographic and physical data, reconsider the role of synthetic agents in their simulations and consult with game design and entertainment talents for the latest word on narrative and performance. Even when this has not been the intention of their designers and sponsors, military simulations have been deeply embedded in commercial forms of entertainment, for example, by providing content and technology deployed in computer and video games.
    [Show full text]
  • Fílmico Vs Digital
    Fílmico vs digital Guerra estético-tecnológica en el mundo audiovisual Agustín Javier Scarnato 21/12/2018 Diseño de Imagen y Sonido Investigación Historias y tendencias 1 Agradecimientos. Agradezco a todas aquellas personas que me acompañaron a lo largo de la carrera y también durante el desarrollo del Proyecto de Graduación. Su apoyo lo considero como un pilar fundamental para contribuir con la motivación necesaria para cumplir con los objetivos establecidos día a día. Gracias a la profesora Milena Faguagaz por clase a clase leer el proyecto y brindar toda su ayuda para que mejore con cada corrección. Por su paciencia, motivación y apoyo brindado para que haya logrado llegar hasta esta instancia. Por potenciar mi proyecto y sugerir cambios que terminaron siendo favorables y ayudaron al correcto desarrollo del ensayo. Agradezco también al profesor Marcelo Otero por haberme ayudado con la consulta de contenido y brindarme su tiempo, experiencia y sabiduría para enriquecer el proyecto y su contenido. Por último deseo agradecer a mi familia y pareja por ser un apoyo incondicional, por la motivación brindada para terminar la carrera y por haberme acompañado a transitar esta etapa de mi vida. 2 Índice. Introducción…………………………………………………………………………………........5 Capítulo 1. Nacimiento del cine e Industria fílmica….…………………..………...……..12 1.1 Breve historia del cine……………………………………………………….………...……12 1.2 La invención del fílmico………………………………………………………..……………15 1.3 La película cinematográfica: soporte y emulsión………………………….…….……….16 1.3.2 Tipos de cinta fílmica…………………………………………….…………...….19 1.4 Revelado del material……………………………………………………..………………...21 1.5 Formatos de proyección y distribución…………...……………………….………………22 1.6 Efectos especiales y cine de animación………………………………….………………24 Capítulo 2.
    [Show full text]
  • (12) Patent Application Publication (10) Pub. No.: US 2011/0078564 A1 ALMODOVAR HERRAIZ Et Al
    US 2011 0078564A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2011/0078564 A1 ALMODOVAR HERRAIZ et al. (43) Pub. Date: Mar. 31, 2011 (54) CONVERTING TEXT MESSAGES INTO Publication Classification GRAPHICAL MAGE STRINGS (51) Int. Cl. G06F 7/24 (2006.01) (76) Inventors: Daniel ALMODOVAR (52) U.S. Cl. ........................................................ 71.5/262 HERRAIZ, Madrid (ES); (57) ABSTRACT Francisco Javier RUBIO To generate graphical image strings that graphically represent ANDRES, Madrid (ES); Miguel the full meaning of the content of text messages, a text mes Angel TOUSET RIOS, Madrid sage containing at least one sentence to be converted into (ES) graphical format is first analyzed to identify, for each sen tence: the subject; the at least one verb associated with the Subject, if any; and the Substantives not referring to a person, (21) Appl. No.: 12/862,031 if any. A graphical representation of the Subject is then obtained for each sentence. Likewise a first graphic database (22) Filed: Aug. 24, 2010 is accessed to obtain a graphical representation of the Sub stantives not referring to a person included in each sentence. A modified graphical representation of the Subject is then (30) Foreign Application Priority Data obtained showing the Subject performing the action indicated by the at least one associated verb. Finally, these graphical Aug. 24, 2009 (ES) ................................. P2OO930619 representations are combined into a graphical image string. Patent Application Publication Mar. 31, 2011 Sheet 1 of 4 US 2011/0078564 A1 Patent Application Publication Mar. 31, 2011 Sheet 2 of 4 US 2011/0078564 A1 Status: Thinking of my birthday Status: Driving home Status: Thinking of California J CALFORNA Patent Application Publication Mar.
    [Show full text]
  • FOR IMMEDIATE RELEASE: July 17, 2020
    FOR IMMEDIATE RELEASE: July 17, 2020 CONTACT: Erin Clarke, ​[email protected]​, 347-831-1096 Megan Douglas, ​[email protected]​, 347-793-2211 Jane Alexander, Viola Davis, America Ferrera, Rita Moreno, Zoe Saldana and Meryl Streep to Portray Sojourner Truth, Susan B. Anthony & Elizabeth Cady Stanton in ‘​Talking Statues’​ ​Monologue to Accompany First Statue of Real Women Set to Be Unveiled in Central Park on August 26, 2020 by Monumental Women. Actors Voice Women’s Rights Pioneers in English and Spanish-Language Monologues.​ New York, NY – Today Monumental Women, the all-volunteer nonprofit group bringing the first statue depicting real women to Central Park, is pleased to announce that award-winning actors Jane Alexander, Viola Davis, America Ferrera, Rita Moreno, Zoe Saldana and Meryl Streep will portray Sojourner Truth, Susan B. Anthony and Elizabeth Cady Stanton in English and Spanish-Language ‘Talking Statues’ monologues that will accompany the ​Women’s Rights Pioneers Monument​. The Monument featuring Truth, Anthony and Stanton is set to be unveiled on Central Park’s Literary Walk on August 26, 2020, the centennial anniversary of the th ratification of the 19​ ​ Amendment, when women won the right to vote. Actors Jane Alexander and America Ferrera will voice Susan B. Anthony, Viola Davis and Zoe Saldana will voice Sojourner Truth, and Meryl Streep and Rita Moreno will voice Elizabeth Cady Stanton. Monumental Women began working to develop the ​Women’s Rights Pioneers Monument​ and “break the bronze ceiling” by securing a prominent location on Central Park’s famed Literary Walk in 2014. The organization raised $1.5 million in private funding to pay for the statue, which is being designed by nationally-recognized sculptor Meredith Bergmann.
    [Show full text]
  • The Video Game Asset Pipeline a Pattern Approach to Visualization
    The Video Game Asset Pipeline A Pattern Approach to Visualization James Lear Student ID: 91002002 [email protected] The University of the West of England Faculty of Environment and Technology This thesis is submitted for the degree of Doctor of Philosophy March 2021 Director of Studies Supervisor Professor Richard McClatchey Dr Simon Scarle [email protected] [email protected] a Abstract Video games consist of virtual worlds modelled as an approximation of either a real or imaginary environment. The amount of content required to populate the environments for Triple-A (AAA) video games doubles every few years to satisfy the expectations of the end-users. For this reason, the art and design discipline now constitute the maJority of those employed in a video game studio. The artists use Digital Content Creation (DCC) tools to design and create their content; tools not originally designed for video game asset creation. Ultimately the artists require to preview their content in the form of source assets in the runtime environment, the game engine, to ensure they provide an accurate rendering of their original vision. However, there exists a barrier to achieve this workflow; the original source assets are persisted in a proprietary format, information rich to handle future edits, and the final runtime environment requires the assets to be lightweight ready for fast and efficient loading into the game engine. The video game industry has solved this problem by introducing a fast and efficient workflow known as the asset pipeline. The asset pipeline is recognized within video games technology as a general reusable solution to the common problem of converting source assets into their final runtime form as expected by the runtime game engine.
    [Show full text]