Ukraine: Weekly Review of Financial Markets Week # 19
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Orange Revolution: a Case Study of Democratic Transition in Ukraine
THE ORANGE REVOLUTION: A CASE STUDY OF DEMOCRATIC TRANSITION IN UKRAINE Anastasiya Salnykova BA, National University "Kyiv-Mohyla Academy", 2004 THESIS SUBMITED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ART In the Department of Political Science @ Anastasiya Salnykova 2006 SIMON FRASER UNIVERSITY Spring 2006 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL I Name: Anastasiya Salnykova Degree: Master of Arts Title of Thesis: The Orange Revolution: A Case Study of Democratic Transition in Ukraine Examining Committee: Chair: Dr. Tsuyoshi Kawasaki Associate Professor of Department of Political Science Dr. Lenard J. Cohen Senior Supervisor Professor of Department of Political Science Dr. Alexander Moens Supervisor Professor of Department of Political Science Dr. Ilya Vinkovetsky External Examiner Assistant Professor of Department of History Date Defended/ Approved: April 6th, 2006 ii 2E: SIMON FRASER . &&W ~~~v~~~~nl~brary DECLARATION OF PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection, and, without changing the content, to translate the thesislproject or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Nation Branding, National Identity and the Eurovision Song Contest in Estonia Politics and Society in the Baltic Sea Region 2
This book provides a unique and intriguing insight into current debates concerning the relationship between nation and state Jordan Paul as well as the political management of international image in today’s Europe through an examination of debates on nation branding and the Eurovision Song Contest. Europe is a con- tested construct and its boundaries are subject to redefinition. This work aims to advance critical thinking about contempo- rary nation branding and its relationship to, and influence on, Paul Jordan nation building. In particular it focusses on key identity debates The Modern Tale Fairy that the Eurovision Song Contest engendered in Estonia in the run-up to EU accession. The Eurovision Song Contest is an event which is often dismissed as musically and culturally The Modern Fairy Tale: inferior. However, this work demonstrates that it has the capac- ity to shed light on key identity debates and illuminate wider Nation Branding, National Identity socio-political issues. Using a series of in-depth interviews with and the Eurovision Song Contest political elites, media professionals and opinion leaders, this book is a valuable contribution to the growing field of research in Estonia on nation branding and the Eurovision Song Contest. Paul Jordan obtained his PhD from the University of Glasgow in 2011. His research interests include nation building and nation branding of post-communist states, national identity and nationalist politics. He is also a regular media commenta- tor on the Eurovision Song Contest. Politics and Society in the Baltic Sea Region Politics and Society ISBN 978-9949-32-558-0 2 in the Baltic Sea Region 9 789949 325580 > www.tyk.ee 2 Politics and Society in the Baltic Sea Region 2 Paul Jordan The Modern Fairy Tale: Nation Branding, National Identity and the Eurovision Song Contest in Estonia Politics and Society in the Baltic Sea Region 2 Politics and Society in the Baltic Sea Region is a series devoted to contemporary social and political issues in the countries surrounding the Baltic Sea. -
Deploying Musical Narratives of Internal Others in Soviet and Post-Soviet Ukraine
“THEY BELIEVE THE DAWN WILL COME”: DEPLOYING MUSICAL NARRATIVES OF INTERNAL OTHERS IN SOVIET AND POST-SOVIET UKRAINE Melissa Bialecki A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2017 Committee: Katherine Meizel, Advisor Sidra Lawrence © 2017 Melissa Bialecki All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor This thesis explores the roles of internal others in constructing a Soviet and post-Soviet Ukrainian national identity. I begin with an analysis of the kobzars—a group of blind, itinerant minstrels who performed across Ukraine in the late 19th and early 20th centuries, before they disappeared entirely during Stalin’s Great Terror in the 1930s. First, I explore the ways in which the Ukrainian bandura, an asymmetrical lute instrument, has become a site for documenting epistemologies of blind musicians in Ukraine. I then examine how these ways of knowing blindness have been influenced by myths of blind musicians in Ukraine that seek to demystify these internal “others.” Furthermore, I discuss how these myths continue to influence 21st century depictions of blind minstrels through an analysis of the 2014 Ukrainian film, The Guide. Finally, I turn my focus to the Eurovision Song Contest in order to examine how narratives of internal others are deployed in order to negotiate Ukraine’s position in 21st century Europe and in the context of the Russian-Ukrainian conflict. I then reflect on the ways in which deploying these narratives of internal others does not draw these groups into the mainstream, but instead emphasizes and exploits their difference for the purpose of rejecting external hegemony in Ukraine. -
Eurovisie Top1000
Eurovisie 2017 Statistieken 0 x Afrikaans (0%) 4 x Easylistening (0.4%) 0 x Soul (0%) 0 x Aziatisch (0%) 0 x Electronisch (0%) 3 x Rock (0.3%) 0 x Avantgarde (0%) 2 x Folk (0.2%) 0 x Tunes (0%) 0 x Blues (0%) 0 x Hiphop (0%) 0 x Ballroom (0%) 0 x Caribisch (0%) 0 x Jazz (0%) 0 x Religieus (0%) 0 x Comedie (0%) 5 x Latin (0.5%) 0 x Gelegenheid (0%) 1 x Country (0.1%) 985 x Pop (98.5%) 0 x Klassiek (0%) © Edward Pieper - Eurovisie Top 1000 van 2017 - http://www.top10000.nl 1 Waterloo 1974 Pop ABBA Engels Sweden 2 Euphoria 2012 Pop Loreen Engels Sweden 3 Poupee De Cire, Poupee De Son 1965 Pop France Gall Frans Luxembourg 4 Calm After The Storm 2014 Country The Common Linnets Engels The Netherlands 5 J'aime La Vie 1986 Pop Sandra Kim Frans Belgium 6 Birds 2013 Rock Anouk Engels The Netherlands 7 Hold Me Now 1987 Pop Johnny Logan Engels Ireland 8 Making Your Mind Up 1981 Pop Bucks Fizz Engels United Kingdom 9 Fairytale (Norway) 2009 Pop Alexander Rybak Engels Norway 10 Ein Bisschen Frieden 1982 Pop Nicole Duits Germany 11 Save Your Kisses For Me 1976 Pop Brotherhood Of Man Engels United Kingdom 12 Vrede 1993 Pop Ruth Jacott Nederlands The Netherlands 13 Puppet On A String 1967 Pop Sandie Shaw Engels United Kingdom 14 Apres toi 1972 Pop Vicky Leandros Frans Luxembourg 15 Power To All Our Friends 1973 Pop Cliff Richard Engels United Kingdom 16 Als het om de liefde gaat 1972 Pop Sandra & Andres Nederlands The Netherlands 17 Eres Tu 1973 Latin Mocedades Spaans Spain 18 Love Shine A Light 1997 Pop Katrina & The Waves Engels United Kingdom 19 Only -
Wild Dances and Dying Wolves: Simulation, Essentialization, and National Identity at the Eurovision Song Contest
Wild dances and dying wolves: simulation, essentialization, and national identity at the Eurovision Song Contest ABSTRACT This paper examines Eurovision as a site for the public representation of the nation and explores the tendency towards simulation in such representations. The contest’s transnational audience and implication in commercial practices create pressures towards representing the nation through simplified, well-known images. A critique of globalization from south-east Europe argues that cultural production from marginalized countries which emphasizes local distinctiveness is a sign of structural inequality. This critique is tested against representational strategies from Ukraine, Bosnia-Herzegovina, Serbia and Croatia. Eurovision is then related to tourism through an analysis of the representation of the Mediterranean in Eurovision performances, which reflect symbolic hierarchies constructed by travel writing since the Enlightenment. Finally, the paper considers the overarching representational power exerted by host states. Key words: Eurovision Song Contest, popular music, folklore, national identity, Croatia, Bosnia-Herzegovina, Serbia, Ukraine Word count: 9, 235 words including notes and references This paper seeks to explore the tendency towards simulation in contemporary public representations of the nation through a historical account of the representation of national tradition in the Eurovision Song Contest since 2004. Eurovision offers two forms of opportunity for nations to be represented: the production of a live performance (and often a promotional video) by each competitor, and the promotion of the host city and country on the part of the state broadcaster organizing the event. This paper contends that the nature of the Eurovision audience (with viewers in more than 40 countries inside and outside Europe) and the commercial practices in which Eurovision is implicated create pressures towards public representations which play on simplified, well-known images of a country or region. -
Facultad De Filosofía Y Letras El Festival De Eurovisión: Más Allá De
CURSO 2015-2016 Facultad de Filosofía y Letras Grado en Periodismo El Festival de Eurovisión: Más allá de la canción Alumna: Laura María Ortiz Montero Tutora: Nereida López Vidales 1ª Convocatoria: Julio de 2016 El Festival de Eurovisión: Más allá de la canción. Laura María Ortíz Montero. 2 El Festival de Eurovisión: Más allá de la canción. Laura María Ortíz Montero. MARCO LEGAL El presente Trabajo de Fin de Grado sigue las normas del Real Decreto 1393/2007, de 29 de octubre, regulado en la Universidad de Valladolid por las Cortes de Castilla y León y publicado en el B.O.C. y L. n.º 32, de 15 de febrero, modificado el 27 de marzo de 2013, por el que se establece la ordenación de las enseñanzas universitarias oficiales, indica que todas las enseñanzas oficiales de grado concluirán con la elaboración y defensa pública de un Trabajo de Fin de Grado, que ha de formar parte del plan de estudios. Los 6 ECTS a los que equivale este Trabajo de Fin de Grado son en los que el alumno deberá demostrar las competencias básicas de la titulación. 3 El Festival de Eurovisión: Más allá de la canción. Laura María Ortíz Montero. 4 El Festival de Eurovisión: Más allá de la canción. Laura María Ortíz Montero. Resumen La Unión Europea de Radiodifusión (UER) nació en 1950 para mejorar el servicio de radio y televisión mediante la colaboración y el intercambio de contenidos. Este, en un principio, se limitaba solo a noticias y deportes. Para aumentar sus servicios, en 1956 apostaron por crear un certamen dónde la música sirviera de nexo de unión entre los pueblos: el Festival de la Canción de Eurovisión. -
The Ukrainian Weekly 2005, No.22
www.ukrweekly.com 1NS1DE: - Eurovision visitors to Kyiv are impressed - page 8. - Уагепуку eating champion crowned in New York - page 11. - Ukrainians in the world of sports: an overview - centerfold. THE UKRAINIAN WEEKLY Published by the Ukrainian National Association inc., a fraternal non-profit association vol. LXXIII No. 22 THE UKRAINIAN WEEKLY SUNDAY, MAY 29,2005 Si;S2 in Ukraine Yushchenko shows signs of impatience Kyiv hosts Eurovision finals with his prime minister after fuel crisis Greece's entry wins song contest by Zenon Zawada principles and that the government could Kyiv Press Bureau no longer resort to such tactics. The decree re-established a market-oriented KYiv - President viktor Yushchenko environment in Ukraine's oil-refining reportedly lost his patience with Prime industry. Minister Yulia Tymoshenko and suggest– According to the confidant, when the ed that she resign during a high-level May 21 meeting began, Ms. Tymoshenko conference with Russian oil executives immediately told those present that she on May 19. disagreed with the first part of the presi– Dzerkalo Tyzhnia, Ukraine's weekly dent's order, in which he said the govem– analytical newspaper, confirmed with ment's response to the crisis was not "four conference participants" the details market-oriented. of the conflict as revealed by a trusted At this point, the president reportedly confidant of Ms. Tymoshenko. apologized to the Russian oil executives According to Ms. Tymoshenko's that the Ukrainian government did not anonymous confidant, in his alleged allow them to conduct business. emotional outburst, the president also That's when he reportedly made the said that "Ukraine's government is the remark about Ukraine's government worst in Europe and he regrets selecting being the worst in Europe and that he Ms. -
Journal of History Culture and Art Research (ISSN: 2147-0626) Tarih Kültür Ve Sanat Araştırmaları Dergisi Vol
Journal of History Culture and Art Research (ISSN: 2147-0626) Tarih Kültür ve Sanat Araştırmaları Dergisi Vol. 10, No. 1, March 2021 DOI: 10.7596/taksad.v10i1.3009 Citation: Bekcan, U., & Uz Hançarlı, P. (2021). Evaluation of Eurovision Song Contest as a Cultural Impact Tool. Journal of History Culture and Art Research, 10(1), 84-97. doi: http://dx.doi.org/10.7596/taksad.v10i1.3009 Evaluation of Eurovision Song Contest as a Cultural Impact Tool Umut Bekcan1, Pınar Uz Hançarlı2 Abstract In this study, three claims/arguments regarding the emergence and function of the Eurovision Song Contest were put forward and tried to be grounded. First, the contest emerged as a tool for Western Europe to influence Eastern Europe culturally in the Cold War but it didn’t become an ideological conflict area of East-West. Second, the contest functioned as a stage of expressing the political problems/situations that countries experience within themselves or with each other in the Cold War era and aftermath. Third, although Turkey took place in the Western Europe side in the Cold War, this contest made Turkey feel non-European while having a different identity. In this context, the subject is discussed from the historical perspective with the assumption that the subject of history is unique. The study focused primarily on the concept of the Cold War and the contest. Then, it was explained with the examples which political problems/situations different from the Cold War ideological conflict environment were brought up on the contest platform. Finally, it was emphasized that the contest contributed to “us vs them” dichotomy in Turkey against Europe, contrary to Eurovision’s aim to form/create a common European culture. -
The Ukrainian Weekly 2009, No.20
www.ukrweekly.com INSIDE: • The European Union’s accidental sphere of influence – page 3. • Ukrainian Cultural Institute receives N.D. Governor’s Award – page 4. • Carpathian Music Ensemble at U. of Pittsburgh – page 11. THEPublished U byKRAINIAN the Ukrainian National Association Inc., a fraternal non-profitW associationEEKLY Vol. LXXVII No.20 THE UKRAINIAN WEEKLY SUNDAY, MAY 17, 2009 $1/$2 in Ukraine “Diplomacy with a human heart”: Ukraine’s Constitutional Court says no Canada’s governor general in Ukraine to presidential election on October 25 by Zenon Zawada all.” Kyiv Press Bureau A January 17 election day is also sup- ported by Viktor Yanukovych, leader of KYIV – Ukraine’s Constitutional Court Ukraine’s largest political party, the Party of ruled on May 13 that the parliamentary vote Regions of Ukraine, and the most popular to set presidential election day for October presidential candidate, according to polls. 25 was unconstitutional, yet it didn’t set a The party’s lawyers recommended two dates replacement date and returned the decision – December 6 and January 17, Mr. to the Verkhovna Rada. Yanukovych told reporters on May 14. When Ukraine’s Parliament voted on “From purely human considerations, my April 1 to set October 25 as election day, it internal condition tells me that we can’t be incorrectly based its decision on the old ver- so cynical in relations with people as to sion of the Ukrainian Constitution of chase them to elections during New Year’s Ukraine, which stipulated that the vote must Day and Christmas,” he said. “I believe we be held on the last Sunday in October, the need to celebrate the New Year holidays and court ruled. -
Gender and the Orange Revolution
Gender and the Orange Revolution ALEXANDRA HRYCAK A gendered perspective on politics is used for explaining why Ukraine’s Orange Revolution has so far not led to a dramatic increase in the political influence of civic associations or to a broader democratization of power relations within the political system. Women entered the post-communist political system in a marginal position. They were also never able to develop political bargaining power in the authoritarian political system that emerged after Ukraine’s independence. The prospect of inte- gration into the European Union has increased the salience of gender inequality, because states that seek to join the EU must enact extensive equal opportunity legis- lation. But elite divisions about Ukraine’s geopolitical orientation reduce the likelihood that gender equality measures that have been introduced will be implemented successfully. Accounts of the Orange Revolution view this event as a positive step forward for democratization. It has been widely interpreted as a signal that civil society in Ukraine has grown stronger and more vibrant and that citizens in that country feel more confident about rejecting the corruption and informal prac- tices of social control that undermine the fragile foundations of democrati- zation in post-Soviet countries.1 Yet its slogan, ‘Together we are many, we cannot be defeated!’ (Razom nas bahato! Nas ne podolaty!), contrasts quite ironically with the disappointing political outcomes of the Orange Revolution. Indeed, many questions remain about whether civil society is sufficiently strong and cohesive in Ukraine to force its elite to move the country closer towards becoming a consolidated democracy like its western neighbours, and further away from the majority of post-Soviet states that have already become authoritarian regimes.2 Alexandra Hrycak received her MA and PhD from the University of Chicago. -
European Neighbourhood Policy. EU and Ukraine: Neighbour, Partner
KATHOLIEKE UNIVERSITEIT LEUVEN FACULTY OF SOCIAL SCIENCES DEPARTEMENT OF POLITICAL SCIENCE EUROPEAN NEIGHBOURHOOD POLICY. EU AND UKRAINE: “Neighbour, Partner, Member?” * Apostolos Nikolaidis** * This paper is only a part of the dissertation as submitted in order to obtain the MA in European Politics & Policies. The final study (as submitted) includes also an economic dimension analysis. ** Mr. Apostolos Nikolaidis holds a BA in Political Studies & Diplomacy (University of Macedonia, Thessaloniki, Greece), a MA in European Politics & Policies (University of Leuven, Belgium) and follows a MA of Conflict & Sustainable Peace Studies (University of Leuven, Belgium) CONTENTS LIST OF FIGURES 2 EXECUTIVE SUMMARY 3 1. Introduction 4 2. The EU Relations with Ukraine 7 2.1. Evaluation of the Bilateral Relations 8 2.2. An Overview of Ukraine’s Policy towards the EU 10 3. More than Neighbours: The Political Dimension 14 3.1. The strategic importance of Ukraine 15 3.2. Mutual concern on regional security and stability 17 3.3. Ukraine’s security role in the “wider Europe” 21 4. Concluding Remarks 26 BIBLIOGRAPHY 30 WEBSITES 38 LIST OF FIGURES 1.1 Map of Ukraine 4 3.1 Existing and Planned Gas Routes to Europe 24 2 EXECUTIVE SUMMARY The latest Presidential elections in Ukraine brought the country closer to meeting international commitments and standards for democratic elections. It was also seen as a turning point in Ukraine’s political life. Without any doubt the “Orange Revolution” introduced a new impetus towards Ukraine’s European integration. Until recently, Ukraine has not seriously been considered for EU membership. Nevertheless, the whole debate has been re- boosted by these latest Ukrainian evolutions. -
The Cyberpolitics of Music in Ukraine's 2004 Orange Revolution
The Cyberpolitics of Music in Ukraine's 2004 Orange Revolution Adriana Helbig Between November 21 and December 26, 2004, nearly one million people protested in Kyiv against election fraud, media censorship, mass govern ment corruption, and oligarchic market reforms. These large-scale peaceful protests have become widely known as the Orange Revolution, named after the campaign colors ofViktor Yushchenko, the opposition candidate who ran against Viktor Yanukovych, a politician with a criminal record who was backed by Moscow and the sitting Ukrainian government.! Music and the Internet played crucial roles in the Orange Revolution. In the five years between 2000 and 2005, the number ofInternet users in Ukraine jumped from 200,000 to more than 5 million in a country of approximately 48 million people (an increase of more than 10% of the population).2 In the two months between November 21, 2004 (the day of the contested presidential elections that precipitated the Orange Revolution), and January 23,2005 (when President Viktor Yushchenko was inaugurated), the number of Internet users in Ukraine tripled (Delong 2005). The significant role played by Internet streaming of audio and video in the mediation of political information, activism, and communication during the Orange Revolution can serve as a case study for a broader analysis of the relationship between cyberactivism (Kreimer 2001; McCaughey and Ayers 2003) and what I term "cybermusicality": an engagement with Internet music and its surrounding discourses that has meaning in listeners' lives both online and off. In remarks before a concert by Ukrainian rock singer and Orange Revolution participant Maria Burmaka in the spring of 2005 at Columbia University,3 ethnomusicologistAna Maria Ochoa Gautier argued that music is not political in its essence.